Hell yea dude it’s good to see you represent the new generation listening to dnb, i got hooked when i was your age and i surely will never get bored of it. Tim is one of the best in the scene, his production qualities and rate are unbelieveable. I’m glad i saw him live a couple of times, when you get to the age you can attend parties make sure to visit one having CV. CVAV is something you surely don’t wanna miss, a unique mixture of a light show and filthy tunes :D
That's Awesome! My mom thought it sounded like a plane crashing into a train, then both rolling down the side of a mountain over an army of terminators. My Mom IS Cool! lol Cheers for Moms!
@@nmnm11 i am actually baffled year after fucking year when serum and the other entourage of similar producers get nominated for the same effing awards year after year, where is CV best producer award the guy is so damn innovative, not putting Serum down in the slightest , just think the DNBA awards need to be damn fucking fair
Current Value in 2017: let's start with some noise modulated by noise, then add some noise and layer the noise with some noise to make sure there's enough noise
Huge fan, the new LP the All Attracting is incredible. I love how you've used synthesis to try and recreate real world sounds, using clever intervals with bass freqs to make interesting music. Absolutely love it, I get your concept I just wish I could apply your knowledge about frequencies and intervals to my own tracks. Very cool mixdowns and music theory concepts. Wicked sound design, I've been concentrating on your frequencies but actually the amplitude attacks/decays are very clever, I hear how you like to use amplitude effects to get that lovely fluttery attack. Very interesting stuff, you are a bass genius.
He's been setting & creating the curve and the latest musical trends in D&B that everyone else tries to sound like for almost 2 decades now. And Tim is such a pioneer, that by the time people catch up trying to copycat his style, he's already moved on to another style, but the same immaculate insane production that is CURRENT VALUE. He's just amazing.
amazing masterclass from the master itself :) the trick with operator doing drums can be also done with the drum rack, by inserting many operators to each cell of the drum rack.
Amazing sounds from a very talented producer. I have no clue why you would use velocity info to select which perc sound is playing though. That's supposed to be a practical benefit?
i didnt quite get that either... is the idea so you can play it all on one key? why else would you separate it like that. i've never heard of that in my life.
so you can have it all in 1 bit of midi and play different pitches. most drum machines do it by putting each drum on a different note. It's not something i'd do but hey
SERIOUSLY?! Wicked! You have been a DNB musician since 1997... And that's about how long I have loved your music! But I am only learning that you do this on TH-cam. I wish I had have found this earlier.
I really happy to see video with Current Value as well. Im a big fun, unfortenetly my kick sound kind difrently and not so good I checked 10 times every settings. I know sound could be difrent because tutorail was recorded on camera, but my kick is not so cool then kick from Current even record on camera ;p Anyway Thanks for give my idea to make layer for drum on operator ! Peace!
Part 2 is accessed from page 64 in issue 225 of CM Mag. It is not in the Vault. I'm not sure why they don't have it there as well though. Hope that helps. Cheers
Our Google Play edition does not include the DVD but DOES INCLUDE the full software, samples and tutorial files to download. Download does not include Producer Masterclass in-studio video ????? Why isnt that part of the download ? thats what all the customers paid for. No one wants them shitty free plugins or samples you give away. All i wanted was part 2 of the interview. The article will be a good read, but i paid for part 2 of the interview and its not even part of the online package ?
+Jack East The link to watch part 2 is on the second page of the Producer Masterclass feature in the mag (p64). The Producer Masterclass video has never been included as part of our Vault download due to licensing issues.
Its absolute bollocks and you know it. Theres no link on the page. Ill post the article on here later for all to read for free :) it never used to be this way. Like I said i purchased the online version on Google. Everything is there apart from the magical part 2. "IF YOU WANT TO SEE THE REST OF THIS INTERVIEW GO BUY ISSUE BLA BLA BLA" cunts
@@ComputerMusicMag hey, what about older issues that dont have a short link? i bought some online versions of older mags from 2017 or before, and there isnt a link inside the mag to the full youtube video.. newer ones have it but i cant find those old ones. Can I get the full youtube link if I email computer music with proof of my purchase?
