Musicians, The purpose of chords when used in song form context is support or help to carry a melody. This teacher is rather wise in his approach and this post is very helpful. Save this post and review it several times.Enjoy! 🎼🎸😎
I have an agenda. It entails knowing fretboard well (all 12x6=72 notes). And I have another agenda: spelling chords. This video encompasses those 2 agendas. Do you have any idea how difficult it is to help with my 2 agendas? The PURPOSE of this tutorial matches the core purpose of my studying of the guitar. And - I won’t explain this - knowing this stuff turns the guitar into a fantastic theory TEACHER!
Glad to have you in the program! :) Chords on Command is a theory course, so it does not include training on fingerstyle playing. I do have other courses on fingerstyle though. Just send me an email if you have any concerns.
Jared, @15:38 you speak of chord naming with/without a 5th. Would I call a G-F-B-E (R-b7-3-6or13) a Gb13? There is no 5th in the vlocing, so does that mean it should be called a Gb7add 6?. When there is a b7th in the voicing, I've always omitted the b7 from the name and called it a Gb13 wherein the b7 is assumed to be in the voicing. Or does this not apply to a "5th rule" because it is not speaking some flavor of a 5th either a b5,5 or #5?
A chord made of the notes G-F-B-E would be called G13, regardless of whether the 5th is in the voicing. G13 implies that the b7 is present. I hope that helps!
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Musicians,
The purpose of chords when used in song form context is support or help to carry a melody. This teacher is rather wise in his approach and this post is very helpful. Save this post and review it several times.Enjoy! 🎼🎸😎
Thank you! 🙂🙏
Thanks Jared, another lesson that was way beyond me before the 3 videos.
Great to hear, Stuart! I'm glad you enjoyed the three workshop videos as well as this one. :)
Excellent
Thanks Jared! This is awesome. I am going to add this to my weekly practice. It looks challenging, and fun!
Heck yeah. Glad you're trying it out!
Interesting. As a beginner I play a chord but have no idea what it is so i think this will help me find out.....thanks
Sure thing. I hope it helps!
Looks like a lesson for me, thanks.
Glad to hear it! :)
I have an agenda. It entails knowing fretboard well (all 12x6=72 notes).
And I have another agenda: spelling chords.
This video encompasses those 2 agendas.
Do you have any idea how difficult it is to help with my 2 agendas?
The PURPOSE of this tutorial matches the core purpose of my studying of the guitar.
And - I won’t explain this - knowing this stuff turns the guitar into a fantastic theory TEACHER!
Good undertaking! I'm glad this tutorial lines up with your reason for studying guitar!
Thank you 🙏😊
Sure thing! 👍
Thanks.
Always! 😊
❤
Just brought your Premium course , whether it's helpful in playing advanced fingerstyle ???
Glad to have you in the program! :) Chords on Command is a theory course, so it does not include training on fingerstyle playing. I do have other courses on fingerstyle though. Just send me an email if you have any concerns.
second chord for me is a Dadd2/F# (you have 3-2-5-R-2)
Good analysis! That is what the diagram shows, but I made a typo. I meant to show the third fret on the third string instead of the second fret.
@ 32:11 I got stumped by the Bb9sus4. I was thinking Bb11 (but your name is better as it conveys the fact that there is a 9 and a 4 present).
Almost! Bb11 would mean that there is a 3 AND 4 in the chord voicing.
@@soundguitar No 3rd, think sus chord. Got it. Thanks!
Jared, @15:38 you speak of chord naming with/without a 5th. Would I call a G-F-B-E (R-b7-3-6or13) a Gb13? There is no 5th in the vlocing, so does that mean it should be called a Gb7add 6?. When there is a b7th in the voicing, I've always omitted the b7 from the name and called it a Gb13 wherein the b7 is assumed to be in the voicing. Or does this not apply to a "5th rule" because it is not speaking some flavor of a 5th either a b5,5 or #5?
A chord made of the notes G-F-B-E would be called G13, regardless of whether the 5th is in the voicing. G13 implies that the b7 is present. I hope that helps!