Great video Jason as I'm progressing with film making I find myself manually focusing alot and had wondered about these lenses. Thanks for input on them man 🤙🏼
Any VERO users here? ericknorpp here... Just joined! Jason I thought you finally went with the FX3? I had it but ended up selling it for more than I bought it for and got the A7IV which I love so far but miss 4K 60p with no crop actually.
Can you make a video about Sony a7iv and ninja V talking about what it can and can’t do because there aren’t videos out there! To see if it’s worth getting it just to record apple pro res
Having just bought the Sigma 24-70 2.8 Art lens, my next purchase down the line will more than likely be a cinema lens for the reasons you cited. Great video!
Please tell me the desqueeze factor you are using from the FX6 and 50 Anamorphic, for FCX or Adobe Premiere. I own the 35 and 50 for the Meike, and plan on purchasing the 16. Love them!
Keen to get into Cine lenses, but I can’t find any links to the Mieke lenses that you have. The markings are all a different colour and layout to the ones in your video.
@@JasonMorrisphotocinema Hi have you tried in video the AF ASSIST. i'm trying everything and it's not working. just in photo. Where focus automaticly then you override the ring to focus manually then it goess back to autofcus. any idea how to make it work?
You can fix it in post sometimes, it’s as easy as adjusting a slider. What are you shooting where it’s becoming a problem though? The sensor has an average readout speed for full frame cameras. In order to improve rolling shutter from the A7IV’s readout speed value, you’d have to spend significantly more money on a camera with dual sensors or a camera that has a global shutter. You could get an A7SIII but you’ll be making a huge sacrifice in image quality for photography as it’s only a 12 megapixel sensor. You could go that route, or spend six to eight grand on a body that will improve the sensor readout speed by 10 milliseconds. Either way you’re going to be sacrificing something. Just try and compose your shots more thoughtfully and don’t pan back and forth as fast as you can. I’ve seen hundreds of films and videos now shot with the A7IV and I’ve never even noticed the rolling shutter. If you’re filming car races or something exclusively, then you probably chose the wrong camera.
@@TheEbachbub I would definitely try a real wide lens paired with aps-c mode. It brings the readout speed down to about 10ms instead of the normal 25ms that full frame mode has. If you are able, see if you can rent the Sony 10-20mm lens. Shoot at 10mm in crop mode and it will pretty much eliminate the rolling shutter. If you find that it works for you, then you could buy that lens, it’s around $700. Sigma and Tamron make a good lens at that focal length as well! I believe the Sigma is $600.
@@JasonMorrisphotocinema yes totally agreed with this, the meike ff prime set has been proved by market to be a excellent set with an affordable pricing
I’m almost positive; ever single gym around the globe has been shot to death. I mean, anyone else tired of seeing sweaty multi-gel lit, workout b-roll? Seriously, think of all the swinging rope shots you’ve seen on TH-cam. It’s enough to turn you into an old fart that complains about it in a random cinema lens video comment section.
We gotta do a meike vs DZOFilm for the fx6 👀👀
It’s coming my bro 😉 I want to know the difference
I second this!
Great video Jason as I'm progressing with film making I find myself manually focusing alot and had wondered about these lenses.
Thanks for input on them man 🤙🏼
Great video Jason! I have been wanting to try cine lenses for a while now. Great explanations!
Consider me hyped! Great video mate... either these or the NiSi primes... aaaaaaagh!! decisions.. decisions!
🔥🔥🔥 Awesome video! Hey what’s that low profile rail mounting system you’re using there? ❤
Any VERO users here? ericknorpp here... Just joined! Jason I thought you finally went with the FX3? I had it but ended up selling it for more than I bought it for and got the A7IV which I love so far but miss 4K 60p with no crop actually.
Yeah I miss the full frame 4k 60 but the image quality on the a7iv is just incredible
@@JasonMorrisphotocinema yes it is indeed, all other formats I prefer it over the FX3 actually
Can you make a video about Sony a7iv and ninja V talking about what it can and can’t do because there aren’t videos out there!
To see if it’s worth getting it just to record apple pro res
Really digging the new shelf / office setup. What system is that? Looks pretty sweet!
Nice review! Thanks!
Thank you 🙏🏽
can you provide links or names to that set up you have for your camera?
I would love to get a parts breakdown for the A7-4 build out.
Having just bought the Sigma 24-70 2.8 Art lens, my next purchase down the line will more than likely be a cinema lens for the reasons you cited. Great video!
