Dvořák - Slavonic Dances Op. 46 & 72 / Remastered (ref.rec.: Karel Šejna, Czech Philharmonic Orch.)
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- เผยแพร่เมื่อ 19 มิ.ย. 2024
- Album available // Dvořák: Slavonic Dances Op. 46 & 72 by Karel Šejna
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Antonin Dvořák (1841-1904) Dvořák: Slavonic Dances Op. 46 & 72 / Remastered
Slavonic Dance in C Major, Op. 46
00:00 No. 1: Furiant (Presto)
03:52 No. 2: Dumka (Allegretto scherzando)
08:35 No. 3: Polka (Poco allegro)
12:39 No. 4: Sousedská (Tempo di Minuetto)
19:17 No. 5: Skočná (Allegro vivace)
22:37 No. 6: Sousedská (Allegretto scherzando)
28:15 No. 7: Skočnáù (Allegro assai)
31:39 No. 8: Furiant (Presto)
Slavonic Dance in B Major, Op. 72
36:15 No. 1: Odzemekb (Molto vivace)
40:19 No. 2: Starodávny (Allegretto grazioso)
46:24 No. 3: Skočná (Allegro)
49:41 No. 4: Dumka (Allegretto grazioso)
54:56 No. 5: Špacírka (Poco adagio)
57:38 No. 6: Starodávný (Moderato, quasi Minuetto)
1:01:22 No. 7: Kolo (Allegro vivace)
1:04:39 No. 8: Sousedská (Grazioso e lento, ma non troppo, quasi tempo di Valse)
Czech Philharmonic Orchestra
Conductor: Karel Šejna
Recorded in 1959
New mastering in 2023 by AB for CMRR
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Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music.
Antonín Dvořák PLAYLIST (reference recordings): • Antonín Dvořák (1841-1... - เพลง
Album available // Dvořák: Slavonic Dances Op. 46 & 72 by Karel Šejna
🎧 Qobuz (Hi-Res) bit.ly/3RDl4fJ Tidal (Hi-Res) bit.ly/41T6wgN
🎧 Apple Music (Lossless) apple.co/3RIWeLv Deezer (Hi-Fi) bit.ly/3GYJXNW
🎧 Amazon Music (Hi-Res) amzn.to/3TB8PCZ Napster (Hi-Fi) bit.ly/3H4xFmZ
🎧 Idagio (Hi-Fi) bit.ly/3txbeE1 Spotify (mp3) spoti.fi/3vhgoEM
🎧 TH-cam Music (mp4) bit.ly/489kmOn Amazon Store (mp3) amzn.to/42cSQwU
🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本…
Antonin Dvořák (1841-1904) Dvořák: Slavonic Dances Op. 46 & 72 / Remastered
Slavonic Dance in C Major, Op. 46
00:00 No. 1: Furiant (Presto)
03:52 No. 2: Dumka (Allegretto scherzando)
08:35 No. 3: Polka (Poco allegro)
12:39 No. 4: Sousedská (Tempo di Minuetto)
19:17 No. 5: Skočná (Allegro vivace)
22:37 No. 6: Sousedská (Allegretto scherzando)
28:15 No. 7: Skočnáù (Allegro assai)
31:39 No. 8: Furiant (Presto)
Slavonic Dance in B Major, Op. 72
36:15 No. 1: Odzemekb (Molto vivace)
40:19 No. 2: Starodávny (Allegretto grazioso)
46:24 No. 3: Skočná (Allegro)
49:41 No. 4: Dumka (Allegretto grazioso)
54:56 No. 5: Špacírka (Poco adagio)
57:38 No. 6: Starodávný (Moderato, quasi Minuetto)
1:01:22 No. 7: Kolo (Allegro vivace)
1:04:39 No. 8: Sousedská (Grazioso e lento, ma non troppo, quasi tempo di Valse)
Czech Philharmonic Orchestra
Conductor: Karel Šejna
Recorded in 1959
New mastering in 2023 by AB for CMRR
❤ Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r
🔊 Discover our new website: www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg
🔊 Follow us on Spotify: spoti.fi/3016eVr
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music.
Antonín Dvořák PLAYLIST (reference recordings): th-cam.com/video/m85JJlcW9FI/w-d-xo.html
Woooow, so this is from socialist Czechoslovakia? Unusual to see that source of the recording
Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music.
❤ Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r
🔊 Discover our new website: www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg
🔊 Follow us on Spotify: spoti.fi/3016eVr
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
*The beauty of classical music lies in its ability to evoke emotions and tell stories without words. It speaks to the soul in a language that transcends cultural boundaries.*
Karel Šejna's recording of the Slavonic Dances is a reference recording if ever there was one.
I’m not European but I absolutely love this music.
What's your country?
O ESPÍRITO EUROPEU EM TODA SUA ESSÊNCIA. ❤❤❤❤❤👏👏👏👏👏👏👏👏
This - I have loved ALL my life! Thank You! 💙💙💙💙💙🦩🦩🦩
Lebhafte und wunderschöne Interpretation dieser spätromantischen und ethnisch komponierten Tänze mit gut vereigigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale tschechische Dirigent leitet das ausgezeichnete tschechische Orchester im rhythmischen Tempo und mit möglichst effektiver Dynamik. Wunderbar und atemberaubend zugleich!
Genial. I didn't know these great conductor. Bravo 👏
:)
Evocative music, great performances, lovely sound!
Gracioso e imponente.. bravo!
Wonderful music, thank you for sharing. ❤
Waouh! Thank you! 🌺
great
❤
❤🙏
Wish the recording and complete presentation came together.
gt
great