Weird compliment: I struggle with insomnia and somehow your videos are the best to help me fall asleep. Something about the music, your voice, and the beautiful photos help me relax. Always rewatch the videos the next day though to see what I’ve missed. Really love your work!
in 5:07 , the cinematic term is upstage lighting , is having the camera on the dark side of the face while it's being lit from the "other" side. A lot of cinematographers love that lighting technique. love your videos
When you're having a bad day but see a new video from Faizal 😍 Living in a small town in Austria your videos literally take me to another world. Really loved your shots in this video. I hope one day I'm brave enough to go out and take photos myself.
Here in my large town in Austria, I feel just the same, Magda. Always nice videos from Faizal, and I'm now thinking about a longer lens like this so that I can photograph from further away. (Not in a creepy way! - just a bit scared to approach people.)
Your videos always make me forget about everything else. I think I watched most of your recent videos and never skipped a second. I recently got myself a used x-e4 and am loving it. Since it’s my first proper camera I am now very much realising that a better camera does not equal better shots. Feeling exited to get better though, so thank you for inspiring me to try something new :)
The word you are looking for for that photo at around 5:30 for the drastic contrast of one side being lit and one side in shadow falls under the term "Chiaroscuro - "an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something." often used to describe the look of classic Noir films etc. Great vid as always Faizal.
Damn, you got some gorgeous photos, several of which are more than sufficient to hang on a wall or include in a photo book, well done! You mentioned Ernst Haas, and I wonder if you're familiar with Saul Leiter? I've been absorbing everything I can by him lately, and I highly recommend the book All About Saul Leiter and watching his documentary In No Great Hurry. What he was doing with color out on the street back in the 50's is just astonishing! As in his work, in many of your photos I see just the perfect level of abstraction, something that's difficult to put into words, but words are unnecessary when a good picture is worth a thousand...
Interesting! I briefly used my 56mm (85 equiv) for street but just did portraits. My 33mm (50 equiv) lens just arrived and I can tell it's going to be an interesting enough challenge. None of that fancy, atmospheric distortion and easier 'scene encompassing' of shorter focal lengths. Less bokeh than the 56mm lenses. I'll have to get great at finding genuinely interesting vignettes amongst all the noise on my street walks. It feels like a blank slate, without those attributes mentioned above. I'll have to do a bit more work than the camera/lens. My ideal would instead be to be using my beloved 16-55mm. But its f2.8 on a crop sensor has some limitations (ISO noise, mediocre separation except in full zoom) that make it tricky now that the daylight is getting shorter and gloomier here in London this time of year. The 33mm f1.4 will allow me to retain some bite.
At 4:07 I really love the juxtaposition of the face mask with the "perfect life" portrayed in the advertisement. Kind of a neat push and pull between real life versus ad life. Neat capture!
my man. shooting fujifilm. using longer focal lengths for street photography. i wrap my strap around my wrist/arm when shooting handheld too. really cool to see the POV of different areas, thanks for taking us along. all that being said, i love longer focal lengths for doing stuff like this. you really get surgical and precise shots of certain details to make things stand out. you get pictures of “things” more often than pictures of “scenes” it seems. changes your approach to shooting greatly.
Hey Faizal! Brand new to the channel! Love your style man! I've been going back through your videos I can't get enough! You're a big inspiration to me lately. Keep it up dude!
