NIGHTWISH - Greatest Show On Earth REACTION
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- เผยแพร่เมื่อ 1 ต.ค. 2024
- Exploring @nightwish and the big masterpiece many of you have been waiting for: The Greatest Show on Earth!
And what a show it was!!!
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Original Song:
• NIGHTWISH - The Greate...
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:) Buckle up, it's quite the ride. Thank you so much for your support. Hope you enjoy my deep dive review and analysis.
You, quite rightly, acknowledge Tuomas's poetic, scientifically correct and intellectual lyrics but I find it amazing that nobody seems to think that the fact that this is conceived and polished in a language other than his own. I consider that an amazing achievement.
Awesome. Intelligent and with feeling. Thank you.
A great reaction to a great masterpiece :)
I was at this gig, at Wembley London. It was amazing, as all Nightwish shows are :) \m/
You hear the name Little Lucy, in the song. A palaeontologist went out to Africa to try & find remains of the Earliest humans.
He was having no luck, when he wanted to pass water. He was having that wee, when something popped out of the sand...
It was bone. that turned out to be the remains a very small female child. The Palaeontologist, called her Little Lucy. :)
Heres a video that someone made & put on TH-cam. Its totally stunning, showing the big bang & the start of everything & the 2 mass extinctions, all set to this song. I hope that you enjoy it :)
th-cam.com/video/IJb3xwtpmmc/w-d-xo.html
I think I just did that....🙏💚💙
I love watching people react to hearing Nightwish and/or their different songs for the first time. Few other bands have left such lasting impressions on me with every new song and voice.
I will never forget the first time I saw Floor with Nightwish. It was during their 2012 America tour when Anette left. I had no idea who Floor was so I was bummed. That show is probably the best live show I've seen, of any artist. Despite Floor having had two days to master the setlist with only a couple shows on the tour under her belt, they already had an amazing dynamic. She just fit so well with them.
I loved Tarja and Anette both for what they brought to the band, but Floor really blew me away.
As a metalhead and a biologist, this song for me is the absolute pinnacle of representation of everything that is important to me. After watching this song, from Wembley, Tampere and others literally hundreds of times, when I finally saw this live, I cried for the 20 minutes straight, tears just freely pouring down. For me it brings such a feeling of Weltschmerz and awe that nothing else ever gave me....
How could you not. Its almost overload for our basic instincts. What a piece of art.
it show be an anthem for mankind.
I wash at the Wembley show and it changed my life.
Did the same when I saw this live. Not the only track mind. Nightwish get to me like no other band.
EVERYTHING is we are!@!!!
This video is how YT's algorithm decided to introduce me to Nightwish. I was completely blown away, to say the least. I almost literally had to pry my jaw off the floor. Emotional and lyrical impact was really high. One of the few bands I have really become interested in the music and musicians.😊
Agree 100%.
Lots of people will tell you this is the “wrong” version….it’s not. Both this version and the Tampere version are brilliant in their own way. Troy’s e-bow on this version is eerily evocative. The Tampere version has its own surprises, do please watch it. Loving this reaction.
Agreed. If you've never seen a firework before, definitely watch Tampere instead. Otherwise, this is the best version 😉
@@horsehollererNah the entire beginning of the tampere version a superior to this and the album version. The whistle is much more suited than the e-bow for this song. And it's a home crowd which also adds to the Tampere versions advantage. This version is good, but not better, not even Dawkins changes that, hell not even Darwin being up there would hehe. But its all subjective. Hope you have a nice midsummer evening 🤘
Jukka left in late 2014 due to his health. This is his friend, Kai Hahto. So far, I like what you're saying. I've watched at least 100 times. Never grow tired of their stuff! Good job!
My favorite thing about this performance is the fact that you can actually hear Troy's voice in the mix and they did a "better" job of showing him singing, so that a first time listener can tell that all three are singing.
@@tobimobiv1 Ha! Absolutely, I respect your opinion. In my opinion, the e-bow is more suited to the intro (but I used to prefer the whistle!), the crowd at Tampere is a little too passive/quiet, and Wembley seems to have a fuller, crisper, higher-quality sound (particularly the bass) - oh, and I don't need a firework display to get my attention. TBF, you didn't mention the fireworks, but I bet millions of others will LOL. Have a great evening yourself!
Hi Rosalie - this masterpiece was written most definitely from an evolutionary perspective. The title of the “song” is also the title of a book by evolutionary biologist Richard Dawkins: The Greatest Show on Earth - The Evidence for Evolution. Tuomas read it, and it inspired the entire album Endless Forms Most Beautiful. That album name is in fact part of a quote from Charles Darwin’s “On The Origin of Species”. The narrative parts of the song are actually spoken by Professor Dawkins himself.
With all of that said, it really doesn’t matter whether one takes an evolutionary or creationist stance on the subject. Anyone that comes away from this piece without a sense of utter wonderment and awe is truly missing something. If ANY piece of music can make you feel happy and truly grateful for your existence, this HAS TO BE IT.
“We are going to die, and that makes us the *lucky* ones. Most people are never going to die because they’re never going to be born.”