It's total mix by rme. He has a babyface sound card and this is the mixer section that controls all outboard hardware and everything running through it. It has various fx like reverb, eq and a really good spectrum analyser.
Wow there is so much technically "wrong" about this guys production approach, but it really just goes to show you... do whatever the fuck you want as long as it sounds good in the end.
In my opinion, these videos are too hyper-focused on specific parameter Personally, I get bored to death listening to the producers recite numerical values and routing options. Just tell us what the driving idea was, and why things were done that shaped the sound.
+Mark GP Atherton Some masterclasses are motivational (like Avicci's). These one is more technical (I suppose, because I still havent pushed play button within temptation of what i'm going to see)
![[LIVE] : ONE ลุมพินี 79 | คู่เอก "ก้องชัย vs อาเมียร์"](http://i.ytimg.com/vi/WfPSA1A0NHc/mqdefault.jpg)
I'm 13 and LOVE Current Value. When I first showed some of his music to my mom she said "that sounds like an angry car" lol
Hell yea dude it’s good to see you represent the new generation listening to dnb, i got hooked when i was your age and i surely will never get bored of it. Tim is one of the best in the scene, his production qualities and rate are unbelieveable. I’m glad i saw him live a couple of times, when you get to the age you can attend parties make sure to visit one having CV. CVAV is something you surely don’t wanna miss, a unique mixture of a light show and filthy tunes :D
very good choice for 13yo
That's Awesome! My mom thought it sounded like a plane crashing into a train, then both rolling down the side of a mountain over an army of terminators. My Mom IS Cool! lol Cheers for Moms!
@@nmnm11 i am actually baffled year after fucking year when serum and the other entourage of similar producers get nominated for the same effing awards year after year, where is CV best producer award the guy is so damn innovative, not putting Serum down in the slightest , just think the DNBA awards need to be damn fucking fair
has been innovative since before i was in nappies and im nearly 21 myself
OH MY GOD!!!!!!!!!!!!!!Never dreamed about CV's masterclass. Big fan since 2006.
Exactly the same ;)
Me tooo
Current Value in 2017: let's start with some noise modulated by noise, then add some noise and layer the noise with some noise to make sure there's enough noise
and then let's turn it into a DnB banger
works every time
@@vcr3rd what do you mean?
I fucking love you. The level of your production is astounding.
CV's production is always off the charts. Crazy madman genius!
Huge fan, the new LP the All Attracting is incredible. I love how you've used synthesis to try and recreate real world sounds, using clever intervals with bass freqs to make interesting music. Absolutely love it, I get your concept I just wish I could apply your knowledge about frequencies and intervals to my own tracks. Very cool mixdowns and music theory concepts. Wicked sound design, I've been concentrating on your frequencies but actually the amplitude attacks/decays are very clever, I hear how you like to use amplitude effects to get that lovely fluttery attack. Very interesting stuff, you are a bass genius.
taht comment made my day
Un Productor serio , sin tantos reflectores encima pero revolucionando la musica electronica a gran escala , Grande Tim .
22:08
" I like noize " / Current Value /
)))))))
After seeing this I had more respect for Operator synth
Those drum sounds he makes are AMAZING
Next level Sound design skills
Insane sound design skills.
i love your music since 2007 !!
"Somewhere along the way, I lost a step. I got sloppy. Dulled my own edge. Maybe I went and did the worst crime of all... I got civilized."(c)Riddick.
He says "I'll be doing more Neuro". Current Value is a genre. Amazed always with this guy! "I like noise".
He's been setting & creating the curve and the latest musical trends in D&B that everyone else tries to sound like for almost 2 decades now. And Tim is such a pioneer, that by the time people catch up trying to copycat his style, he's already moved on to another style, but the same immaculate insane production that is CURRENT VALUE. He's just amazing.
amazing masterclass from the master itself :)
the trick with operator doing drums can be also done with the drum rack, by inserting many operators to each cell of the drum rack.
Very interesting!!!
