I like to take the time to say that even when he plays incorrectly, he is still a badass. I want to sound just like him. You know when he plays the correct way.
I noticed on count one of measure 12 the three eighth notes aren’t marked as triplets but everyone is playing them that way. I have as well I just was confused.
Lego Front01 if you count beats in the measure, they have to be triplets. A lot of times publishers just leave out the “3” if it’s been stated earlier and it’s repeated, or if it’s obvious enough.
As a general note, misprints happen often. If you see this shape (3 eighth notes tied together) in 4/4 time, and it is not followed immediately by a rest, then it is safe to assume they are meant to be triplets. If there is any doubt, you cannot go wrong just counting the beats in the measure to try and figure it out!
Really nice phrasing and clean articulation. I'd recommend to anyone playing this or any other trumpet parts with large skips in the range to focus more on the low note that proceeds a big jump. Mr. Sherman does a good job of "revving up" the high note by giving it plenty of energy, but oftentimes some tone or even time is lost on the low note preceding because he focuses on the high note. If you provide outstanding air support to the low note and give it its full potential, pitch centeredness, and air support necessary, then the high note jump after will come easily. Seeing the high note as the "target" is a bad habit of getting into as an early trumpeter. See the low note as the target, but follow your shot through to the high note. There are no targets on high notes because they already speak louder and more clearly than low notes (just by nature of the wave frequency), so having a mental target on the high note only exacerbates this issue.
Also, Mr. Sherman likes to rush his half and quarter notes. Don't do this. Give them the full value, and keep time carefully. That's not to say that you shouldn't play with movement and feeling, but in this case, cutting the notes short is just rushing, not a stylistic decision.
I like to take the time to say that even when he plays incorrectly, he is still a badass. I want to sound just like him. You know when he plays the correct way.
I live in California but I always watch these videos as i love Kyle's tone
His articulation is literally so perfect!
0:53 part 2 timestamp
1:02 also for hard part rewatch (measure 29)
For midland freshman trumpets, our cut starts at 0:35
Well....that certainly deserves a new subscriber.
Played this maybe freshman or sophomore year in high school, senior in college now, good to see it back as a piece!
You sound so good. TMEA ftw
I love his split personality's hat lol but he STILL plays with a good sound when purposefully trying to sound incorrect
I noticed on count one of measure 12 the three eighth notes aren’t marked as triplets but everyone is playing them that way. I have as well I just was confused.
Lego Front01 TMEA actually officially said to call them triplets
Lego Front01 if you count beats in the measure, they have to be triplets. A lot of times publishers just leave out the “3” if it’s been stated earlier and it’s repeated, or if it’s obvious enough.
It’s also in the performance notes to play them in that way
As a general note, misprints happen often. If you see this shape (3 eighth notes tied together) in 4/4 time, and it is not followed immediately by a rest, then it is safe to assume they are meant to be triplets. If there is any doubt, you cannot go wrong just counting the beats in the measure to try and figure it out!
this helped me alot and i have to play this piece this year in november
0:36 2nd Part
Really nice phrasing and clean articulation. I'd recommend to anyone playing this or any other trumpet parts with large skips in the range to focus more on the low note that proceeds a big jump. Mr. Sherman does a good job of "revving up" the high note by giving it plenty of energy, but oftentimes some tone or even time is lost on the low note preceding because he focuses on the high note. If you provide outstanding air support to the low note and give it its full potential, pitch centeredness, and air support necessary, then the high note jump after will come easily. Seeing the high note as the "target" is a bad habit of getting into as an early trumpeter. See the low note as the target, but follow your shot through to the high note. There are no targets on high notes because they already speak louder and more clearly than low notes (just by nature of the wave frequency), so having a mental target on the high note only exacerbates this issue.
Also, Mr. Sherman likes to rush his half and quarter notes. Don't do this. Give them the full value, and keep time carefully. That's not to say that you shouldn't play with movement and feeling, but in this case, cutting the notes short is just rushing, not a stylistic decision.
Alex Banning lol, go practice.
You are amazing
How many times did they clean that bathroom floor for him to agree to sit on it
Anyone else notice how over-the-top the trill was in the 'incorrect' example'? That made me giggle.
Does anyone know what the freshman cuts are?
I'm your one-thousandth like :D
holy shit the incorrect is fucking hilarious.
Is he using Bach trumpet?
Looks like a Yamaha Chicago (distance of the two braces) maybe ....
Which piece is it
0:35
Maybe Kyle needs a revised fingering chart, especially for when he gets a bugle job! ;-)
U sound great I’m not a pro but u play down instead hell up and it seems like U play from your throat
Bell*
michael holloway Do whatever works for you man
Hey alec
0:50 nothing wrong with it just have to practice it
horn angle be like
I can feel the ego radiating from this video.
Yamaha Xeno?
crazy how you made the incorrect style sound good