Thank you so much for your explanations regarding the rest stroke. I was using free stroke because my rest stroke has always sounded too clangy but now I uderstand and yours sounds real good.
This exercise, explained by Carcassi himself, is meant to learn to stop the bass notes during the scales. This is its main goal. We see the bass line, there is a pause after each bass stroke....Thank you so much Gohar, your explanation is precious!
@@Ayo.Ajisafe I am not sure of it, as for the many editions tha come after the original partiture. However, tha harmonical result that requires the bass note to be muted, gives indeed a full harmonic meaning, as well as the sound pleasure that otherwise wouldn't be obtained by leaving the note freely opened during the evolving scales
Thank you for this! Your master class with Donna at a CGCA workshop inspired me to learn this piece thoroughly. I love it, It’s like a wonderful workout while making beautiful music at the same time.
I'm studying this one now. I think it's really beautifull, and fun to play, even being "simple" at first (but not easy for a begginer like me haha). Thank you for this lesson! It will be really helpfull!
I've regularly watched your etude series. The one by pujol was the first one I watched which helped me tremendously with my RH finger independence. Can you suggest etudes for LH finger independence, especially between the 3rd and 4th fingers. Thank you so much for these videos.
You play wonderfully! I don’t nitpick artistic interpretations but with this being an etude, I feel the didactic intention is missed. The score indicates "staccato," from the beginning. Your approach seems more like a study in legato which is good too.
I am a 71-yr-old beginner with some violin practice in my old days. One thing that confuse me the most is the right-hand fingerings. Finding the note on the fretboard is not difficult for me, but finding the right right-hand finger is. I just download the Op. 60 by Carcassi, but it only marked the left-hand fingerings. Where can I get the score with the right-hand fingerings? Hope that I get coupe pointers from you. I am a big fan of you, and I especially love the way you played “Un SUEÑO en la Foresta” by Barrios. I personally love it more than the renditions of big shots like John Williams and David Russel.
@@tradingwithwill7214 Thank you very much. Would you be kind enough to give me more detailed info such as ISBN number or the title of the book you’re referring? This way I will be able to buy the right book with the right-hand fingering. On Amazon, there are so many selection even for the books with same title. It’s very confusing.
Thanks very much. The dynamics really changes the piece alright. I have the Ranieri version. Would you follow the right hand pima fingerings exactly? Thank you
I don't have the Ranieri edition in hand at the moment, so I'm not sure where the p-i-m-a fingering is used. If it's the arpeggio section towards the end, then yes.
A present - for all your gracious sharing- Would it be worthwhile for you to record the guitar duet at the end of the Carulli Method? It's not difficult, and it's simple, but sounds great. I long-remember doing this Carcassi Etude 1 in my teen years... It brings back certain strong feelings of youth. ( Our capacity to feel diminishes over time as we face the work world :( )
I don´t know if I will get any response in a video uploaded 5 years ago, but I will try: related to the right hand in those part in scales, the fingers of the right hand rest in the strings above after playing sometimes or everything is played without this "rest"?
Great lesson. I usually try to play the scale portion of this pretty fast, but I will get to the chords and it is complete murder. It turns out that this is a good all-around lesson for playing scales fluidly, as well as smooth chord transitions. These lessons are very helpful by the way, because all of my life I’ve played primarily with a pick, so learning the different approaches to playing classical guitar has definitely been a challenge, but has revived my interest in learning something new with the guitar. Thanks again!
Hi Gohar, thank you so much for this lesson! Quick question: the only recording I have of this piece is by David Tannenbaum, and he plays it about 2x as quickly as you do. Is there a tempo listed on the piece itself? The speed at which David plays it is intimidating to me, and is a reason why I haven't tackled the piece yet!
The Shearer edition has the tempo at Allegro, which the Italian translation to that literally means "joyfully." Many showboat players play this so fast, but I think they lose musicality.
