Basics of Sequences Length smaller units to make a whole,13-15 pages per,major points separate sequences but not every sequence Ownership objectives must always be present,it maybe dedicated to main or villain or in chucks for others characters to shine Tension each has its own tension,it should be clear,great reversals are useful or when it is expected things will go right make them worse,caring for character is what makes the tension more relevant,physical or emotional manifestation,ends with a transition to another tension Framework Setup/Goals,Obstacles and resolution
Very informative I enjoyed it. Thank you for posting. I would note that some of the words posted next to the actor aren't related to what he's talking about at that moment and it can be distracting to read the words while listening to a story about something else. Great modern examples.
I'm happy to see not even 3,000 views. That means, of the millions trying to make it as screenwriters, I am studying harder than almost all of them. :) - AB
I have a curious question about the part when action/sci-fi can have three sequences (including the epic/period part as well). If you can have three sequences on the first act, will it still consider to be 8 sequences or 9? Thanks! P.S. These videos are a whole lot of help. Thank you so much for this.
Sequences are in every film or tv series episode. For one reason: people like big emotions. So the greater the conflict length the better. Have a lot of little scenes or a lot of montage/exposition it's very danger. Suicide Squad had this problem, in mine opinion. Also, sequences cost less. It's better to make a big sequence in one location than travel and do 4 scenes in 4 locations. Some people say that a sequence can exist in a lot of locations. That's true but it's more expensive. TV episodes, most of the time, will have one big sequence (only one). Or two. Take for instance some episodes you like and ask yourself: what sequences it has and where they appear. Most of the time a big sequence will show up in the end of the episode. Sometimes in the beginner. It depends.
PS: Huge thanks to Script Lab for this lesson. Watched it nearly ten times, and it has been a huge help.
Basics of Sequences
Length
smaller units to make a whole,13-15 pages per,major points separate sequences but not every sequence
Ownership
objectives must always be present,it maybe dedicated to main or villain or in chucks for others characters to shine
Tension
each has its own tension,it should be clear,great reversals are useful or when it is expected things will go right make them worse,caring for character is what makes the tension more relevant,physical or emotional manifestation,ends with a transition to another tension
Framework
Setup/Goals,Obstacles and resolution
Very informative I enjoyed it. Thank you for posting. I would note that some of the words posted next to the actor aren't related to what he's talking about at that moment and it can be distracting to read the words while listening to a story about something else. Great modern examples.
+Tony Rivera I had to go through it twice because of this.
WHO CAN LISTEN AND READ AT THE SAME TIME !? 10X ANYWAY
one of my favorite youtube channels, the information is so clear and useful, I loved the examples, thank you ¡¡
I'm happy to see not even 3,000 views. That means, of the millions trying to make it as screenwriters, I am studying harder than almost all of them. :) - AB
They're probably off writing somewhere whilst we are on TH-cam.
I could listen to this guy all day.
I have a curious question about the part when action/sci-fi can have three sequences (including the epic/period part as well).
If you can have three sequences on the first act, will it still consider to be 8 sequences or 9? Thanks!
P.S. These videos are a whole lot of help. Thank you so much for this.
Again, thanks for sharing.
Excellent.
Does these things apply to documentary films?
Thanks man. These are very comprehensive! 😀🕺🏻🎥🏖🇦🇺
THANK YOU!
Great video!
excellent, thank you.
At the halfway point, I realize that I haven't watched a movie in ten years. I was like, huh? who? wassat?
Do you suggest having sequences in TV (pilot) scripts too, or only film?
Sequences are in every film or tv series episode. For one reason: people like big emotions. So the greater the conflict length the better. Have a lot of little scenes or a lot of montage/exposition it's very danger. Suicide Squad had this problem, in mine opinion.
Also, sequences cost less. It's better to make a big sequence in one location than travel and do 4 scenes in 4 locations. Some people say that a sequence can exist in a lot of locations. That's true but it's more expensive.
TV episodes, most of the time, will have one big sequence (only one). Or two. Take for instance some episodes you like and ask yourself: what sequences it has and where they appear.
Most of the time a big sequence will show up in the end of the episode. Sometimes in the beginner. It depends.
So many successive typos in the text! its* always* villain* Proof-read your work, Script Lab!
she's found the Triangle of Zinthar, now she has the Diamond of Pantheos!
I love this advice, thank you!
This is very helpful
Should I specify when one sequence ends and another begins? If so, how could I do this?
Some good points here, shame the video is cluttered with typos though. I hope you get someone to proof read your scripts. ;)
Despicable Me callout was sus
Or they're busy scriptwriting while we procrastinate haha.
Dear sir total plot poin in story
What about when a script doesn't follow the '3 act' rule?
後もう一は
Great video but you should stop putting irrelevant texts beside you when speaking...Its seriously irritating!