Bartók Béla “Concerto for Orchestra”｜Zubin Mehta
ฝัง
- เผยแพร่เมื่อ 9 ก.พ. 2025
- 00:20 1.Introduzione
09:57 2.Presentando le coppie
16:08 3.Elegia
22:41 4.Intermezzo interrotto
26:55 5.Finale
Zubin Mehta
Vienna Philharmonic Orchestra
9/2009 Suntory Hall,TOKYO
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バルトーク『管弦楽のための協奏曲』
ズービン・メータ指揮
ウィーン・フィルハーモニー管弦楽団
2009年9月 サントリーホール（東京）
Che lavoro.!!!!!!
Remember the brands that interrupt your listening to this offering. Put them on your blacklist and try to avoid supporting them. And viva Bartok.
Or pay $12 a month to listen to the great music without ads...........
@@delflorida2480you must love the taste of leather.
Probably darkest and most intense concert i have ever heard. Great piece
Listening to this as recommended to me by a friend... The Concerto grew on me and I liked the 5th movement best.
ﾊﾞﾙﾄｰｸの本作品に感謝と感動してます、何度接しても。メータ＆ウイーンフィルの演奏にも！
I love the 1st trumpet by Hans Peter Schuh. Really amazing!
Maravillosa obra, excelente interpretación!
Bartok's mysticism fascinates m e,excellent performance!!
クラウディオ・アバドと同時期、ウィーン・アカデミー(現ウィーン国立音大)のカラヤン担当指揮クラスで学んだカラヤンの弟子の１人。やはり、本番完全暗譜指揮の励行。
Merci!
Stunning - Inspired performance!
I love the dig at Shostakovich in the 4th movement 😍
can you explain more on that?
@@nicoledoranmusic Yes, Béla Bartók's Concerto for Orchestra includes a movement that some say is a dig at Dmitri Shostakovich's Seventh Symphony:
Intermezzo interrotto (Interrupted Interlude): This movement is a merciless parody of one of Shostakovich's best-known themes. Bartók may have been inspired to write this movement after hearing a misguided performance of Shostakovich's symphony on the radio. Bartók was in exile in New York at the time, and Shostakovich's image was on the cover of Time magazine
@ thanks! My intro to music class enjoys these tidbits!
WOW!!!!!!❤️❤️❤️🏆🏆🏆🏆
It has come to my attention that Zubin Mehta and Seiji Ozawa shared a profound camaraderie, both being luminaries within the same sphere of Asian classical music. Mehta, as a distinguished ally and an eminent figure in this domain, must have perceived Ozawa's demise as a grievous loss. Nonetheless, it is my aspiration that Mehta will persist in his leadership role, fostering the Asian music world's growth and influence to a degree comparable to Ozawa's illustrious legacy.
4:20
7:11
7:40
9:28
12:40 12:40
31:00 excerpt
29:51
5:16 5:16 5:16
POV: when you create a new life in cells to singularity
11:17
14:25
26:09
What is the real point of this music?
Well on some level it's humorous. A concerto is typically a piece that highlights a specific instrument with accompaniment. Sooo it being a concerto for orchestra is ironic. In a sense it's an imaginative expression of what it is to treat the whole orchestra like an instrument, and what it means to accompany one.
Also on another level bartok had some very interesting advanced harmonic concepts that you can see explored in alot of his music. Its never quite atonal but definitely diverges away from normal tonal thinking.
ズービン・メータ は聞きに行ったことがある。なんとブルックナー。もらった切符だったが悲惨な経験であつた。有名な指揮者らしいが、こういう誰がやってもそこそこという曲が彼には向いているようだ。