김건우 샘 수년전 프랑스 가시기전 작은 교회지만 soloist 로 오셔서 섬기실때 정말 겸손하시고 하나님을 경외하는 분임을 느꼈습니다. 그떄 잠깐이나마 옆에서 뵐수 있어서 영광이었습니다. 더욱 큰 명성을 날리시고 이나라를 빛내주시길.... 저는 성악은 잘 모르지만 모든 노래를 너무 쉽고 편하게 하시어 오히려 스릴이 감해지는 단점아니 단점이 있기에 엄청난 에너지와 감정표현으로 cover 하고 계시는 것처럼 보입니다. 너무 멋지십니다.
One of the best tenors I've heard in a while. I hope he could also try this aria in Italian. Totally in love with his energy, music, technique, and voice!
@@nicolehourcadeAnd? I don’t see what that has to do with anything. The opera is also often done in Italian instead of French. You can find more singers doing the Italian version instead of the French. I personally prefer the poetry of the Italian version myself.
Kim méritait vraiment de gagner , J ai suivi entièrement le concours malgré le décalage horaire avec la France , et c était lui le meilleur ! Mais sur les 13 finalistes il y avait au moins 6 ou 7 Ténors, la relève est assurée !
Maravillosa emisión de los agudos, seguros, en mascara, y como coreano pronuncian muy bien el francés, es un aria muy difícil, y la hizo de manera soberbia, lleno de fuerza...maravilloso!!
@@operadog2000 yeah his voice flatlined quickly. I saw him in le comte ory in 2013 and he was still st his peak. But recordings I heard of him after that point, you could really hear the high stuff becoming less easy for him. At some point he released an album of spinto arias, which demonstrated that he was at least somewhat self aware of his voice changing. Former professor of mine had very strong opinions on jdf. He swore up and down that he relied on vocal damping for his high notes and that would reduce his longevity as a leggero
Tenor ligero, para esta clase de arias va muy bien, esperemos unos 10 años y veremos si es un autentico tenor ligero, y veremos si sigue cantando esta clase de repertorio
Nice looking kid. Moves well on stage. Brilliant voice. But I'm no longer surprised by the quality of Korean tenors. There are so many. The secret is that East Asian men have higher natural voices than Caucasians just as African- American actors have lowered pitched voices (James Earl Jones, Morgan Freeman, and Dennis Haysbert). So while many European and American tenors sing High C's in the studios for recordings, few do so live. Domingo , the conductor, probably never sang a High C on stage in his whole long career. Asian tenors sing the high notes so much more easily. Who'd a thunk it?
This has no basis in reality, and definitely not backed by science. You’re just pointing out people who fit your description. I can just as easily point out people like Lawrence Brownlee. Black guy who kills C’s and above on the regular. Get this bs outta here
There's nothing "obvious" or "scientific" about your claim. You'd need a legitimate scientific study with representative samples across the populations you named, measuring something like lowest producible pitch or vocal fold length. A simple count would not suffice, because the current sample available to be counted is not representative. The overwhelming majority of notable deep basses are White, but that doesn't tell us anything, since opera has always been White-dominated in every voice type. Ivar Andresen, Juste Nivette, Kurt Moll, Gottlob Frick, Robert Radford, Juste Nivette, Boris Shtokolov, Paul Payan, Jean Vallier, Oscar Natzka--All White (and here I'm just naming some particularly deep ones that come to mind). How many true world-class Black bassi profondi have ever sung on an opera stage? 0. Ever. See how counting doesn't work? How about popular music? Is Sam Cooke deeper than Rex Allen? Jackie Wilson vs. Tennessee Ernie Ford? Will Smith vs. Sam Elliott? There are East Asians, Blacks (West Africans), and Whites with all kinds of voices. I've met them and listened to recordings of them. If there's a mean difference in vocal pitch, it isn't obvious enough to suggest itself nakedly. It would need to be appropriately studied.
