Thanks Darryn for using the Syncopation book this is what I use as my basic reading tutor for all of my students. Your lesson has given me some fresh ideas. Keep up the great work.
Yes... Thanks for reminding me about the famous Page '37'... Your idea's are very engaging and I look forward to practicing this challenging exercise... Thanks Darryn
“And I’m not happy about this.” That made me laugh. My drum teacher always loses his mop when he gives me pages to work on and I’m using a newer version of the book.
Wonderful stuff Darryn. Inspiring as always. You gave me similar exercises years ago! 1:38 is brilliant😁 How dare they? Keep up this great and valuable work! 👍
Fantastic! Great exercise and explanation of the strong and weak pulses on the hi-hat. I am a drummer alike to whom you refer to that have worked on many ostinatos reading pg 38, in my publication of Syncopation anyway.
at 4:21 you state that in this entire exercise there are no more than 3 notes in a row, looks like there are 5 notes in a row in the 2nd bar of the 2nd example, what am I not understanding? When you say the entire exercise do you mean just the first four bars in exercise one?
Another new way to add to the list!!! Thanks for this example it really sounds great!
Thanks Darryn for using the Syncopation book this is what I use as my basic reading tutor for all of my students.
Your lesson has given me some fresh ideas.
Keep up the great work.
Thank you for the lesson!
I’m gonna work on this!
Thats so cool and inspiring ..thanks Darryn
Huge fan of this exercise, can't wait to try it out
This one is great Daz!!
Awesome! Thanks Darryn
Great lesson again, already subscribed after watching the Weckl lick video earlier 😉.
Thanks Simon. I’m grateful for your support.
Dude I’ve been trying to figure out how to properly use this book for the past two years lol. Thanks man!
Taydrumz thanks. There are so many idea and concepts. More to come.
Yes... Thanks for reminding me about the famous Page '37'... Your idea's are very engaging and I look forward to practicing this challenging exercise... Thanks Darryn
Love your contract. This is much harder than you make it look. Good stuff.
Its hard to tell if when your playing the back beat on 3 if you are playind the bass drum notes that also land on 3
“And I’m not happy about this.” That made me laugh. My drum teacher always loses his mop when he gives me pages to work on and I’m using a newer version of the book.
Ooo that snare in into is 🔥
Beautiful as always sir 🙏
Wonderful stuff Darryn. Inspiring as always. You gave me similar exercises years ago! 1:38 is brilliant😁 How dare they? Keep up this great and valuable work! 👍
Very cool man!
Fantastic! Great exercise and explanation of the strong and weak pulses on the hi-hat. I am a drummer alike to whom you refer to that have worked on many ostinatos reading pg 38, in my publication of Syncopation anyway.
Murad Gunduz thank you. It’s a never ending journey and I’m always discovering new ways to play this exercise.
Awesome.
Ted Reed's Syncopation was the trap set book in the 70's.
What page on the ted reed book
Checo Ruiz depending on when the copy of the book was published it will be either page 37 or 38. In any case it's Syncopation exercise 1.
at 4:21 you state that in this entire exercise there are no more than 3 notes in a row, looks like there are 5 notes in a row in the 2nd bar of the 2nd example, what am I not understanding? When you say the entire exercise do you mean just the first four bars in exercise one?
In the written exercise - Syncopation Exercise 1 from the Ted Reed book - there are no more than three notes in a row. This is what I'm referring to.
Best book
Cool thanks
good
Another great lesson from the master. Thanks Darryn 🙌
I’ve worked out at least 50 ways to do this legendary book-it’s a bible-don’t forget to talk about the importance of ear protection-please-