Hey Faizal, just wanna say, your videos are great!!! I love your passion of street photography. Really inspiring! Wish you all the best! Greetz from Hamburg Germany :)
such a great video faizal! the last photo is probably my favourite one- this makes me want to experiment more with longer focal lengths as i'm always shooting the 35mm focal length ahah
Man it's very creative shots you're taking. I loooove your channel. I wish it'd be easier to take photos outside at this time of the year in Montréal. Would you mind writing down the name of the photographer you're referring to at 10:48 ? Ernest... something? Thanks in advance! Take care
The reason I have hung onto my 50mm Fuji is because of the, “normal perspective.“ 35mm lens on a crop sensor is still a wide angle 35mm lens and NOT a 50mm full frame, “equivalent.” It only shares the angle of view, but the perspective, i.e., the projected separation between objects, is still distorted. A 50mm lens on a FF sensor is where the lens perspective is that of the human eye. A 50mm lens is a 50mm lens regardless of the size of the collector plain; and the natural perspective of a 50mm lens remains so whether it’s used on a one inch RX100 Camera or an 8 x 10 large format. That’s the simple and demonstrable physics. Sorry 4/3 users but to get proper (normal) subject/object perceived separation you need to use 100mm lens. This is the little secret camera manufactures don’t tell you… or other photographers for that matter. Why, I don’t know. I would myself be shooting with a Sony FF if not for Fuji’s relative price, size, weight, film simulations, and generally cool aesthetic form-factor-but at least I’m aware of the compromise and work around it, ergo, why I still use the Fuji 50mm and why it has a purpose even though I usually use my cropped 35mm for most of my street work. I wish it wasn’t so, guys, but there you have it.
At 5:07, did you mean "chiaroscuro"? Terrific exploration of this focal length. As a beginner myself, I'm very much in the phase of understanding how different focal lengths affect not only the frame itself, but my approach to crafting the image. I'm very, very close to investing in a Fuji X camera with the famous "Fujicron" primes so this was even more meaningful. Cheers!
i definitely thought about that term too, the use of strong contrasts between light and dark - but not sure if that was the specific term for the lighting technique in filmmaking aha
As a news photog about 55 yrs ago till today as documentarian I carried a 24mm few inch below my chin and a 105 or 85 on 2 Nikon F,, bit lower for similar opportunity :) Nothing New As just a teenager I studied HCBresson and others with things You are discovering today, Faizal look to the past talk to the OLD GUYS n Gals or CK out photo BOOKS... Good Hunting JY :))
I did some street photography on a rainy day with my 100mm vintage Minolta lens. I genuinely took some of my absolute favorite street photos. I realized so far, 50mm is actually my least favorite Street focal length. I’ve really enjoyed the extremes way more.
Great video that spurred some new thoughts on lens options! I lean more towards my XF16/2 and XF23/2 compared to my XF35/2, often putting one of the two on my body when I need to travel light. The reason being that I want to capture the scenery rather than details when going to new places. But after watching this I think I might trade my XF35 for the XF50 and bring it when going to places I have been before, especially when taking walks in my own neighborhood. The way you talk about the benefits of the longer, tighter focal lengths made me curious!
I did some street photography on a rainy day with my 100mm vintage Minolta lens. I genuinely took some of my absolute favorite street photos. I realized so far, 50mm is actually my least favorite Street focal length. I’ve really enjoyed the extremes way more.
I’m consdiering moving on to fuji from canon, and just found out your channel recently and I love your works! You got me deeply interested in street photography. All this time I’d thought wider lenses are ‘right’ for street photography and as a fan of longer focal lengths that kinda got me worrying about what lense I should go for… but I guess I can just keep using the focal lengths I’m used to. Can’t wait to get a new camera!
Kind of late but I was a previous Canon user and let me tell you. The change was totally worth it. Something about Fuji just gets you into the shooting mood. I went with the x100v. Such a simple camera, but it packs a punch.
Nice chill vibe. Got the 50 f2 myself, really like it, a good intuitive distance to the subject. Can keep a bit of distance but close enough, just the right amount of intimacy. What Dynamic Range setting do you prefer? It’s a bit interesting to explore. Setting it to 100% give a more contrast look, i think coupled with the classic chrome it’s very aesthetically pleasing for days with lots of glass and sun like you had here.
To be Great go out of your comfort zone .. Be ready to duck and wear tennis shoes .I consider myself a compassionate person,,, Do not stick around and let someone hurt their hand on ur face (my retort)... You make ur Own Luck !!!
The idea I always had with focal lengths was that,you need to find what you feel to be your "main" focal length may that be the 28mm, in which you feel comfortable shooting, your brain works within this focal length and after a point you think in that focal length.But then I also feel like you need to get more experience through two other choices,one that challenges you and you feel like using it is just difficult and challenging and one that you are ok with and comfortable enough to shoot with when your main focal length lens isn't available but that will do the trick too,50mm usually is that focal length.
