Ma'am you are so inspiring... I love all your tutorials... you make everything so simple to comprehend and explain in a very effective manner.. thank you so much...🙏
I had the good fortune of learning Carnatic music in the Oothukadu style which she mentions in the video, right under a direct descendant of Oothukadu Venkatasubba Iyer, Oothukadu Sri. Muthukrishnan, one of the Oothukadu brothers. Unfortunately, with his early demise, a treasure trove of 1000s of compositions have been lost forever. We, his students and other musicians may be knowing a few hundreds. And also sadly, many beautiful original compositions are being distorted and the whole tune changed. The standing example being Vishamakkara kannan. The one sung by Smt. Sudha Raghunathan is the correct one very near to the original. The other versions used in dance mostly is a complete distortion.
Guru is Amazing 👏 ❣️✌🏻
Love you mam
.Sree Gurubhyo namaha
Nice.
Ma'am you are so inspiring... I love all your tutorials... you make everything so simple to comprehend and explain in a very effective manner.. thank you so much...🙏
Very creative and incredible to see the scope . Life is worth living with this kind of learning.
Your look and potential is amazing. Namaskaram
So informative...wow
Thankyou Mam for this wonderful video.
So much inspired by the teachings...
super mam
very very good and nice
so nice mam
Could anyone write this lyrics, please?)
Madam I love dance and I will see every video of urs madam will you tell classes to me tell you where the dance class
I had the good fortune of learning Carnatic music in the Oothukadu style which she mentions in the video, right under a direct descendant of Oothukadu Venkatasubba Iyer, Oothukadu Sri. Muthukrishnan, one of the Oothukadu brothers. Unfortunately, with his early demise, a treasure trove of 1000s of compositions have been lost forever. We, his students and other musicians may be knowing a few hundreds. And also sadly, many beautiful original compositions are being distorted and the whole tune changed. The standing example being Vishamakkara kannan. The one sung by Smt. Sudha Raghunathan is the correct one very near to the original. The other versions used in dance mostly is a complete distortion.