#WeWereHere
Actually it does matter what your stance on evolution is. The song and album are about evolution and against creation. If you need to think otherwise to be able to listen to this song you're fooling yourself
Of course Yes has some more of these epics, especially "Close to the Edge" and then the whole "Tales of" album, 4 sides 4 20+ minute pieces. And "Awaken" is maybe a bit shorter, but one of the most epic pieces ever. Btw.: if you don't know it, check the version from Jon Anderson with Toadmobile .. best version ever 😍😍
So i'm more or less a symphonic metal fan since the late 90s, but especially in the 80s i was mostly into Yes, Genesis, Renaissance, Marillion .. and stuff like that
And the ending from "Gates of Delirium" .. still sooo hearbreaking beautiful
@@Meine.Postma I guess the so called creationism viewpoint as it is being taught by certain religions is totally against this. But that's just the surface beliefs of certain religions. To me evolution is creation. I don't think they are in contrast. Evolution itself is not just probabilities of mutation and natural selection, as the change for successful gene mutation itself is just ridiculously small. There's something behind nature that science cannot explain, which is kind of creative force. Really hard to communicate through text.
And I think that's pretty close to what Tuomas thinks based on couple of interviews and just overall based on his career.
@@juzujuzu4555 It certainly not what Dawkins thinks. The successful gene mutations happen because of the great amount of time they get. Millions of years is long enough for chance to be successful and not need a "creator". Given the more explicit Weak Fantasy I happen to think that this is what Tuomas thinks also
@@Meine.Postma Assume the chance of certain mutation happening at any second at any organism is 10^50. Then the long time is essentially meaningless, just as the amount of organisms of who could have had the mutation.
I know Dawkins has his beliefs which in my book are simple minded beliefs. I honor him for his attitude though, one of the best atheist I know. And most would probably call me atheist in the traditional sense even though I certainly am against the materialistic view of reality because it's pretty much the only thing that can be shown to not be possible.
Weak fantasy is anti organizational, and anti organized religion, which I am also. It's a massively hard topic, even at face to face conversation, let alone over Internet, but I personally don't think Tuomas has the exact same view of Dawkins. That doesn't mean that he couldn't idolize the man and his work.
The Wembley version is a great performance. The visual experience is just larger in the Tampere version. Saw them in Vaasa and what would later turn out to be the last performance on the Human :II: Nature tour. It was a wonderful experience as usual. I was lucky enough to see them twice during this tour. 😊 To end with Ad Astra after The Greatest Show on Earth is overwhelming for me.
can you please tell me when you saw them last and if everything was ok with the performance?
Last Saturday in Vaasa. It was top notch! (17/6 -23)
@@jacobsnellman1796 thanks. so Floor is ok. someone told me they cancelled a show (which they never do) so I was concerned. do you know something about that? (did they troll me?)
Yes, they canceled the Oslo Show which was the last show on the tour due to Floor's health. Unrelated to her pregnancy though according to Nightwish official.
@@jacobsnellman1796 oh my I hope she's ok. thanks.
My god, this woman's voice is on a divinity level!!!! I can't express how happy I am listening to this rock masterpiece. Thank you God so much for introducing me to this band.
Oh man Rosalie,
My 50th time (or more) that I watch and listen to this masterpiece, and I still crys together with you. Beautiful. Thank you so much for the time you took to really diesect this masterpiece and understand it. Which I really think you did.
” Man, he took his time in the sun. Had a dream to understand A Single Grain of Sand” 🙏🏻🔥🤘❤️ This is a masterpiece..
Seriously, in my mind, the greatest composition of my lifetime, surpassing "The Gates of Delirium" by Yes. Both are epics, both covering prime subjects of life ... how we got here and the state of war, respectively. Tuomas, being a student of science, wrote beautiful allegories into this song, his lyrics are worth college credits for just listening to them. The fact that he was able to get Richard Dawkins to narrate the spoken parts is testimony to his brilliance, and at the Wembley Concert to have Dr. Dawkins, an emeritus fellow of Oxford, appear on stage to recite Charles Darwin's final paragraph of "Origin of Species" is incredible. Now that you've watched this version, you MUST also watch the Tampere version, which is different in significant ways, and, in my opinion, better than this one. Dawkins is the biggest difference, which is why this is the "official" video. I thiink Tampere is more emotional and stunning. Proud of your work, Rosalie. I enjoyed your reaction very much!
Oh wow, are you me? 🤔
I'd long considered "The Gates of Delirium" my favorite piece of music, but yeah, this is even better. No matter which version I watch and/or listen to, it never fails to blow me away.
I agree with you 100%. Having said that I have not listened to the Yes song which I will do so now. In terms of epic songs, I have compared and slotted TGSOE above the likes of Stairway To Heaven by Led Zeppelin and Bohemian Rhapsody by Queen
And me, @Tarkus! Great to find GSOE mentioned together with GOD. Relayer and especially Gates overwhelmed me when 20 years old, starting my studies.
I find Tampere version Great as well, not so much for the effects as for the mix for Floors voice. Just those whispered words 'us - sleeping' always bring tears to my eyes.
