Thank you - I felt the exact same way when listening to this on the soundtrack - despite the fact that the instrumental music in the movie I think is one of the most beautiful Alan Menken has ever made (well, that goes for ALL his music on this project), I still think this is a good substitute for this moment.
Cool! :D Another really great video from you!! :D The consistency of the footage of Nala on top of Pride Rock looking down was really effective in this vid for driving home to the audience where Esmeralda is. Also, the clip of Balto at 2:52 was really effective, making me feel anxious to see whether or not Balto would manage to blurt it out - the following clips at 2:56 really supported that effect. Also, the monochromatic images overlaying the clips of Balto was a really effective technique to make the characters in those clips exude separateness from the setting - it really communicated how they're supposed to represent figments of Quasimodo's imagination. :) Awesome vid again!!! :)
Holy crap! Now i get the significance of the saints/Gargoyles all being can-ids! It's a callback to the plays ending, and the twist at the end! Well played - very well played.:D
Very nice, I think Part 4 is my favourite, quickly followed by part one, but purely because those two have two of my three favourite songs in, this was REALLY good though as well, and if your little hint in the description is anything to go by, my favourite song in the whole story is just around the corner (Starts rummaging through boxes) now where are my devil horns and pitch fork, I gotta be ready for when Frollo comes a calling 😈 Catch ya later, can't wait for part 6 😁
I actually learned about Quasimodo's near/deafness after reading a simpler version of the book. But i didn't know why some versions of him spoke like he does here, and like a normal person in others. Is it because he always raises his voice to also hear himself, or something? And doing that all this time put a strain on his voice, somewhat? Or am i just missing the point of something? Anyway, this is a good video, too. As usual, i enjoy how well it all sincs together. But what i really think i like especially is the portrayal of numerous gargoyles instead of the original 3. Now that i know these ones are the figments of imagination that Disney tried portraying them as, but did a less than desirable job, it makes sense there'd be several of them for Balto to talk to. And it's quite a colorful cast to work with. Really wish i thought about this when i wrote my version. But i'm still pleased with what i did.:)
Quasimodo didn't start out deaf. He was able to listen and speak for the beginning of his life, it wasn't until he started working with the Bells of Notre Dame that he began to make himself deaf due to their loudness. As such, he can speak, and can feel the vibrations in his chest when he does so. You should try just feeling what happens when you speak, a lot of things happen other than just sound. In the book, Quasimodo was able to hear very high-pitched loud noises, like a dog-whistle, which operates on a much higher frequency then normal sounds, which enable Quasimodo to hear it. In this version, Quasimodo speaks as one suffering from deafness, but he sings well because it is a manifestation of his inner beauty. And I'm glad you enjoyed the Gargoyles :) I thought it would be a nice idea if the gargoyles/imaginary beings were represented by dogs, reflecting Quasimodo. And your version is really well done - I'm enjoying it so far :)
Ah, i see. That actually makes it even more interesting, and symbolic.:) And i know he didn't start out deaf: even with his deformities. Still, it's a wonder any version of him can still hear at all.:) Well, it certainly adds an air of familiarity. After all, besides Frollo, they were the only other beings he's known all his life. Whether they're real, or not. So it'd make sense having them represented by those who have some similarity to him(balto). Good on you for that.:) Oh, really? That's awesome to know! I look forward to any input you have on it in the future, my friend.:D
So beautiful I could cry. I pray someday that I’ll find someone who will love me for who I am inside
This was a beautiful moment for a video. I couldn't help but feel happier as I listened to this. A wonderful tune.
Thank you - I felt the exact same way when listening to this on the soundtrack - despite the fact that the instrumental music in the movie I think is one of the most beautiful Alan Menken has ever made (well, that goes for ALL his music on this project), I still think this is a good substitute for this moment.
I completely agree with you.
I LOVE what you did at 3:21 to 3:25 very touching
I'm gonna make you a playlist for you
😁😁😁😁😁😁😁😁😁
You just earned yourself a new subscriber. I eagerly await the next part. 😉
Cool! :D Another really great video from you!! :D
The consistency of the footage of Nala on top of Pride Rock looking down was really effective in this vid for driving home to the audience where Esmeralda is. Also, the clip of Balto at 2:52 was really effective, making me feel anxious to see whether or not Balto would manage to blurt it out - the following clips at 2:56 really supported that effect. Also, the monochromatic images overlaying the clips of Balto was a really effective technique to make the characters in those clips exude separateness from the setting - it really communicated how they're supposed to represent figments of Quasimodo's imagination. :)
Awesome vid again!!! :)
Holy crap! Now i get the significance of the saints/Gargoyles all being can-ids! It's a callback to the plays ending, and the twist at the end! Well played - very well played.:D
Very nice, I think Part 4 is my favourite, quickly followed by part one, but purely because those two have two of my three favourite songs in, this was REALLY good though as well, and if your little hint in the description is anything to go by, my favourite song in the whole story is just around the corner
(Starts rummaging through boxes) now where are my devil horns and pitch fork, I gotta be ready for when Frollo comes a calling 😈
Catch ya later, can't wait for part 6 😁
Yeahhhhhhhh Yeahhhhhhhh Yeahhhhhhhh de.
Adriana Look Outside Up There On Wednesday Morning
Another great video that you made it is vary awesome how you could make great videos like this
Thank you very much! :)
I actually learned about Quasimodo's near/deafness after reading a simpler version of the book. But i didn't know why some versions of him spoke like he does here, and like a normal person in others. Is it because he always raises his voice to also hear himself, or something? And doing that all this time put a strain on his voice, somewhat? Or am i just missing the point of something?
Anyway, this is a good video, too. As usual, i enjoy how well it all sincs together. But what i really think i like especially is the portrayal of numerous gargoyles instead of the original 3. Now that i know these ones are the figments of imagination that Disney tried portraying them as, but did a less than desirable job, it makes sense there'd be several of them for Balto to talk to. And it's quite a colorful cast to work with. Really wish i thought about this when i wrote my version. But i'm still pleased with what i did.:)
Quasimodo didn't start out deaf. He was able to listen and speak for the beginning of his life, it wasn't until he started working with the Bells of Notre Dame that he began to make himself deaf due to their loudness. As such, he can speak, and can feel the vibrations in his chest when he does so. You should try just feeling what happens when you speak, a lot of things happen other than just sound. In the book, Quasimodo was able to hear very high-pitched loud noises, like a dog-whistle, which operates on a much higher frequency then normal sounds, which enable Quasimodo to hear it.
In this version, Quasimodo speaks as one suffering from deafness, but he sings well because it is a manifestation of his inner beauty.
And I'm glad you enjoyed the Gargoyles :) I thought it would be a nice idea if the gargoyles/imaginary beings were represented by dogs, reflecting Quasimodo.
And your version is really well done - I'm enjoying it so far :)
Ah, i see. That actually makes it even more interesting, and symbolic.:) And i know he didn't start out deaf: even with his deformities. Still, it's a wonder any version of him can still hear at all.:)
Well, it certainly adds an air of familiarity. After all, besides Frollo, they were the only other beings he's known all his life. Whether they're real, or not. So it'd make sense having them represented by those who have some similarity to him(balto). Good on you for that.:)
Oh, really? That's awesome to know! I look forward to any input you have on it in the future, my friend.:D