@@trumpetthoughts perhaps I didn't watch long enough but when i say lip set point i am referring to a concept i got from Pops McLaughlin that refers to the note that you set for when putting the mouthpiece to your lips. i.e. it's better to set on a G above the staff (for a player with a range up to Double G and beyond) since that will, in theory, make it easier to reach both the notes above and below. as opposed to say, setting for a C below the staff which will make it more difficult to get upstairs. naturally, the lower one's range is, the lower this set point note will be. i hope i was clear.
@@petermcnichol4 Yup, I knew what you meant. I ultimately agree with this, but I found used in conjunction with what Brad says about setting the chops to be a good combo.
For this part of his trumpet playing, I would ask for fokus on starting the notes. The articulation. It seems dull. Combine a more clear start and more precise fingers would probally give a good effect. Note targeting When doing scales do focus on slow pace but accurate. Repete multipel tonque on the highed notes. I did BE earlier and that was great. Due to surgery that no longer is an option. Enjoy!
I think the concept of lip set point could also be useful.
Agreed. I like the way that Brad Goode explains it here: th-cam.com/users/liveu4ZbqdgRd7M?si=4PGEBF-FyhAyb7yG&t=4124
@@trumpetthoughts perhaps I didn't watch long enough but when i say lip set point i am referring to a concept i got from Pops McLaughlin that refers to the note that you set for when putting the mouthpiece to your lips. i.e. it's better to set on a G above the staff (for a player with a range up to Double G and beyond) since that will, in theory, make it easier to reach both the notes above and below. as opposed to say, setting for a C below the staff which will make it more difficult to get upstairs. naturally, the lower one's range is, the lower this set point note will be. i hope i was clear.
@@petermcnichol4 Yup, I knew what you meant. I ultimately agree with this, but I found used in conjunction with what Brad says about setting the chops to be a good combo.
@@trumpetthoughtsok - glad we are on the same page
For this part of his trumpet playing, I would ask for fokus on starting the notes. The articulation.
It seems dull.
Combine a more clear start and more precise fingers would probally give a good effect.
Note targeting
When doing scales do focus on slow pace but accurate.
Repete multipel tonque on the highed notes.
I did BE earlier and that was great.
Due to surgery that no longer is an option.
Enjoy!