@@sananton2821 This is another case of a person trying to disguise their religious beliefs masked as science. Racial equality and absolute sameness of racial characteristics is a religious belief. It is not supported by observation or any science. Black people are different from Asians and Caucasians in many, many attributes. Medicine provides many examples. Doctors prescribe different drugs and different dosages. Whites and blacks are taller than Asians. Do you doubt that? You cite the individual case of Brownlee to 'prove' blacks do not have lower voices. By that same logic Asians are tall because Ming the basketball player was 7'4". Asians are smarter than whites. Blacks are vulnerable to different diseases. I was on my college basketball team. By your logic whites therefore are as good at basketball as blacks. Ha! But these well known differences are abhorred and denied by political liberals. Most Americans won't discuss any racial differences lest they be called a racist. It is positively medieval. I, as you probably know, sing bass. I'm in fact a low bass. I used to study voice in a black vocal studio. My first professional singing fee earned was singing Negro Spirituals. I've known many black singers. When I had my own business I had black bass-baritone working for me. The roles we did overlapped. He was on the whole a better singer than me. Trust me. I know more and more about black singers than you do. You are just reacting reflexively to the issue of race. You're the bigot - blind to the obvious - reacting to one of the leftist 'dog whistle' issues. You are threatened by reality and propose a series of goofy objections.
@@Agorante It seems clear that you are reacting more reflexively than I am, given that your long, defensive post doesn't even seem to address what I wrote. I never mentioned Brownlee. I do not believe Europeans are as good at running or jumping as West Africans. I do not believe that East Asians are as tall as West Africans or Northern Europeans. I do acknowledge race-based medicine. I do not believe that East Asians and Europeans have the same mean IQs. So why is your post chiding me for these beliefs I have not once proffered? Nowhere did I even suggest you're a bigot, but somehow I got called one in language that suggests that the initial charge came from me. All I said was that a simple "count" from anecdotal experience is highly unscientific and is not a satisfactory way of determining mean pitch differences across population groups. There is plenty of research that shows average IQ levels. There is not plenty of good research that shows anatomical pitch difference. Nowhere did I say that such a thing could not or does not exist. I said that "a count" doesn't work. And your rebuttal was....what, exactly? That the "count" no longer matters, and I should just trust you because you sang in a Black studio?
Overacting is quite comical, and the accent (I am French) is horrible. It' much too slow, and gets boring. I hope this young man will study a little more. His voice is not unpleasant. Watch bleating, though !
김범석 ㅋㅋㅋㅋㅋㅋㅋ 어이가 없네요 기본적으로 누구보다 낫다는 말이 어이가 없지만 김우경 교수님은 지금 한양대 교수시고요 님은 모르겠지만 지금 김건우 테너가 서 있는 플라시도 도밍고 콩쿨에서 김우경 교수가 우승해서 유명해 진겁니다ㅎㅎ 말도 안되는 잡소리 집어치우시고요 님이 더 잘하면 그때 씨부리세요 ㅎㅎ
무대에서 걍 노래만 깨끗하게 클리어하는게 목적이고 얼굴 표정, 연극적 요소에는 별 임팩트없는 김우경이나 강요셉보다 낫지. 연극하는 동료에게 위 두 사람과 김건우를 듣게 했다. 누가 오페라하면 돈 주고 가겠냐고? 이제 답은 나왔다. 그저 노래만 평가하는 자들이 또 엄청 댓글 달겠네. 오페라도 극인데 강씨와 한양대 교수의 노래는 들어줄 만한데 무대위에서 연기하는거 솔직히 엉성하다.