@@benbermusics Absolutely ... my favorite part in the entire song, along with the little piano run Tuomas does in an early break.
Some comments on the making of the album and the sing...from members of the band and their crew. Then my interpretation.
Troy: At some point we ended up watching Richard Dawkins lectures on the internet. After a while I suggested, half in jest, that maybe we should ask Dawkins to be our special guest on the new album.
Tuomas: It was an amazing idea, and I immediately started wondering if could really make it happen.
Jukka (ex-drummer, niw in band management): We were naturally a bit sceptical, too - we had to try and ask him of course, but it was better not to have such high hopes. Dawkins had pretty much shied away from popular culture apart from one episode of The Simpsons.
Troy: I enthusiastically assured them that I can make this work, like "You'll see, guys". Well the next morning I wasn't feeling so confident any more and I remembered Tuomas and Jukka going "Told you so"
TUOMAS: Still, there was no way we could let it drop without at least trying. So we started thinking about a proper manner to approach Dawkins. We decided our best option would be to send him a hand-written, polite letter, where we would tell him about the band, the scientific themes on the forthcoming album and the fact that he had been a great inspiration
TROY: We got no reply, so we sent another letter. In the end, I guess we had a bit of luck, because it turned out Dawkins personal assistant knew the band and actually liked Nightwish. He suggested that Dawkins should take our inquiry seriously
TUOMAS: I was in Paris doing interviews for the Scrooge album. When I got back to the hotel in the evening. I noticed there was an email from Dawkins, something like, "1 went to the internet and browsed your band, and what I heard l liked very much. So I'd be happy to co-operate.
FLOOR: Tuomas sent us a triumphant message: "You won't believe what just happened: Dawkins said yes!"
TROY: It was obvious from the start that Dawkins' appearance would attract a lot of attention - both positive and negative. His book God Delusion had created a worldwide controversy. after all.
JUKKA: We didn't invite Dawkins to be on our album to criticize religion but to speak as a scientist: an evolutionary biologist. Of course neither the fans nor anybody else outside the band knew it at that point.
TUOMAS: There has been a lot of unreasonable criticism hurled at him for all kinds of reasons. A lot of people seem to ignore the fact that Dawkins is also happy to listen to contrary opinions and is always open for new ideas. In that sense, he's like Esko Valtaoja, with whom we had the honour to work on Showtime, Storytime DVD.
I had endless possibilities in my hands for "The Greatest Show on Earth" What is the sound of crumpling continental plates that mountains are made of? Or the disintegration of radioactive components? Or the sound of space particles bombarding the earth? And how would I refer to immortal works of music composed by man? Well, I included shades of "Dies Irae" by Thomas Celano, "Toccata" and "Fuga" by Johann Sebastian Bach, banjo music from Western movies, "Rock around the Clock" by Bill Haley & His Comets, and "Enter Sandman" by Metallica. I was also thinking about borrowing "Sandstorm" by Darude, but in the end, we just went for an unrecognizable techno loop.
[Also Petzold and Bach.]
Recording - and Jukka Resigning:
MARCO: Kaitsu handled the drum parts admirably, so we could continue with the other instruments right away, This time we tried to concentrate on one song at a time and kept on working on it till we felt there was nothing more we could add.
TROY: And we didn't even have thunder. Rauhala does not have the best sound proofing in the world, so it would have been pretty challenging to mike the instruments if there had been rain and thunderclaps.
TUOMAS: I actually got off easier than I expected, because a lot of the demo keyboards from Hämeenlinna were good enough to be included on the album. The stuff in "Sea-Worn Driftwood", part five of "The Greatest Show on Earth", for example, was salvaged straight off the demo. In Hämeenlinna, I had explained to Tero that this passage would be about "whales singing and rats taking over the world". I had just come up with that improvised stuff, and it made it on the album
MARCO: Recording the vocals was teamwork in the best possible sense, no matter who was behind the mike. We kicked around suggestions and tried out all kinds of last minute ideas. Like, "Hey Floor, throw in some of that sweet upper octave of yours in the second verse...
Yeah, that's a nice touch!"
FLOOR: Marco kept on surprising us. He might just suddenly say, "Wait, I have an idea!" Then he'd pull out his bass and introduce an excellent harmony
MARCO: It was great fun recording the vocals. I've never had the chance to impersonate a troglodyte in front of a microphone before, so creating gorilla sounds for "The Greatest Show on Earth" was pretty hilarious. I didn't want to undermine the majesty of the song in any way, but I didn't exactly do it with a straight face, either!
TROY: I recorded my own ape grunts at home. To get in character, I took off my shirt, banged my chest with my fists, and pretended I was an ancient Homo Erectus. I think my wife was a bit worried
MARCO: I cut my bass parts pretty quickly in about one and a half days. I even got a bit lazy towards the evening of the first day - if I had really pushed it, I might have been able to complete them in a single day.