As usual Faizal, it always a pleasure to sit, relax and watch your POV video. I have to say i share a lot of commons things in your streetphotography vision. We don't really need to follow rules of others to "be a real street photographer who never change his focal lenght" or to do this particular thing or that. Yes we can have a favorite lense with pro & cons, but sometimes for artistic / motivation reason or to try to have a new sight or new different perspective, it's nice to change our habits and try sometines new. At the end of the day and i know it's a "silly sentence", we just need to enjoy our walk / stroll (not sure about the righ word in english) and take pictures.
I think 5:35 works best as a series of two photos. The landscape one gives context to the portrait one, but the expression of the guys face in the portrait one is great. Amazing stuff as always man!
The lighting term you are searching for is 'Chiaroscuro' it's not a 'fancy word' (it's a word like any other) but an Italian word meaning 'light dark'. The cinematic reference is typically to Film Noir which you may have heard of. It is great for the eternal metaphor about the duality of the human spirit and is as old as art itself. Hope that helps.
I love the Boston area for street photography when I visit from my home in the mid-west. I like the photos using reflections! Thanks for the idea of using the 50mm f/2 for street. I'll be trying my 23, 35, and 50 f/2 in Scotland soon.
I often do street photography on an APSC sensor with a 50mm too, but I wish it were even tighter. The things that catch my eye are usually far away and I like the compression
I’ve only recently subscribed to your channel but I’ve learned so much about street photography watching your videos. Your calm explanation and video style makes me look forward to watching your new content. Thank you for sharing your expertise and experience with us. Cheers from Australia!
Just bought this lens and it has really become one of my most favorite lens. Especially as one who is a little nervous with shooting right up in my subjects faces, it’s a great lens for getting great shots from a distance
Hi! The 50mm on a crop sensor like on Fuji, gives a field of view of approx. 76mm in film. Because of the different sensor sizes between various systems, it’s common to relate the field of view to film just so we all refer to the same thing. A 50mm lens on film is 50mm, on crop sensors it’s 76mm (approx x1.5), and on a micro four thirds sensor it would be a 100mm equivalent (x2) if I’m not mistaken. This neglects medium format but you get the picture, we need a common reference and for historical reasons most people refer to the film equivalent. Hope this helps! 🙂
In my opinion if anyone says "you should do it like that" has no clue. There is not just one way of doing things and that's why streetphotography is so nice, because so many people do it differently. So I'm happy that you change your focal lengths and perspectives. I do that too. I mostly use the 23 f for Fuji but I also love the longer lengths as well. I subscribed as well as I really like what I've seen. Thank's for being creative and sharing!
THAT BNW GAP 1969 HEAD CUTOFF PIC IS FUCKIN SICCCCCKKKKK...AS WELL AS THAT COURTSIDE SHOT!!! IF YOU'RE IN CT AND WANNA SHOOT, HIT ME UP! I'M IN HARTFORD!!! KEEP UP THE GREAT WORK! - THE BLACKMAN ARMED WITH A CAMERA
Was on the fence about selling this lens (again) and picking up the new sigma 18-50, but this video helped talk me out of it. This isn't the easiest focal length to work with, but when you get the feel for it and nail a shot it's hard to match. I'll probably still grab the sigma, but I'm going to keep my 50 for rainy days when I need weather sealing and really want to isolate subsects (ala Saul Leiter).
Enjoyed your video, but I kept looking at all the close up action and moving pedestrians and all I kept thinking was "shoot!"... then I remembered that I was seeing with my normal wide-angle view. Long lenses don't work for my street shooting, but everyone has a different vision.
Nice one Faizal! Even though I'am kinda stuck in 35mm & 50mm focal lengths in street photography, I have been always wanted to complete my Fujicron series with 50mm f2. It feels liberating to allow yourself to use longer focal length in street photography from time to time. :)
@@MehmetUgur It's exceptional even among the primes for MTF tests, and far exceed the 23 and 35 f2. Microcontrast tests were done by users, some will say this is by far the best microcontrast lens among fuji. Its distortion correction is also far superior to the 23 and 35 f2; although 50 mm is easier to design, it's exceptional even for a 50 mm lens.