김범석 김건우씨의 무대 정말 뜨겁고 감동적입니다. 하지만 님께서 노래잘한다고 잘하는 것이아니라 연극인 오페라에서 연기를 잘해야한다라고 말씀하셨듯이 오페라에서 중요한것 또한 노래입니다. 솔직히 오페라는 노래를 듣기위해 가는것이죠. 오페라가 끝나고 박수갈채를 많이 받는사람은 연기를 잘한사람이 아닌 노래를 잘한 사람입니다. 그들은 가수이지 배우가 아닙니다... 물론 극이기 때문에 연기력또한 필요하지만 연기력이 부족하다고 더 노래를 잘하는 사람을 비하하는것은 말도 안돼죠ㅎㅎ 그리고 또한가지, 사람마다 느끼는 감정이 다 다르고 표현하는 것도 다릅니다. 같은 연기를해도 누구는 오열을 하는반면, 누구는 조용히 깊은 슬픔에 빠지듯이 표현이 다양 할수 있는 것입니다. 또한 김교수님이나 강선생님깨서 노래를 더 깔끔하고 잘 부를수 있는 이유는 그만큼 노래에 대해 연구하고, 섬세하게 감정으로 표현하기 때문입니다. 님 말대로 김건우씨가 이곡을 연주할때 정말로 감동적이고 마음에 와닿지만 솔직히 발성적인 부분때문인지 태크닉적인 부분에선 개인적으로 아쉬운 부분이 많습니다. 듣다가 집중이 깨질 정도이죠. 제가 드리고 싶은 말씀은 저들은 가수이고, 가수는 노래하는 사람이지 actor가 아닙니다... 파바로티는 완벽에 가까운 노래실력을 가졌지만 연기부분에서는 많이 부족했습니다. 님의 말대로라면 파바로티는 훌륭한 가수가 아니겠군요?? 제발 그들이 누구인지... 아시기 바랍니다... 연기도 중요하지만 진짜 중요한게 무엇인지요. 애초에 연기자한테 물어본것자체가 연기만 평가하는 거지요. 가수한테 연기못해서 좋은가수가 아니라는게 말이됩니까??? 제발....
이해를 할수가없는게 연극하는 동료에게는 왜물어봅니까? 연극을하는사람들은 단지 그냥 연극 연기만 보는것인데 노래에대해서 하나도 모르시는 분이 김건우 선생님을 평가한다는게 어이가없네요 이사람이 못했다면 어떻게 전세계에있는 사람들이 살아있는 전설이라고하먄 칭찬하겠습니까 그리구 어떻게 이런 콩쿨에 우승을하고 모든 오페라에서 러브콜을 받겠습니다 이 댓글은 상식이 너무,,,없는분같네요
vocalità dilettantesca . tecnica scarsa . dove hanno nascosto il microfono,in fondo della sua gola ?!.... ahahahahahahahahah ! basta che si muove la testa per ''sentire'' l'effetto stereo ! questa registrazione e' una menzogna pura . vergogna !
김건우 샘 수년전 프랑스 가시기전 작은 교회지만 soloist 로 오셔서 섬기실때 정말 겸손하시고 하나님을 경외하는 분임을 느꼈습니다. 그떄 잠깐이나마 옆에서 뵐수 있어서 영광이었습니다. 더욱 큰 명성을 날리시고 이나라를 빛내주시길.... 저는 성악은 잘 모르지만 모든 노래를 너무 쉽고 편하게 하시어 오히려 스릴이 감해지는 단점아니 단점이 있기에 엄청난 에너지와 감정표현으로 cover 하고 계시는 것처럼 보입니다. 너무 멋지십니다.
Young Kim 감사합니다 :) 쉽게 내는게 듣는 사람에겐 단점이 될지 몰라도 저를 고용해야하는 사람한테는 가장 큰 장점이예요 :) ㅎㅎ 기회되면 또 뵙게 되길 ..
¡Magnífica interpretación! Es raro poder escuchar un interprete joven con una voz así de desarrollada.
Wonderful voice! Great singing, in spite of slight the advance of tempo at the beginning of amis, amis...
둥글고 꽉찬 소리. 자신감. 음악 부족함 없는 완벽한 무대입니다. 브라보 마에스트로👏👍
실례하지만 영상만드는데 이 동영상을 써도되나요?
정말 노래하시는 모습이 너무 감미로워서 꼭 이 영상을 쓰고싶습니다ㅠ
감사합니다 그런데 이건 저작권이 저에게 있지 않고 medici TV에 있습니다 :)
마지막에 고개 끄덕거리는거 왤캐 간지나냐..
congrats! great tenor! great technique! great interpretation!
정말 듣고 또들어도 들을때마다 소름돋네요
Bravissimo!!!!
하이씨가 너무너무 편해서 표정만보면 옥타브아래 씨인줄알겠다 진짜...말이안돼ㅜㅜ
한 사람의 목소리가 이 모든 악기를 압도하는군요 !!! 너무나 멋있습니다 !
One of the best tenors I've heard in a while. I hope he could also try this aria in Italian. Totally in love with his energy, music, technique, and voice!
