It’s not clear what you mean by “achieving the timbre”. But is you mean overall virtuosity and musicality, there have been plenty who have surpassed Segovia, David Russell, Julian Bream, Manuel Barreuco, and others too numerous to mention, many benefitted from Segovia’s example but have taken the instrument to a higher level.
Timbre refers to the “combination of qualities of a sound that distinguishes it from other sounds of the same pitch and volume.” I would add that timbre would also be achieved by the fingers and nails. If the instrument is changed, the timbre would change. If the hand is changed, the timbre would change because we all play differently. This is what gives the performance a “distinctive character.” This, too, is timbre. Each guitar is made differently and with its own distinctive timbre. Segovia himself, depending on how he approached the guitar can also affect the timbre. Someone else can play the same guitar and achieve a different timbre. As you one can see there are a number of factors that affect the timber. Timbre is not necessarily a good measure of virtuosity much less of a performance.
@@JazzDigits il virtuosismo non è tutto.....Segovia commetteva diversi errori, e anche in questo bellissimo pezzo ci sono alcune imperfezioni: ma, secondo il mio modesto parere, ogni "nota" che suonava aveva qualcosa da dire. Un saluto.
@@robbrown8483 Timbre is a stupid technical word that actually means " Tone " or more specifically " Sound ". The other comment I must make is that Segovia recorded for a couple of decades on gut strings, and they had a much warmer sound than nylon, obviously.
I was priveleged to see Segovia live once, many years ago in Oakland, California. What a consummate artist.. He pretty much single=handedly established the classical guitar as a serious musical instrument.
Nobody plays like Segovia played. I always loved his interpretation and delivery. No theatrics or facial expressions. He was the best. At least for me.
People value virtuosity above all. I appreciate it too, but would never put it in first place. Segovia is not the best virtuoso, albeit that's not his greatness. He has a soul which is the most important virtue of musician. That's why he can't be replicated.
For me, the history of classical guitar soloing ends with Segovia. What comes after is just attempts, better, worse to keep up. Lots of great guitarists but for none does the guitar sing like it does for H I M . Even with some technical imperfections of old age. Probably the only instrument where one man casts such a huge shadow.
Nunca me cansare de ver y escuchar a guitarristas como Segovia❤❤❤😢!!!!
He’s just the best! I saw him play twice in the 1970’s in Boston and he was still amazing. ❤️
To date I still in my 78yrs heard any younger ‘newcomers’ achieve the timbre Segovia produced…! He truly was a Genius !
It’s not clear what you mean by “achieving the timbre”. But is you mean overall virtuosity and musicality, there have been plenty who have surpassed Segovia, David Russell, Julian Bream, Manuel Barreuco, and others too numerous to mention, many benefitted from Segovia’s example but have taken the instrument to a higher level.
Timbre refers to the “combination of qualities of a sound that distinguishes it from other sounds of the same pitch and volume.” I would add that timbre would also be achieved by the fingers and nails. If the instrument is changed, the timbre would change. If the hand is changed, the timbre would change because we all play differently. This is what gives the performance a “distinctive character.” This, too, is timbre. Each guitar is made differently and with its own distinctive timbre.
Segovia himself, depending on how he approached the guitar can also affect the timbre. Someone else can play the same guitar and achieve a different timbre.
As you one can see there are a number of factors that affect the timber. Timbre is not necessarily a good measure of virtuosity much less of a performance.
@@JazzDigits il virtuosismo non è tutto.....Segovia commetteva diversi errori, e anche in questo bellissimo pezzo ci sono alcune imperfezioni: ma, secondo il mio modesto parere, ogni "nota" che suonava aveva qualcosa da dire. Un saluto.
@bocciagreco8192 people value virtuosity above all. I appreciate it too, but would never put it in first place.
@@robbrown8483 Timbre is a stupid technical word that actually means " Tone " or more specifically " Sound ". The other comment I must make is that Segovia recorded for a couple of decades on gut strings, and they had a much warmer sound than nylon, obviously.
Гений гитары ! Вечный труженник !
Мир ему !
Great personality ....
I was priveleged to see Segovia live once, many years ago in Oakland, California. What a consummate artist.. He pretty much single=handedly established the classical guitar as a serious musical instrument.
Tarrega just left the chat
🎶🎵♥️Segovia
Priceless, and such clear audio, without the usual wow and flutter, thank you! 🎸🍾❤️
Thank's. My pleasure ...😄
Maestro Muchas gracias para la muy bonita muisca de Albeniz y la guitar de Segovia
Fabulous recording of my Guitar hero ❤️
Maravilloso Don Andrés!!!! Solo Tarrega habría podido superarlo ❤😅😮
Maravilhoso Segovia!!!!! Grande músico e professor.
