Thanks for this interesting story, pity about the audio quality though. Just a few metres away from that 'background music' source would have made a huge difference.
A few meters from that "background music source" would have been in pitch blackness. Lacking a well lit, soundproof studio at the festival site, the best we could hope for was a spot backstage where there happened to be some enough light to see CJ and the mandolin. We had to squeeze this in between the end of the Po Ramblin' Boys set and the start of the following act. And yeah, they started as we were nearing the end of the interview.
The sound really sucks. I have a Gibson 1916 A-4 with a one piece carved maple top. The sound is fantastic beyond words. I seen some of Loyd's early work in Rodger Siminoff's personal collection. I don't think it's all that great.
![ประสบการณ์ จ้าง Developer ที่ผมจะไม่มีวันลืม [ภาค1]](http://i.ytimg.com/vi/bzivN4KDg-k/mqdefault.jpg)
What a great story that was!
Thanks. Love these stories.
Always a great series, Chris!
Thanks for this interesting story, pity about the audio quality though. Just a few metres away from that 'background music' source would have made a huge difference.
A few meters from that "background music source" would have been in pitch blackness. Lacking a well lit, soundproof studio at the festival site, the best we could hope for was a spot backstage where there happened to be some enough light to see CJ and the mandolin. We had to squeeze this in between the end of the Po Ramblin' Boys set and the start of the following act. And yeah, they started as we were nearing the end of the interview.
Curious how the scroll was broken off
My guess is he leaned it up against a wall and it slid
The sound really sucks. I have a Gibson 1916 A-4 with a one piece carved maple top. The sound is fantastic beyond words. I seen some of Loyd's early work in Rodger Siminoff's personal collection. I don't think it's all that great.