Absolutely amazing performance by Kyoto Tachibana!! Thank you for sharing this wonderful video! Can’t wait for their return and appearance in the 2025 Pasadena Rose Parade!! 👏👏👏👏👏
Hello, I saw some too. I'm shocked but very happy. The Band sounded so good. " Winter Games " had some low tones that I hadn't noticed before. Kyoto Tachibana is always full of surprises and a good sense of humor. Thank you for uploading. Hello 118th and 119th Terms.
Yes, there were were alumni participating. This is the first Brass Band of 3000 since the cancellations for COVID. Also, this is the very last Brass Band of 3000, so alumni took part.
Desafortunadamente no es la mejor presentación de Kyoto Tachibana SHS Band en los 3000 gracias al destrozo que ha hecho el sr. Yakuta Kaneshiro a los arreglos musicales y a su obstinación para cambiar el sistema de enseñanza de marcha... Solamente hay que ver las presentaciones pasadas para darse cuenta que las generaciones anteriores han sido muy superiores en calidad musical, en rendimiento y en espectáculo... Hoy Kyoto Tachibana SHS Band goza de la fama heredada por las generaciones anteriores... 😢😢😢😢
Unfortunately, I totally agree. If this was the first time I had seen KT I would be moderately impressed and think "they have potential". But this is far from the first time. Not all past 3000s have been a resounding success but most put this into the shade. Okay the movements are excellent but there is the flavour of the format for the National Competitions ( which suits the judges there) but not that of a Marching Band. And the arrangements (of the tunes) - increasing tempo does not always mean increasing effect, and, sorry, but they remind me of some famous rock group doing a concert 20 years after their prime time. Nothing here to make the audience gasp (though some may be satisfied). Where is the joyous feel, the hint of fun, and the occasional and unexpected hint of power? Gone with the swing for which they were once so renowned. They were a truly unique band and okay the dancing is still there but it feels like more of a compulsion instead a heart-felt expression of the music. But I think that is the future for KT. The present Music Director has a totally different philosophy to the previous one - he is the typical Music Teacher (not an insult, and could well be a really nice guy) whereas the previous one had the aim of having the students experiencing and enjoying the music with the audience being entertained. (Check out his interview after he left KT.) And possibly the students themselves are looking for changes - only natural. Will any of the current students break into a spontaneous jam session ( as with Yuinna Mita in2010, in the park), or demonstrate, in training outfits with not a pony tail in site, in 2012. In the last two and a half years I have not seen a single performance which I would want to keep and watch again - though I have tried to be fair. Please note I am not saying that these are useless performers, far from it, hard working students who do their best to produce quality music. But what I am saying is that, along with many musical phenomenon, they are now, consciously or unconsciously, now appealing to a very different audience. If people like what they do fine, but a lot of people will miss the magic they brought as the Most Entertaining Marching Band in the World. I doubt if anyone will equal their appeal then. There is a difference between listening to Good Music and being entertained by Good Music. But this cannot be helped - that is life, so often. Those who prefer the early, or middle Beatle records to those who prefer the later ones. Criticise this view if you like but I have seen many comments impressed by what KT is doing and quite a few who find it difficult to watch their videos. The above performance would have me politely applauding, previous ones would have me standing and clapping to wake up the dead. Some would say - good riddance to such hooligans. I am simply supporting the "disappointed" and would say to similar "Let´s enjoy some of the past performances, this is not for me, but good luck for the future". Best wishes for KT, whatever I think right now.
@@alanallison3200 You keep saying you don't like the current KT and they are not your cup of tea but I noticed you still watch every new video that comes out and leave the same long commentary. Why bother to watch if the new KT does not meet your expectations?