My thoughts:
The first part, "Four Point Six", is a reference to the age of our planet -in billions of years. The journey starts with a simple but persistent keyboard theme, interrupted by massive thunder claps - the origin of life that despite the murderous bombardment by asteroids, sprouts time and again and finally manages to grow permanent roots. The word "archaean" in the lyrics refers to the Archean Eon, the first of the geological eons of the world (Gaea).
The second part of the song chronicles the birth and the first on Earth. "Enter Luca" is a reference to an early life form, an acronym for the Last Universal Common Ancestor. We can make assumptions about the characteristics of Luca and other early life forms by reading the DNA of current organisms: "There's a writing in the garden, leading us to the mother of all."
Right from the beginning, one of the key characteristics of living cells has been the ability to sense their environment and react to their perceptions: "Ion channels welcoming the outside world."
In the third part, chronicling the age of man, there's a fascinating reminder: All of us current organisms are descendants of an
unbroken lineage of winners. "Not a single one of your fathers died young".
"Little Lucy of the Afar" refers to the famous fossil of Australopithecus Afarensis that was found in Afari, Ethiopia, a hominin that might have been the ancestor of man (genus Homo). In the long run, all species have the tendency to become extinct, and a fitting vision of the future of mankind is presented in the song, "One day'Il cease to be" On the other hand, man had earlier had "a dream to understand" and "[given] birth to poetry" . He wanted to leave his mark stating "We were here!" In the fourth part, man strives to understand it all, and Richard Dawkins takes up the story once again with a surprising claim:"We are going to die, and that makes us the lucky ones. The explanation folows shortly."Most people are never going die, because they are never going to be born. The potential people who could have been herein my place, but who will in fact never see the light of day, outnumber the sand grains of Sahara."
In the fifth and final part, Dawkins recites the concuding words of The Origin of Species by Charles Darwin: "From so simple a beginning, endless forms most beautiful and most wonderful have been, and are being, evolved."
FLOOR: I felt real good after the final rehearsals [for EFMB] in a New York studio. There were obviously many challenging parts in the set - I'd have to be extra careful in the beginning of "The Greatest Show on Earth", for example because some of the phones rise from the back of the throat but "operatic vocals are produced in the front of the mouth.
By the way, the Latin phrase Opus Perfectuum: perfectum means "complete" in Latin, so as so often with Tuomas, there is a dual meaning that you can interpret how you like
This is fantastic. Is the original source of the conversation on YT by any chance?
Which are you referring to (there ate so namy!)?
Excellent! Hadn't seen the conversation before...thanks for that. Got to say, the looks on Rosalie's face were hilarious!
@jorluo Brilliant, eh?
damn boi, that's a lot of text. Interesting details though! Thanks for forwarding these quotes.
Glad you chose the Wembley concert. I know many like the Tampere version, which have some nice surprises, so look at that one too. I do like the Wembley one, not just because Richard Dawkins was there, although it is very moving to see the fans lipsyncing his every word But mainly because of the beginning with Troy on the e-bow. I love that sound!
Superb and worthy reaction - absolutely on point.
I am glad this is the Wembley version - The video made at Tampere is maybe a better recording of a *concert* but this version is a more faithful representation of the song as a piece of art. With a pitch dark setting (Tampere is at duslk) the lights, the screens, the images, the totality of the performance can be seen and nothing is getting lost.
Personally, I prefer Floor's costuming here, I like the e-bow instead of the pipe played in the Tampere version and I like that Troy gets picked up a lot more.
I sometimes lose it completely as FLoor begins her operatic phase at the beginning, it's so majestic. But if she doesn't get me at that point I can guarantee to lose it at *exactly* the moment Rosalie does. With the "Toolmaker" chapter talking about how we will eventually lose our place on the world - Dawkins invoked "ratkind" in his book (I don't recall how serious he was). But after the fires and the intensity of toolmaker we are reminded of our place and impact in the world - in art, in music, in knowledge and in being here. "we were here" is so powerful and so defiant and such an ecstatic moment that I burst into tears every single time...
That's why we all love Nightwish
And Tuomas is a genius
Thanks for great reaction
Btw more you gonna watch this more you gonna enjoy and explore
Check Tampere version also you can check just orchestral versions without singing
Just pure music
This is timeless masterpiece...❤
The Tampere version, is such awesome showmanship! Nightwish pulled out all the stops.
I am really enjoying your journey ❤. This is such a fabulous band and I need to keep reminding myself that English is not their first language, yet their lyrics are so amazing and on point. Take care and best wishes ❤
To have Richard Dawkins, the writer of those quotes, on stage and reciting them. Well, the end was Darwin, but the rest.....Awesome. We Were Here! The entire piece is amazing.
Rosalie... great analysis of a great song inspired by a great book. One of my Nightwish favorites because I am a retired biologist and have read Dawkins's book. Nightwish did an amazing job pulling this off.
That was the best 54 minutes of my life.
This is by far one of the best reactions to this Nightwish song I've seen on youtube so far. I can only give a big round of applause. Simply world class.👏👏👏
Thank you very much!!!
how could this be one of the best reactions that she was constantly interrupting the song especially at the best part?