This aria Asile héréditaire from Guillaume Tell opera from Rossini written in French.
This opera of Rossini was created in French
@@nicolehourcadeAnd? I don’t see what that has to do with anything. The opera is also often done in Italian instead of French. You can find more singers doing the Italian version instead of the French. I personally prefer the poetry of the Italian version myself.
SANG brother. Wonderful vocals and superior technique. Clear why he won Operalia and the Berliner Philharmonie.
표정 감정 노래 연기 모든게 눈을 땔수 없게 만드네요 와 너무 잘하셔서 자랑스럽다 느낄정도 대단/
Stunning Asile héréditaire, beautiful voice and incredible scenic commitment 💯💯💯💯🎶🎼💥
리허설 영상보고 보러온사람?👋🏻👋🏻
bravo~~ 멋집니다.
전율이 흐르네요..
Next level, omg.... so amazing
그저.. 부럽네요.... ㅎ 귀한 노래로 세상에 더 많은 감동을 주시길 기도합니다..ㅎ
오빠 진짜 대박.. 너무.... 소름끼쳐요...대박..........최고....
Bravo !!!!!!
자랑스런 한국인!!!
Impressionnant. Diction.puissance.émotion.technique et tout et tout et tout.bravo
그저 빛..
AWESOME!
서정적이고 감미로운 목소리가 곡에 가장 어울리는 모습과 감동으로 다가옵니다...
Fantástico.
Grande tecnica ed espressività
Bravo ! 연기와 연주 모두 너무 훌륭하십니다 !
와... 서울국제때 영상 보고 또 타고 들어왔는데 , 더 발전하셨군요. 우와.. 그때도 사긴데 이버전은 더 사기 저는 잘은 모르지만 소리를 까랑까랑하게 까니까 더 듣는사람으로 하여금 훨씬 좋습니다.
Magnifique !
Bravissimo tenore, che merita molto di più di quel che ha fatto.
현대성악에선 드물게 보이는 내추럴함이네요
so wonderful
레슨 좀 받고 싶네요 이분에게
너무 멋진 공연!!
Bravissimo…!!!!!
danke
한국분들 댓글다는 솜씨 (-- 누가 누구보다 더 낫다, etc. -- )가 저렇게 수준 이하인데 국제 콩클에서 우승/입상하는 연주가가 꽤 나오는게 신기합니다. 듣는 청중들 수준이 올라가야 진정한 classical music 수준이 올라가는건데요.
그러게말입니다
몇해전 엄정행콩쿨때 봤는데 정말 말도 못하게 성장했군요 축하합니다^^
상식이하ㅡ상대방평하는 수준이하 자신을 알라
누가 누구보다 낫다도 그렇게 나쁜 글은 아니라고 생각합니다.
오히려 유럽/서양인들의 그런 댓글을 훨씬 많이 본 것 같습니다 그리고..
정말 정말 잘하십니다!!😱 너무 너무 축하드려요👍🏻
WISH I COULD READ YOUR SCRIT BUT IF YOU LOVE THE TENOR VOICE LISTEN TO JOHN MUSALO SING MATTINATTA !
경원대출신이시지않으신가요?
Bravo y Bravo!
Outstanding in this aria.I heard him last June in San Francisco in the Dream of the Red Chamber, he was amazing⚡️🌺💯👏🤲
Wonderful performanse
Kim méritait vraiment de gagner , J ai suivi entièrement le concours malgré le décalage horaire avec la France , et c était lui le meilleur ! Mais sur les 13 finalistes il y avait au moins 6 ou 7 Ténors, la relève est assurée !
아무리 들어도... 너무.. 멋지십니다ㅠㅠㅠㅠㅠ
Bravissimo 👏👏👏👏
관중들의 함성이 모든 걸 말해주네요. 👏👏👏
It is so perfect. Maybe that´s why he won. congrat.
멋집니다.
Да... Парень мастер безусловно... Мастер высокого уровня...
WOW
저런 무대에서 거장 도밍고 앞에서 이렇게 연주하기까지 얼마나 노력 하셨을까요~^^
와.....진짜 소름돋네요...👍
멍청아
Bravissimo !
bravobravo
SO WONDERFUL
太棒了!
