Mr. Manders you were (and are) my favorite artist during Documenta XI. Your works combine psychology, object / subject transformation, altering of chronological levels and meanings, mixed with Kafka atmosphere and Lem's Solaris philosophy. I've got three books full of your works, for ex. the one published by HK. If I would have the money I would buy your works. But this will remain a dream. regards, T.
When i visited berlin biennale in 2006, i kept in mind this humid-clay looking human figure, it seemed to be still under construction, framed by this "grundriss" made by writing-pencils, stuff, it was a weird unearthly feeling, percepting this. I like this frozen time. the irritation of the dimensions of space. the alienation for the subjectis also caused by this slight changes of size, the objects are no longer in the same world, you as subject cant use them anymore-like behindsth incapable
![[TANK EXHIBITION] Interview with Mark Manders](/img/n.gif)
Mr. Manders you were (and are) my favorite artist during Documenta XI. Your works combine psychology, object / subject transformation, altering of chronological levels and meanings, mixed with Kafka atmosphere and Lem's Solaris philosophy. I've got three books full of your works, for ex. the one published by HK. If I would have the money I would buy your works. But this will remain a dream. regards,
T.
Oh man. I love him.
When i visited berlin biennale in 2006, i kept in mind this humid-clay looking human figure, it seemed to be still under construction, framed by this "grundriss" made by writing-pencils, stuff,
it was a weird unearthly feeling, percepting this. I like this frozen time. the irritation of the dimensions of space. the alienation for the subjectis also caused by this slight changes of size, the objects are no longer in the same world, you as subject cant use them anymore-like behindsth incapable