@@LL-ii1dc I could make a rude reply, but why bother. For the record I don´t leave a long commentary for every video I watch, about 10% currently. And your reply, whether intentionally or not, discourages people from making any adverse commentary. I have kept on watching because any views offered should be based on as much sampling as possible (one swallow does not make a summer). I try not to repeat myself too much and have tried to draw a picture of what are in effect quite natural changes but most likely they will mean the audience will not be the same (exceptions to that are also natural). I have had it confirmed that the changes are deliberate and there is a general wish to alter direction. And what they were doing was extremely difficult and exceedingly demanding. And to seek change is only natural. But the brutal truth is that what we have seen over more than 20 years is unlikely to be repeated. A load of factors coming together was behind their previous performers. One crucial element was the rendition/arrangement of the tunes by the previous music director - whose stated aim was to entertain the audience. And likely, because of those arrangements, the students themselves came up with dance moves that complemented what they were playing - in a way no other band has managed to do. They are still playing good music - but with a very different taste. And there is the nub. Yes you can take old tunes, slow them down, rearrange the emphasis of various instruments and some will think that´s fine but not everybody. Having been spoilt by some outstanding performances one half expects to get the same again. (Important to note if one had only been watching for the last 3 years they would be rated as a way above average marching band. But not mind blowing. Some of the recent changes have been good - on their visit to Taiwan I noticed the DM not only beat out the rhythm but also controlled the volume, and some of the choreography had been successfully adopted from the halls to the open air. But compared to previously the parade sections seemed weak. I hoped that was done deliberately for the Taiwan audience but subsequent events make that unlikely. Although we should never forget the recording equipment. But again I am comparing - oh dear, I am not allowed to do that, sorry.) The previous Music Director did sometimes organise the playing of more sedate, reverent, tunes - to fit the occasion, fine. I sincerely hope that on their next visit to the USA they achieve more success and recognition (Japanese audiences seem to have woken up to them, and the credit they give to Japan, no longer do I see a comment like "saw someone smiling - must have been a tourist".) And the American audiences ( a sizeable proportion of them - not all were interested ) really appreciated what they saw and heard. But listen to as much of their reactions as possible - to many it was because here was a band who wasn´t playing "funeral" music (an exageration of course but a valid point), looked lively and happy. And here was a band that could play serious music but also making it enjoyable, even in an indoor setting. I suspect on the next visit they will get something rather different - with varying reactions. (But for their sake, I hope I am wrong). It meant a lot to the students to see how they were appreciated - summed up by DM Ron holding back the tears at the end of their final performance. And what of the original intentions of the first Music Director - check out the various translations- are they still the aims? If not, okay time for a change. But he started off something quite unique. And the second Music Director ( a rare bird indeed) spread an infection of musical entertainment. The third one will have them them play quality music. But there can be a difference between a tune well played and a tune that entertains. And it was such hard work for the students, especially the physical side, (check out the training videos) how long could that continue? There are those in this world who have views on people, or groups, or beliefs, who will never change that opinion (most obvious in politics and religion, but also music). The same people often think it a crime to offer any viewpoint that varies, whatever reasons are behind those views. (By the way I have received replies along the lines "find it difficult to finish watching any of their recent videos" and "where has the spark gone" but it is not pleasant to offer some thing less than praise for an outstanding group of students - who like all the other marching bands are only playing what they have been taught to play.) The honest reply to those who are not totally happy is simply to say - "It´s different now, some are happy some are not. It looks like the changes are permanent but we all have their other performances to watch - they will never disappear.) Even before they incorporated dance moves they often looked they were threatening to burst out of the blocks - where is that now? A group of high school students (mainly female) from Japan, once showed the world a very special form of entertainment but nothing remains the same. However they broke the ice in the world of musical possibilities an outstanding achievement. And behind any criticism - I would love it if they could have the same effect in the States as in 2017-18. We´ll see.
