TW is on another level! I don’t think there’s a lot of bands nowadays that have this quality of composition. For me it’s amazing how they took such a classic song and transformed it into their own style. One of the already characteristic parts of TW trademark is the epic ending or outros of some of their songs. To name a few examples: Unmendable, Dull Knives, Survive, Runaway, Ugh, etc.
One thing that impressed me from the first time I saw The Warning (two months ago), is that they do everything very well. Whether it is their musical skills, their singing, the lyrics of their songs, their stage presence, their videos, their effort to always deliver everything on stage and connection with the public and with their fans, etc. Without a doubt, this is the band's best live show, with a specially designed stage and lights and of course also the recording. It is not a change of intention, it is a consequence of the fact that now they can invest more. They need to be able to extend this to their presentations outside of Mexico, but that requires much, much more money. I hope that in the future it will be possible.
What's UP, my friend! If you get even a remote chance to see them live, DO IT! Dany's guitar melts your face off. Pau's toms and Kick drum kick you in the chest. Ale's Bass rattles your bones!! And the vocal harmonies make you happy and wanting MORE! I just wish they would turn up Ale's mic more! hahaha I can always find something lacking in every rock show I have seen in the last 40 years. It's hard to find a flaw with The Warning! Future Legends!
This is almost like Hendrix’s version of All Along the Watchtower; he made it so much better that even Dylan himself started playing Hendrix’s version.
Yes she did a video about her pedal board. She said some people say they are using a guitar backing track when it is actually her in stereo. She puts a slight delay on one channel and also changes the sound of the second channel in some way so it sounds like 2 guitars playing.
Yep. Its about a 0.3-0.5 ms delay. Its a relatively "normal" trick for single guitar bands, gives you the sound of actual double tracked guitars even when playing live.
They've refined the song to where it is now for their live show, amazing job. These Teatro recordings finally do justice to the band and their sound, little by little they are trickling out to the public via YT and that is a very good thing. All of the fan-cam postings are greatly appreciated, but these recordings really show what the band is capable of. I have to believe that their background in classic piano, music composition, and music theory prepared the ladies to really take full advantage of the invitation from Metallica. It had to take a lot of confidence and courage to do what they've done with an iconic rock song and I feel that they totally owned it when the opportunity came along. Thanks for checking this one out, really appreciate your insights into what we're hearing.
Back in the 70s I used a Rickenbacker 4001 bass with Rick-o-sound, which created a stereo effect using the analog output when routed to two amp heads and separated cabinets. It was a cool effect, especially when you consider it was all analog and done with the pickups on the guitar. But we didn't tour with double the bass heads and cabinets just because of the space it would take up in the van. Also, it would prompted a war with the rhythm guitarist and lead guitarist who would have had to use more cabinets and amplification to match what I had...They cranked everything up at the time and if I maxed out my bass it would drown out their guitars on the low end. So, I was the ONLY one who didn't max out the volume on my rig. We did play an outdoor show, which always sucks up the bass. I rented the extra equipment so I could use both amps and cabinets with the stereo effect, and set the cabinets off to either side of the drum kit. It sounded cool, but some of the people who followed us said the bass sounded weird to them in the audience.
Part of the charm of this song for me in the Blacklist version was how it started pop then moved along into rock then ended in a nod to metal. So when I hear this version alone I kind of miss Alessia's part (we get a bit of her oh ohs on backing tracks). But I can see how this would fit better into their normal set of hard rock music. In the set of their music live I imagine I would prefer this version. I'll have to get tickets to see them again to be sure (like I needed another excuse). Thanks for the video.
That ending is one of the best things I have yet to see, from any Rock band spanning my 5 decades of head banging. They sum up everything I love about this Genre and them, in less than a minute. Whoohaha! Just badass. 🤘🤯🤘
I am not a Metallica fan, and I was sick of this song, until this version came along. A lullaby where Alessia very sweetly puts you to bed, then Dany rouses the troups, and the angel chorus comes to sing you to sleep, then Boom, the hammer drops. I think of this very much as the female version of the tale. So good. Delicate and powerful at the same time. I did not hear it on the original music video, but in the first verse at the "Sleep with one eye open" Ale drops down to the B string for a quick triplet. OMG when I heard that live the first time in a small club, it hit me square in the chest. You can hear it nicely in this recording. But that feeling live when she hits those notes. Ooof. AND holy cow, Pau loves that O-zone crash cymbal.