Fantasticcccccc singing my friend
Maravillosa emisión de los agudos, seguros, en mascara, y como coreano pronuncian muy bien el francés, es un aria muy difícil, y la hizo de manera soberbia, lleno de fuerza...maravilloso!!
太牛逼了!好喜欢!
Muy bien!! pero lo cantará al estilo de Duprez? bel canto? o estilo verismo?
You are right
7:58
The best!!!
not quite like this interpretation, but this is one of the hardest tenor aria. At least not bad
Better than Florez on this rendition.
Lui, il a la voix du rôle, Florez ne l'a absolument pas !
@@lanski6556 vous avez tout à fait raison. You are absolutely correct!
Florez hasn't had the necessary agility to sing this for years
@@davidricart1395 Also, JDF has been pushing and forcing his top notes for the last few years.
@@operadog2000 yeah his voice flatlined quickly. I saw him in le comte ory in 2013 and he was still st his peak. But recordings I heard of him after that point, you could really hear the high stuff becoming less easy for him. At some point he released an album of spinto arias, which demonstrated that he was at least somewhat self aware of his voice changing.
Former professor of mine had very strong opinions on jdf. He swore up and down that he relied on vocal damping for his high notes and that would reduce his longevity as a leggero
Tenor ligero, para esta clase de arias va muy bien, esperemos unos 10 años y veremos si es un autentico tenor ligero, y veremos si sigue cantando esta clase de repertorio
cuts in amis, amis..
Better to make cuts than have the tenor hurt himself. Cuts make performances of this opera possible
Це неперевершено! Дуже дякую
You are nice and handsome ❤️
un physique à la Tony Poncet!
Guadalajara*
You abolutely right!! I’ve never know that i missed that!!! Thanks
Best conductor in the galaxy
😆😆😆😆😆lol
How thrilling to hear a counter tenor do coloratura like this. Flawless!!!!!!!! BRAVO!!!!!!!!!!
perfect....oh my Budda.....
Sucked. Wobbly as all hell, at that age? No future.
Nice looking kid. Moves well on stage. Brilliant voice. But I'm no longer surprised by the quality of Korean tenors. There are so many. The secret is that East Asian men have higher natural voices than Caucasians just as African- American actors have lowered pitched voices (James Earl Jones, Morgan Freeman, and Dennis Haysbert). So while many European and American tenors sing High C's in the studios for recordings, few do so live. Domingo , the conductor, probably never sang a High C on stage in his whole long career. Asian tenors sing the high notes so much more easily. Who'd a thunk it?
This has no basis in reality, and definitely not backed by science. You’re just pointing out people who fit your description. I can just as easily point out people like Lawrence Brownlee. Black guy who kills C’s and above on the regular. Get this bs outta here
@@dylanschang6386
You seem to resist obvious facts. If you want science, do it yourself. Just do a count
There's nothing "obvious" or "scientific" about your claim. You'd need a legitimate scientific study with representative samples across the populations you named, measuring something like lowest producible pitch or vocal fold length. A simple count would not suffice, because the current sample available to be counted is not representative. The overwhelming majority of notable deep basses are White, but that doesn't tell us anything, since opera has always been White-dominated in every voice type.
Ivar Andresen, Juste Nivette, Kurt Moll, Gottlob Frick, Robert Radford, Juste Nivette, Boris Shtokolov, Paul Payan, Jean Vallier, Oscar Natzka--All White (and here I'm just naming some particularly deep ones that come to mind). How many true world-class Black bassi profondi have ever sung on an opera stage? 0. Ever. See how counting doesn't work?
How about popular music? Is Sam Cooke deeper than Rex Allen? Jackie Wilson vs. Tennessee Ernie Ford? Will Smith vs. Sam Elliott?
There are East Asians, Blacks (West Africans), and Whites with all kinds of voices. I've met them and listened to recordings of them. If there's a mean difference in vocal pitch, it isn't obvious enough to suggest itself nakedly. It would need to be appropriately studied.
@@sananton2821
This is another case of a person trying to disguise their religious beliefs masked as science.
Racial equality and absolute sameness of racial characteristics is a religious belief. It is not supported by observation or any science. Black people are different from Asians and Caucasians in many, many attributes. Medicine provides many examples. Doctors prescribe different drugs and different dosages.