京セラドーム 3000人の吹奏楽は、確か2018年( 117期生が1年生の時)までは開催されました。その後 4年間は開催されなかったんですよね。
( 2019年は、G20 大阪サミットか何か国際会議の影響で中止、2020年~2022年は 567 の影響で中止)
それで、久しぶりの開催ということもあり、未経験だった118・119期の先輩方にも声かけ & 出演できる場合には出演、となったのだろうね。
118期クラのプリンちゃんとか、119期ペットで愛の讃歌ソロでご活躍のあの人とか大柄なガーズさんとか、をはじめその他にも凄く遠目でも簡単に判別できる方々も加わり、良かったですよね。
で、直近最後の経験者(117期先輩)は従来を踏襲してサポート担当、ということなのでしょうね。(あくまで推測)
先輩方も加わったということで、2 年後 ? のローズパレードの前哨戦のようにも感じました。
京都橘ここに在り、と言う演奏・演技でした。OB・OGに、一年生も入って、このフォ一メイションは、練習が大変だったと思います。確かに、多少の乱れは、見えますが気になりません、コンテストでは無いのですから。全力を尽くした、素晴らしいFINALでした👏
不愧是強大的京都橘,在隊形變換上又更加進化,有學姊們回來助陣,看到了前輩和後輩一代代的傳承和團結合作,京都橘真的很棒
自分がどれだけ動けば良いのかは体幹と感覚に頼るのみ、そんな中で全体でこれだけ綺麗なフォーメーションが次々と綺麗に変わるのは凄いです😍
そしてこの振り付けおよびフォーメーションをクリエイトする部員さん達の凄さ😍
@@sintarou800 さま
そうなんですね😍😍⤴️⤴️
前日或いは当日でもDMさんや各パートリーダーなどから次々と出される指示をその場で難なくこなせる部員さん達ですし、なんと言っても一年生でも入部して1ヶ月も経たぬ僅かな期間でパフォーマンスのほとんどをこなしてしまう恐ろしい悪魔さん達ですから😍
あくまでも部活ですので、勉強などの傍らで効率よくこなせる・・・例えばオレンジの悪魔さん達流の「記憶の宮殿」方式が成せる技だと思います😍
Damn these kids are on another level
既にコメントでもありますが、ローズパレードの土台作りが始まってますね。台湾遠征の約2倍。さすがに圧巻です。まだ増えそうですね。
相変わらずフォーメーションもウェーブも素晴らしい❣️ 🤩👍😻~〜💗
橘高校吹奏楽部の動画は毎日閲覧するのが日課になってしまった‼️🥳😽橘も撮影者さんも素敵な動画を有難う💘🥰🫶😻
ありがたい動画です、なんか涙が出てきました。
2018年に初めて動画を発見してから京都橘のいろんな動画をたくさん見ました。
3000人は何年ぶりですか?…たしか大阪サミットの時もできなかったのを憶えてますので5年ぶりくらいですか?…いろいろあったんだろうなぁと思うと涙が出ました。
以上、感想でした……前田さまの撮影に感謝…お身体お大事に…いつもありがとうございます
疫病で延期されていたイベントがようやく開催されたと思ったら最終回とは残念です。
しかし過去にイベント中止で参加出来なかったOGやOBが一緒に演奏出来て良かったです。
素晴らしい演奏ありがとうございます。そしていつも綺麗な画質の動画をありがとうございます。
好感動 真希望她們能夠再來台灣
我覺得會,蔡英文親日應該會再邀請她們,只是要看橘色惡魔行程安排能不能來而已。
很有可能 已經公布的行程中 10.10 哪幾天 是空的
Why I feel like the band starts preparing for Rose Parade 😍
さすが橘!陣形移動凄い。
卒業生も参加できてよかったです。
ローズパレードを楽しみにしています。橘テンションアガッテキタ〜…HEY!ありがとう🎉!
Outstanding, as always. The Orange Devils displaying a level of precision that the US Navy Blue Angels would be proud to call their own.
進化し続ける橘の見事なパフォーマンスに シング難しい振り付け 3日の練習見事こなしました。
ファイナル 橘サウンド 有難うございます。
憎いほど次々にupしてくれてありがとうございます。おかげでおすすめ動画が「橘祭り」になってます。
で、慶次郎さんもアメリカ行くん?
Absolutely amazing performance by Kyoto Tachibana!! Thank you for sharing this wonderful video! Can’t wait for their return and appearance in the 2025 Pasadena Rose Parade!! 👏👏👏👏👏
今回はOB,OGが出演したバンドがいくつかありました。
2021年、2022年の卒業生は、コロナのせいで発表の場が少なくて可哀そうでした。
そういう配慮もあってのOB,OG出演だったのかな?
それなら、よかったよかった
好多前面幾期的先輩都回來助陣,真是盛大精彩! 感動 ❤
元 橘顧問の田中先生がいます‼️ 呉服小学校OB長老&呉服おとな吹奏楽団メンバーで参加された様です❗️後ろでどんな気持ちで🍊達を見てたのでしょうかね⁉️右の奥~のほう、ブルーのジャンパー😉👉7:20
素晴らしい映像をありがとうございます。
6:38からと7:25からの隊形変化では、素早く複雑に動きながらも全員が常に正面(こちら側)を見ています。こちらから遠ざかる動きは斜めも含めてノールックのバックステップで動いています。京都橘はいつもチャレンジャーですね。渦を巻くような動きはローズの花を描く初期段階にも見えてしまいます。今後が楽しみです
I see some senior came back and perform.
I agree.... at 5:03, two right side front row trumpet players look very familiar... not that it hasn't happened before.
