Thanks for another great, informative video. This answered a question that had stumped me -- how can the leveling rings make the pad level, when the thickness of the ring causes the key cup not to close evenly? Now I see that the leveling ring is just the first step for the pad leveling process. Thanks again!
Only ever worked on clarinets. About to take on a full pad replacement on a sax. How would you test each pad once seated? Screw back in one at a time, feelers, and then adjust off the horn or keep on?
What about instead of using a small blob or dot of shellac in the center of the pad, using a bed of shellac that covers the entire surface of the pad, just not quite to the edge? Not necessarily a ‘thick’ bed but reaching throughout the back of it. Then flattening out this bed on an anvil. Wouldn’t that give you a more secure and more likely void free adhesive, and make leveling the pad easier?
nice video, got one question for you , if i change my pad and install the key and use the leak light and there's no light coming out around the key, why would i need a pad leveler ?
Yes! If all that comes together on the first try, you're done! But chances are this won't happen on every pad, every time. Materials tend to settle, so using a leveling ring and distributing the adhesive beneath the pad is critical for adjustment later, and the longevity of the repair.
@@MusicMediccom Are you just pitching at the US market? If you aim at a global audience, you might want to think about using centigrade, which is used by over 95% of the world's population.
what would cause my middle a and b notes to sound weird every once in a while,meaning one time in a frase its o.k then the next time in the frase its not o.k.
Let's assume middle means the lower octave, you would definitely want to start for checking for leaks, be sure to check the side keys. If it's the higher octave check the octave pip, as well as the condition of the octave pad. Also check the bore for obstructions.
Why not just put flake shellac in the cup heat on a frame put pad in, mount key straight back on to the instrument, levelling set, this takes about a minute. I do a full overhaul on Alto levelling tone pad and Cork within 5 to 6 hours, the way you guys do it will probably take 2 days. Kev
True there is definitely more than one way to pad and this is a great old school method of padding with flake shellac. We like the synthetic over the traditional shellac these days as the tradish has some drawbacks over time that the synthetic doesn't. Susceptibility to hot/cold temps, expands when heated, etc. Thanks for your comment!
You're right my method is really old fashioned, but I am 62 years old I started my apprenticeship at 16 with boosey and Hawkes London as an oboe maker. Your videos are great, and thank you for explaining the modern methods, I must realise that many people who watch your videos didn't do an apprenticeship for 5 years in a factory with every facility , the methods we used in the old days were handed down with someone sitting next to you, I could never make a video like you with the techniques that I use as it wouldn't be fair to The Watcher, Keep up the good work guys, Kev 👍
Ammmmmazing video tutorial! TY so much!
#saxlevel - hope to see you guys again in March
Thanks for another great, informative video. This answered a question that had stumped me -- how can the leveling rings make the pad level, when the thickness of the ring causes the key cup not to close evenly? Now I see that the leveling ring is just the first step for the pad leveling process. Thanks again!
Love the detailed info. You guys are the best #Shellackers!
Our pleasure!
Only ever worked on clarinets. About to take on a full pad replacement on a sax. How would you test each pad once seated? Screw back in one at a time, feelers, and then adjust off the horn or keep on?
What about instead of using a small blob or dot of shellac in the center of the pad, using a bed of shellac that covers the entire surface of the pad, just not quite to the edge? Not necessarily a ‘thick’ bed but reaching throughout the back of it. Then flattening out this bed on an anvil. Wouldn’t that give you a more secure and more likely void free adhesive, and make leveling the pad easier?
Definitely cover the surface of the back of the pad, the dot in the middle is a good idea if the pad cups are extra deep like with King saxophones.
#Saxlevel🥳
#saxlevel!
#SaxLevel
How can you tell where old pads are leaking if they've got indentations from the tone holes already?
You can use a feeler gauge to find blind leaks. www.musicmedic.com/feeler-gauge-assortment.html
nice video, got one question for you , if i change my pad and install the key and use the leak light and there's no light coming out around the key, why would i need a pad leveler ?
Yes! If all that comes together on the first try, you're done! But chances are this won't happen on every pad, every time. Materials tend to settle, so using a leveling ring and distributing the adhesive beneath the pad is critical for adjustment later, and the longevity of the repair.
#saxlevel
Is temperature in Farenhei or in Celcius ?
Farenheit!
@@MusicMediccom Are you just pitching at the US market? If you aim at a global audience, you might want to think about using centigrade, which is used by over 95% of the world's population.
what would cause my middle a and b notes to sound weird every once in a while,meaning one time in a frase its o.k then the next time in the frase its not o.k.
Let's assume middle means the lower octave, you would definitely want to start for checking for leaks, be sure to check the side keys. If it's the higher octave check the octave pip, as well as the condition of the octave pad. Also check the bore for obstructions.
Why not just put flake shellac in the cup heat on a frame put pad in, mount key straight back on to the instrument, levelling set, this takes about a minute.
I do a full overhaul on Alto levelling tone pad and Cork within 5 to 6 hours, the way you guys do it will probably take 2 days.
Kev
True there is definitely more than one way to pad and this is a great old school method of padding with flake shellac. We like the synthetic over the traditional shellac these days as the tradish has some drawbacks over time that the synthetic doesn't. Susceptibility to hot/cold temps, expands when heated, etc. Thanks for your comment!
You're right my method is really old fashioned, but I am 62 years old
I started my apprenticeship at 16 with boosey and Hawkes London as an oboe maker.
Your videos are great, and thank you for explaining the modern methods, I must realise that many people who watch your videos didn't do an apprenticeship for 5 years in a factory with every facility , the methods we used in the old days were handed down with someone sitting next to you, I could never make a video like you with the techniques that I use as it wouldn't be fair to The Watcher,
Keep up the good work guys,
Kev 👍
Right? This process seems pretty overcomplicated with all these expensive specialty tools
sax level
My boy sounds like jack black 😅
🤣
#slacksshovels
#SaxLevel
#saxlevel
#SaxLevel
#saxlevel
#saxlevel
#saxlevel
#saxlevel
#saxlevel
#saxlevel