Madhabi Mukherjee and Soumitra Chatterjee on Charulata (1964)

Madhabi Mukherjee and Soumitra Chatterjee on Charulata (1964), a movie directed by Satyajit Roy based on the novel Charulata (The Broken Nest) written by Rabindranath Tagore.
This movie also known as The Lonely Wife in English. It features Madhabi Mukherjee, Soumitra Chatterjee and Sailen Mukherjee.
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[@sajibkantidey3545]

চারুলতা দেখলাম,শুধুই দেখলাম,তবে অনুভব করতে পারলাম এই বিশ্লেষন থেকে।আসলেই সুন্দর ❤️

[@rajatroy8792]

Golden era of Bengali film industry ❤

[@mohammedjahangir2787]

সুন্দর বিল্ষেশনের জন্য ধন্য বাদ।

[@Account-user]

Ashadharn explanation.... Atyanta dhanyavaad.... Onoboddo ak srishti ❤

[@gmvn19]

আমার প্রিয় অভিনেত্রী মাধবী মুখার্জি ।

[@RanaSamakal]

ভিডিওটি শেয়ার করার জন্য ধন্যবাদ।

[@thebongmovienostalgia7130]

Stay tuned, more videos coming soon. And don't forget to Share and Subscribe.

[@RanaSamakal]

already subscribed.

[@3020311]

Just watched her in Charulata.

[@shyamapadamandal4469]

Khub valo ❤️

[@purnimaacharya2564]

Nothing to say. REGARDS

[@user-bw8dq6ce2c]

❤

[@appi2813]

Can someone explain me the ending of Charulata movie?

[@arnabbanerjee1564]

At the end of the movie, when charulata was crying for Amal, leaving her(as she was deeply in love with him), Bhupati, her husband catches her at the moment and realises her longing for him. This shatters his mind to a formidable extend as potrayed by his restlessness and a triggering outburst in the carriage . At the ending scene, when charulata faces Bhupati, she gently appeals to him to hold her hand again and bhupati , makes an attempt to reach out his hand towards her, but the freezing of the scene reflects that despite their attempt , their hands never met, which means that their relationship never reaches to the normalcy again. Eventhough I have been sympathetic towards Bhupati for his personal turmoil , but honestly, despite having an upright conscience , his attempts to hold the loosening grip of their relationship was too ineffective and inadequate.

[@appi2813]

@@arnabbanerjee1564 Thank you for this

[@hushadin]

​@@arnabbanerjee1564 OK, but can you plz explain why Brojo was shown with the lantern in the last freezing frame?

[@GSteel-rh9iu]

00:00:05 After Mahanagar was done Satyajit Ray asked when can I work with you again? I (Madhabi Mukherjee
) was astonished; because that is something I should have said.
00:01:40. This was a long time ago when women would stay in the house.
00:02:08 The woman might wish for a necklace or diamond earings from their husband. The wife would embroider handkerchief this is how people expressed their love of their husbands and wives.
Keeping women bound to the home; a very restricted life
playing cards, there was no lack of luxuries, servants did everything,
having tea at four
eating betel leaf, nothing to work on
00:03:33 this is the life that Bhupati wanted to keep Charu limited to
but Charu does not want to stay contained this way.
00:03:50 slowly by reading books Charu became educated, without even realizing it herself
00:04:09 Then like a storm Amal arrives, someone who understands what Charu is talking about

[@jayantisanyal6998]

Film hisebe Charulata apurbo kintu Nstsoneer galpr sublety superb ar Famous cinematographer Subrata mitra na thakle Satyajit roy keman asadharan hote parten ki

[@Saptarshi_4200]

Rabi Thakur er NoshtoNhir ta kintu Cinema r thekeo better.

[@samyakkumardas9387]

দুটোই অসাধারণ এবং অনেকটাই আলাদা

[@achintyabiswas5388]

Problem of affluence
.

[@achintyabiswas5388]

There will be some thing or other when you are born.