Had this Film with Superhit Songs Flopped by its Hero Itself? |
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- เผยแพร่เมื่อ 23 เม.ย. 2024
- Teesri Kasam (transl. The Third Vow) is a 1966 Hindi language drama film directed by Basu Bhattacharya and produced by lyricist Shailendra. It is based on the short story Mare Gaye Gulfam, by the Hindi novelist Phanishwarnath Renu. The film stars Raj Kapoor and Waheeda Rehman. The duo Shankar-Jaikishan composed the film's score. The film's cinematography was done by Subrata Mitra, dialogues were written by Phanishwarnath Renu and the screenplay is by Nabendu Ghosh.
After nearly getting arrested, Hiraman promises to himself that he will never assist any black marketeer nor transport bamboo. This incident does cost him his bullock-cart but he did manage to get his two oxen away in time. He manages to save enough money to buy another cart and is hired to take a woman on a 30-hour ride to a Mela. He subsequently finds that his passenger is an attractive woman, Hira Bai, and he falls in love with her - little knowing that she is a traveling dancer - and it is this attraction that will get him into a physical altercation as well as in the bad books of Thakur Vikram Singh.
Hiraman (Raj Kapoor) is a rustic villager, a bullock cart driver, from a remote village in Bihar. He takes two vows based on difficult situations in his life. He then meets and befriends Hirabai, a nautanki dancer. In the end, Hiraman takes a third vow.
Hiraman has traditional and conservative values. While smuggling illegal goods on his bullock cart and narrowly escaping the police, Hiraman takes a vow ( pehli kasam) to never again carry illegal goods. Subsequently, while transporting bamboo for a timber trader, Hiraman's load upsets the horses of two men. The two men then beat up Hiraman. After this, Hiraman takes a second vow (doosri kasam) to never again carry bamboo in his cart.
One night, Hiraman is asked to carry Hirabai (Waheeda Rehman), a nautanki dancer, as a passenger to a village fair forty miles away. As they travel together, Hiraman sings to pass time and tells Hirabai the story of the legend of Mahua. As the journey progresses, Hirabai is mesmerized by Hiraman's innocence and his simple philosophy of life. Hiraman sees Hirabai as an angel of purity.
Once they reach the village fair, Hiraman joins his band of bullock cart drivers and Hirabai joins the nautanki company. Hirabai asks Hiraman to stay at the village fair for a few days to see her dance. Hirabai arranges free passes for Hiraman and his friends to see the nautanki every night for the duration of the fair.
As Hiraman attends the nautanki, he becomes aware that other people see Hirabai as a prostitute and this disturbs him. He tries to shield and protect her from society. As the days pass, the bond between Hirabai and Hiraman grows stronger. When Hiraman becomes involved in fights with local people who disparage Hirabai and her profession, Hirabai tries to make him understand that it is the harsh reality of her life. Hiraman asks Hirabai to leave her profession and to start living a respectable life. Hirabai refuses to leave. Feeling depressed, Hiraman leaves the village fair and returns to his village.
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Drama Series Bharat, Teesri karasm, Lyricist Shailendra,
Had this film with superhit songs flopped by its hero itself?, #dramaseries , #TeesriKasam Story - บันเทิง
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This was a good film but at wrong time. Had it been released around DO BIGHA JAMEEN or CHAMPAKLI in early or mid 50s it would have been a landmark film. Since this was released in mid 60s where majority films were colour as well as city oriented, action type which has affected this movie. It is a bad luck of Shailendra ji. Even top producer like Raj Kapoor failed in Mera Naam Joker, B. R. Chopra failed in Dastan, Meheboob Khan failed in Amar & Son of India, so this was natural and only problem is Shailendra had limited budget but very high ambition and could not bear the shock.
I agree with your observation which is tru .
9
😂😅 phone 😮
मैं बहुत छोटा था जब मैंने ये फिल्म देखी थी । उम्र कम होने के कारण मुझे ये फिल्म अच्छी नहीं लगी थी मगर आज, आपके video
को देखकर दोबारा से देखने की जिज्ञासा पैदा हो गई है।
एक कालजयी फिल्म जो शैलेंद्र जी के लिए फसाना बन गयी. उनके साथी
सगे रिस्तेदारों ने भी खूब लूटा . फिल्म को कालजयी बनाने मे फिल्म के cinematografher सुब्रत मित्रा के काम को कभी भुलाया ही नही जायेगा. फिल्म का climax बहुत ही मार्मिक है. जिसे नासिक के पास अस्वली रेल्वे station पर शूट किया गया
फिल्म से जुड़े सभी कलाकारों की स्मृति को सलाम करता हूँ. Behatrin प्रस्तुति के लिए आपका आभार.
This Film was ULTIMATE, in r/o every department in this genre. Still, IT is Un-matched.What to mention even Single section of Film making exclusively.But The Music & Songs give This movie, The Dizzy & Monumental Heights, which No other movie has surpassed till date. For This, Special Kudos to Director, Lyrics by Shailendra & Hasrat ...And Above All The Music Wizards & Great Maestros Shankar-Jaikishan....This was A Tribute to the Maker Itself.
One of the finest movie with beautiful songs.
🎉 BAHUT KHOOB FILM HAI...BADA ACHHA SANGEET HAI.
Very sad to know.
It was a great movie with good lessons. However public could not understand at that time .
It was bad luck of Shailendraji that such film failed. People could not understand this classical film.
One of classic movie which viewers failed to appreciate
It is a poetry on celluloid
शलेंद्र सा से अच्छा कोई नही।
Nice presentation 👌👌😊
Very informative
U did a great review.However i was upset that such an epic movie did not suceed and producer had heavy loss.Its a shame due to internal problem and abusing by relatives the movie went over budget.Some of the songs coild have been curtailed .Most of the songs were super duper hit.
फिल्म के निर्देशक बासु दा हमेशा सेट से गायब रहते थे. सारा काम तो बी आर इशारा जी ने पुरा किया.
Really a good cultc-classic film.
Amazing details.
Kavi Shailendra made the mistake of producing a film thinking he has good relation with many film people and they will bail him out if he is in tight spot.He was deceived by many people mainly by Raj Kapoor.Raj Kapoor was extremely busy with his own production, the ambitious colour film 'Sangam'. It was released in 1964 . Therefore, Tisari Kasam was delayed.
यह फिल्म लोग समझ नही पाये थे कयोंकि कथावसतू भारी थी
Nice episode.
🙏
Shandar is great
Excellent movie in all respects except at the box office.Raj Kapoor took Rs 1/ to act in film and suggest to change end of film but Shailendraji was not agree for this.
Nice presentation
Bahut marmik ghatna hai , gair jimmedar , swarthi aur lalchi logon ne shailendra ji ko barbad kar Diya. Waheeda rehman ne bhi is kam mein koi kasar nahi chhodi.
एक नौसिखिया से बडी हीट फिल्म की उम्मीद कैसे हो सकता है कि निर्देशक भी फालतू है कि कई लोगों ने तो गृहप्रवेश और अनुभव का नाम भी सुना नहीं होगा और बकवास फिल्म अन्य अच्छी फिल्मों से स्पर्धा नहीं कर सकते
Raj kapoor was the ONLY AND ONLY reason for flop of this film..bahut hi BEKAAR AUR GHATIYA KISM KA AADMI THA Raj Kapoor...dharam aur imaan naam ki koi cheeze hi nahi thi uske pass...beda garak ker diya bechare Shailendra ji ka
Aap ki taarif ke liye mere pass alfaaz nhi hae.❤
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