@@Guto230476 That my personal opinion. If you see it differently, that's OK too. Interruptions are part and parcel of reaction videos. Everyone does it differently and you should just accept that.
@@Guto230476 because of the difference between the beeing of anything and our reaction to it
I used to listen to Nightwish when I was in high school, when their first singer left I stopped listening to them. We used to use their music in fragmovies from games like counter-strike 1.5/1.6, quake 3 arena etc. When Tarja left the band I stopped listening to them knowing that there was no one who could replace her..... how wrong I was. Now almost 20 years later when I came across Nightwish again in almost every song I was mindblown by Floor and of course the overall experience of this legend named Nightwish. I heard this song for the first time in the car on the way to work, I played it about 10 more times that day. This song is a journey, literally.
Same thing happened to me! It was 2019 when I rediscovered Nightwish and had my first Floorgasm!
Same. I was more than wrong.
This is Tuomas’ masterpiece. A work of pure beauty!🤘🎸
Oh Rosalie! Iwas about to go to sleep just past midnight. Saw you put out this. Saw it was almost 1 hour..thought I take it into two part. THAT WAS NOT POSSIBLE! I had goosbumps for all of the reaction. I've seen this video closer to 500 times and it hits me every time!
Your reaction was nothing less than magnificent! The passion, knowledge you talk about these difficult subjects amazes me!
Can you please do me (us) a favour. Do this masterpiece from Tampere 2015 and do a rewatch when you know what to expect. You gonna love it even more. Trust me.
Some shirt notice:
- Kai Hahto was on drums
- You have Enter Sandman (Metallica) in there with lot of short music genres baked into the song.
Oh did I say it. I ❤ your reaction! Gonna watch it again later on. 😅
-
That's why there is a Nightwish Army!
You asked us a question at the start - and you answered yourself! You went into the journey - experienced it in your mind and imagination. And the more you listen, the more you discover. The layers in this song are mind blowing - but you already know!
This is the power of exceptional music - and why we love Nightwish.
And you do too - now😂
You are such an wonderful lady. Like somebody mentioned earlier, your got this! Thank you for your wise and emotional reaction.
40:03. I’m not crying, you’re crying. Yeah, I’m crying too.
this part always brings tears of joy to my eyes. The futile raging against the aforementioned “careless cold infinity in ever vast direction” pleases my rebellious heart.
A breathtaking masterpiece sung by a Valkyrie Goddess… or what Nightwish thinks of as just another day.
💙💙💙All Hail Floor !! 💙💙💙
Infantryman-Nightwish Army. US Regiment. Kentucky Battalion "
RIP Ann Waychoff-Commanding General-Nightwish Army
Not unrelated fact: Floor wanted to be a biologist and has a beetle species named after her:
Tmesisternus floorjansenae.
Also, a species of Brittle Star is named after her: Ophiomitrella floorae.
Absolutely phenomenal reaction, your facial expressions said it all..this is why I'm addicted to reactions of this band..and you totally understood the meaning of this masterpiece!
This song, the whole production is perfection. And Floor kills it everytime.
This is a true masterpiece. Great reaction. We were here always makes me cry
the fact that the band comes out to the stage again to the words "it is you and I in our ordinairyness" - so humble. it's perfection to the smallest of details.
The somewhat repetitive keyboard phrases in the beginning represent the trillions upon trillions attemps of the RNA / DNA trying to form. These combinations can happen in nanoseconds, yet it took 100 million centuries for the right combinations to HAPPEN. Then, when the right combination happens, everything "breaks loose" giving rise to the endless forms most wonderful...and most beautiful!!
The 4.6 as title for the first part (also) refers to the age of mother earth Gaia: 4.6 billion years. As one other comments says, Wembley and Tampere versions are worth watching. Having seen - no, experianced - NW just June 16th in Kitee with this as last song before outro (Ad Astra) I can say, still moved: We were here, Jesus. Thanks for reacting to this, imo, outstanding masterpiece !
I LOVED your reaction to this. Such intelligent relevant interpretation. I like you brought scripture into the conversation. A lot of people don’t
Schnitzel und Spätzle!😁
Ich liebe es wenn du deutsch sprichst. Grüsse aus der Schweiz. 🍀🍀🍀
It is the song I remember always most from the Live Concerts, because Live it is a blast. Not only because of the length or the music itself. The Placement in their setlist as last song is just perfect. You witness the greatest Show on Earth... either you think about the "Story" the Song is written of. Or you think about the concert you have been and is about to finish. And than the last words "We were here" fit so perfect that you get goosebumps over the whole body. It is one of the must have songs you have to experience live in your life ;)
I'm so grateful to have experienced it live.
Couldn't agree more. Seeing this performed live, which at the concert I saw was proceeded by Ghost Love Score, is one of the absolute highlights of my concert going adventures. Epic does not adequately describe it.
Loved it. The drummer is Kai Hahto. Yukka had to step back due to chronic insomnia, but is still with the band. Kai was a drum technician for Nightwish and drummer from Wintersun. Fenomenal drummer and also good friend of Jukka. Never loses a beat.