Hello, I saw some too. I'm shocked but very happy. The Band sounded so good. " Winter Games " had some low tones that I hadn't noticed before. Kyoto Tachibana is always full of surprises and a good sense of humor. Thank you for uploading. Hello 118th and 119th Terms.
Yes, there were were alumni participating. This is the first Brass Band of 3000 since the cancellations for COVID. Also, this is the very last Brass Band of 3000, so alumni took part.
Yay! Nicely done. Sounded good and the movements dazzled my eyes. Thank you.
🇲🇽🇯🇵🇲🇽🇯🇵🇲🇽🇯🇵🇲🇽🇯🇵🇲🇽
Que bonito, muchas felicidades
150人だと音圧が爆音で迫力が凄いね。このメンバーがローズ行くんだろうな。楽しみだなぁ~。
京都橘高校🍊🧡👍
本当に素晴らしい!!!👏👏👏
流石、オレンジの悪魔🧡
bravo‼👏👏👏👏
Desafortunadamente no es la mejor presentación de Kyoto Tachibana SHS Band en los 3000 gracias al destrozo que ha hecho el sr. Yakuta Kaneshiro a los arreglos musicales y a su obstinación para cambiar el sistema de enseñanza de marcha...
Solamente hay que ver las presentaciones pasadas para darse cuenta que las generaciones anteriores han sido muy superiores en calidad musical, en rendimiento y en espectáculo...
Hoy Kyoto Tachibana SHS Band goza de la fama heredada por las generaciones anteriores...
😢😢😢😢
I agree 😢
Wtashi wa aishita insumo okutte kudasai ltsu demo okutte yo, wtashi wa BUrajiru shusshindesu , hagushite kudasai,totemo sukidesu,daijobu subete ni shimasu
前田さんありがとう、橘は音もさることながら動きも撮らないとね、正面から撮っている人が居ますが、橘の良さは動きと音ですよね。
👏👏🥰🥰
就等她們在來台灣了
超級精彩的演出 咦 好像有看到木花喔
動画アップありがとうございます
1年生の成長が目覚ましい🎉
橘ワールド全開だっ🎵🥰🎵
どれ見ても橘に外れが無いのが嬉しい25年は流石に300人は無理だろうなぁ
🥳🥳🥳
🙂🙂🙂
コメントにも、有りますが、土台作りが始まったよねぇ。まずは、体力造りかなぁ。永いパレードだもんねぇ。
disappointed 😢
Unfortunately, I totally agree. If this was the first time I had seen KT I would be moderately impressed and think "they have potential". But this is far from the first time. Not all past 3000s have been a resounding success but most put this into the shade. Okay the movements are excellent but there is the flavour of the format for the National Competitions ( which suits the judges there) but not that of a Marching Band. And the arrangements (of the tunes) - increasing tempo does not always mean increasing effect, and, sorry, but they remind me of some famous rock group doing a concert 20 years after their prime time. Nothing here to make the audience gasp (though some may be satisfied). Where is the joyous feel, the hint of fun, and the occasional and unexpected hint of power? Gone with the swing for which they were once so renowned. They were a truly unique band and okay the dancing is still there but it feels like more of a compulsion instead a heart-felt expression of the music. But I think that is the future for KT. The present Music Director has a totally different philosophy to the previous one - he is the typical Music Teacher (not an insult, and could well be a really nice guy) whereas the previous one had the aim of having the students experiencing and enjoying the music with the audience being entertained. (Check out his interview after he left KT.) And possibly the students themselves are looking for changes - only natural. Will any of the current students break into a spontaneous jam session ( as with Yuinna Mita in2010, in the park), or demonstrate, in training outfits with not a pony tail in site, in 2012. In the last two and a half years I have not seen a single performance which I would want to keep and watch again - though I have tried to be fair. Please note I am not saying that these are useless performers, far from it, hard working students who do their best to produce quality music. But what I am saying is that, along with many musical phenomenon, they are now, consciously or unconsciously, now appealing to a very different audience. If people like what they do fine, but a lot of people will miss the magic they brought as the Most Entertaining Marching Band in the World. I doubt if anyone will equal their appeal then. There is a difference between listening to Good Music and being entertained by Good Music. But this cannot be helped - that is life, so often. Those who prefer the early, or middle Beatle records to those who prefer the later ones. Criticise this view if you like but I have seen many comments impressed by what KT is doing and quite a few who find it difficult to watch their videos. The above performance would have me politely applauding, previous ones would have me standing and clapping to wake up the dead. Some would say - good riddance to such hooligans. I am simply supporting the "disappointed" and would say to similar "Let´s enjoy some of the past performances, this is not for me, but good luck for the future". Best wishes for KT, whatever I think right now.
