That's how the Criterion Closet should be done..anecdotes but above all a passion for his craft - his work is the flesh in PTA's films and Mark furnishes the cast beautifully. I'm looking forward to seeing his work in Maestro.
I've always respected the immense research Costume Designers & Set Designers do to get a specific time period look perfectly correct. It helps bring realism & authenticity to a film's story. I'm glad they give out Awards for it.
Agreed; costume and set designers don’t get nearly enough credit! For instance, a costume designer working on a historical epic doesn’t just research what people in the past wore, they also reinterpret history and create entirely new aesthetic realities off of a handful of museum pieces and academic texts.
Really, really appreciate the Piero Tosi recognition. Costumers aren't given enough credit, and Tosi was one of the best. And yay for the The Grifters mention.
@@Theomite Check the period costumes in The Leopard and Death in Venice. Unbelievable, both historically but also as storytelling. The Damned was great for contemporary costume, as well
What a cutie! I love Mark's sweet, goofy vibe and effortless knowledge of quality cinema of all ages - no surprise he's part of PTA's inner circle of collaborators ❤❤❤
There is a film from 1944, I believe, that beside being one of my favorites of all time, has some of the best costuming I've ever noticed. It's not 'period' other than being, of that time, the costume design is by the great Edith Head. The film is 'The Uninvited' with Ray Miland, and Gail Russell, in her first film as 'Stella'. It is a ghost story and even has special effects, it takes place on the English coast. Stella's clothes, in both style and texture are wonderful. She even wears a sheer dress in silhouette at night in one scene. And the most beautiful coat I've ever seen in the exterior of the smoke shop. Please watch and enjoy.
When I was around 10 years old I remember watching The Uninvited and it scaring the crap out of me. Very atmospheric. One of the best haunted house films I've seen.
Mark Bridges, nice! Love his work, especially with PTA... great choices, of course! (Of course he'd pick Barry Lyndon and The Leopard 😁 exquisite masterpieces with incredible design) The Master and There Will Be Blood are both in my top 10.
Wonderful! I hope you continue to invite more specialist department heads as opposed to just actors and directors. It'd be amazing to see some score composers and editors in the closet!
Wow, what a legend I’m ashamed I didn’t know by name before now. His influence on menswear, through his film work, will be studied. There Will Be Blood alone!
You guys should get the red letter media guys in the closet. Although their collection is pretty large as well, it'll be interesting to see if you have anything they don't. Plus, it would be hilarious.
Here's a question: how come we don't see film costume designer tutorials out there? We have plenty for historical costume in theater and real life, but not anything for a lot of the other above/below-the-line tasks that are extremely important? Production design, assistant directing, set design, LUTs, and all kinds of other actual film *crafts* never seem to get a lot of coverage on the exposure and tutorial fronts.
I am always disappointed in how Heavens Gate suffered such negativity and the consequences. I saw this movie with my Mom upon opening. As a very young man, and an actor at the time I felt this was a very good and important film. We loved it.
Another guest of the closet getting a movie that they haven't actually watched (all the way through). Bravo, keep it up! Having people pick up films that they've seen seems pointless.
No. Those movies are widely available and very commercially popular. Not what Criterion is looking for. Learn what the brand is about, not every movie needs their little C and a cool cover.
@@thesilentcontemptCriterion has a long history of releasing very popular films that were widely available elsewhere. Being so is hardly a reason for exclusion from the collection, and they’ve certainly not limited the collection to obscure “deep cuts.” However, I do think you’re correct about Lord of the Rings. Even back in the Laserdisc days, they’ve always been primarily about offering the best quality version of a film along with all the extras and information on the filmmaking process they typically include. Quite frankly, LotR releases to date have all been very complete and pretty good quality (and the extended editions contain a truly massive amount of supplementary material), and as you state, quite widely available. So, I’m not sure how Criterion could improve them. (Other than better cases… I really do hate the flimsy clear-blue industry standard blu ray cases.)
![[UNCUT] “บอสณวัฒน์” ลากไส้!! ใครหนุนหลัง "แม่ตั๊ก ป๋าเบียร์" I คนดังนั่งเคลียร์ I 30 ก.ย. 67](http://i.ytimg.com/vi/QlD7mU2KKRk/mqdefault.jpg)
![[Full Episode] The Restaurant War Thailand ศึกพ่อค้าซ่าแม่ค้าแซ่บ Episode 2 | 29 ก.ย. 67](http://i.ytimg.com/vi/r3lfLNH6Ke4/mqdefault.jpg)
Mark Bridges is such a talented artist. His designs, both in period pieces and contemporary stories, are always so rich with details.
I wonder if he still has the Jet Ski he got at the Oscars that year for giving the shortest acceptance speech when he won for Phantom Thread.
That's how the Criterion Closet should be done..anecdotes but above all a passion for his craft - his work is the flesh in PTA's films and Mark furnishes the cast beautifully. I'm looking forward to seeing his work in Maestro.
I've always respected the immense research Costume Designers & Set Designers do to get a specific time period look perfectly correct. It helps bring realism & authenticity to a film's story. I'm glad they give out Awards for it.
Agreed; costume and set designers don’t get nearly enough credit! For instance, a costume designer working on a historical epic doesn’t just research what people in the past wore, they also reinterpret history and create entirely new aesthetic realities off of a handful of museum pieces and academic texts.