Yes. I called it the Spector growl in the comment section when I heard it in their live performances. As an amateur bassist from my college days in late '80s, I was just stunned. What a bass!!! What a bassist to even think about adding those triple thuds!!!
ENTER SANDMAN de The Warning un cover original y el mejor tema del black list, un tema que puede ser incluso mejor que el original,The Warning es como los grandes y viejos grupos del buen Rock, talentosos,con pasion y dando todo en el escenario
Great reaction! I'm totally on the same wavelength, a little fearful I'll get used to The Warning's music, but it hasn't happened yet. I recently went back and checked out Metallica's Enter Sandman MV, which has 581M views. All I could think was that it was an OK cover of The Warning's version. Credit, too, to Alessia Cara, who is a truly important voice on the backing track.
the metallica blacklist is where is taken from all these artist which is like 50 artists who did there own redition from any of the 12 tracks from the black album simply beautiful
I have next to no clue as to everything you say, but I love your enthusiasm and all the detailed knowledge you have. Plus anyone that loves The Warning is good in my books !!
Agreed about this being the update this song needed for the 21st century! And regarding Dany's pedalboard, she moved with the 2021 tour from her trusty helix to a kemper board. Personally, I far prefer helix to kemper, because I'm (a) an audio engineer who understands and wants the control and power and flexibility of building my chain, (b) making your own kemper profiles is harder than it seems if you want them to be pro level tour/album ready, (c) Im guessing here, but I suspect that the kemper is probably there because it is has actual profiles of Dany's tones from the album, so it sounds exactly the same live. THAT is where it's cool. But it would be interesting to know for sure why she changed. I mean, Kemper is amazing... but Dany is a nerdy gear head who used to create her own sounds from scratch on the helix... there's a long video of her going into that stuff and how she routes it in 3 channels (2 different models left and right plus cab-free, maybe amp-free too, to go to her orange on stage), so I'd love to know if she is doing the same thing with kemper and nerding out, or if this is something provided by her label/producers/engineers to facilitate live touring with exact tones from the album. Either reasoning makes sense, I guess. I just personally am not a kemper fan... although if one fell in my lap I'd rock it till I sold it LoL
I think you will be able to appreciate this. Pau goes into some of the programming she has done and how she works with Dany for the guitar pedals as well. Between the two of them they can get the most out of the one guitar. I have not heard Ale say much about her board. Pau gets into some of the programming around minute 50. Paulina Villarreal Masterclass - Soundcheck Xpo 2022. English Subtitles (Official Stream) th-cam.com/video/GMBy4yS86OY/w-d-xo.html
@@lonelywind3511 Pau does not have much to do with programming Dany's pedalboard. That's all Dany any any outside sources she works with. Nowhere in that video does Pau talk about how she is involved with Dany with the effects on her guitar. What the laptop used to do was change the song on the pedalboard so it did not have to be done manually. If you look at videos from up to around 2017 before every song Dany and Ale would bend down and change the song on their pedalboard then they started using the laptop to do that. Pau said laptop does not do that anymore not sure how they do it now. I figure you can program the kemper to move to the next song in your selection???
I have heard it discussed that they do use backing tracks very subtly. They don't rely on them the way some bands do. If you watch, sometimes there's a background vocal when neither Ale or Pau seem to be singing. If you watch live performances of More, there's a synthesizer sound before the song starts but all three girls are at their regular instruments. They also perform each song to a click track which helps them play so tightly and at exactly the same tempo every time.
When the Blacklist album was announced and I saw that they were in it, I thought it would be cool to see them do this song when they were a little grown up. But what they did to this song is amazing, I don’t know how it’s not played as much as the original!
Thanks man, audio was superb this time around!! I just can't get enough of these pro-shot live performances!😄👍 I hope they release some more here shortly. I'm actually excited to hear '23' and 'Revenant' as they are my favorite tracks on this album, despite the fact that they are more 'rock ballad-ish' than hard rock. Just something about Pau.. ya know?😉
Love your exuberance regarding The Warning! And great technical explanations too. Awesome job! One question - are the Alessia Cara vocals done by Paulina live here or are they pre-recorded as a backing track? Looked like her mouth wasn't in sync with them so I'm guessing it was a backing track. Sounded great either way.
Dude you're so squirrelly but I love the tech break downs you do. I've watched this a few times so behind Dany to her right is her Mesa boogie stack with her Orange screamer box on top. Beside it is a Marshall stack. Maby that's where the stereo sound comes from.
@@Beldvlmnt I know right. With those PRS customs and the Explorer she has her sound dialed right in. That kemper is miles ahead of the line 6 she was using.
