heard the start and i was like "this is probably going to be a calm to crazy bait and switch" and i was right i love your shit dawg ilysm AMEN BREAKS? IN MY 8BIT ARRANGEMENT? very unique remix this time around :3
I read this comment just before getting to that part and WTF. That switch up sent me flying, I was NOT ready lmao 😂 Got a like from me just for that alone.
Love how chill the backing chords are, almost like muzak, before the drop at 0:50 where it all unravels. Gives me the mental image of elevator music playing in Koishi's head 24/7. The amen breaks and the meowing, what a delightfully unhinged arrangement. Edit: The phone and laugh samples too... And is the melody that kicks in at 2:25 supposed to be an intentional riff on Undertale???
This feels even more disorienting in this remix, you can see where you are in the music, but it feels like you're going off-track every 2 seconds- _Oh, the cool part started._
I have no idea how you manage to consistently make bangers in a tracker (at least I think that's what the programs to make chiptune music are called) of all things. As an FL Studio user that tried using Wavetracker I know damn well it's way More difficult to make music in a tracker. And especially LSDj which from what I've seen is only available on actual Game Boys. Chiptune musicians are a different breed of awesome.
Perfect timing for Koishi's reemergence in Cheating Detective Satori
Hahahaha YOU WHAT
I see I'm not the only reading it
かっこよすぎる、、
サビ前でガンガン上げて狂気さを表して、サビの部分で一気に落ち着くの好き
こいしを上手く8bitで表現してるの本当にすごい
もうまじで本当に大好き
8bitでこんなに厚みのあるRemixできる人この人くらいしか知らない
heard the start and i was like "this is probably going to be a calm to crazy bait and switch" and i was right
i love your shit dawg ilysm
AMEN BREAKS? IN MY 8BIT ARRANGEMENT?
very unique remix this time around :3
I read this comment just before getting to that part and WTF.
That switch up sent me flying, I was NOT ready lmao 😂
Got a like from me just for that alone.
THIS IS SO COOL WHAT THE HECK
2:55 this transition is perfect
このアレンジは狂気的かつ可愛らしく、おまけにとんでもなくかっこいい
Ah yes this is what the artwork was for
Very cool music
Awesome interpretation of her theme.
Fits her really well.
😍
Koishi💚💚
Amazing remix as always♡
最初七拍子じゃなくて八拍子になってるんか。
所々、ある少女たちの声が聞こえるの良い！
the beginning of this remix would honestly fit really well in ghost trick
The break beat transition is kinda brilliant.
oh my what a fitting arrangement. It's so good, and compositionally wise.
the laughs!
Love how chill the backing chords are, almost like muzak, before the drop at 0:50 where it all unravels. Gives me the mental image of elevator music playing in Koishi's head 24/7. The amen breaks and the meowing, what a delightfully unhinged arrangement.
Edit: The phone and laugh samples too... And is the melody that kicks in at 2:25 supposed to be an intentional riff on Undertale???
i am addicted to this
should've waited for koishi day man
素晴らしい…
FIRE
koishi
koshi
Koishi 👍
Koishi.
This is a crazy ass remix
Felt like Stone Ocean for a hot moment there :)
最高👏👏
This feels even more disorienting in this remix, you can see where you are in the music, but it feels like you're going off-track every 2 seconds-
_Oh, the cool part started._
3:37 this is the exact moment Koishi Komeiji became Disbelief Papyrus
Hell yeah more Touhou
I have no idea how you manage to consistently make bangers in a tracker
(at least I think that's what the programs to make chiptune music are called) of all things.
As an FL Studio user that tried using Wavetracker I know damn well it's way More difficult to make music in a tracker.
And especially LSDj which from what I've seen is only available on actual Game Boys.
Chiptune musicians are a different breed of awesome.
I just thought of you not having uploaded in a while before opening YT lmao
And even one of my fav themes :)
すき
波形荒ぶってるなぁ
wwaaaaaaaooowww
satori maiden remix when?
Is this 2xLSDJ or just stereo?
Nice use of wavetable btw
It's just stereo !
💥💥💥💥💥
3:03
あーこれ箱で聞きたい
誰か使わないかな
고명지
nice arrange
Ковш
that low pitched sound that starts at about 50 seconds in is HORRIBLE. i can't listen to the song with that playing over all other noise.