Yeah, to add to my first comment, it’s tough. Just thought it was a pity that your video switched to the right hand just when I wanted to see the left. I’ll keep plugging along.
Dommage que l'on ne puisse pas avoir la traduction de vos explications en français ou au moins un sous titrage. Les prises de vues sont bien faites merci... 🎸🎸🎸
Started this about a month ago, doesn’t sound like this video, a bit tough. I have the Bernard version and he uses p a lot on the lower strings so I trying to avoid that.
I wonder if she’s just sight reading it. Something very easy for her level :) It would be great to hear her play No. 25. From 22 - 25 they get difficult.
I'm reading the music, but I'm not sight reading :) That would imply I've never played the piece before, and I would never risk doing that on camera. This is a piece I've played at random times, but never memorized it :)
It isn’t tight, it’s to protect the polish on the guitar when wearing short sleeve and to prevent the arm from sticking. If you wear long sleeves, you don’t need it.
Excellent! A NOT SO EASY piece! But for the life of me, I wish you guys would not take the camera off the left hand because just exactly in spots where I was wondering about the left hand fingering you guys put the camera on the right hand. Arrrrrrrrrrrrrrrrrrgggghhhhhhhhhh! You tube camera people are notorious for that!
We do it on purpose, so you don't see that particular fingering hahaha... It's impossible to predict what everyone wants to see, some people want to see the right hand, others - the left, or they want to see both, and some get bored from the unchanged angle... hopefully there are enough different videos on TH-cam, to make everyone happy.
@@GoharVardanyan Maybe the solution would be to use a sort of split screen effect. Perhaps do a different, smaller screen in say, the upper right hand corner of the main screen. Btw, I do enjoy your vids, so please don’t get me wrong. I’ve been watching and learning from you for a couple years, and you are truly one of the best.
Very good lesson, but the way that you talk and playing at the same time is very annoying and i couldn't focus on your voice or the guitar it was sooo confusing.
While respecting how this came across to you I have to say it was the opposite for me. It was so reassuring to simultaneously hear exactly what she is talking about while her fingers are demonstrating it was absolutely clarifying for me. Great lesson Gohar!
![ทุกครั้งที่หลับตา (Lucid Dream) - AYLA's [ Official MV ]](http://i.ytimg.com/vi/4i1OBAQyv58/mqdefault.jpg)
Thank you so much for your explanations regarding the rest stroke. I was using free stroke because my rest stroke has always sounded too clangy but now I uderstand and yours sounds real good.
i need to play that piece for my guitar exam! what a beautiful etude !
This exercise, explained by Carcassi himself, is meant to learn to stop the bass notes during the scales. This is its main goal. We see the bass line, there is a pause after each bass stroke....Thank you so much Gohar, your explanation is precious!
Interesting. Are these notes in his method or are they in the original op.60 edition.
@@Ayo.Ajisafe I am not sure of it, as for the many editions tha come after the original partiture. However, tha harmonical result that requires the bass note to be muted, gives indeed a full harmonic meaning, as well as the sound pleasure that otherwise wouldn't be obtained by leaving the note freely opened during the evolving scales
This is amazing. Thanks a lot for this contribution!
Very useful and well explained. Thanks a lot!
Thank you! I learned a lot from these videos!
Thank you for this! Your master class with Donna at a CGCA workshop inspired me to learn this piece thoroughly. I love it, It’s like a wonderful workout while making beautiful music at the same time.
You are an excellent guitarist and teacher.
Will be keeping my eye on your channel.
Love your style Sister!
I'm studying this one now. I think it's really beautifull, and fun to play, even being "simple" at first (but not easy for a begginer like me haha). Thank you for this lesson! It will be really helpfull!
Yes yes
👍👍👍👍👍
Wow, your technique is so good, and your guitar is amazing. Can You do videos about technique please?. Congratulations, this channel is fantastic.
Great lesson. I'd suggest slightly changing wrist position when playing scales on bass strings with i,m so as to eliminate scraping sound
Great teaching points.