The shot where you got some dramatic lightning with is referred to Rembrandt lighting, especially the one where you get a triangle shiny spot under the eye.
Hi. Interesting subject and clip you did. I have my XT4 and 50mm which I'm still experimenting with. Motivating to see how well it performs in street photography, but have you also used it in low light, in the evening, at night? How does it perform there? Thanks
I'm very excited everytime when i watch your videos of going outside for taking photography. Our life should be like this! Outside world is always amazing. And finally, please stay safe and healthy! 😁
I used a M42 Pentacon 50/1.8 in my DMC-L1 (that translates to a 100mm in the four thirds) and I just loved it. Made me go further away from the subjects to have them on the backgrounds or, sometimes, just really close.
I love how you approach your street photography! Ive been following your videos lately. Really inspiring me to work more of my photography. Have a good day Faizal!
I’ve been using the 50 F2 for a while now and it’s a great lens! Sometimes I have to use the focus limiter to speed it up though. It’s not the fastest lens.
![Street Photography Tips [Part One] : 9 Tips to Get Better at Street Photography](http://i.ytimg.com/vi/sbxt-7-qg6A/mqdefault.jpg)
The first 1,000 people to use this link will get a 1 month free trial of Skillshare: skl.sh/faizalwestcott02221
Question do u get recognized alot
Weird compliment: I struggle with insomnia and somehow your videos are the best to help me fall asleep. Something about the music, your voice, and the beautiful photos help me relax. Always rewatch the videos the next day though to see what I’ve missed. Really love your work!
in 5:07 , the cinematic term is upstage lighting , is having the camera on the dark side of the face while it's being lit from the "other" side. A lot of cinematographers love that lighting technique.
love your videos
first
When you're having a bad day but see a new video from Faizal 😍
Living in a small town in Austria your videos literally take me to another world.
Really loved your shots in this video.
I hope one day I'm brave enough to go out and take photos myself.
That's so kind of you! I'd love to visit Australia sometime! I always see really cool work made in Melbourne
Oh the classic Austria/Australia trap caught another one ;)
hahaha jep that‘s how small it is 😅🇦🇹⛰
@@FaizalWestcott Dude... seriously...
Here in my large town in Austria, I feel just the same, Magda. Always nice videos from Faizal, and I'm now thinking about a longer lens like this so that I can photograph from further away. (Not in a creepy way! - just a bit scared to approach people.)
Your videos always make me forget about everything else. I think I watched most of your recent videos and never skipped a second. I recently got myself a used x-e4 and am loving it. Since it’s my first proper camera I am now very much realising that a better camera does not equal better shots. Feeling exited to get better though, so thank you for inspiring me to try something new :)
The word you are looking for for that photo at around 5:30 for the drastic contrast of one side being lit and one side in shadow falls under the term "Chiaroscuro - "an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something." often used to describe the look of classic Noir films etc.
Great vid as always Faizal.
Damn, you got some gorgeous photos, several of which are more than sufficient to hang on a wall or include in a photo book, well done! You mentioned Ernst Haas, and I wonder if you're familiar with Saul Leiter? I've been absorbing everything I can by him lately, and I highly recommend the book All About Saul Leiter and watching his documentary In No Great Hurry. What he was doing with color out on the street back in the 50's is just astonishing! As in his work, in many of your photos I see just the perfect level of abstraction, something that's difficult to put into words, but words are unnecessary when a good picture is worth a thousand...
I am hear to listen your sweet voice like always
Interesting! I briefly used my 56mm (85 equiv) for street but just did portraits.
My 33mm (50 equiv) lens just arrived and I can tell it's going to be an interesting enough challenge. None of that fancy, atmospheric distortion and easier 'scene encompassing' of shorter focal lengths. Less bokeh than the 56mm lenses.
I'll have to get great at finding genuinely interesting vignettes amongst all the noise on my street walks. It feels like a blank slate, without those attributes mentioned above. I'll have to do a bit more work than the camera/lens.
