Alexei Nasedkin plays Tchaikovsky Eighteen Pieces Op. 72
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- เผยแพร่เมื่อ 25 ก.ย. 2024
- Tchaikovsky 18 Pieces (18 Morceaux), Op. 72
Alexei Nasedkin (December 20, 1942 - December 4, 2014 ), piano.
Taken from the vinyl Eurodisc 28740 XDK (2LP). Recorded in Moscow in 1971. This 2LP is originally released on Melodiya as 33CM03077-80. Vinyl is edited and transferred to digital by Wimmo using a Denon DP-35F turntable, a Denon DL-60 cartridge and an ART DJ pre II phono preamplifier.
1. Impromptu - Allegro moderato e giocoso (F minor) 00:00
2. Berceuse - Andante mosso (A-flat major.
3. Tendres reproches - Allegro non tanto ed agitato (C-sharp minor)
4. Danse caractéristique - Allegro giusto (D major)
5. Méditation - Andante mosso (D major)
6. Mazurque pour danser - Tempo di Mazurka (B-flat major)
7. Polacca de concert - Tempo di Polacca (E-flat major)
8. Dialogue - Allegro moderato (B major)
9. Un poco di Schumann - Moderato mosso (D-flat major)
10. Scherzo-fantaisie - Vivace assai (E-flat minor)
11. Valse-bluette - Tempo di Valse (E-flat major)
12. L'espiègle - Allegro moderato (E major)
13. Echo rustique - Allegro non troppo (E-flat major)
14. Chant élégiaque - Adagio (D-flat major)
15. Un poco di Chopin - Tempo di Mazurka (C-sharp minor)
16. Valse à cinq temps - Vivace (D major)
17. Passé lontain - Moderato assai quasi Andante (E-flat major)
18. Scene dansante: Invitation au trépak (Танцевальная сцена: Приглашение к трепаку) - Allegro non tanto (C major)
Замечательная интерпретация и запись пьес ор 72! Лучшая из всех слышанных вариантов! Богатая оркестровыми красками, прекрасно выстроенная по форме, очень зримые театральные сценки, балетные фрагменты ! Изумительное исполнение! Чудный звук! Талантливо! Сочно! Bravo!!!
Splendid Alexei ! (august 2024- Netherlands) Thank you. 🌷🌷🌷 I have put you on Face-Book .
1. Impromptu - Allegro moderato e giocoso (F minor) 00:00
2. Berceuse - Andante mosso (A-flat major) 04:03
3. Tendres reproches - Allegro non tanto ed agitato (C-sharp minor) 09:32
4. Danse caractéristique - Allegro giusto (D major) 12:24
5. Méditation - Andante mosso (D major) 15:46
6. Mazurque pour danser - Tempo di Mazurka (B-flat major) 20:33
7. Polacca de concert - Tempo di Polacca (E-flat major) 23:50
8. Dialogue - Allegro moderato (B major) 29:26
9. Un poco di Schumann - Moderato mosso (D-flat major) 32:36
10. Scherzo-fantaisie - Vivace assai (E-flat minor) 34:47
11. Valse-bluette - Tempo di Valse (E-flat major) 41:50
12. L'espiègle - Allegro moderato (E major) 44:19
13. Echo rustique - Allegro non troppo (E-flat major) 46:33
14. Chant élégiaque - Adagio (D-flat major) 48:59
15. Un poco di Chopin - Tempo di Mazurka (C-sharp minor) 56:10
16. Valse à cinq temps - Vivace (D major) 59:23
17. Passé lontain - Moderato assai quasi Andante (E-flat major) 1:01:24
18. Scene dansante: Invitation au trépak (Танцевальная сцена: Приглашение к трепаку) - Allegro non tanto (C major) 1:06:02
+Uri Tibon Thank you for putting up the timings of the pieces!
Uri Tibon thanks
Uri Tibon: спасибо большое 🙏
Tschaikowski has this unerring Inspiration of the perfect melody in any of his compositions. Everything he does, is of great harmonical ans rhytmical skill.
Superbe interprétation de ces oeuvres de ce grand compositeur qui n'ont rien de mineur. Alexeï Nasedkin est un interprète dans la grande tradition des pianistes russes, avec un toucher d'une lisibilité parfaite est un art des sonorités impressionnant.
I heard these pieces for the first time the other day on the radio. Wonderful! they should be performed more often. Excellent version from Nasedkin. Thanks for posting.
Lebensfrohe Stücke lebensfroh wunderbar gespielt!
Magnifico, grazie 🙏
Спасибо большое!
Although Tchaikovsky have made his name as a oustanding orchestral composer (ballets, Piano Concerto, and more...), for me, his piano pieces is just undoubtly exquisite, there is a misterious feeling wandering along with these melodies, especially this Op.72, composed alongside The Nutcracker, and, by the end of his tormented life :)
Yeah, I've always thought Tchaikovsky's piano was severely underrated - to me he was note for note perhaps the most emotive piano composer of all time.
These peaces were composed after he had finished composing The Patetique Symphony and waiting for it´s premiere in S.T Petersburg in October 1893.
As a singer I sung a lot of Tchaïkovski's Romances hardly performed out of Russia... also sadly very underrated music...and with the beauty of poetry as a plus!
Utterly touching, passionate music I hardly could perform without crying...
@@micaelabonetti949 😮TOTALLY RIGHT! 😮😮
Such a DISASTER if truly thay aren't sung and played abroad of Russia...
OMG!!!!! 😮😮😮😮😢
Good! I don´t understand why this hasn´t thousands of views and likes. TH-cam people are strange.
Dihelson Mendonca The general public are only interested in the first piano concerto. And there are some real gems here.
Because to most classical music lovers it does not occur to click the like button. It happens to me all the time. I’ve listened to Nasedkin’s recording of Prokofiev’s Cinderella Suite op.97 perhaps a hundred times but I don’t think I have yet “liked” it. I should go an click on it after I’ve listened to this recording.
You can hear his deep love of Schumann right from the beginning.
Deep love of the surrounding symphonic music of the epoque, I should say😊
💝💝💝 Thank you
Numbers 3, 6 and 16 was orchestrated and arranged to Jhon Cranko's ballet Onegin.
Они просятся на оркестровку, все вместе и каждая по отдельности😊
They ask to be orchestrated, all together and the every single for separated😊
These peaces were composed after he had finished composing The Pathetique Symphony and was waiting for it´s premiere in S:t Petersburg in October 1893. Someone has called them "shavings from the big Symphony". He wrote one piece a day and called it "I am baking panncakes". Nr 10 was aimed to be the scherzo in the Symphony he wrote before he composed the Pathetique Symphony and abandoned (he turned the first movement into Piano Concerto nr 3).
While he did compose the eighteen pieces the following month after completing the short score for the Symphonie pathétique, themes for ten of the Op. 72 were found with sketches for the Symphony in E-flat, so many of the ideas predate his final symphony.
Well said Senhor, my sentiments entirely
Nos. 11, 12, & 15 were orchestrated and inserted into 'Swan Lake'' when the ballet was staged posthumously under the supervision of Riccardo Drigo.
And others were orchested to Onegin, a Cranko's ballet.