Johann Pachelbel - Choralpartita „Was Gott tut, das ist wohlgetan“
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- เผยแพร่เมื่อ 6 พ.ย. 2024
- Johann Pachelbels Choralpartita „Was Gott tut, das ist wohlgetan“, aufgenommen im September 2023 an der historischen Silbermann-Orgel der Kirche Reinhardtsgrimma.
Tonmeister: Martin Fischer; Kamera und Schnitt: Stephan Liebich, lielux.de/, auf TH-cam:@StephanLiebich
Make-Up: Nadine Kratzsch
Johann Pachelbel's Choralpartita "Was Gott tut, das ist wohlgetan" , recorded in September 2023 on the historic Silbermann organ in Reinhardtsgrimma church.
Sound engineer: Martin Fischer; camera and editing: Stephan Liebich, lielux.de/, on TH-cam:@StephanLiebich
Make-up: Nadine Kratzsch
Eine berühmte Orgel braucht eine ebenso herausragende Organistin. Völlig unaufaufgeregt und durchsichtig gespielt. Das Video mit den Einblendungen beim Umregistrieren find ich klasse gemacht. Vielen Dank Angela Metzger mit Team für dieses Video. Bitte mehr 😊
Vielen Dank für diesen Kommentar - die Blumen gebe ich auch ans Team weiter :-) Ja, es kommen noch mehr Videos aus Reinhardtsgrimma.
Thank you, Angela, very well performed! Cute tracker-organ! It is well-tuned and maintained. It must be a little bit difficult to play, since the keys have a high travel when pressed, besides the manual action effort. Thank you for posting! Greetings from Canada!
Thank you for your comment! The organ was restored in 1997 by Kristian Wegscheider (Dresden) and is working perfectly! You are right, the keys require some strength 🙂Greetings from Munich!
Splendid instrument and wonderful playing! However these partitas need to be performed without undue pauses between variations so that the work has an organic unity. That could have been achieved here by means of editing. Anyway, good to hear this work played, but my own feeling is that the only one in the set worth playing is "Christus, der ist mein leben."
Thank you for your comment! We just liked the idea of showing some stop changes in the video - because it's a video, not a recording only with sound. So people can see that playing the organ - especially playing historical organs - is not only about pressing buttons. Like nearly everything else in our 21st century ;-)
@@AngelaMetzgerOrgel
Many thanks for your kind and interesting reply. As you say, the organ featured here is mechanically fascinating and seeing it being "operated" is certainly educational. I think it would be fair to say that many people who play the organ are drawn to it for its technical complexity, and perhaps less for its musical qualities. However in this instance you have succeeded in showing us the working reality of a splendid historic organ as well as giving us a wonderfully accomplished performance of this chorale partita.
As for the unavoidable delays involved in selecting registrations for the ensuing variation, it would be good to know what they did about that back in Pachelbel's day. As I said earlier, I tend to think that continuity is important and I wonder what view he took. We can notice (as in Partita 6 here) that he often provides two versions, one for organ with pedals, and the other for cembalo, so perhaps the pieces were often played on a cembalo where continuity was possible throughout.
Life was hard for Pachelbel when he composed these Partitas but he managed to overcome adversity and leave us this legacy of lovely music. We are indeed lucky to have those such as you who can bring it so beautifully to life. Anyway, I've subscribed with notifications to your channel in the hope that during whatever time may be left to me I may get to hear you play on this fine instrument the first of the set, 'Christus, der ist mein Leben'!