Have been playing this for nearly 50 years. Have never played or heard it sound so beautiful. Even after all these years, it made my spine tingle. Thank you. Peter
We're talking about a "delicate" feel for Anji, which beckons the best form each of us, not all of us. Well done, KoTak! The essence of interpretive elegance. That is what Anji is all about, ie., let the interpretation flow within your own blood onto your own presentation. How can you go wrong with such internal presence and integrative consolidation?
Ironically, Davey Graham, who composed this, has the least interesting interpretation. Paul Simons was a big improvement, and these guys enhance it even further.
石川鷹彦大先生はコードブックすら無かった時代に耳コピでギターを覚えて、おそらくは日本人で初めてフォークギターのテクニックを突き詰めた人ですね。吉田拓郎や長渕剛のギターアレンジもやっていた。古い人なのに味に逃げず、今でもテクニックで聴かせるのが凄い。坂崎幸之助さんはフォークギター界のチャーみたいな存在。滅茶苦茶に上手いですね。
これは、永久保存版ですよ。さすがです、日本の宝です。
坂崎さんの弾く音色にうっとりです。素晴らしい。
また聞き惚れてしまいました。
Fabulous !
石川さんて大工の親方みたいな風貌でなんでこんなにかっこいいんだろ
Amazing. I often don't like covers, but this is great. The second guitarist counter-point, runs and fills were great!!!
天才たちの戯れ…簡単そうにすごいこてやってます！
Have been playing this for nearly 50 years. Have never played or heard it sound so beautiful. Even after all these years, it made my spine tingle. Thank you.
Peter
坂崎氏のギターはほんといい。
テクニックを見せびらかす訳でもなく、淡々と弾いてるかんじ。
でも、味があると言うか、
厚みがあると言うか。
素晴らしい。
息を潜めてしまう程、胸にゾクッと響く音色に聴き入りました
。まるでguitarの鼓動の様なベース音に 強さと繊細さを重ねた綺麗な音達が乗って繰り広げられる音の世界に引き込まれ魅了されました✨
これ程 弦を自在に操って奏でられるなんて…感動です。
We love Sakazaki Kohnosuke!!
Great. I have to subscribe.
Davy, Bert, Paul, or this? Helluva tune, in any case.
坂崎さんの弾く音色にうっとりです。
石川鷹彦さんのプレイ流石です♪
カムバックして欲しいです！！！
本当に凄い😲
Players this talented and skilled know about Davy Graham. I think they are referring to the general arrangement which is the Paul Simon version.
ギターの天才の共演 こんなに弾たらなぁ
フォークじゃないアコースティックなサウンド！
カッコいい！
いいねえ～いよっ名人二人💐👏👏👏👏
Japanese folk guitar like Corriell and his belgian partner Catharine ! Twin house in Nihhon ... !!!!
ギターの事良く知らないのに涙が出てくる🥲
石川さんの演奏が聴きたいです
復活を祈ります。
すごい😮
Excellent
Simon and Garfunkel? Davey Graham composed it in 1961.
That the best version I've heard. Superb performance!
Amazing!!
Excellent !
If i can play like this, i can give up my 8 to 5 job! 😅😅
ギター二本に、全てが
Anji was written by Davy Graham in 1965 before PS met AG
やはりプロはダイナミクスを考えて
弾けるのがアマチュアとの差です。
二本ギターでもきっちり音色が判る
凄腕揃うとこんなにもゆったり聴けるん
ですね🐈
良い動画ありがとうございます🐈
あーアコギの二大巨匠，もう見れないのかも…。
きれい
We're talking about a "delicate" feel for Anji, which beckons the best form each of us, not all of us. Well done, KoTak! The essence of interpretive elegance. That is what Anji is all about, ie., let the interpretation flow within your own blood onto your own presentation. How can you go wrong with such internal presence and integrative consolidation?
Written by English guitarist Davy Graham
+gavin Reid exactly !
gavin Reid Nice sounds.
Magnificently played by Paul and Ed Simon....
Big up for davy graham, but bert jansch took it to another level .
@@jimdoc6102 Agreed Jim.
Bert's version was the best cover, but Davey Graham's original was amazing.
Great rendition of this song! But it's written by Davey Graham..but oh my! It's wonderful music!
ギターだけで凄いわ!
Banzai!! Well done!
ギターが歌ってる音ですね
ギター２台の方がスリリングですね。そして、これほど洗練されたAnjiは他では聴けません。
Ironically, Davey Graham, who composed this, has the least interesting interpretation. Paul Simons was a big improvement, and these guys enhance it even further.
石川さんの一音！
🌟🌟🌟🎶👍
This is Davy Graham's song, recorded by many.
いつもよりキーが低くてシブいね。
？？？
石川さんは上手い方だけど、本気出したら坂崎さんの方が遥かに上手いと思う笑
あこぎを突き詰めるとクラシックギターになる。超絶が好きならクラシックへ
言ってる意味がイマイチ伝わって来ないのですが？どう言う意味です？
突き詰めると、超絶が好きになるということ？
でも超絶は疲れます。
まったく同感です。
The beauty of Anji is that it's been arranged for just one guitar, I think it's very unnecessary to play this tune with two guitars.
Paul Simon himself played it with his brother live in 1968, so I don't think it's right to call it 'unnecessary'.
無知が