My ideal would instead be to be using my beloved 16-55mm. But its f2.8 on a crop sensor has some limitations (ISO noise, mediocre separation except in full zoom) that make it tricky now that the daylight is getting shorter and gloomier here in London this time of year. The 33mm f1.4 will allow me to retain some bite.
At 4:07 I really love the juxtaposition of the face mask with the "perfect life" portrayed in the advertisement. Kind of a neat push and pull between real life versus ad life. Neat capture!
your photography style is so unique it is like some Fan Ho with pushing framing subjects indirect to the max
my man. shooting fujifilm. using longer focal lengths for street photography. i wrap my strap around my wrist/arm when shooting handheld too.
really cool to see the POV of different areas, thanks for taking us along.
all that being said, i love longer focal lengths for doing stuff like this. you really get surgical and precise shots of certain details to make things stand out. you get pictures of “things” more often than pictures of “scenes” it seems. changes your approach to shooting greatly.
Dude that shot from the rooftop was 🙌🏼
Hey Faizal! Brand new to the channel! Love your style man! I've been going back through your videos I can't get enough! You're a big inspiration to me lately. Keep it up dude!
hey I didn't know you were in the Boston area. I'm in Worcester but love film photo walks
Ernst Haas is a favorite of mine too!
Hey Faizal, just wanna say, your videos are great!!! I love your passion of street photography. Really inspiring! Wish you all the best! Greetz from Hamburg Germany :)
Thank YOU for watching and supporting the channel :)
such a great video faizal! the last photo is probably my favourite one- this makes me want to experiment more with longer focal lengths as i'm always shooting the 35mm focal length ahah
My favorite length is 50mm but been at 35 for the past 3 years because of my fujix100
Man it's very creative shots you're taking. I loooove your channel. I wish it'd be easier to take photos outside at this time of the year in Montréal. Would you mind writing down the name of the photographer you're referring to at 10:48 ? Ernest... something? Thanks in advance! Take care
bump
my favorite SP Yt channel 🤜🤛 👋👋
The reason I have hung onto my 50mm Fuji is because of the, “normal perspective.“ 35mm lens on a crop sensor is still a wide angle 35mm lens and NOT a 50mm full frame, “equivalent.” It only shares the angle of view, but the perspective, i.e., the projected separation between objects, is still distorted.
A 50mm lens on a FF sensor is where the lens perspective is that of the human eye. A 50mm lens is a 50mm lens regardless of the size of the collector plain; and the natural perspective of a 50mm lens remains so whether it’s used on a one inch RX100 Camera or an 8 x 10 large format. That’s the simple and demonstrable physics. Sorry 4/3 users but to get proper (normal) subject/object perceived separation you need to use 100mm lens.
This is the little secret camera manufactures don’t tell you… or other photographers for that matter. Why, I don’t know. I would myself be shooting with a Sony FF if not for Fuji’s relative price, size, weight, film simulations, and generally cool aesthetic form-factor-but at least I’m aware of the compromise and work around it, ergo, why I still use the Fuji 50mm and why it has a purpose even though I usually use my cropped 35mm for most of my street work. I wish it wasn’t so, guys, but there you have it.
Hi Faizal, can you provide me with the name of the photographer you mentioned in your video between 10 and 11 mn? Thanks cheers
Your sensitive eye is creating pieces of your puzzle that when mostly completed will be recognized as one grand vision.
Another great video 👏
Wondering if you set to manual focus and use spot when doing reflections?
50mm x 1.5 (crop factor on APS-C) = 75mm
Hello, I have a question.
Hello, I have a question.
00:32 Did you shoot this scene with a GoPro?