Everytime I hear the final part (we were here) it gets me. Amazing song.
Oh, Rosalie, thank you for being a great human
4.6 billion years is the age of the sun, 4.56 is the age of Earth.
More than 12,000 screaming metal heads going absolutely silent to listen to Dawkins gives me chills every single time.
IMHO , Tampere is better because Floors vocals are better , especially in The Toolmaker section BUT nothing wrong with The Wembley version, Nightwish always is on point Live .
Anyway this was one of the best reactions to this Masterpiece......your interpretation of the song was spot on and just the fact you took the time to look up words speaks volumes of how authentic and how much it meant to you ......when i saw the emotion on your face during " we were here " really got me .
Floors voice is mixed to high in Tampere. Takes away some other backround sounds.
Nope. Wembley
@@AndyMagnusson70No it isn't.
@@oneoddsockk Yes it is. Trust me
@@AndyMagnusson70 im sorry but i dont hear that at all .
I was at this show. this isn't even half of what I was experiencing from this song and this show. it was literally breathtaking. I was front row too and it was exceptional to witness it. Also you hit something early on that was brought back at the end. That was great. (the lottery of humans being born)
The Outro, the way they move into the bow is like the heroes of a tale, the music is uplifting, the end of the show, the nuance of it all. we are all endless forms most beautiful.
I like you. You seem to get it.
@rosalieelliottofficial Hi again Rosalie, this was my fourth time watching this particular reaction with You. I cried with you this time as well.
I really love your insight and appreciation of Tuomas and Nightwish work. That's what makes me go back and back again.
I can't wait for even more Nightwish reactions from you in the future.
Be safe, have a Merry Christmas and a Happy New Year and know that we love You and think You are phenomenal. ❤❤❤
Hello Mikael, thank you very much for watching and commenting and sharing in the emotions that this masterpiece evokes. More NW to come. I promise
opera, and classical music, are just heavy metal without electricity......Tuomas Holopainen is truly the "Metal Mozart, while Floor is the "Valkyrie Goddess"......a hundred years from now, mankind will look back on this the way we look back on Mozart and Beethoven.....I tend towards the scientific....LUCA: Last Unknown Common Ancestor....all life forms on this planet began from one single celled, primitive "being".....unfortunately, too many arrogant humans try to pretend that they are a lofty, godlike superior to all other forms of life, including our own species
Troy Donockley, using his e-bow, make this masterpiece even more epic.
its great to see someone being blasted away by the lyrics
Tuomas IS genious. Nightwish music IS so epic
The 'we were here' audience participation section is so emotional and so absolutely nuts live. Everyone is going through the emotions brought up by the song and then being asked to shout out to the world that as insignificant as we are, we were here.
This song is a masterpiece and it is a masterful performance. There's particularly something really special about seeing people in the audience of a metal concert listen with reverence and tears in their eyes as a famous evolutionary biologist reads a passage from Charles Darwin's "On the Origin of Species" to close out the show.
Rosalie you nailed it such a beautiful reaction thank you .💙👏🙏
This epic, This band and Floor are phenomenal....but also your comment and uplifting words Rosalie... PHENOMENAL... ❤
My eyes are wet right now. I saw this live a week ago in Kitee Finland with fir....oh. Don't want to spoil. Be sure to watch the Tampere version as well. By yourself or with us. But check it out.
Thought this would be a great reaction from you and wasn't disappointed. Told myself I wouldn't burst into tears this time when "We Were Here" was sung. Oh well maybe next time. 😊❤
Love your great reactions to my favorite band and female singer 🙏🏻🙋🏼♀️
Jukka Nevalainen is no longer on drums😢 because of his health issues. This is the first life concert when Kai Hahto (from Wintersun) is the new NW-drummer.
If I'm not wrong that wasn't the first live concert of Kai, it is the first album fully recorded by him. He replaced Yuka 6 August 2014 and the tour started on the US. 9 April 2015.
Rosalie, I beg you, fix your PiP stuttering video and out of sync sound. It's almost painful to watch this Opus Magnum with this issues.
Music, the greatest of arts.
Give yourself a pat on the back. One of the best reactions to follow and watch with you. Much food for thought for sure. Thank you.
Thank you very much :)
Hi Rosalie...that was a great reaction to that Wahnsinn of this masterpiece of music.Those six individuals that together form Nightwish are in my opinion one of a kind in performing live .saw
them a few times during the last tour and I am always wondering how they can be so perfect in synchronicity in speed and after the bridges they do.Floor with her wonderful voice and the others
perfect in their musicianship.Great composition of Tuomas having the idea and putting it all together so epic.
Enjoyed your reaction and looking forward for more reactions to come
Kai Hahto is on drums since 2015.
Tuomas was about to write this to be 45 min long but needed to shorten it to fit on an album side. Just brilliant workpiece. 4,6 billion years the solar systems has been there. Toolmaker = human (apes with a thumb). You nailed the reaction by noticing plenty of details in here.
Countless watches of this song, and it got me emotionally again.
So glad you could share this experience with us. We are here.