This version is so awesome because it has some soft feels of a dark lullaby until it rips your head off. I love this version compared to the original 🤘
Reworking a song that has been played to death may not sound like the best idea, but the girls killed it. Ending with "the riff" is brilliant.
TW is on another level! I don’t think there’s a lot of bands nowadays that have this quality of composition.
For me it’s amazing how they took such a classic song and transformed it into their own style. One of the already characteristic parts of TW trademark is the epic ending or outros of some of their songs. To name a few examples: Unmendable, Dull Knives, Survive, Runaway, Ugh, etc.
It's like an old, worn-out car. The Warning brought it into the shop, rebuilt and repainted the whole thing, and it runs great.
" Spiritual " Yes, that's what it feels like when you see them in concert.
One thing that impressed me from the first time I saw The Warning (two months ago), is that they do everything very well. Whether it is their musical skills, their singing, the lyrics of their songs, their stage presence, their videos, their effort to always deliver everything on stage and connection with the public and with their fans, etc.
Without a doubt, this is the band's best live show, with a specially designed stage and lights and of course also the recording. It is not a change of intention, it is a consequence of the fact that now they can invest more. They need to be able to extend this to their presentations outside of Mexico, but that requires much, much more money. I hope that in the future it will be possible.
Check out Muse's recent media posts. ^^
Replace his with their. They’re a band, not a single man.
Them using "the riff" for an outro is still incredible to me lol
Dany is playing the guitar that Lzzy Hale gave her during The Warning set. She told Dany to "play it Hard and play it loud"
LOVE them respecting Alessia Cara with her on the backing track, they didn't have to but they did which shows how honorable The Warning is. ❤from 🇨🇦
What's UP, my friend! If you get even a remote chance to see them live, DO IT! Dany's guitar melts your face off. Pau's toms and Kick drum kick you in the chest. Ale's Bass rattles your bones!! And the vocal harmonies make you happy and wanting MORE! I just wish they would turn up Ale's mic more! hahaha I can always find something lacking in every rock show I have seen in the last 40 years. It's hard to find a flaw with The Warning! Future Legends!
Watch the guitarist. She KNOWS AC/DC and Angus. More than once she does his "point to the heavens and Rock Gods" move. LOVE IT!!!
This is almost like Hendrix’s version of All Along the Watchtower; he made it so much better that even Dylan himself started playing Hendrix’s version.
Yes she did a video about her pedal board. She said some people say they are using a guitar backing track when it is actually her in stereo. She puts a slight delay on one channel and also changes the sound of the second channel in some way so it sounds like 2 guitars playing.
Hhahaha yesss I win this argument with a friend yesterday then lol I’m about to send him the link and a screen shot
Yep. Its about a 0.3-0.5 ms delay. Its a relatively "normal" trick for single guitar bands, gives you the sound of actual double tracked guitars even when playing live.
@@InZomnia365 yesss we’ve been doing it with vocal layers too - the beefier the better a wise person once said lol
They've refined the song to where it is now for their live show, amazing job. These Teatro recordings finally do justice to the band and their sound, little by little they are trickling out to the public via YT and that is a very good thing. All of the fan-cam postings are greatly appreciated, but these recordings really show what the band is capable of.
I have to believe that their background in classic piano, music composition, and music theory prepared the ladies to really take full advantage of the invitation from Metallica.
It had to take a lot of confidence and courage to do what they've done with an iconic rock song and I feel that they totally owned it when the opportunity came along.
Thanks for checking this one out, really appreciate your insights into what we're hearing.
Lzzy told her, "Play it hard, and play it loud" . She does.
She does a time delay but like a sec and does it again - her hands go over but check the pedal and Pau is just a fucking maniac - love them 🤘🔥🔥🔥🔥🇿🇦🤘
Back in the 70s I used a Rickenbacker 4001 bass with Rick-o-sound, which created a stereo effect using the analog output when routed to two amp heads and separated cabinets. It was a cool effect, especially when you consider it was all analog and done with the pickups on the guitar. But we didn't tour with double the bass heads and cabinets just because of the space it would take up in the van. Also, it would prompted a war with the rhythm guitarist and lead guitarist who would have had to use more cabinets and amplification to match what I had...They cranked everything up at the time and if I maxed out my bass it would drown out their guitars on the low end. So, I was the ONLY one who didn't max out the volume on my rig. We did play an outdoor show, which always sucks up the bass. I rented the extra equipment so I could use both amps and cabinets with the stereo effect, and set the cabinets off to either side of the drum kit. It sounded cool, but some of the people who followed us said the bass sounded weird to them in the audience.