The word you're looking for is "up-key lighting" or "back lighting" 😉
I'm confused about how you got two seperate wrong answers from such a straight forward 50 x 1.5 = 75mm but hey what's a few mm between friends
At 5:07, did you mean "chiaroscuro"? Terrific exploration of this focal length. As a beginner myself, I'm very much in the phase of understanding how different focal lengths affect not only the frame itself, but my approach to crafting the image. I'm very, very close to investing in a Fuji X camera with the famous "Fujicron" primes so this was even more meaningful. Cheers!
i definitely thought about that term too, the use of strong contrasts between light and dark - but not sure if that was the specific term for the lighting technique in filmmaking aha
As a news photog about 55 yrs ago till today as documentarian I carried a 24mm few inch below my chin and a 105 or 85 on 2 Nikon F,, bit lower for similar opportunity :) Nothing New As just a teenager I studied HCBresson and others with things You are discovering today, Faizal look to the past talk to the OLD GUYS n Gals or CK out photo BOOKS... Good Hunting JY :))
I did some street photography on a rainy day with my 100mm vintage Minolta lens. I genuinely took some of my absolute favorite street photos. I realized so far, 50mm is actually my least favorite Street focal length. I’ve really enjoyed the extremes way more.
Great video that spurred some new thoughts on lens options! I lean more towards my XF16/2 and XF23/2 compared to my XF35/2, often putting one of the two on my body when I need to travel light. The reason being that I want to capture the scenery rather than details when going to new places.
But after watching this I think I might trade my XF35 for the XF50 and bring it when going to places I have been before, especially when taking walks in my own neighborhood. The way you talk about the benefits of the longer, tighter focal lengths made me curious!
I did some street photography on a rainy day with my 100mm vintage Minolta lens. I genuinely took some of my absolute favorite street photos. I realized so far, 50mm is actually my least favorite Street focal length. I’ve really enjoyed the extremes way more.
I found that out too with my 85mm on a z50 which equals 127mm, it's a while other world of street photography
woah! 100mm that's crazy! Super cool you found a focal length that you absolutely love
@@FaizalWestcott Maybe you do this video again with the XF 90mm sometime 👀 - it's a very inspiring lens
I’m consdiering moving on to fuji from canon, and just found out your channel recently and I love your works! You got me deeply interested in street photography.
All this time I’d thought wider lenses are ‘right’ for street photography and as a fan of longer focal lengths that kinda got me worrying about what lense I should go for… but I guess I can just keep using the focal lengths I’m used to. Can’t wait to get a new camera!
Kind of late but I was a previous Canon user and let me tell you. The change was totally worth it. Something about Fuji just gets you into the shooting mood. I went with the x100v. Such a simple camera, but it packs a punch.
Nice chill vibe. Got the 50 f2 myself, really like it, a good intuitive distance to the subject. Can keep a bit of distance but close enough, just the right amount of intimacy.
What Dynamic Range setting do you prefer? It’s a bit interesting to explore. Setting it to 100% give a more contrast look, i think coupled with the classic chrome it’s very aesthetically pleasing for days with lots of glass and sun like you had here.
To be Great go out of your comfort zone .. Be ready to duck and wear tennis shoes .I consider myself a compassionate person,,, Do not stick around and let someone hurt their hand on ur face (my retort)... You make ur Own Luck !!!
The idea I always had with focal lengths was that,you need to find what you feel to be your "main" focal length may that be the 28mm, in which you feel comfortable shooting, your brain works within this focal length and after a point you think in that focal length.But then I also feel like you need to get more experience through two other choices,one that challenges you and you feel like using it is just difficult and challenging and one that you are ok with and comfortable enough to shoot with when your main focal length lens isn't available but that will do the trick too,50mm usually is that focal length.
As usual Faizal, it always a pleasure to sit, relax and watch your POV video.
I have to say i share a lot of commons things in your streetphotography vision. We don't really need to follow rules of others to "be a real street photographer who never change his focal lenght" or to do this particular thing or that. Yes we can have a favorite lense with pro & cons, but sometimes for artistic / motivation reason or to try to have a new sight or new different perspective, it's nice to change our habits and try sometines new.
At the end of the day and i know it's a "silly sentence", we just need to enjoy our walk / stroll (not sure about the righ word in english) and take pictures.
Love using a 85mm on a full frame. Really makes the subject matter stick out.
It's been a while since ive shot a 85mm on a fullframe. Always loved it!
