Play Modes Using Pentatonic Scales - Guitar Lesson
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- เผยแพร่เมื่อ 15 ก.ย. 2024
- In this video, I'll show you how to use three different pentatonic scales to get the sounds of the D Dorian mode over a static Dmin7 vamp.
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Guitar: 1979 Les Paul KM ( • 1979 Gibson Les Paul K... )
8 mins and loads of new ideas and flavour, brilliant. Many thanks.
Brilliant, fascinating !!!
This is hands down the most relevant and instructive of all the videos I have watched that attempt to explain what modes are, why they are relevant, and how to apply them.
Highlights...
00:54 Theory Review : Second mode of C major (Ionian) scale
01:25 Diatonic chords related to C major, and to the second mode.
02:50 The difference between the 2 modes (b3 and b7)
03:08 The mapping of the chords tones of C Dorian to the Dm7 chord
03:10 The difference between the Dm Pentatonic and the C Dorian scales
04:25 Mapping the Em Pentatonic scale to the Dm7 chord
05:15 Mapping the Am Pentatonic scale to the Dm7 chord
06:18 Combining the 3 Pentatonic scales with repetition
07:05 Jamey stopping his jaw from dropping to the floor.
07:54 Adjusting to land on chord tones.
Even some of the high profile TH-camrs miss the point, which is that the C Ionian scale consists of T T S T T T S (T-tone, S-Semitone). Shift the starting note right one and you get the Dorian scale which consists of T S T T T S T .... (play just the white keys on the piano starting from D).
Shift it right again and you get the Phrygian mode and so on.
Intervals Notation Sign Major
ature Equiv
D Ionian T T S T T T S D E F# G A B C# D 1 2 3 4 5 6 7 2# (D)
D Dorian T S T T T S T D E F G A B C D 1 2 b3 4 5 6 b7 -- (C)
So, if you wanted C Dorian...
C Ionian T T S T T T S C D E F G A B C 1 2 3 4 5 6 7 -- (C)
C Dorian T S T T T S T C D Eb F G A Bb C 1 2 b3 4 5 6 b7 2b (Bb)
C Phrygian S T T T S T T C Db Eb F G Ab Bb C 1 b2 b3 4 5 b6 b7 4b (Ab)
etc
Really can extend my playing---was stuck in just the D pentatonic for D minor. Thanks so much.
Gorgeous tone man. Great lesson
Thank you!
Amazing as usual.
Thanks!
8:41 Really hard to find guitar tutorials for those of us looking to expand from rock/pop to diversifying our leads and experiment with jazz progressions that don’t get lost in complex theory. Great practical lessons, thx.
Thank you!
Thank you!
Great video, thank you!
amazing playing!
Thanks!
I’ve always thought you could turn any mode into a pentatonic(or two)
Really good lesson
Thank you!
Jamey Arent, can you make more lessons about modal pentatonic besides dorian mode and also make lessons about outside scales how to play outside scales because Michael Landau and other fusion blues guitarist do this instead of staying in key fusion blues guitarist will play outside scales
For modal pentatonics, try the minor pentatonics in this video over other chords from C Major. Play them over G7 and you'll get the mixolydian sound, play them over FMaj7 and you'll get a lydian sound. Yes, I will do upcoming vidoes on outside sounds as well. Thanks for watching!
@@JameyArent I'm not sure why blues use the #9 and flat9 when those notes aren't in the pentatonic scale. Often D7b9 and D7#9 chords are used but aren't in the pentatonic scale so I don't know which scales to use for those blues Dominant chords D7#9 & D7b9.
Sounds like Scott Henderson's lesson.(FUSION)
Thanks for the lesson! Just curious, I assume this same idea can apply to any mode? So for C Ionian, you could play both F and G major pentatonic... and for A aeolian, you could play both D and E minor pentatonic?
Exactly! You can use these three minor pentatonics over any of the diatonic chords of C major. Try it over a G7!
Do these teachers really need to play at the beginning?!? Just get to the tutorial