@@alanallison3200that's a good way to describe your disappointment, gawd damn i envy you
@@alanallison3200 You keep saying you don't like the current KT and they are not your cup of tea but I noticed you still watch every new video that comes out and leave the same long commentary. Why bother to watch if the new KT does not meet your expectations?
@@LL-ii1dc I could make a rude reply, but why bother. For the record I don´t leave a long commentary for every video I watch, about 10% currently. And your reply, whether intentionally or not, discourages people from making any adverse commentary. I have kept on watching because any views offered should be based on as much sampling as possible (one swallow does not make a summer). I try not to repeat myself too much and have tried to draw a picture of what are in effect quite natural changes but most likely they will mean the audience will not be the same (exceptions to that are also natural).
I have had it confirmed that the changes are deliberate and there is a general wish to alter direction. And what they were doing was extremely difficult and exceedingly demanding. And to seek change is only natural. But the brutal truth is that what we have seen over more than 20 years is unlikely to be repeated. A load of factors coming together was behind their previous performers. One crucial element was the rendition/arrangement of the tunes by the previous music director - whose stated aim was to entertain the audience. And likely, because of those arrangements, the students themselves came up with dance moves that complemented what they were playing - in a way no other band has managed to do.
They are still playing good music - but with a very different taste. And there is the nub. Yes you can take old tunes, slow them down, rearrange the emphasis of various instruments and some will think that´s fine but not everybody. Having been spoilt by some outstanding performances one half expects to get the same again. (Important to note if one had only been watching for the last 3 years they would be rated as a way above average marching band. But not mind blowing. Some of the recent changes have been good - on their visit to Taiwan I noticed the DM not only beat out the rhythm but also controlled the volume, and some of the choreography had been successfully adopted from the halls to the open air. But compared to previously the parade sections seemed weak. I hoped that was done deliberately for the Taiwan audience but subsequent events make that unlikely. Although we should never forget the recording equipment. But again I am comparing - oh dear, I am not allowed to do that, sorry.)
The previous Music Director did sometimes organise the playing of more sedate, reverent, tunes - to fit the occasion, fine.
I sincerely hope that on their next visit to the USA they achieve more success and recognition (Japanese audiences seem to have woken up to them, and the credit they give to Japan, no longer do I see a comment like "saw someone smiling - must have been a tourist".) And the American audiences ( a sizeable proportion of them - not all were interested ) really appreciated what they saw and heard. But listen to as much of their reactions as possible - to many it was because here was a band who wasn´t playing "funeral" music (an exageration of course but a valid point), looked lively and happy. And here was a band that could play serious music but also making it enjoyable, even in an indoor setting. I suspect on the next visit they will get something rather different - with varying reactions. (But for their sake, I hope I am wrong). It meant a lot to the students to see how they were appreciated - summed up by DM Ron holding back the tears at the end of their final performance.
And what of the original intentions of the first Music Director - check out the various translations- are they still the aims? If not, okay time for a change. But he started off something quite unique. And the second Music Director ( a rare bird indeed) spread an infection of musical entertainment. The third one will have them them play quality music. But there can be a difference between a tune well played and a tune that entertains. And it was such hard work for the students, especially the physical side, (check out the training videos) how long could that continue?
There are those in this world who have views on people, or groups, or beliefs, who will never change that opinion (most obvious in politics and religion, but also music). The same people often think it a crime to offer any viewpoint that varies, whatever reasons are behind those views. (By the way I have received replies along the lines "find it difficult to finish watching any of their recent videos" and "where has the spark gone" but it is not pleasant to offer some thing less than praise for an outstanding group of students - who like all the other marching bands are only playing what they have been taught to play.) The honest reply to those who are not totally happy is simply to say - "It´s different now, some are happy some are not. It looks like the changes are permanent but we all have their other performances to watch - they will never disappear.) Even before they incorporated dance moves they often looked they were threatening to burst out of the blocks - where is that now? A group of high school students (mainly female) from Japan, once showed the world a very special form of entertainment but nothing remains the same. However they broke the ice in the world of musical possibilities an outstanding achievement. And behind any criticism - I would love it if they could have the same effect in the States as in 2017-18. We´ll see.