Belcantoのお手本Tito SchipaとNino Piccaluga。ともにLyric tenor、その違いは何ですか？曲その２ Ah! Non mi ridestar

Tito Schipa and Nino Piccaluga were both renowned lyric tenors known for their interpretations of bel canto repertoire. While they shared a similar vocal classification, their singing styles and artistic approaches had distinct differences.
Tito Schipa (1888-1965)
Singing Style:
Voice Quality: Schipa's voice was known for its exceptional sweetness, clarity, and agility. He had a relatively light voice that he used with impeccable control and nuance.
Technique: Schipa's technique was precise and refined, allowing him to execute the intricate passages and ornamentations characteristic of bel canto with ease.
Interpretation: His interpretations were marked by their expressiveness and emotional depth, often characterized by a delicate and intimate delivery.
Nino Piccaluga (1904-1973)
Singing Style:
Voice Quality: Piccaluga possessed a somewhat fuller and more robust voice compared to Schipa, though still within the lyric tenor category. His voice had a darker timbre and a more dramatic edge.
Technique: While also technically proficient, Piccaluga's technique leaned towards a more forceful and passionate style, suitable for slightly heavier lyric roles.
Interpretation: Piccaluga's interpretations were known for their intensity and dynamic range, bringing a more dramatic flair to his performances.
Differences in Interpretation of "Ah! Non mi ridestar"
When interpreting a piece like "Ah! Non mi ridestar" from Massenet's "Werther," these differences would manifest in the following ways:
Tito Schipa: His rendition would likely be characterized by its smooth legato, subtle nuances, and a focus on the lyrical beauty of the melody. Schipa would emphasize the delicate and romantic aspects of the aria, delivering it with an elegant and intimate touch.
Nino Piccaluga: Piccaluga's interpretation would probably bring more dramatic emphasis and intensity to the piece. His version might showcase a stronger dynamic contrast and a more robust vocal presence, highlighting the emotional turmoil and passion of the character.
"Ah! Non mi ridestar"
"Ah! Non mi ridestar" is an aria from Jules Massenet's opera "Werther." In this aria, the protagonist Werther, in a moment of deep emotional conflict, pleads not to be awakened from his dreams and memories of love. The aria is a perfect vehicle to showcase the lyrical and expressive qualities of a tenor's voice.
For comparison:
Tito Schipa: Listen to Schipa's rendition 0:12
Nino Piccaluga: Listen to Piccaluga's rendition 4:12
Listening to these interpretations can provide a clear sense of the differences in their vocal qualities and interpretative approaches.
Summary
While both Schipa and Piccaluga were outstanding lyric tenors, Schipa's voice was lighter and more focused on nuance and delicacy, whereas Piccaluga's voice was fuller and more dramatic. These differences allowed them to bring unique qualities to their performances, enriching the bel canto tradition in their own distinctive ways.

[@christianroider118]

❤🎉i do AdoreBoth , nur hearing Great piccaluga becoming smooth, is extraordinary

[@lisaszxu1961]

Piccaluga has a unique singing technique that others don't have, which is fantastic. I am focusing on studying his singing method and using his technique to sing like him. Suddenly, hitting high notes becomes very easy. However, producing his voice is indeed quite a tough job.