Zvi Harry Nadel observed his disappointment with composer Leonard Bernstein's Jeremiah's Symphony's regression into comercial 'West Side story'. As I listen to the opening tritone in Lukas Foss' '13 ways of looking at a blackbird' onward, I realize Nadel's accuracy. Some of us were lucky to hear Foss conducting the Jerusalem Symphony for 4 years. At the time, together with Gary Bertini, voices calling in the desert.
I loved listening to this and getting to read the score! Are there any insights into the technical details of the recording? I would love to know more! :)
![George Crumb - Madrigals, Book IV for Soprano, Flute, Harp, Bass and Percussion (1969) [Score-Video]](http://i.ytimg.com/vi/smuggclBCwc/mqdefault.jpg)
![George Crumb - Madrigals, Book IV for Soprano, Flute, Harp, Bass and Percussion (1969) [Score-Video]](/img/tr.png)
![Christopher Mortlock - Three O'Sullivan Settings for Soprano and Piano (2024) [Score-Video]](http://i.ytimg.com/vi/oHn55tKuMFI/mqdefault.jpg)
Zvi Harry Nadel observed his disappointment with composer Leonard Bernstein's Jeremiah's Symphony's regression into comercial 'West Side story'. As I listen to the opening tritone in Lukas Foss' '13 ways of looking at a blackbird' onward, I realize Nadel's accuracy. Some of us were lucky to hear Foss conducting the Jerusalem Symphony for 4 years. At the time, together with Gary Bertini, voices calling in the desert.
A blackbird won't be the same after this!
I loved listening to this and getting to read the score! Are there any insights into the technical details of the recording? I would love to know more! :)