Lorenzo Micheli plays Corelli/Murcia on the Baroque Guitar
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- เผยแพร่เมื่อ 28 ก.ย. 2024
- Lorenzo Micheli plays Santiago de Murcia's "Una giga de Corelli" (Pasacalles y obras, 1732), after Arcangelo Corelli's Allegro op. 5, no. 3
Baroque Guitar by Stephen Murphy after Antonio Stradivari
Recording: Milan, Italy, Chiesa di S. Antonio, May 26, 2017
Audio & Video Recording: Edoardo Lambertenghi
www.lorenzomicheli.com
www.soloduo.it
¡Qué belleza estas piezas Lorenzo! Realmente un sonido espectacular. Me transportó a la época, sin dudas. Soy un compositor y guitarrista clásico y eléctrico. Me pregunto si es muy diferente tocar estas guitarras...
Bravi!!!
Bellissimo brano, bellissima interpretazione
Gran Maestro. Tecnica ejemplar y corazón en la interpretación. Gracias
Excelente interpretación maestro Lorenzo! Qué delicadeza, qué belleza de sonido!
Of the several Baroque guitar recordings I've heard, this instrument has the clearest tone. Of course the virtuoso playing it might be a factor.
Superb, Lorenzo.
Bellissimo, grazie!
Maravilloso sonido.
Magnifico!!
Salve Maestro, complimenti per la sua splendida esecuzione di questo meraviglioso pezzo. Per piacere mi potrebbe dire come posso acquistare la parte?
Suberbe, bravo.
Bravo maestro!
...un chitarrista emergente... scherzo ovviamente: eccelso Lorenzo!
Wonderful sound, Maestro! And how do you combine playing on classical guitar and historical instruments? I mean, do you play with nails or without? Is it not a secret?
Dear Alexey, I do use nails, but I keep them very short (and pluck the courses with the right side of the nail). This, along with the little finger planted on the soundboard, allows me to play both baroque ad classical instruments.
Thank you very much, maestro! You very help me!
I've been watching baroque guitar videos on TH-cam for months now and the is one of the best by far. My God man, what a beautiful human being you are!
E' una delle migliori chitarre barocche che abbia mai udito. COMPLIMENTI !
Играю эту пьесу в другом переложении, очень ее люблю!)))
We've spent centuries unthinkingly making our instruments and musical technology capable of being louder and louder and louder, and completely forgotten the beauty that can be found in these old, intimate instruments.
Fantástica interpretación. Gracias por compartir.
I play classical guitar and just discovered this piece , i must learn it...
drive.google.com/file/d/1eit_lOjjoQt3dtLUIgGH3ruXlX45LIAI/view?usp=sharing here sheet music page 200
@@victorpecora340 Gran material! Gracias por compartirlo! Qué publicación es esa?
@@Marcos.Pablo.Dalmacio No sé quién fue el autor, lo tenía en mis archivos personales.
Squisito! Grazie per la condivisione.
Finalmente riesce a piacermi la chitarra barocca. Grazie maestro.
That was fantastic
What a charming instrument ..and the sound!!
And in your terms , again,like a magician and his spell,,fantastic!!
I couldn' t help search for the luthier too ,after discovering this upload,I had to see who did such a beauty, and actually found a footage of him at his master work - what a compelling and extraordinary skillful process,a work of art ! If only the world would be made of these "delicacies" yours and that, but then here "they" are! Thank you for sharing all these masterpieces,yours,music and the instruments!! ..gracias!!
Dear Lorenzo. Have you recorded N. Paganini Sonata n.33 Minuet Andantino ,can I get it somewhere ? There' s an upload from when you did back in 2017 in an "estudiantina" but it is " a crime" to listen to the recording quality. Yet it's possible to hear that yours again, is an absolute unique interpretation of one of the most beautiful pieces I've ever heard and just "die" to hear it in acoustics of proper nature!
There's one interpretation I found of G. Bandini I thought I would do with,but then there's the way you played it back then ,,and ... just,, say no more.
Salve maestro suonate questa chitarra senza o con unghi qui? Io so suonate anche la chitarra classica. Volio suonare questa giga ma ho solo una chitarra classica. Il mondo di tono e molto differente puo dirmi si e un trascrizione a notazione musicale. Scusi mio Italiano sono Inglese!
This is lovely.
Fabulous....
Sou grato por sua musicalidade.
Un sonido exquisito y magistral!
fantastico Lorenzo!! ciao un abbraccio!!!
🎼👍👍👍👍👍👍👍👍👍👍🎼
¡Hermoso! Excelente interpretación
1:37 Interesting original plot point from Murcia
just found corelli related guitar performance, this really a corelli guitar perdormance
Grande Lorenzo!
Très beau superbe
MERAVIGLIOSO! Un abbraccio
Played very nicely!