Whites and blacks are taller than Asians. Do you doubt that? You cite the individual case of Brownlee to 'prove' blacks do not have lower voices. By that same logic Asians are tall because Ming the basketball player was 7'4".
Asians are smarter than whites. Blacks are vulnerable to different diseases. I was on my college basketball team. By your logic whites therefore are as good at basketball as blacks. Ha!
But these well known differences are abhorred and denied by political liberals. Most Americans won't discuss any racial differences lest they be called a racist. It is positively medieval.
I, as you probably know, sing bass. I'm in fact a low bass. I used to study voice in a black vocal studio. My first professional singing fee earned was singing Negro Spirituals. I've known many black singers. When I had my own business I had black bass-baritone working for me. The roles we did overlapped. He was on the whole a better singer than me.
Trust me. I know more and more about black singers than you do.
You are just reacting reflexively to the issue of race. You're the bigot - blind to the obvious - reacting to one of the leftist 'dog whistle' issues. You are threatened by reality and propose a series of goofy objections.
@@Agorante It seems clear that you are reacting more reflexively than I am, given that your long, defensive post doesn't even seem to address what I wrote.
I never mentioned Brownlee. I do not believe Europeans are as good at running or jumping as West Africans. I do not believe that East Asians are as tall as West Africans or Northern Europeans. I do acknowledge race-based medicine. I do not believe that East Asians and Europeans have the same mean IQs. So why is your post chiding me for these beliefs I have not once proffered?
Nowhere did I even suggest you're a bigot, but somehow I got called one in language that suggests that the initial charge came from me.
All I said was that a simple "count" from anecdotal experience is highly unscientific and is not a satisfactory way of determining mean pitch differences across population groups. There is plenty of research that shows average IQ levels. There is not plenty of good research that shows anatomical pitch difference. Nowhere did I say that such a thing could not or does not exist. I said that "a count" doesn't work. And your rebuttal was....what, exactly? That the "count" no longer matters, and I should just trust you because you sang in a Black studio?
Overacting is quite comical, and the accent (I am French) is horrible. It' much too slow, and gets boring. I hope this young man will study a little more. His voice is not unpleasant. Watch bleating, though !
Lol. He just won Operalia. You're sitting at home brushing your cats. It's easy to criticize when you're just another TH-cam troll.
You have to watch who is the old man in conducting..
I believe you are in prejudice just because the guy isn't an European.
LOL
Claudine Carel 그러게 도밍고가 당신만 못해서 김건우에게 1등을 주었나보군 그려. ㅉㅉ
TUTTA GOLA!
brava !
per una volta ...
Le falta mucha técnica. Si inicia cantando estos papeles, no durará mucho
김범진 김우경 보다 잘 한다
김범석 ㅋㅋㅋㅋㅋㅋㅋ 어이가 없네요 기본적으로 누구보다 낫다는 말이 어이가 없지만 김우경 교수님은 지금 한양대 교수시고요 님은 모르겠지만 지금 김건우 테너가 서 있는 플라시도 도밍고 콩쿨에서 김우경 교수가 우승해서 유명해 진겁니다ㅎㅎ 말도 안되는 잡소리 집어치우시고요 님이 더 잘하면 그때 씨부리세요 ㅎㅎ
채수성 그래서 씨부린다
김범석 ㅋㅋㅋ 김범진이랑 김우경은 유튜브에도 떴고 이름 난 테너인데 너님은 한번도 들어본 적이 없는데요?? ㅋㅋㅋ 30살은 넘고 말하는거냐??
한국인 질 떨어뜨리지마시고 생각좀 하고 쓰세요
지난달에 잠실실내체유관에서 김건우테너봤는데~~노래잘하더라구요~` 김건우테너 열성팬 이신거 같은데요~~이런 글들이 김건우테너를 위하는게 아닌거같네요~김범진테너나 김우경교수님을 예를들어서 김건우테너를 치켜올리려고 하신거 같은데 ~~그냥 내리세요~김우경교수님 파우스트 한번보세요~생각이 달라지실거에요~
무대에서 걍 노래만 깨끗하게 클리어하는게 목적이고 얼굴 표정, 연극적 요소에는 별 임팩트없는 김우경이나 강요셉보다 낫지. 연극하는 동료에게 위 두 사람과 김건우를 듣게 했다. 누가 오페라하면 돈 주고 가겠냐고? 이제 답은 나왔다. 그저 노래만 평가하는 자들이 또 엄청 댓글 달겠네. 오페라도 극인데 강씨와 한양대 교수의 노래는 들어줄 만한데 무대위에서 연기하는거 솔직히 엉성하다.