@@FaizalWestcott not to different from 75 considering the angle of view, like four or five degrees
I enjoyed this a good deal. I only want lenses for my XE-2 that have aperture rings, so I am selling my pancake and getting this 50mm.
2:38 where is that shot from? (Like where does eatenbyflowers upload videos?)
I think 5:35 works best as a series of two photos. The landscape one gives context to the portrait one, but the expression of the guys face in the portrait one is great. Amazing stuff as always man!
4:56 > Best in the vídeo.
The lighting term you are searching for is 'Chiaroscuro' it's not a 'fancy word' (it's a word like any other) but an Italian word meaning 'light dark'. The cinematic reference is typically to Film Noir which you may have heard of. It is great for the eternal metaphor about the duality of the human spirit and is as old as art itself. Hope that helps.
I love the Boston area for street photography when I visit from my home in the mid-west. I like the photos using reflections! Thanks for the idea of using the 50mm f/2 for street. I'll be trying my 23, 35, and 50 f/2 in Scotland soon.
absolutely love your videos they inspire me to get out there and take photos!!! keep it up man :)
You are single-handedly inspiring me to get outside and shoot more street photography
At the end of the day that's what I hope my videos help people do so I'm really glad to read this!
I love that focal length, i have used it extensively for street photography with my 50mm f1.8g on a z50 (aps-c x1.5 = 75mm~)
I often do street photography on an APSC sensor with a 50mm too, but I wish it were even tighter. The things that catch my eye are usually far away and I like the compression
I’ve only recently subscribed to your channel but I’ve learned so much about street photography watching your videos. Your calm explanation and video style makes me look forward to watching your new content. Thank you for sharing your expertise and experience with us. Cheers from Australia!
Just bought this lens and it has really become one of my most favorite lens. Especially as one who is a little nervous with shooting right up in my subjects faces, it’s a great lens for getting great shots from a distance
How did you get to 50 x 1.5 = 76 … it’s 75 my guy :D
Man, that puddle shot is amazing! It has an indescribable atmosphere. Thanks for another brilliant video!
Faizal you're my Ernst Haas
This is my favorite focal length, cool to see it get some love - and nice shots!
Every time I watch your vids I go out for a shoot the day of its amazing
why does the title say 76mm but you are using a 50mm?
Hi! The 50mm on a crop sensor like on Fuji, gives a field of view of approx. 76mm in film. Because of the different sensor sizes between various systems, it’s common to relate the field of view to film just so we all refer to the same thing. A 50mm lens on film is 50mm, on crop sensors it’s 76mm (approx x1.5), and on a micro four thirds sensor it would be a 100mm equivalent (x2) if I’m not mistaken. This neglects medium format but you get the picture, we need a common reference and for historical reasons most people refer to the film equivalent. Hope this helps! 🙂
In my opinion if anyone says "you should do it like that" has no clue. There is not just one way of doing things and that's why streetphotography is so nice, because so many people do it differently. So I'm happy that you change your focal lengths and perspectives. I do that too. I mostly use the 23 f for Fuji but I also love the longer lengths as well. I subscribed as well as I really like what I've seen. Thank's for being creative and sharing!
5:06 rembrandt lighting?
THAT BNW GAP 1969 HEAD CUTOFF PIC IS FUCKIN SICCCCCKKKKK...AS WELL AS THAT COURTSIDE SHOT!!! IF YOU'RE IN CT AND WANNA SHOOT, HIT ME UP! I'M IN HARTFORD!!! KEEP UP THE GREAT WORK!
- THE BLACKMAN ARMED WITH A CAMERA
Was on the fence about selling this lens (again) and picking up the new sigma 18-50, but this video helped talk me out of it. This isn't the easiest focal length to work with, but when you get the feel for it and nail a shot it's hard to match. I'll probably still grab the sigma, but I'm going to keep my 50 for rainy days when I need weather sealing and really want to isolate subsects (ala Saul Leiter).
Very cool video with a cool Fuji lens...I use the 35f2, love it. Considering selling the 561.2 to get this lens..
This is inspiring me to pick up my barely used 50mm f2 which is collecting dust at the moment.
