I find this version by Yohan Kim totally mesmerizing! Learn how to cover songs like Yohan does with my new piano course: www.gondolamusic.co/arranging-reharmonization Today's sheet music trivia (first to answer correctly gets PDF): The chord symbol on the 3rd beat of m.20 can be rewritten as ____ ?
The voicing he does makes all those trite gospely triads so tasteful. Also, a masterful transcription. I'm missing a few things here and there but I respect the awesome work of transcribing it into something that reads as pianistically as it plays
Another masterful rendition of an old favorite that could so easily be messed up by goofing around with it, but somehow Kim does versions of tunes that are fresh, inventive, jazzy and beautifully re-harmonized, but not sappy, overdone, or that get so far from the original that it's self-absorbed. Really tasteful, musical, fun to listen to. Would be fun to learn to play, too! Gimme... a year! At least!
Some things I noticed with the chord symbols: 9 + 11: F/C not F/A 20+24: Bb13 #11 (I know C/Bb7 is the same thing but barely anyone writes that, however one of these bars says C/B so the bass note is actually wrong) 25: Gm11 to C13 b9 #11 on those last two chords? 57: C not G7 83: is the accidental F natural to F# (not E to F#)? 90: F/C not F/A This might seem pedantic but some players who aren't as good at sight reading notation will end up reading the chord symbols, and will appreciate the right ones written, so it makes sense to me to make sure these are correct too
I find this version by Yohan Kim totally mesmerizing!
Learn how to cover songs like Yohan does with my new piano course: www.gondolamusic.co/arranging-reharmonization
Today's sheet music trivia (first to answer correctly gets PDF): The chord symbol on the 3rd beat of m.20 can be rewritten as ____ ?
Bb7sus4
C13?
Ab9#5
Bb13#11
Edim13(b11)
The voicing he does makes all those trite gospely triads so tasteful. Also, a masterful transcription. I'm missing a few things here and there but I respect the awesome work of transcribing it into something that reads as pianistically as it plays
Another masterful rendition of an old favorite that could so easily be messed up by goofing around with it, but somehow Kim does versions of tunes that are fresh, inventive, jazzy and beautifully re-harmonized, but not sappy, overdone, or that get so far from the original that it's self-absorbed. Really tasteful, musical, fun to listen to. Would be fun to learn to play, too! Gimme... a year! At least!
I love how it gets continuously spicier
Thank you so much for this arrangement, Timothy!
Awesome transcription-many thanks!
정말 좋네요 very sound good
Yohan Kim and Timothy Gondola together ❤
much better transcription than the last version you uploaded like 6 years ago ;)
💜🙏
좋아요!
👏👏👏👏👏👏👏👏
Some things I noticed with the chord symbols:
9 + 11: F/C not F/A
20+24: Bb13 #11 (I know C/Bb7 is the same thing but barely anyone writes that, however one of these bars says C/B so the bass note is actually wrong)
25: Gm11 to C13 b9 #11 on those last two chords?
57: C not G7
83: is the accidental F natural to F# (not E to F#)?
90: F/C not F/A
This might seem pedantic but some players who aren't as good at sight reading notation will end up reading the chord symbols, and will appreciate the right ones written, so it makes sense to me to make sure these are correct too
부드러운데 뭔가 박력