Sempre il numero uno. Maestro...
Nobody plays like Segovia played. I always loved his interpretation and delivery. No theatrics or facial expressions. He was the best. At least for me.
The best movie/video lip I've seen of the great Segovia.
What a master he was!
Браво Маэстро! А.Сеговия - один из лучших, если не лучший мастер классической гитары....
His ease of playing and clarity of tone are always amazing ❤
I think his right hand technique is a huge part.of his amazing tone. Lots to learn from watching the maestro
Que grande el Maestro Segovia, muchas gracias por semejante aporte. Un abrazo desde Rosario, Argentina!
Ở Việt Nam chúng tôi gọi nhạc phẩm này là Toà Tháp Đỏ . Cảm ơn Sêgovia vĩ đại đã cho chúng tôi thưởng thức nhạc phẩm bằng tài nghệ tuyệt vời của ngài
Wonderful!👏🏼👏🏼👏🏼✨
Thank's 😃
Бравооо!!!
Pure Perfect Perfection
Marvelous!!!!
He has no equal ! xxxxxxx
magnificiant!!!!
Awesome, wow, like it. support you always.
Always been magnificent forever
Thank you very much!
You're welcome. It's my pleasure ...
@@sabicdusan can you do more of these Segovia restorations?
@@wadedixon6595 I will tray found someting for restoration ...
wow this is really good
Great technique I want this playing
El maestro.
Great
El nro. 1
Timing, phrasing, articulation, sound. To this day, not caught up with by anyone , so far.
Lembro papai.
proof you don't need long slender fingers to master the guitar. look at those sausage fingers.
longaniza
ただし、各指の長さは、ほぼ同じでなければ、上手くは弾けません。
@@けーせう しかし、それは彼の工芸に対する彼の献身をより多く示していると思います。 その練習が完璧をもたらします。
Thick Chorizo fingers...
People value virtuosity above all. I appreciate it too, but would never put it in first place. Segovia is not the best virtuoso, albeit that's not his greatness. He has a soul which is the most important virtue of musician. That's why he can't be replicated.
He had something, that other don't have ...
Fue el inicial y no habrá otro igual..........
❤
Perfect 👏👏👏
Muito Foda!
🙏🙏🙏ဟုတ်တယ် အဖိုးကြီးရ အဲဒီလိုအငြိမ်လေးတီးရမှာ ခရားဗျာ ဒါကိုသိရက်နဲ့တီးမပြပဲ သက်သက်မဲ့ဒိုင်လျှိထားတယ် တကယ်ဆိုကျုပ်ကဖြစ်နိုင်ရင်စီးရီးလိုက်ကိုနားထောင်ချင်တာအဖိုးကြီးရ🙏🙏🙏
Sorry, I don't understand your language ...
😍😍😍👍🙏🙏🙏👍😍😍😍
ဆောရီး အိုင်ဒုန့် အန်ဒါစတန်း ယူအာ လမ်းကွေ့ဆိုပါလား ဆြာမအဲဒါဘာပြောတာလည်းခင်ည😁😁😁
On norwegian tv
Like,,,,
Damn. I can not decide anymore who my favorite spanish andrea is. Till today it was andres iniesta the maestro. But now….
Great but a spooky ending
Excellent technique! Lots of it copied by later rock guitar heroes, like sweep picking, palm muting and integrating flageolets.
Beautiful music, but Yepes version is better for me😊❤Cheers Thanks
You Welcome.☺ Yepes was another great guitarist.
What year was this performance?
1960 ...
Evangelos, sorry Maestro
この曲は「こう弾くんだ」と言わんばかりの確たる矜持。
これを Google 翻訳者で翻訳してくださる皆様、こんにちは。
¡Saludos!
Notable su virtuosismo pese a la edad que tenía el Mtro.
Gamatogo....es al reves; tenia el virtuosismo por la edad y los conocimientos de toda una vida.......
he reminds me of Vladimir Horowitz is his later years...
Physically, or by the way he played?
For me, the history of classical guitar soloing ends with Segovia. What comes after is just attempts, better, worse to keep up. Lots of great guitarists but for none does the guitar sing like it does for H I M . Even with some technical imperfections of old age.
Probably the only instrument where one man casts such a huge shadow.
Ở Việt Nam chúng tôi gọi nhạc phẩm này là Toà Tháp Đỏ . Cảm ơn Sêgovia vĩ đại đã cho chúng tôi thưởng thức nhạc phẩm bằng tài nghệ tuyệt vời của ngài