I know a lot about paso doble as I practice on my own. Since I have autism, I love the "theatricality" this Latin ballroom dance requires. Spanish-y, flamenco-y, and "bull-y"--as in related to the bullfights but without horns, on the dance floor. One thing I know in paso dancing is when you raise your arms at your sides slowly into flamenco pose and stretch your body up, you usually follow with a "snapping close" movement at the end. This matters in almost all cases of paso doble choreo. Otherwise, you lose a "lot of theatricality" that this dance mandates!
Loved listening. Thank you for the lesson Lorna.
I know a lot about paso doble as I practice on my own. Since I have autism, I love the "theatricality" this Latin ballroom dance requires. Spanish-y, flamenco-y, and "bull-y"--as in related to the bullfights but without horns, on the dance floor.
One thing I know in paso dancing is when you raise your arms at your sides slowly into flamenco pose and stretch your body up, you usually follow with a "snapping close" movement at the end. This matters in almost all cases of paso doble choreo. Otherwise, you lose a "lot of theatricality" that this dance mandates!