I've regularly watched your etude series. The one by pujol was the first one I watched which helped me tremendously with my RH finger independence.
Can you suggest etudes for LH finger independence, especially between the 3rd and 4th fingers.
Thank you so much for these videos.
The Pujol no 13 is a good one for that too, but slurs and coordination exercises will probably work on the specific independence better.
Thank you! I learn a lot from these videos!
Great stuff, Very useful! Thanks
amazing! 👏👏👏👏
Thank you for this lesson!
These lessons are amazingly helpfull!! Thank you :D Keep it coming.
Awesome video my friend ! Big Like!👍👍👍👍👍👍👍💯
You play wonderfully! I don’t nitpick artistic interpretations but with this being an etude, I feel the didactic intention is missed. The score indicates "staccato," from the beginning. Your approach seems more like a study in legato which is good too.
terrific
etude 1 is so hard and beautiful
Perfect technique as always!!!....and an excellent teacher!!!!..Miss Gohar is amazing!!!
Gracias por estas lecciones tan interesantes!!!
Oh so much important, useful content in this free lesson! Great teacher
Super-useful lesson, thank you
This was very relevant to my current right hand development. Thanks sensei!
I am a 71-yr-old beginner with some violin practice in my old days. One thing that confuse me the most is the right-hand fingerings. Finding the note on the fretboard is not difficult for me, but finding the right right-hand finger is. I just download the Op. 60 by Carcassi, but it only marked the left-hand fingerings. Where can I get the score with the right-hand fingerings? Hope that I get coupe pointers from you. I am a big fan of you, and I especially love the way you played “Un SUEÑO en la Foresta” by Barrios. I personally love it more than the renditions of big shots like John Williams and David Russel.
If you get the carcassi complete guitar method book it shows the right hand fingering
@@tradingwithwill7214 Thank you very much. Would you be kind enough to give me more detailed info such as ISBN number or the title of the book you’re referring? This way I will be able to buy the right book with the right-hand fingering. On Amazon, there are so many selection even for the books with same title. It’s very confusing.
@@oldmanandthesea7039 The Complete Carcassi Guitar Method ISBN 0-87166-378-3
@@wuchenggang Thank you very much. I have ordered it from Amazon. Happy guitar playing!
Ooooo my beautiful teacher you're the best!!!! Thanks
Wow dear Gohar thank you... this video is very useful💟😍🙏⚘🌹
I love your tutorials, thanks for sharing your experience and talent, greetings!!!!
Gracias
Great as always.
Me gusta tu interpretación.
you are awesome
Thanks very much. The dynamics really changes the piece alright. I have the Ranieri version. Would you follow the right hand pima fingerings exactly? Thank you
I don't have the Ranieri edition in hand at the moment, so I'm not sure where the p-i-m-a fingering is used. If it's the arpeggio section towards the end, then yes.
A present - for all your gracious sharing- Would it be worthwhile for you to record the guitar duet at the end of the Carulli Method? It's not difficult, and it's simple, but sounds great.
I long-remember doing this Carcassi Etude 1 in my teen years... It brings back certain strong feelings of youth. ( Our capacity to feel diminishes over time as we face the work world :( )
I don´t know if I will get any response in a video uploaded 5 years ago, but I will try: related to the right hand in those part in scales, the fingers of the right hand rest in the strings above after playing sometimes or everything is played without this "rest"?
Thanks, I have to master this in one week lol.
Thanks. Which books or etude better for Begginer?
Great lesson. I usually try to play the scale portion of this pretty fast, but I will get to the chords and it is complete murder. It turns out that this is a good all-around lesson for playing scales fluidly, as well as smooth chord transitions.
These lessons are very helpful by the way, because all of my life I’ve played primarily with a pick, so learning the different approaches to playing classical guitar has definitely been a challenge, but has revived my interest in learning something new with the guitar. Thanks again!
great work
Talented!
