Kudos to Jessica! This is a hard song to perform. I feel like placing the armchairs Ms Honey sits in on the sides doesn't work as well as placing it in the center like the West End / Broadway version, where the actions revolve around a bewildered Ms Honey in the center of the room. With this arrangement, she feels more sidelined and her interactions with the other characters don't feel as fluid. It also makes her being pulled into the action feel more forced (Rudolpho needs to go out of his way to grab her) . I'm curious if this was to adapt to a smaller stage or just because they couldn't get movable armchairs.
![ผัวเถื่อน - ยูริ โตเกียวมิวสิค [ OFFICIAL MUSIC VIDEO ]](http://i.ytimg.com/vi/P08ORRVDGl8/mqdefault.jpg)
This is the best non-Broadway/London version I’ve seen! It’s so funny and impressive at the same time :)
I saw it in Toronto production years ago and while it's not exactly as good as the West End version it's much better. Although that's to be expected.
I was chosen to be Mrs. Wormwood for my school's Matilda Musical this year- trying to get the voice and mannerisms down.
This was certainly an unexpected but wonderful gift from TH-cam recommended!
Ruim pra caramba
the accent is so funny to me
wow!
Kudos to Jessica! This is a hard song to perform.
I feel like placing the armchairs Ms Honey sits in on the sides doesn't work as well as placing it in the center like the West End / Broadway version, where the actions revolve around a bewildered Ms Honey in the center of the room. With this arrangement, she feels more sidelined and her interactions with the other characters don't feel as fluid. It also makes her being pulled into the action feel more forced (Rudolpho needs to go out of his way to grab her) . I'm curious if this was to adapt to a smaller stage or just because they couldn't get movable armchairs.
4:30