That was Jukkas mentor Kai Hatho😊 on drums. Formerly Wintersun.
Floor: Enter LUCA
Marco: Enter Ionia
Emppu: Enter Sandman
Congratulations, you have now reacted to the Holy Trinity of Nightwish (Ghost Love Score, The Poet And The Pendulum, The Greatest Show On Earth)
I love your reaction because of not only because of the music but because of your understanding of the content of the music.
What a brilliant reaction! "We were here". Yes, we were and are here but unless we can bind ourselves, as a species, using what we have in common with each other, I fear that the human epitaph will be "They were here", but failed. We, all of us, must stop finding new and more efficient ways of killing one another. We have to expand our respect for each other by not allowing "Ratkind" to succeed us after we all pass away. This is "Opus Perfectum" by Nightwish. Peace and long life to us all!
This was the most intelligent reaction I have heard/seen so far!
Thank you very much!!!
I'm now halfway through your reaction, and I can only say that the emotions you are experiencing is the same I felt the first time. The song still gets me every time.
Tuomas is truly the Metal Mozart of our time. He's a TRUE composer.
This is one of the best reactions I every experienced with regards to this great score! Thank you for this!
Im crying like a baby here, the final of this masterpiece is mindblowing, highest state of artistery philosophy and musically the act of the millennia..... Avatars!
I just want to make it perfectly clear that there is no "wrong/bad version" when listening to Nightwish. You can't lose with Nightwish. All other opinions are wrong and invalid. 🤘😎
The song starts at 4.6 as in 4.6 billion years ago when the Earth was formed. The bangs represent the bombardement of asteroids on the early earth.
Your appreciation for this masterpiece got you another sub pretty lady!
Your "wahnsinn!" made me chuckle :) As a Dutch woman living in the States I do the same, when I am really excited the good ole' Dutch comes out lol. Great reaction! I loved how you were talking of the one-in-a-million chance of being born BEFORE you heard the Richard Dawkins quote :)
I only watch Nightwish (with Floor) reactions now
This song (in my opinion) is a inflection point in Tuomas's way to compose. Although Nightwish has a lot of "not-dark" songs, the darkness was the dominant element in most of Nightwish songs. This man break through depression and suicidal thoughts, so create something like, this is an evolution too.
@Rosalie Reacts: Rosalie, this song is Nightwish's, specifically Tuomas', magnum opus. He took 14.6 billion years and boiled it down into a song 24 minutes long.
As such, he not only was inspired by Dr. Richard Dawkins' book by the same name, he was also inspired by Dr. Carl Sagan, author of _Pale Blue Dot:_
"We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place, but who will in fact never see the light of day, outnumber the sand grains of Sahara. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this, because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here. We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state, from which the vast majority have never stirred?" ~ Dr. Richard Dawkins, _The Greatest Show On Earth_
"Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there -- on a mote of dust, suspended in a sunbeam." ~ Dr. Carl Sagan, _Pale Blue Dot_
Edit: By the way, Rosalie, Dr. Jordan Petersen has mentioned a tie humans have with lobsters: We share the same neuroscience. For instance, a lobster given anti-depressant medications will no longer be depressed after being defeated by another lobster -- just like humans can get depressed after we fail at something in life. THAT is how much we are tied into our history, how much interwoven with the intricate web of life on this planet we really are. And as I always say, those who don't understand history are like a leaf which doesn't know it is part of a tree (thanks to author Michael Crichton, author of works such as _Jurassic Park_ or _Andromeda Strain,_ who originally wrote that observation in his book _Timeline)._ And people don't understand how awe-inspiring and mind-boggling things really are -- and I honestly believe that people have lost their sense of scale, and how insignificant we really are.
I've been waiting for this one and your reaction is exactly that what i hoped for.. that what i kinda knew it would be.
I truly believe that only Nightwish could put this huge subject to lyrics and song, and not make the mistake to make it preachy or pretentious, a near impossible task but NW absolutely nailed it.
This song gets better and better each listen through, a masterclass in composition and truly their Magnum Opus (for me at least).
When listening again, pay attention to the details.. they are countless and add so much depth and flavor to the whole experience.
Ty for your lovely react Rosalie :)
A big part of the crowd reaction at the, was because Richard Dawkins was live on stage. Usually in this song his lines are just a backing track. A sold out Wembley arena did not know this song was going to be performed in entirety, or that Professor Dawkins would make a live appearance. And of course this is his neighborhood, so he's national treasure to these people.
66 Years old and watching you with tears in my eyes too. An absolute masterpiece.
UK Army popping in, seen this a thousand times and still get emotional... WE WERE HERE
I love this version so much because it’s so emotional. A room filled with metal heads being emotional and in awe of Richard Dawkins being on stage. That just blows my mind. Tampere is great as well. Spectacular even! Check it out if you want.
Great reaction!
Nightwish are the greatest show on earth....
I experienced this a week ago in Kitee in a slightly different version, with fireworks, without Marko and Dawkins, Floor seven months pregnant, in Nightwish's home town (6,000 inhabitants with an audience of 12,000) I hope Floor has recovered, Nightwish had to cancel their last gig before an indefinite hiatus.