Hi Gohar, thank you so much for this lesson! Quick question: the only recording I have of this piece is by David Tannenbaum, and he plays it about 2x as quickly as you do. Is there a tempo listed on the piece itself? The speed at which David plays it is intimidating to me, and is a reason why I haven't tackled the piece yet!
The Shearer edition has the tempo at Allegro, which the Italian translation to that literally means "joyfully." Many showboat players play this so fast, but I think they lose musicality.
Around 120-176 bpm is usual.
La juventud Goahar es efímera....
obrigado minha professora linda, ti amo
Thank you . Are you originally iranian?
I'm Armenian.
Yeah, to add to my first comment, it’s tough. Just thought it was a pity that your video switched to the right hand just when I wanted to see the left. I’ll keep plugging along.
Greaaaaat Teacher...!!!
We need from u a free lesson of Regondi Etude No1 plz
Muito show. Wow
Dommage que l'on ne puisse pas avoir la traduction de vos explications en français ou au moins un sous titrage. Les prises de vues sont bien faites merci...
🎸🎸🎸
Started this about a month ago, doesn’t sound like this video, a bit tough. I have the Bernard version and he uses p a lot on the lower strings so I trying to avoid that.
Thank you very much. you play it legato not détaché ?
Learnt this Carcassi etude no.1 more than 30 years ago when I started to play the guitar.
I wonder if she’s just sight reading it. Something very easy for her level :) It would be great to hear her play No. 25. From 22 - 25 they get difficult.
I'm reading the music, but I'm not sight reading :) That would imply I've never played the piece before, and I would never risk doing that on camera. This is a piece I've played at random times, but never memorized it :)
Do you give the high notes with a little more time to accentuate the melody?
what's the purpose for that black tension on your elbow?
It isn’t tight, it’s to protect the polish on the guitar when wearing short sleeve and to prevent the arm from sticking. If you wear long sleeves, you don’t need it.
Mene bhi sikh liya hai
my eyes shine 🌹🌹🌹🌹
Lástima no yo no sepa inglés para entender las explicaciones pero eres fantástica te admiro ,desde Neiva Colombia 😀
miss Vardanyan
In your opinion who is the best compser in the world
There is no such thing
oi tia
Fasterrr
Who legended in Portuguese?
Hat hat hat 😘😘😘😘😘😘😘😠😠😠😭😠
Да, Мзм
Пошли ....
Excellent! A NOT SO EASY piece!
But for the life of me, I wish you guys would not take the camera off the left hand because just exactly in spots where I was wondering about the left hand fingering you guys put the camera on the right hand.
Arrrrrrrrrrrrrrrrrrgggghhhhhhhhhh! You tube camera people are notorious for that!
We do it on purpose, so you don't see that particular fingering hahaha... It's impossible to predict what everyone wants to see, some people want to see the right hand, others - the left, or they want to see both, and some get bored from the unchanged angle... hopefully there are enough different videos on TH-cam, to make everyone happy.
@@GoharVardanyan
Maybe the solution would be to use a sort of split screen effect. Perhaps do a different, smaller screen in say, the upper right hand corner of the main screen.
Btw, I do enjoy your vids, so please don’t get me wrong. I’ve been watching and learning from you for a couple years, and you are truly one of the best.
@@GoharVardanyan
This guy found a unique way to solve the problem:
th-cam.com/video/KuWMEtS-bJg/w-d-xo.htmlsi=5nVv5WuACIXQwQ5w
Its very hard.😭😂
Very good lesson, but the way that you talk and playing at the same time is very annoying and i couldn't focus on your voice or the guitar it was sooo confusing.
While respecting how this came across to you I have to say it was the opposite for me. It was so reassuring to simultaneously hear exactly what she is talking about while her fingers are demonstrating it was absolutely clarifying for me. Great lesson Gohar!
Hat hat 😂😭😭😭😭😭😭😭😭
se parlassi inglese seguirei le bellissime lezioni
Matmi👎👎👎👎