The subscriber was charmed by the choice of grade, music and cinematography. The overall style pivot of the review video provided a surprising endorphin hit seldom found during the viewers endless doom scroll. The light has been placed into the considering cart in part due to it’s noted features but primarily from the moonlit glow of this piece. The viewer awaits a sequel.
Okay, I have never enjoyed a review more in my life! It’s the details for me and the story telling. I’m sure this was a lot of work but keep ‘em coming!
Yeah. Honestly, could never go back to lights that can't take batteries or don't have app support. Especially for solo projects, it's so convenient too. Tweak settings without leaving your seat.
what a good video and what a nice color friend! It would be good to see a tutorial on how you used the cineprint, your brother, always pending your videos🙏🏻
@@ScottJeschke The least I can do. It's obvious that these videos take so much time and effort to make. Hope you can sustain that insane level of quality!
mannnnnn. i just watched a light review twice. now i'm getting the light for my next short film. thanks alot. tutorial on how you use the cineprint will be appreciated. Thanks boss. Appreciate you for this review🙏🏾🙏🏾🙏🏾
thanks so much!! Really appreciate you watching twice and commenting! I'd love to do a cineprint breakdown soon. Next vid is actually going to be a dehancer review. Had a lot of fun with that one. Similar style
@@ScottJeschke Just the type of vibe i like. That touch off film and old school. The color even fit with the 16:9 ratio videos. I really wanna go to Resolve to colorgrade. But I have a crazy workflow in PP so if I do xml export to colorgrade, and I need to fix the color after I made some effects and cuts.. Its over and I need to start all over again haha..
@@Plusmonkey yep. I'm a sucker for that saturated film look as well. All those shows from the '60s rubbed off on me. I feel you. There's a huge quality increase. One coloring in resolve, but it's a whole extra step in the pipeline. Adding a ton of hours to the process. So it's something I often forego. But I've been trying to be a little more patient with the process, and just take my time. One thing you could do, is export just your video layers, and then do scene edit detect in premiere. Premiere. It will basically detect all the cuts, so you don't have to do an XML. These recent videos. Out of FCPX. It takes a little bit to process, but it makes the workflow really easy. And then after that you can just export one big clip and slip it under your graphics, etc. You could always export with the graphics as well, but I find that this will often change the colors to undesired effect. So I always keep my graphics in my editor. And just add gate weave, noise, etc in FCPX
@@ScottJeschke Word word! Yeah To be honest, This grade you did would fit extremely good on a Afro beat music video. Just the shot on the light at the start and the subtle crono ab you see there is just amazing haha. Yeah I think colorgrading after I am done with dynamic links and effects etc would fit my workflow much better. Its just feels like so much more work.. I guess I just need to find out how I can maximize my workflow.
The subscriber was charmed by the choice of grade, music and cinematography. The overall style pivot of the review video provided a surprising endorphin hit seldom found during the viewers endless doom scroll. The light has been placed into the considering cart in part due to it’s noted features but primarily from the moonlit glow of this piece. The viewer awaits a sequel.
Best comment of all time! 😅🙏🙏. Thanks so much! Made my day haha
This is by far the best review I’ve ever seen on TH-cam, everything about it was great!
Wow! Thank you so much. This means a lot to me :)
Sincerely shocked no one got the gawk inspiration in your video.
Masterfully done.😊
Def was a huge inspiration. Thanks!
The Softbox Peasant joke got me 😂 I LOVE IT !
This.... Was... Beautiful !!!
@@benjaminobeng4772 thank you 🙏
his is by far the best review I’ve ever seen on TH-cam. Love the style of this review
Wow. Thank you so so much! Really appreciate that 🙏🙏🙏
Okay, I have never enjoyed a review more in my life! It’s the details for me and the story telling. I’m sure this was a lot of work but keep ‘em coming!
Aww, thanks so much Kenisha! That truly means a lot to me 🙏. Definitely a lot of work haha. But a lot of fun too 😎
I enjoyed the story telling
Thank you! So glad.
Fun review, and it made me feel good about owning a 60W Sirui light!
@@GeologyDude thanks so much 🙏
The best review I have ever watched .
Thank you so much 🙏
Wow Scott! I like this style of videos very much!
Thanks so much, Vlad! I had a lot of fun making it. Might be a little bit of the future style for this channel.
@@ScottJeschke I really really like this direction! Not just typical TH-cam video, but closer to movie, and you are good at it ;-)
@@MagnetiqLabs thanks, man 🙏 that was the hope
Loved this review style!
