This has been the best resource for learning how to do things the right way-straight to the point, with real-life scenarios, no unnecessary talk. As a young, aspiring DP, I’ve learned more from this page in the past few months than anywhere else. Thanks for sharing such valuable insights-and by the way, I’ve got your LUTs!
Thanks so much! We really appreciate your support, both with your time and how you support us in the backend. Everything keeps the channel growing and building, so we appreciate you!
It's a tricky place to pitch. Typically if we're pitching for production, it's in the director's rate more or less. Pre-viz can always be tricky. Often times you're just doing that on your own in your own space. If you are lucky enough to have time and budget to do it in the location that's great. But you can pre-viz practically anywhere.
Slider Stands/ Baby Combo Stands hold the pipes together for the dolly. Not sure if this is what you were referring to but I don't see a tripod at this timestamp.
![The Pre-Production Process in Film Explained [Stages of Filmmaking, Ep 2]](/img/n.gif)
If y'all are interested in check out Milanote.
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This has been the best resource for learning how to do things the right way-straight to the point, with real-life scenarios, no unnecessary talk. As a young, aspiring DP, I’ve learned more from this page in the past few months than anywhere else. Thanks for sharing such valuable insights-and by the way, I’ve got your LUTs!
Thanks so much! We really appreciate your support, both with your time and how you support us in the backend. Everything keeps the channel growing and building, so we appreciate you!
Your YT channel has so much value. Doesn’t matter if you’re just starting out or been in the game for a while. Thanks for sharing this content.
@@awillproductions3450 appreciate that man! It means a lot, were always trying to up our game.
So true about production design being KEY. I’m curious, how do you pitch including previs into your budget? Do clients ever scoff at that?
It's a tricky place to pitch. Typically if we're pitching for production, it's in the director's rate more or less.
Pre-viz can always be tricky. Often times you're just doing that on your own in your own space. If you are lucky enough to have time and budget to do it in the location that's great. But you can pre-viz practically anywhere.
This is JUST what I wanted from you guys! Thank you! 🙏🏻
Appreciate you! Which part was the most helpful for you?
Love your content, this one was great, obviously took time to make.
Thanks Anders! Glad you found it helpful, our editor really crushed this one.
I see a little foreshadowing with that A24 jacket
haha hopefully one day!
Thanks!🫶
Anytime David! Anything in particular you found helpful?
Appreciate all your content! Do you guys sell templates for Milanote? Your shotlist looks fantastic.
@@jp3young def something we're working on! Will let you know in the new year. appreciate you
@ awesome! Thanks. And merry Christmas!
@ Merry Christmas to you as well!
at 11:04 can you please tell me what these tripods are called where they carry the dolly?
Slider Stands/ Baby Combo Stands hold the pipes together for the dolly. Not sure if this is what you were referring to but I don't see a tripod at this timestamp.
How are you able to still walk away with a livable wage having to split the money with so many crew members?
@@WHITEDIRTProductions it takes time, but increasing crew usually happens when budgets expand as well. It's finding a balance for everything.
@@TenfoldProduction I appreciate you taking the time to answer
And how much keep the production company in the budget ? about %
typically 20-23%