김범석 김건우씨의 무대 정말 뜨겁고 감동적입니다. 하지만 님께서 노래잘한다고 잘하는 것이아니라 연극인 오페라에서 연기를 잘해야한다라고 말씀하셨듯이 오페라에서 중요한것 또한 노래입니다. 솔직히 오페라는 노래를 듣기위해 가는것이죠. 오페라가 끝나고 박수갈채를 많이 받는사람은 연기를 잘한사람이 아닌 노래를 잘한 사람입니다. 그들은 가수이지 배우가 아닙니다... 물론 극이기 때문에 연기력또한 필요하지만 연기력이 부족하다고 더 노래를 잘하는 사람을 비하하는것은 말도 안돼죠ㅎㅎ 그리고 또한가지, 사람마다 느끼는 감정이 다 다르고 표현하는 것도 다릅니다. 같은 연기를해도 누구는 오열을 하는반면, 누구는 조용히 깊은 슬픔에 빠지듯이 표현이 다양 할수 있는 것입니다. 또한 김교수님이나 강선생님깨서 노래를 더 깔끔하고 잘 부를수 있는 이유는 그만큼 노래에 대해 연구하고, 섬세하게 감정으로 표현하기 때문입니다. 님 말대로 김건우씨가 이곡을 연주할때 정말로 감동적이고 마음에 와닿지만 솔직히 발성적인 부분때문인지 태크닉적인 부분에선 개인적으로 아쉬운 부분이 많습니다. 듣다가 집중이 깨질 정도이죠. 제가 드리고 싶은 말씀은 저들은 가수이고, 가수는 노래하는 사람이지 actor가 아닙니다... 파바로티는 완벽에 가까운 노래실력을 가졌지만 연기부분에서는 많이 부족했습니다. 님의 말대로라면 파바로티는 훌륭한 가수가 아니겠군요?? 제발 그들이 누구인지... 아시기 바랍니다... 연기도 중요하지만 진짜 중요한게 무엇인지요. 애초에 연기자한테 물어본것자체가 연기만 평가하는 거지요. 가수한테 연기못해서 좋은가수가 아니라는게 말이됩니까??? 제발....
초딩인가?? 말하는 수준하고는ㅉㅉㅉ 현실 음치새끼가 혓바닥 줜나 기네.
세분다 오페라로 성공하신분들입니다.....
이해를 할수가없는게 연극하는 동료에게는 왜물어봅니까? 연극을하는사람들은 단지 그냥 연극 연기만 보는것인데 노래에대해서 하나도 모르시는 분이 김건우 선생님을 평가한다는게 어이가없네요 이사람이 못했다면 어떻게 전세계에있는 사람들이 살아있는 전설이라고하먄 칭찬하겠습니까 그리구 어떻게 이런 콩쿨에 우승을하고 모든 오페라에서 러브콜을 받겠습니다 이 댓글은 상식이 너무,,,없는분같네요
@@user-ms9jc2dg4j 듣다가 집중이 깨질 정도로 발성과 테크닉에 문제가 있다니 이해하기가 어렵군요. 그 정도로 문제가 있는데 어떻게 오페랄리아에서 1등을 했을까요.
vocalità dilettantesca .
tecnica scarsa .
dove hanno nascosto il microfono,in fondo della sua gola ?!....
ahahahahahahahahah !
basta che si muove la testa per ''sentire'' l'effetto stereo !
questa registrazione e' una menzogna pura .
vergogna !
강요셉이 하는 라보엠은 차라리 김건우로 대체되어야 한다. 요셉이는 걍 독일 오페라나 가곡만 하기로 하자
어휴... 댓글보소
에휴
ㅂㅅ색희ㅋㅋㅋㅋ
수준하고는...
7:55