Tomo, u know what is great about alot of your vids? Even if it is not labeled as a "lesson", there is so much to listen for and try to learn from, as you do your thing...thanks😊
Great playing! I have a 1965 ES-335, so very similar to yours. I love the "woody" tone. I guess that comes from the trapeze tailpiece. I have a modern 335 with stop tailpiece that sounds completely different, more electric sounding.
What a beautiful guitar man. The vintage really gives off its authenticity and smoothness. Cheers
The differences between trapeze and stop bar tailpiece are audible and touch sensitive as well. Both have their place in tonal pallet.
Beautiful guitar 😃👍
😎✌👍❤🖖
@@TomoFujitaMusic
Looking forward to the next video 😃👍
Love a good ES335 😉👍
😎✌👍❤🖖
Wow- what tone and technique- there is a lifetime worth of ideas on display there for most of us mere mortals
Great playing! I have the 2011 Epiphone version of this one (same color), and it’s always such a joy to play. It seems that every guitarist has that one guitar that just feels right in a way that can’t be easily explained. For me, it’s the Dot.
That is perfect for 1960s contemporary guitar jazz and funk. Great playing.
マーヴィンゲイ、ダニーハサウェイの歌声が浮かびました。こんなコードワークは憧れです。ブロック、チェリーの335、最高のトーンですね。トモ先生、ありがとうございます!
Ahh, there it is - the trapeze tailpiece. I missed this one last week. Awesome tone!
Thx Sensei Tomo for sharing this stunning guitar with us. As a guitar starter and a Gibson fanboy I was blown away by this ES335!😃
BTW Kyoto is one of my favorite songs😂
My pleasure! Btw would you like to make some blues starter lessons for us starters? Wanna play like BB King. And what does Sensei Tomo think about Anzenchitai? They are my favorite Japanese band!
awesome.. very extremely awesome .. one of my favourite guitars ever.. only played one once upon a time. many years ago.. very rare 🎸 in Australia
Thank you Mr.Fujita.
335 are good guitar.
(I changed 2 times,couse sustain and rich sound,1964 was Last one. But current new guitars sometime good sounds they have.😆)
Sounds great!
What would you say would be the sound signatures for solid body vs semi-hollow vs hollow?
That tone is outstanding! Are there any other guitars that can match it, preferably for a little less cash?
What is the first song, or what were the references to? sounds very familiar
i own a very similar one, from 1971.. thought it´s a 330, with this kind of tailpiece?
mine sounds beautiful too, dry, fast an full at the same time. very slim neck for me, with about 41mm at the saddle.
Based on that headstock inlay and wide pickguard - Looks like it’s a 1965/66 What’s the serial number? Are the frets original?
B.B.King used thin strings .008"-.042. Why fight with bends!? I have now .009-.046 my semiacoustic. I like little more on bottom strings😎.
I was wondering why I couldn’t internet my floating bridge Ibanez arch top then I changed to strings. Omg they where so old. The guitar is like brand new again. Don’t forget to changes your stings guys. I know better after all these year but just got lazy.
some of it is vintage charm but there is no reason why they cant make high quality guitars and microphones today!
If your theory works, then vintage guitar price won't go up and people buy more new built instrument.
maybe you should do guitar giveaway to one of your fans 😬 (only joking) man 🤓 that one is a keeper….
Thanks for your suggestion! I did a few give away before... it was not easy to make everyone happy!
Why people don't use more semiacoustics!? They have more "lively"sound. I have DeArmond T-400 Made in Japan. Fender made those about 1998-99. All flame maple body with bigsby. Tennessee orange color. Very rare.
Not afford 60''s Gibsons.
My (other) 1967 Gibson ES-335 was my main instrument but when I came to America. I brought my Duncan Stratocaster & in order to avoid my main influence sound (Larry Carlton) so I did avoided to use ES-335. Thank you!
That’s my favorite guitar I’ve heard him play. I love that semi hollow tone.
So great to hear that! Thank you so much!