Elgon…buddy…that is awesome!
Part of the charm of this song for me in the Blacklist version was how it started pop then moved along into rock then ended in a nod to metal. So when I hear this version alone I kind of miss Alessia's part (we get a bit of her oh ohs on backing tracks). But I can see how this would fit better into their normal set of hard rock music. In the set of their music live I imagine I would prefer this version. I'll have to get tickets to see them again to be sure (like I needed another excuse). Thanks for the video.
You are correct to be suspicious.... There's Badassery afoot......🥷
That drop tho! 🤘😍🤘
Love the screen showing their original video on fire. They burnt it down and remade it!
The Rocknrollpapaw from Memphis Tennessee back in the house great job on this reaction❤ me some the warning ⚠️ they are three barrels of badass
That ending is one of the best things I have yet to see, from any Rock band spanning my 5 decades of head banging. They sum up everything I love about this Genre and them, in less than a minute. Whoohaha! Just badass. 🤘🤯🤘
The Warning transcends, plain and simple.🤘
And btw, as someone that knows this song forwards and backwards this version is my favorite.🤟⚡⚡⚡
the warning does such a beautiful job with this song i can see their records getting bought they owned that performance
I am not a Metallica fan, and I was sick of this song, until this version came along. A lullaby where Alessia very sweetly puts you to bed, then Dany rouses the troups, and the angel chorus comes to sing you to sleep, then Boom, the hammer drops. I think of this very much as the female version of the tale. So good. Delicate and powerful at the same time.
I did not hear it on the original music video, but in the first verse at the "Sleep with one eye open" Ale drops down to the B string for a quick triplet. OMG when I heard that live the first time in a small club, it hit me square in the chest. You can hear it nicely in this recording. But that feeling live when she hits those notes. Ooof.
AND holy cow, Pau loves that O-zone crash cymbal.
Yes. I called it the Spector growl in the comment section when I heard it in their live performances.
As an amateur bassist from my college days in late '80s, I was just stunned.
What a bass!!!
What a bassist to even think about adding those triple thuds!!!
🔥👸👸👸🔥 Amazing
Their harmonies are killer.
They just released another video last night - CHOKE at the Teatro Metro CDMX
ENTER SANDMAN de The Warning un cover original y el mejor tema del black list, un tema que puede ser incluso mejor que el original,The Warning es como los grandes y viejos grupos del buen Rock, talentosos,con pasion y dando todo en el escenario
Great reaction! I'm totally on the same wavelength, a little fearful I'll get used to The Warning's music, but it hasn't happened yet. I recently went back and checked out Metallica's Enter Sandman MV, which has 581M views. All I could think was that it was an OK cover of The Warning's version. Credit, too, to Alessia Cara, who is a truly important voice on the backing track.
the metallica blacklist is where is taken from all these artist which is like 50 artists who did there own redition from any of the 12 tracks from the black album simply beautiful
One word , " EPIC "
⚡✌️🤟⚠️⚡A whole New Song! Rocks Live!!!✌️🤟
I have next to no clue as to everything you say, but I love your enthusiasm and all the detailed knowledge you have. Plus anyone that loves The Warning is good in my books !!
The performance at this whole show is out of this world 🤯 !
excelente reacción como siempre... ⚡⚡🤘🤘THE WARNING 🤘🤘⚡⚡
Finding this band today is like finding Led Zeppelin in 1970 ..they are incredible
Agreed about this being the update this song needed for the 21st century! And regarding Dany's pedalboard, she moved with the 2021 tour from her trusty helix to a kemper board. Personally, I far prefer helix to kemper, because I'm (a) an audio engineer who understands and wants the control and power and flexibility of building my chain, (b) making your own kemper profiles is harder than it seems if you want them to be pro level tour/album ready, (c) Im guessing here, but I suspect that the kemper is probably there because it is has actual profiles of Dany's tones from the album, so it sounds exactly the same live. THAT is where it's cool. But it would be interesting to know for sure why she changed. I mean, Kemper is amazing... but Dany is a nerdy gear head who used to create her own sounds from scratch on the helix... there's a long video of her going into that stuff and how she routes it in 3 channels (2 different models left and right plus cab-free, maybe amp-free too, to go to her orange on stage), so I'd love to know if she is doing the same thing with kemper and nerding out, or if this is something provided by her label/producers/engineers to facilitate live touring with exact tones from the album. Either reasoning makes sense, I guess. I just personally am not a kemper fan... although if one fell in my lap I'd rock it till I sold it LoL
I think you will be able to appreciate this. Pau goes into some of the programming she has done and how she works with Dany for the guitar pedals as well. Between the two of them they can get the most out of the one guitar. I have not heard Ale say much about her board. Pau gets into some of the programming around minute 50.