I cried at Kitee gig. It was almost too much to take. ❤
I think this is the single best interpretation, reaction that I've seen for this song so far. Thank you!
Opus perfectum = Work completed/finished, yet "perfect" is also similar
Humanity is only leaving behind Sea-worn driftwood after we are gone
About the drummer change in nightwish: I was very punkrock and blackmetal oriented when i was teenager(now 43), and hcpunkmetal band called rotten sound was semi famous in finland that time already..I am not 100% sure, but i think Kai Hahto is the original drummer in that extreme niche class band. But no matter that majority of ppl, like me also, never liked that type music too much, or that band, but please go see in yt video "Kai Hahto Obey". There he play drums with that band, live gig, about 15 years ago, song named obey, but entire clip is focused for Kai and had surprisingly pleasant sound. Camera just record from close how he play.
After seeing that video, you can understand some reasons why he was choosed for nightwish.
He get semi viral with it and was knowledged all around world as an amazingly talented and technical drummer...
All the best and respect from Finland
Nightwish Army south Brittany France reporting.
No thats Kai on drums.
Enter Luca
Enter Life
Enter the god of gaps
Enter Ionia
Enter History
Enter Ratkind
Enter Sandman
4.6 Billion years, the age of the earth.
Toolmaker, makes tools but also weapons, the invention of fire, the hunter. Troy and Marco, the first language.
LOL, I wrote that then you said it.
Nightwish is 100% about the science. There is no place for superstition in this music. When Troy joined the band he introduced Tuomas to Richard Dawkins's work in evolutionary biology and this work is the result. Dawkins himself appears at the end. This is an English audience so there is virtually no religion here. We have moved on. I was here, BTW. This was my first Nightwish concert.
The 4.6 refers to 4.6 billion years - the age of the earth.
There's another Tuomas Easter egg in the opening 6 note sequence he plays: 6 is the atomic number of carbon, upon which our biome is based. And Tuomas tosses it off like it was nothing. This man is a fricken genius.
Happy Birthday Emppu.
yes, it's about the formation of the solar system and the evolution of life on Earth. the spoken parts are voiced by evolutionary biologist Richard Dawkins, that's him on stage at the end reading the Darwin quote from The origin of Species. Dawkins wrote the book The Greatest Show On Earth, that this song is inspired by.
4.6 is 4.6 billion years, the age of the Earth. Kai Hahto on drums here in 2015. Jukka stepped aside from performing in 2014. Toolmaker is humans.
The part right after you said it is like a movie score, had several pieces of music, including by J.S. Bach, Christian Petzold, the riff from Metallica's Enter Sandman, and a piece of EDM --- The evolution of music.
Some of the other references: L.U.C.A. last universal common ancestor, the last life form from which all current life on Earth descends. Lucy of the Afar, when found in 1974, it was the , at the time, oldest human ancestor remains found dating to about 3.2 million years. Enter ratkind, some theories say rats will take over when man's time is done.
Endless Forms Most Beautiful is also the name of the album this song is on, the first recorded with Floor and Kai.
WE WERE HERE!!!
Tampere 2015 is the other popular version of this song. Both that and this Wembley version are awesome. There are a few differences in the 2. Tampere is outside with fireworks, and Troy's part starts with Irish Low Whistle , as opposed to guitar with EBOW here. The part with Dawkins on stage here, is just a recording over the top of the credits there. Recommend checking out Tampere, later on your own.
The whole album is based on the concepts you caught in the lyrics. One song from the album, only recently added to the concert setlists focuses on one thing you talked about. It is called Our Decades in the sun. The band considers it a tribute their parents. They started playing an acoustic version in concerts last Dec 2022.
My favorite live fan cam version with good sound
th-cam.com/video/xlRz0CY3EVY/w-d-xo.html
After I first heard it i literally fell of my chair because im physicist .This is for me better wersion comparing to Tampere because they had Richard Dawkins with them . M A S T E R P E C E. 4.6 our Planet is 4.6 bilion years old
One thing you can say about Tuomas, is that he does not underestimate his audience and dumb down his lyrics; he assumes that we will figure it out and interpret it however you wish.
"Wahnsinn"...your inner German is apparently triggered by Nightwish 😁
Drummer is Kai Hahto, not Jukka......Jukka was brilliant drummer too😉
Tuomas has an absolute poetic brilliance... and this isn't even his native language. Genius.
"We are going to die and that makes us the lucky ones...Most people will will never be born at all"
This is why abortion is such a crime. YOU were lucky enough to be born. What right do you have to deny the existence of so many millions of other souls?
Great reaction. Wonderful how you are able to include such different people with different ideas in your considerations about such a meaninful song. What I find very suiting is the way the band take their bows. They are not claiming their applause as a pay-off but are genuinely grateful to be there, being the lucky ones; when watching closely you will see shivers and tears glimmering, maybe a quiet sob here and there in the band. And they are grateful to connect with their audience, who give them the chance to create and perform. It is more like a celebration. As you say, no egos needed, we were here, together !