VIOLIN MASTERCLASS SAINT SAENS RONDO CAPRICCIOSO

SAINT-SAENS RONDO CAPRICCIOSO. This composition is dedicated to the 18th-century violinist Pablo de Sarasate, and there's a very much audible Spanish influence in the flow of this romantic composition. It has an infallible effect on the audience, but it demands precision and technique. Our professor gives a detailed description of all the dynamics, especially the Forte-Piano flow, accents, bowing, and in Tutorial B she also gives suggestions on different possible interpretations. It could be necessary a massive use of our slow-motion feature.
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Master Teacher: Janna Gandelman
Student: Mark Karlinsky
©iClassical Academy, April 2014
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[@amu5823]

Ling ling?

[@ReguluzAlfa]

Hooo.. i see a comrade...

[@gregorydocenko4019]

Many issues would be better if they both used the whole bow not focussing only on the upper half for everything!
Also the trill is to an F natural., Anna played an F sharp. I had to stop watching. Anna is good but not a true artist.
Her style of playing is orchestral and more for Corelli and Mozart. Watch famous violinists in order to hear it the
way it's really supposed to go ,I do not want to promote myself.

[@iClassicalAcademy]

Thanks for your comment. We believe we can learn from different artists, famous and less famous and grab what is useful for our performance. We'll offer other teachers on this piece very soon!

[@liamnevilleviolist1809]

Yes, I do agree. I found that every time the teacher demonstrated that it sounded like a synthetic violinist playing. Not much emotion at all, perhaps 10 %.

[@luismirandagodoy9575]

This Guy Can´t stop to listen for a second. Too Bad bro

[@yogurtboi8545]

Wdym?

[@bren3750]

@@yogurtboi8545 as in shes trying to talk and hes cutting her off or straight up playing over her trying to make point

[@fDworked]

Probably this video has been cut to make it shorter,