Alessandro Scarlatti: Stabat Mater for soprano, alto and orchestra in C minor
ฝัง
- เผยแพร่เมื่อ 7 มี.ค. 2021
- Collegium Marianum: www.collegiummarianum.cz/
Lenka Torgersen - koncertní mistr / concert master
Vojtěch Semerád, Tereza Horáková, Petra Ščevková, Vojtěch Jakl, Jan Hádek - housle / violin
Andreas Torgersen - viola, Hana Fleková - violoncello
Tilman Schmidt - kontrabas, Jan Krejča - teorba / theorba
Barbara Maria Willi - cembalo a varhany / harpsichord and organ
Jana Semerádová - umělecká vedoucí, flauto traverso / artistic leader
Sólistky: Hana Blažíková - soprán / soprano
Markéta Cukrová - alt / alto
Stabat Mater - Cujus animam gementem - O quam tristis - Quae moerebat - Quis est homo - Quis non posset - Pro peccatis suae gentis - Vidit suum dulcem natum - Pia Mater, fons amoris - Sancta mater, istud agas - Fac ut ardeat - Tui nati vulnerati - Fac me vere tecum flere - Virgo virginum praeclara - Fac ut portem Christi mortem - Inflammatus et accensus - Fac me cruce custodiri - Quando corpus morietur - Amen
Svatováclavský hudební festival: www.shf.cz/
/ shf_ostrava. .
/ shf.cz
Recorded by SHF 2020
Ostrava - Stará Bělá, 25. 9. 2020
#collegiummarianum #svatovaclavskyhudebnifestival #blazikova #cukrova
Spirituelle, sensorielle et rebelle, la musique de ce compositeur reflète des impostures secrètes, explore des plaisirs sereins, un monde de rêves renaissants🌺🤗
Alessandro Scarlatti è un grandissimo musicista , non sufficientemente valutato nel nostro Paese, forse un po' offuscato dalla grandezza e "orecchiabilità" del grande figlio Domenico e dalla profondità e difficoltà della sua musica, non sempre compresa. Purtroppo, toccò anche al grande Kantor. Lo Stabat Mater di Alessandro Scarlatti , tocca vertici altissimi di musicalità e spiritualità, paragonabili a quelli del grande Pergolesi, La musica, in Do minore, con tre bemolli in chiave, offre "nuances" tristi , degne di una madre che piange il figlio, ma con tristezza contenuta, come si addice ad una Divinità. Bravissime, Soprano e Alto, eccellente l'Orchestra e la Direzione. Un applauso da remoto.
Italia e incredibile. Un museo a cielo aperto e il paese delle arte della rinacente.
Fiero delle mie radice.
(non ho studiato la lingua, l'ho imparato d'a solo. Alora, non parlo bene e scrivo come un bambino
Edward grazie infinite per le tue parole; parli benissimo e ti ringrazio per i complimenti alle bellezze dell'Italia. Felice giornata .Manlio
Thank you very much for explaining to us why this music is so beautiful!!
L essentiel est le partage de votre émotion.
This is simply wonderful! Congratulations and I hope this performance will spread among all the lovers of GREAT music. For the FIRST time we can hear this enormously difficult work, with tons of dissonances, executed in a perfect way. Such perfect and clean bowing! Such excellent synchronization within all the players, without being metronomic. For the first time we can hear the incredible two-layers polyrhythm (200 years before Stravinsky) in Juxta Crucem. Nobody discovered it until this execution. Excellent voices too. This Stabat Mater should be considered a masterpiece of chromatic and dissonant harmony describing sorrow feelings, and no surprise it was deleted by the "Confraternita dei Cavalieri di San Luigi di Palazzo" in favor of the "easy-listening" Pergolesi's one, because it was considered too difficult to understand at its time. We Italians are no longer able to perform our historical music, we are living a terrible musical and cultural moment and fortunately there are institutions in Europe like yours that come to our aid.
Extremely beautiful, Hana Blažíková looks like an austere and venerable mourning vestal, how wonderful she is!