That scean in the Master in the department store the clothes are so on point this guy is talented
Really, really appreciate the Piero Tosi recognition. Costumers aren't given enough credit, and Tosi was one of the best. And yay for the The Grifters mention.
I was familiar with Canonero, but not Tosi. I feel like half-a-d-bag.
@@Theomite Check the period costumes in The Leopard and Death in Venice. Unbelievable, both historically but also as storytelling. The Damned was great for contemporary costume, as well
casually dropping that he worked with PTA three times like it's nothing. respect.
😮 Mark's reaction when Daniel Day Lewis pops up in Sunday Bloody Sunday
"oh, oh who did the costumes, oh I did" perfect xD
What a cutie! I love Mark's sweet, goofy vibe and effortless knowledge of quality cinema of all ages - no surprise he's part of PTA's inner circle of collaborators ❤❤❤
yes yes yes 100%
really cool to hear a costume designers POV in the closet
There is a film from 1944, I believe, that beside being one of my favorites of all time, has some of the best costuming I've ever noticed. It's not 'period' other than being, of that time, the costume design is by the great Edith Head. The film is 'The Uninvited' with Ray Miland, and Gail Russell, in her first film as 'Stella'. It is a ghost story and even has special effects, it takes place on the English coast. Stella's clothes, in both style and texture are wonderful. She even wears a sheer dress in silhouette at night in one scene. And the most beautiful coat I've ever seen in the exterior of the smoke shop. Please watch and enjoy.
Props on knowing that film and mentioning Gail Russell, imo the most beautiful of old hollywood.
When I was around 10 years old I remember watching The Uninvited and it scaring the crap out of me. Very atmospheric. One of the best haunted house films I've seen.
"The Uninvited" is one of my two favorite horror films, the other being 1945's "Dead of Night."
Mark Bridges, nice! Love his work, especially with PTA... great choices, of course!
(Of course he'd pick Barry Lyndon and The Leopard 😁 exquisite masterpieces with incredible design)
The Master and There Will Be Blood are both in my top 10.
Perfect picks to watch from the back of his jet ski 😎
Wonderful! I hope you continue to invite more specialist department heads as opposed to just actors and directors. It'd be amazing to see some score composers and editors in the closet!
Lovely to see Cocteau's Beauty and the Beast get a look in!
When he went for Heaven's Gate right off the bat, I got excited ngl
Wow, what a legend I’m ashamed I didn’t know by name before now. His influence on menswear, through his film work, will be studied. There Will Be Blood alone!
So we have you to thank for that iconic blue suit Sandler wore in Punch Drunk Love
One of the finest at their craft. Actually just watched phantom thread. Fucking gorgeous work.
Barry Lyndon...Yes!
You guys should get the red letter media guys in the closet. Although their collection is pretty large as well, it'll be interesting to see if you have anything they don't. Plus, it would be hilarious.
Bet this visit was as good as the jetski
Here's a question: how come we don't see film costume designer tutorials out there? We have plenty for historical costume in theater and real life, but not anything for a lot of the other above/below-the-line tasks that are extremely important? Production design, assistant directing, set design, LUTs, and all kinds of other actual film *crafts* never seem to get a lot of coverage on the exposure and tutorial fronts.
I am always disappointed in how Heavens Gate suffered such negativity and the consequences. I saw this movie with my Mom upon opening. As a very young man, and an actor at the time I felt this was a very good and important film. We loved it.
Heavens Gate was used by powers who wanted to stop a way of film making where the author was the director and was in control of the money
It's a masterpiece.
Right , it always gets a lot of flak when I talk about it but I love the film and think it’s a masterpiece
"The Oscar-winning costume designer of PHANTOM THREAD and THE ARTIST," you mean.
I think I've seen Punch-Drunk Love chosen more than other films. Or maybe just more than other films made after 2000
A great closet video!
Going forward, can you please put the person's role / occupation in the title please ie 'Mark Bridges (Costume Designer)'. Cheers.
Dude had a hand in a lot of fantastic films...
And probably a lot of other things.
Well done sir
Hans zimmer should be next
PDL!
is robocop in there ?
Another guest of the closet getting a movie that they haven't actually watched (all the way through). Bravo, keep it up! Having people pick up films that they've seen seems pointless.
No ALL THAT JAZZ or TOOTSIE?
Kojima x Bridges
Can you make The Lord of the Rings Trilogy?
No. Those movies are widely available and very commercially popular. Not what Criterion is looking for. Learn what the brand is about, not every movie needs their little C and a cool cover.
I need the SpongeBob movie in criterion first. Sht is a classic
@@thesilentcontemptCriterion has a long history of releasing very popular films that were widely available elsewhere. Being so is hardly a reason for exclusion from the collection, and they’ve certainly not limited the collection to obscure “deep cuts.”
However, I do think you’re correct about Lord of the Rings. Even back in the Laserdisc days, they’ve always been primarily about offering the best quality version of a film along with all the extras and information on the filmmaking process they typically include.
Quite frankly, LotR releases to date have all been very complete and pretty good quality (and the extended editions contain a truly massive amount of supplementary material), and as you state, quite widely available. So, I’m not sure how Criterion could improve them. (Other than better cases… I really do hate the flimsy clear-blue industry standard blu ray cases.)
what a bore
Love the guy, love the picks...but can you sound more stereotypical?!😅