Oh yea that sigma lens is gold
Can we shoot Indian weddings with this lense along with sony miv
Plsss. Suggest me sir
Great video! I have a Meike 16mm T2.2 for my Bmpcc4k and I’m very happy with it.
Specially on the black magic camera. Would look amazing
That setup is nice. 👌🏻🤌🏻
Thank you my friend
If focus is boring get a Panasonic Lumix S5 like me lol it will keep you on your toes but has Amazing quality.
Hahahahaha gold
Exactly my thoughts :-)
Please tell me the desqueeze factor you are using from the FX6 and 50 Anamorphic, for FCX or Adobe Premiere. I own the 35 and 50 for the Meike, and plan on purchasing the 16. Love them!
I have the 16mm and small rig matte box mini pro, how are you adapting this lens to the 95mm clamp ring?
Same question
I am new to this and have a SONY A7R4. Would they work well on it?
Keen to get into Cine lenses, but I can’t find any links to the Mieke lenses that you have. The markings are all a different colour and layout to the ones in your video.
IMO putting a manual focus lens on a sony calls into question the entire reason to use a sony in the first place.
Did you post that Sony a7iv cini rig!?
Would you buy a super 35 cinema T2.8 ZOOM lens in 2022 in this full frame era ?
what's that sunhood thing you have in front of the cinema lens
fabulous lens so wide so good
do you have a video on shooting prores on the a7iv
No advantages of filming pro res in the a7iv. Only if your computer likes that codec as it can be sometimes easier to edit
do you always use an external monitor with the sony a74?
Not always. But it definitely helps with the cinema lenses and focussing on a bigger and higher resolution screen
@@JasonMorrisphotocinema Hi have you tried in video the AF ASSIST. i'm trying everything and it's not working. just in photo. Where focus automaticly then you override the ring to focus manually then it goess back to autofcus. any idea how to make it work?
can't you just use manual focus, on an autofocus lens?
It’s focus by wire. Focus is never the same each time you focus. Cinema lenses allow for continuous focus in the seen points
@@JasonMorrisphotocinema ahh, I see
Hey hy.
Your using the A7iv.
Please help me!
How do you handle the f…ing rolling shutter in videos?
You can fix it in post sometimes, it’s as easy as adjusting a slider.
What are you shooting where it’s becoming a problem though? The sensor has an average readout speed for full frame cameras. In order to improve rolling shutter from the A7IV’s readout speed value, you’d have to spend significantly more money on a camera with dual sensors or a camera that has a global shutter. You could get an A7SIII but you’ll be making a huge sacrifice in image quality for photography as it’s only a 12 megapixel sensor. You could go that route, or spend six to eight grand on a body that will improve the sensor readout speed by 10 milliseconds. Either way you’re going to be sacrificing something.
Just try and compose your shots more thoughtfully and don’t pan back and forth as fast as you can. I’ve seen hundreds of films and videos now shot with the A7IV and I’ve never even noticed the rolling shutter. If you’re filming car races or something exclusively, then you probably chose the wrong camera.
I filmed a horse riding Girl. Dressage. Not a quick pan… But always followed her. I hatte it the way the lanterns Look like. It’s completly unusable
You can fix it in post but in camera you can film in aps-c crop mode. That will help. Fast action is the Sony a7iv downfall. A7siii is the go here
@@TheEbachbub I would definitely try a real wide lens paired with aps-c mode. It brings the readout speed down to about 10ms instead of the normal 25ms that full frame mode has. If you are able, see if you can rent the Sony 10-20mm lens. Shoot at 10mm in crop mode and it will pretty much eliminate the rolling shutter. If you find that it works for you, then you could buy that lens, it’s around $700. Sigma and Tamron make a good lens at that focal length as well! I believe the Sigma is $600.
Great video. Great explanation and footage. 👏 I think it may be time to take off the training wheels and pick up a mf cine lens. Lol.
Says invest in Cinema lenses like we have that much money
🤣🤣🤣
These are almost the cheapest cinema lenses. Not bad for what you get
@@JasonMorrisphotocinema yes totally agreed with this, the meike ff prime set has been proved by market to be a excellent set with an affordable pricing
I’m almost positive; ever single gym around the globe has been shot to death. I mean, anyone else tired of seeing sweaty multi-gel lit, workout b-roll? Seriously, think of all the swinging rope shots you’ve seen on TH-cam. It’s enough to turn you into an old fart that complains about it in a random cinema lens video comment section.
🤷🏽♂️ good for my algorithm though haha