1. Stabat Mater *00:00*
2. Cujus animam gementem *_03:09_*
3. O quam tristis 05:12
4. Quae moerebat *07:38*
5. Quis est homo *_10:37_*
6. Quis non posset 12:23
7. Pro peccatis suae gentis *14:43*
8. Vidit suum dulcem natum *16:44*
9. Pia Mater, fons amoris *_18:39_* 🌼😌
10. Sancta mater, istud agas 21:23
11. Fac ut ardeat *_23:55_*
12. Tui nati vulnerati *25:48*
13. Juxta crucem tecum stare 28:52 👏 outstanding! 💐
14. Virgo virginum praeclara *_32:50_*
15. Fac ut portem Christi mortem *34:20*
16. Inflammatus et accensus *_35:36_*
17. Fac me cruce custodiri 37:25
18. Quando corpus morietur *38:32*
19. Amen *40:09*
🙏🏻🖤 The most beautiful rendering ever. 🖤🙏🏻
Non è "Pia mater fons amoris" ma "Eia mater..."
@@massimocemmi4785 no, è proprio Pia Mater, può controllare sul sito IMSLP, dove c'è la scansione del manoscritto d'epoca.
Markéta Cukrová's voice seems especially well-suited to works by Alessandro Scarlatti.
The violins are VERY on-point. Kudos to Lenka & the crew! 🎻🎵
The responsiveness of the ensemble with the singers is so good and gives such spontaneity to this performance. Superb articulation and phrasing too. Music of this period ‘speaks’ in gestures and harmonic impetus which only historically informed musicians at the top of their game can render expressively, as opposed to pedestrian notes on a page. Wonderful performance - bravo and thank you.
Magnificent reverence ..one answer to the question what it is to be human..totally beautiful 🎩🦄🙏🏿🙏👏👏👏👏
Truly sublime ! So many thanks !
Utterly magnificent. Period.
Just plain old good work. Thanks from Philadelphia
Congratulations for your great sensivity.beautifully sung and played.
Bellissimo!
Wunderschöne Musik!
Amazing!
opera splendida.... splendida esecuzione, grazie. Pergolesi conclude un percorso iniziato da tempo
bravissimi!
Wunderschön! Danke an alle!
Colossal🌹
That's a ticket💐
Opus de Scarlatti compositum per artem!
Hana Blažiková, soprano Markéta Cukrová, alto
Could someone explain to me the practice of having the instrumentalists play standing? (excluding cellists and keyboardist of course).
Yes, strings sound is superior!
Pergolesi wrote a better intro, but overall this Stabat Mater might be better.
My name is Alessandro and i can tell i dont have the talent of this Scarlatti family member.
WHYYYYYYYYYYYYYY??? 😪😭😭😭😭😭
It is very beautiful and quite well interpreted. But violinists who gesticulate to outrage, I am less likely to appreciate the real value of the vocal play of interpreters. I feel like disturbed by the mimics exercised over time and that are done throughout the pieces. We no longer hear the music, we see instrumentalists who hobbly.-- -C'est très beau et assez bien interprété. Mais des violonistes qui gesticulent à outrance, je suis moins porté à apprécier la valeur réelle du jeu vocal des interprètes. Je me sens comme dérangé par les mimiques exercées sur le temps et qui se font tout au long des pièces. On n'entend plus la musique, on voit des instrumentistes qui se branlottent.
If for some strange reason the perfectly normal playing of the instrumentalists has sexual connotations for you that prevent your appreciating the music, might I suggest that you listen with your eyes closed before visiting a therapist to sort out your problem.
@@brucewalter7287 Poor Bruce! you might never know something about true music, especially that kind of chamber music. If you missinterpreted my comment which is in just a few words in english and french ( to make sure there is no mis undertanding) how can you deal with life?
invece a me piace vedere i musicisti che si lasciano emozionare dalla grande musica sacra Italiana.
terrible performance
Pllease explain, why is it terribly performed?
@@dragicaklomp9810 😏
@@MegaCirse and what is the answer?