Bravo.
MAGNIFIQUE !!! merci.
Thanks for playing this great piece in such a wonderful way and thanks for being thoughtful enough to include the Opus no. etc in the comments.
Thank you for listening!
It was great. I enjoyed it, thanks!
C superbe Bravo Monsieur
Bellissimo!
Magistrale. E umano.
Bravo Maestro!!!!
Wonderful!!!
Блестяще.
Esiste un arrangiamento per chitarra classica ?
Che io sappia no… temo che con l’accordatura della chitarra moderna il brano perderebbe molto del suo colore
Superbe🌺, j'aime beaucoup. Merci pour ce partage.
Merci beaucoup!
Hello Lorenzo. I was wondering what the string tension in kilo's of your top string is? What is the brand name and gauge? I play Lute and guitar with nails, as you do, and I've just finished building an 8-course Baroque Guitar (unusual, I know!). I was thinking to put a .55 Pyramid string on the top course, which gives about 4 and 1/2 kilo's of tension. I would be very grateful for your advise! Many thanks and best wishes, Edward.
Hi Edward, if I am not wrong it's a Pyramid nylon string, 0,50/3.6 k. Take care!
Wow!! Incredibly beautiful.
🙏
Hello Lorenzo. About the guitar tuning.....are there bourdons on the 4th and 5th course? Are the 4th and 5th courses up an octave from "conventional" guitar tuning? Or are there high octaves on the "Bass" side of the pair? With all good wishes, Edward Fitzgibbon.
Ciao Edward, there are no bourdons on the 5th course (which is entirely re-entrant), but there is both a low and a high "D" on the 4th course. It's a pretty common "hybrid" tuning that allows you to perform a quite extensive range of repertoire. Take care! L
It's always difficult to tell whether a baroque guitarist was using a re-entrant, a semi-re-entrant tuning or bourdons on both the 4th and the 5th course, because most of the sources lack of this information. But I find that this semi-re-entrant tuning fits to most of the major repertoire (for instance, de Visée or Roncalli), because ti gives you the possibility to choose which octave you want to emphasize more.
Beautifull! Is there a way to get the partition of this music for baroque guitar?
Hi Jean-David, if you give me your email address I can send you the score.
Thank you so much! That's really nice from you! This my email:
jdlevy@neuf.fr
I'll start to study that as soon as i'll have the text. Again, thank you so much for that proposition.. have a very nice day, best regards, jean-david levy
Wonderful, Maestro! I would also love to have the score/tablature! My email is aug.chr@gmail.com
Is your fifth course tuned in octaves or unison?
Beautiful playing!
Can you send me the score or the tablature please? It would help me a lot. This is my email: filipzsombor@gmail.com.
Thanks a lot, Zsombor
Actually it's Op. 5 no. 8 but you put me on the right track. Thanks.
Are you sure? no. 8 is in e minor. I checked the score, and I think no. 3 (C major) is correct.
@@LorenzoMicheli You are correct. I got confused because I was working through de Murcia's arrangement of Suite no 8. De Murcia subsituted some of the movements and I'm also working from the arrangement done by Jose Maria Gallardo del Rey. Jose Maria has composed his own Gigue so gets just a little complicated. Corelli is one of the great composers. I'm so glad to have discovered his music thanks to Robert Gjerdingen's book "Music In the Galant Period". Nice Romanesca at the beginning and I just spotted a 'down 3 up 1 sequence in bars 7-10 and a converging cadence in bar 11. It's like an Easter egg hunt.
Actually a Monte, I think strting at bar 11.
@@brianfrith5324 :)
Ausgezeichnet! Magnifico!
Vielen Dank!
Absolutely beautiful
Grazie!
The Best.
🙏
Buongiorno, volevo se possibile avere un'informazione sulle corde.
Suono la chitarra classica e da poco ho comprato una chitarra barocca (usata) che accordo a 415 ma la tensione delle corde sopratutto sul terzo-quarto (con raddoppio all'ottava) e quinto coro (rientrante) mi pare troppo bassa.
Non so quanto dipenda da me, dall'action o dalle corde ma è veramente difficile non far sbattere le corde .
Ciò premesso volevo solo sapere che corde usa sulla chitarra . Esiste una muta già pronta?
Complimenti per l'esecuzione. Un cordiale saluto Fabio
Caro Fabio, è difficile trovare l'assetto giusto. Le corde montate sulla tua chitarra, semplicemente, potrebbero essere del calibro sbagliato. Ti consiglio di calcolare la tensione delle corde indicando il diapason del tuo strumento e la frequenza del tuo "la": puoi usare uno dei tanti calcolatori che si trovano online (ad es. tinyurl.com/yadpg6rm), e poi acquistare le corde desiderate (io uso le Pyramid, Pyramid-saiten.de). Ciao!