Pang Chiquan is an overrated artist...he has neither a strong voice nor good acting skills with a commanding stage presence.....just that he has been promoted as being Sin Ma's student and has reaped the benefits through this association...it is evident that he is an abject failure in attempting this classic song...at times it is obvious that he is straining his voice to reach the high notes....his voice is flat and is within a limited range....nothing outstanding, the loud drumbeats and cymbals are covering up for his vocal weaknesses.....what a disgrace to the memory of XinMa .......he cannot even move convincingly on stage as Lord Guan... thoroughly lacking in martial charisma n machismo.... as for San2, bet she will not be making any headway with such a sifu>..😅
He was never an outstanding stage performer even during his younger days... as a singer claiming to be Sin Ma's student. there were many who were more accomplished n outstanding than him in HKong n the mainland...
![KRK - ชนิสรา Ft.WanMai , N/A [Official MV] Prod. By Sakarin](http://i.ytimg.com/vi/C-WMwwYobcU/mqdefault.jpg)
珊珊好上莊有古典美好靚，唱腔清晰，聲線很甜不錯好聽，,演藝要加深學習更好。
我还是要支持这些大老倌，隨着年龄的坛长，未免会发福，音线也会有多少变化，所以，我们不必要在这争辨什么，想想自己是否也比少年时代有所改变，好好欣赏別人的优点吧。
珊珊作為業餘演出已算不過不失,如多做多演,過多10年定有成就,演粤劇定要時間經歷,冇捷徑走,第一次看珊珊演出已好有驚喜👍💪珊珊加油．(珊珊有優厚條件對粵劇認知豐富,比行內人還多)
MK L 亻
M
🎉🎉🎉🎉🎉😅😅😅😅😅❤❤❤❤
多謝上傳
珊珊扮相很美! 8 July 22 Friday
👍
此曲已隨新馬去,餘子特特空自忙.
珊珊的唱腔不错，再多磨练定成气候，身段造手还不行，加油！
珊珊人靚歌甜,只做主持太可惜了,應多方面發展
太子炳真係冇前輩演關公的氣魄，甚至及不上羅家英，唯一可取是貂蟬夠後生。
未至於這麽差吧!
珊珊做主持口才流利出色, 古裝扮相好靚, 身形有古典味, 唱功條件不錯, 至於做, 若以初次登台來評, 已經好好了, 尤以尾段走前碰刀一段都很不錯, 其他的動作則嫌太多也不大自然, 當然, 演出越多才會自如, 整體甚具潛質的. 彭哥年紀大左有時在控制高音線口微微失準, 其實唱關公也不用句句都要去到最高, 就算祥哥好多時都用暗聲.
彭唔係新馬徒弟，而是經新馬指點過而已，應不要冒認。大陸花旦唱腔獨特，就係震音，是好是壞看個人愛好了。
1984年.彭和曾慧 來港。和新馬在普慶戲院同台演出, 約九十年代初. 新馬破例收 彭 曾 二人為徒.且行跪拜之禮, 此事在梨園界甚為張揚c
珊珊聲腔悅耳，但做表、關目還未成氣，要在此行立足，必須勤下苦功。
把關羽演成焦贊孟良一樣，新馬的徒弟學不到新馬一成
珊珊做主持無形有多得着．接觸多方面粤劇名人,吸收專才好野,对進修粤劇大有幫助,可以双線發展．主持工作不要放棄。
閞公月下釋貂嬋,不是新霸王別姬
忙中有錯，謝謝告知
應該是眉塢鋤奸，不足眉隖，塢該發音（滸），且發音（烏）是不對的
Pang Chiquan is an overrated artist...he has neither a strong voice nor good acting skills with a commanding stage presence.....just that he has been promoted as being Sin Ma's student and has reaped the benefits through this association...it is evident that he is an abject failure in attempting this classic song...at times it is obvious that he is straining his voice to reach the high notes....his voice is flat and is within a limited range....nothing outstanding, the loud drumbeats and cymbals are covering up for his vocal weaknesses.....what a disgrace to the memory of XinMa
.......he cannot even move convincingly on stage as Lord Guan... thoroughly lacking in martial charisma n machismo....
as for San2, bet she will not be making any headway with such a sifu>..😅
IN the past, Pang Voice is much better with wide range, he is getting old now as he was born in 1947.
He was never an outstanding stage performer even during his younger days... as a singer claiming to be Sin Ma's student. there were many who were more accomplished n outstanding than him in HKong n the mainland...
新馬閉目亮相, 唱到"丹鳳眼" 豹眼一睜, 關目迫人, 新馬嘅台步與唱此曲嘅霸腔, 彭熾權 10% 都學唔到, 真係唔好話比人聽係新馬徒弟, 有辱先師 !!! 一向認為彭熾權唔得, 即管放棄偏見睇一次, 仍然失望 ...
老實說，要似一個流派唱腔，如新馬腔，確實不容易，也可說成绝响，但你已是一個較開明的觀眾，也許用一個傳承的心去看後學演戲。不論有多少分的相似，最重要是使這流派可傳氶下去……
@@pineapple1881 這流派可傳氶但不需要彭熾權, 佢喉底太尖, 唱不到南音, 就算唱普通梆黃都非常難聽, 加上身材偏胖, 台步不佳, 毫無架勢, 基本上唔入流, 更加上不到一線 。但不要絕望, 這流派的傳氶, 還有一個黎駿聲, 可堪期待 ...
一半認同，黎駿聲雖前有小新馬之藝名，但現今的他的唱腔却不太有新馬的影子，可能是容滙貫通吧，有自己的唱腔是好事;至於彭熾權，個人認為唱腔不難找到新馬的影子，至如聲線較尖，是天賦的，很難改變，他能文能武，更能丑，演戲投入角色，年青的他，身裁瘦削，肥胖是晚年發福而已。
@@pineapple1881 你看看黎駿聲的光緒王吧, 黎駿聲就是因為知道自己的不足, 不想背負新馬之名才改藝名, 我提黎駿聲只是想回應你的 " 要似一個流派唱腔，如新馬腔，確實不容易，也可說成绝响個 "似" 字, 無人能似, 他們連新馬的尾燈都看不到, 我只回應你說的 " 這流派可傳氶的 " 傳氶 "... 至於彭熾權聲線較尖，是天賦的，那就像足球員天賦不懂控球, 如何成為好的足球員 ? 至於是否能文能武，則見仁見智, 晚年發福, 就別做文武生了... 像波叔轉丑吧 ... 但如此功底腔口, 不要說要跟新秀梁煒康比較, 我想連陳鴻進, 一點鴻都不如吧 !!!
各人有各人的看法，相信彭有今天的成就，也得不少觀眾的認同，這是事實……
彭熾權食不音走走地音益多啲何尺啦
新馬師曾做関公無人能取代⋯関公上身.全戲行公認
雖無人能及，但都希望傳承，终有一天能有好的繼者……
珊珊扮相俏麗，唱腔也不俗，可惜不常演出
演出像念書，毫無神韻