Thanks so much, Robert! And appreciate you stopping by. I've seen a bunch of your great channel. Always full of good info and videos :)
I don’t know what id use it for, I just know that I HAVE TO GET THIS LIGHT!!!
Bahaha 😂. 🙏🙏😎
Bro you have special talent for reviews 😊
🙏 thank you! Means a lot
THIS CHANNEL IS SLEPT ON! Amazing review
Thank you so much, my friend 🙏. That means a lot
I was sold on the wireless capability with NP battery. That's probably the only must-buy reason you need
Yeah. Honestly, could never go back to lights that can't take batteries or don't have app support. Especially for solo projects, it's so convenient too. Tweak settings without leaving your seat.
I love a good bag 💖
what a good video and what a nice color friend!
It would be good to see a tutorial on how you used the cineprint, your brother, always pending your videos🙏🏻
Hey thank you so much for the kind words! 🙏 I just might do that :)
@@ScottJeschke We would appreciate it very much friend, many of us are inspired by watching videos like this
That's some quality review! Subbed for sure! Second video after that video about the FX3 being used in a Hollywood film.
Thank you so much!! I appreciate your support!
@@ScottJeschke The least I can do. It's obvious that these videos take so much time and effort to make. Hope you can sustain that insane level of quality!
mannnnnn. i just watched a light review twice. now i'm getting the light for my next short film. thanks alot. tutorial on how you use the cineprint will be appreciated. Thanks boss. Appreciate you for this review🙏🏾🙏🏾🙏🏾
thanks so much!! Really appreciate you watching twice and commenting! I'd love to do a cineprint breakdown soon. Next vid is actually going to be a dehancer review. Had a lot of fun with that one. Similar style
They should send you a bunch of these for additional testing
Also, this whole video looks so damn good!
haha right?!
@@jeffreyhaines And thanks so much, man. Really appreciate you saying so!
FX3? Very nice color
Thanks so much! Yep FX3
How in the hell does this only have 574 viewes?
🙏🙏🙏🙏
One of the best videos on TH-cam! You earned a new subscriber, keep up the great content! Btw, how's this light holding up today?
Thank you so much! Still a nice light. The one thing I hate is the mount. Too plasticky for heavy softboxes
@@ScottJeschkeGood to know! Also, are the settings retained after turning the light off?
@@angeloregidor it's been a minute, but I believe so. Will double check today
YO!
Colorgrade is amazing.
Thank you so much! Really appreciate that 🙏
@@ScottJeschke Just the type of vibe i like. That touch off film and old school. The color even fit with the 16:9 ratio videos.
I really wanna go to Resolve to colorgrade. But I have a crazy workflow in PP so if I do xml export to colorgrade, and I need to fix the color after I made some effects and cuts.. Its over and I need to start all over again haha..
@@Plusmonkey yep. I'm a sucker for that saturated film look as well. All those shows from the '60s rubbed off on me. I feel you. There's a huge quality increase. One coloring in resolve, but it's a whole extra step in the pipeline. Adding a ton of hours to the process. So it's something I often forego. But I've been trying to be a little more patient with the process, and just take my time. One thing you could do, is export just your video layers, and then do scene edit detect in premiere. Premiere. It will basically detect all the cuts, so you don't have to do an XML. These recent videos. Out of FCPX. It takes a little bit to process, but it makes the workflow really easy. And then after that you can just export one big clip and slip it under your graphics, etc. You could always export with the graphics as well, but I find that this will often change the colors to undesired effect. So I always keep my graphics in my editor. And just add gate weave, noise, etc in FCPX
@@ScottJeschke Word word! Yeah To be honest, This grade you did would fit extremely good on a Afro beat music video.
Just the shot on the light at the start and the subtle crono ab you see there is just amazing haha.
Yeah I think colorgrading after I am done with dynamic links and effects etc would fit my workflow much better.
Its just feels like so much more work.. I guess I just need to find out how I can maximize my workflow.
Love the style of this review, although I am still wondering how the light would hold up in a Nordic country.
Thank you! I too am wondering this... Send tickets! 😉
Disappointed you didn't actually take it to a Nordic country but maybe that's a 100K subscriber special lol
Haha you and me both ;)
What’s this lut ?
It's a DaVinci Resolve film emulation + custom grade. Cineprint 16 by Tom Bolles
You have something special
Thanks so much 🙏 that means a lot
😂😂😂
And I’m not talking about the light
And this aspect ratio:.......😅