Enjoyed your video, but I kept looking at all the close up action and moving pedestrians and all I kept thinking was "shoot!"... then I remembered that I was seeing with my normal wide-angle view.
Long lenses don't work for my street shooting, but everyone has a different vision.
Nice one Faizal! Even though I'am kinda stuck in 35mm & 50mm focal lengths in street photography, I have been always wanted to complete my Fujicron series with 50mm f2. It feels liberating to allow yourself to use longer focal length in street photography from time to time. :)
One reason to go for the 50 f2 is that it's just a better lens. Quite a bit sharper and far superior microcontrast.
@@anonymousl5150 oh really? Didnt know that. I thought they all have similar lens quality.
@@MehmetUgur It's exceptional even among the primes for MTF tests, and far exceed the 23 and 35 f2. Microcontrast tests were done by users, some will say this is by far the best microcontrast lens among fuji. Its distortion correction is also far superior to the 23 and 35 f2; although 50 mm is easier to design, it's exceptional even for a 50 mm lens.
The shot where you got some dramatic lightning with is referred to Rembrandt lighting, especially the one where you get a triangle shiny spot under the eye.
Hi. Interesting subject and clip you did. I have my XT4 and 50mm which I'm still experimenting with. Motivating to see how well it performs in street photography, but have you also used it in low light, in the evening, at night? How does it perform there? Thanks
You’re such an inspiration. Every video makes me want to go out and start shooting immediately.
Plus: gonna buy this lens. :)
At 5mins,love the right image, less obnoxious background
I'm very excited everytime when i watch your videos of going outside for taking photography. Our life should be like this! Outside world is always amazing. And finally, please stay safe and healthy! 😁
I've done some street shots with the 56mm 1.2, it's a really /different/ experience but I made some great photos with it.
I used a M42 Pentacon 50/1.8 in my DMC-L1 (that translates to a 100mm in the four thirds) and I just loved it. Made me go further away from the subjects to have them on the backgrounds or, sometimes, just really close.
Thank you!
The fancy word you’re looking for at 5’ is « shortlight »
Ernst Hass definitely, I've seen that in your videos... You have talent...
Agree with the comment about bringing a variety of lenses. I like to bring two different lenses when I go out. Appreciate your videos Faizal.
Loving these perspectives and I completely agree about Chinatown. Was there 3 weeks ago for a session and the colors around there are so good.
Apsc + 50mm is my favorite combo for streets. 75 mm focal lenght is just right.
Loved that lens but traded it up for the 55-200 (another great lens, btw) cuz i wanted a zoom option.
Great video. Loved the images, and it motivates me to take a diffrent focal length out next time I go shoot. Good stuff.
I love how you approach your street photography! Ive been following your videos lately. Really inspiring me to work more of my photography. Have a good day Faizal!
is the X-E4 essentially just the x100v with a changeable lens? I might trade mine in if thats the case
A great video and excellent use of music. It enhances the visuals, is well tempered, and maintains a consistant level. Double thumbs up!
shooting with a tele lens is a lot like shooting in black & white: you have a lot less to worry about in your composition
YOOOOOO! HOW DID YOU CAPTURE THAT HAUST INSPIRED PHOTOGRAPH 🙏🏾!!!
Do you ever take photos looking through the viewfinder?
really liked the pictures you took, especially the reflective one with the text and the dude shooting the basketball 🤯
"Fast fall off" is the term you're looking for with that cinematic lighting on that man's face at 5:21. Great stuff, man
Rembrandt lighting, per the 5:06 mark. Good stuff :)
I’ve been using the 50 F2 for a while now and it’s a great lens! Sometimes I have to use the focus limiter to speed it up though. It’s not the fastest lens.
Have been finding inspiration like this video! Nice work!
There is just something about your videos that put me in a good mood!!!! :)
I subscribed for the chill mood your videos have, really cool content 😌
Thank you very much!
Inspiring! 👍
Love this vid, one of the things that i "hate" in street photography is the idea that the only way to do it properly is to get closer.
Great video--so helpful! Love your work!
love my 50 1.8 for aps-c, cheap, small and sharp