Paulina Villarreal Masterclass - Soundcheck Xpo 2022. English Subtitles (Official Stream)
th-cam.com/video/GMBy4yS86OY/w-d-xo.html
@@lonelywind3511 Pau does not have much to do with programming Dany's pedalboard. That's all Dany any any outside sources she works with.
Nowhere in that video does Pau talk about how she is involved with Dany with the effects on her guitar.
What the laptop used to do was change the song on the pedalboard so it did not have to be done manually. If you look at videos from up to around 2017 before every song Dany and Ale would bend down and change the song on their pedalboard then they started using the laptop to do that. Pau said laptop does not do that anymore not sure how they do it now. I figure you can program the kemper to move to the next song in your selection???
I have heard it discussed that they do use backing tracks very subtly. They don't rely on them the way some bands do. If you watch, sometimes there's a background vocal when neither Ale or Pau seem to be singing. If you watch live performances of More, there's a synthesizer sound before the song starts but all three girls are at their regular instruments. They also perform each song to a click track which helps them play so tightly and at exactly the same tempo every time.
They play Alessia Cara's vocals along with Pau, and some of just Alessia, during the song live.
You gotta react to the live performance of Choke they posted yesterday
You had my exact same reaction 😂😂
When the Blacklist album was announced and I saw that they were in it, I thought it would be cool to see them do this song when they were a little grown up.
But what they did to this song is amazing, I don’t know how it’s not played as much as the original!
Love those Ale Smiles
Told you it was an Out of Body Experience 😀
Great reaction! 👍😎
People who don't get goosebumps watching and listening to this song are dead.
long live TW 🤘🤘❤❤
Oh, yeah!
ROCK AND ROLL!!!! 💥🤟💥
Simplemente ÉPICO esas 2 presentaciones en el TEATRO METROPOLITAN, estuve varios días sin voz. saludos TWA CDMX. 🤘🤘🤘⚡⚡⚡🔥🔥🔥
Great reaction man. The Warning always make me expres my emotions. Saludos from México
This band come the other galaxi
Great reaction/analysis/breakdown BLDVLPMT!
🤘🤓🍿
Thanks man, audio was superb this time around!! I just can't get enough of these pro-shot live performances!😄👍 I hope they release some more here shortly. I'm actually excited to hear '23' and 'Revenant' as they are my favorite tracks on this album, despite the fact that they are more 'rock ballad-ish' than hard rock. Just something about Pau.. ya know?😉
No hay nada mejor que unir, talento, dedicación y humildad... eso te garantiza tener éxito, es lo que merece The Warning!
you’re right, ale’s bass is soft as butter and hard as nails.
DPA 🔥🔥🔥 TWA 🤘🤘🤘 UK ⚡⚡⚡
See Dani has her new Gibson guitar there, used if metal is played in heaven.
Hey Bro they just released Choke from the same concert!
I think Dani said she also uses a harmonizer since she is the only guitar.
Love your exuberance regarding The Warning! And great technical explanations too. Awesome job! One question - are the Alessia Cara vocals done by Paulina live here or are they pre-recorded as a backing track? Looked like her mouth wasn't in sync with them so I'm guessing it was a backing track. Sounded great either way.
Sounds like Alessia's vocals to me and that's okay since that's a way of keeping her part of the song.
Boy do I like this so much better than the studio track. Maybe it's because Dany sings it all?
Dude you're so squirrelly but I love the tech break downs you do. I've watched this a few times so behind Dany to her right is her Mesa boogie stack with her Orange screamer box on top. Beside it is a Marshall stack. Maby that's where the stereo sound comes from.
We did a rig run through of Dany’s! She has the two amps and a kemper, one amp with 10ms delay! Unreal how crazy it sounds
@@Beldvlmnt I know right. With those PRS customs and the Explorer she has her sound dialed right in. That kemper is miles ahead of the line 6 she was using.
😎🤘
This version is so awesome because it has some soft feels of a dark lullaby until it rips your head off. I love this version compared to the original 🤘
The only flaw of their version is that it's too short. 😊
The riff at the end they use it to remain you, that this is a Metallica’s song, and not theirs.
White guitar ? Lizzy Hale gift for Danny.