Amazing sounds from a very talented producer. I have no clue why you would use velocity info to select which perc sound is playing though. That's supposed to be a practical benefit?
for automated variation I assume
i didnt quite get that either... is the idea so you can play it all on one key? why else would you separate it like that. i've never heard of that in my life.
so you can have it all in 1 bit of midi and play different pitches. most drum machines do it by putting each drum on a different note. It's not something i'd do but hey
It was one of the workflows back when Akai and EMU hardware samplers were the go-to.. maybe that?
i love your music, big up!
God CV
Best producer in the world! The end 💯😍
Been listening to dnb since the 90s, how have I never heard of this guy
he does insane remixes tbh
Wow! I've walked through, and now so cool to have thoose operations! sound after Effects rack settings dope, i've got drums for the rest of my life)
SERIOUSLY?! Wicked! You have been a DNB musician since 1997... And that's about how long I have loved your music! But I am only learning that you do this on TH-cam. I wish I had have found this earlier.
Great tutorial. Gotta say my ears were assaulted way more by you hitting the space bar here though than in like any of your music haha.
this is a real masterclass!
those drums are so FIRE!!!
not that i need another synth but i wish Operator was available outside Ableton. i like the dx-7 style visuals of the algorithms.
Жаль что не знаю английского языка в нужном количестве. Но я исправлюсь))) Музыка, Дядька, у Вас огонь)))
Юзай яндекс браузер
Does anyone know the name of this track?
Nooooo :(
The man CV I'm all ears
gon genius!
thank you so much CURRENT VALUE!
CV on top of the game
Hey CV, are You a human, or an alien, or an alien-human hybrid? Keep it up!
Funny I actually bought the issue and The videos are nowhere to be found in the download vault... WTF CM?!
+Michael Tran See the viewing instructions on the Producer Masterclass pages in the mag (page 64).
+Computer Music Magazine got it
@@slooberslodge thought I had it saved in a playlist after buying the issue some years back, and it looks like the video was taken private.
name of track please
This is awesome but why does he use a reverb at low frequencies on the drums?
brilliant video. :)
He is veggie
Anyone know intro song??? 🙏
that of the program
Is there a part 2 of this?
wow. Sick.
CV sick
Yeeeeeeesss!!!CV
I really happy to see video with Current Value as well. Im a big fun, unfortenetly my kick sound kind difrently and not so good I checked 10 times every settings. I know sound could be difrent because tutorail was recorded on camera, but my kick is not so cool then kick from Current even record on camera ;p
Anyway Thanks for give my idea to make layer for drum on operator ! Peace!
I cant find part 2 in cmvault, I've got the issue registered etc. can anyone help please?
nobody has helped you yet?
Part 2 is accessed from page 64 in issue 225 of CM Mag. It is not in the Vault. I'm not sure why they don't have it there as well though. Hope that helps. Cheers
Does anyone knows what are his studio monitors?
alesis monitor one
Does anyone know what ableton skin this is or where it can be found?
+Elias Rebolledo Pretty sure if you go into preferences and click on Look/Feel and choose the 'Disco' skin it'll turn it that colour
+Elias Rebelled Max for live have a skin editor if you'd like to make your own :)
Lightspeed information!
what is the intro song anyone ?
Our Google Play edition does not include the DVD but DOES INCLUDE the full software, samples and tutorial files to download. Download does not include Producer Masterclass in-studio video ?????
Why isnt that part of the download ? thats what all the customers paid for. No one wants them shitty free plugins or samples you give away.
All i wanted was part 2 of the interview. The article will be a good read, but i paid for part 2 of the interview and its not even part of the online package ?
+Jack East The link to watch part 2 is on the second page of the Producer Masterclass feature in the mag (p64).
The Producer Masterclass video has never been included as part of our Vault download due to licensing issues.
Its absolute bollocks and you know it. Theres no link on the page. Ill post the article on here later for all to read for free :) it never used to be this way. Like I said i purchased the online version on Google. Everything is there apart from the magical part 2. "IF YOU WANT TO SEE THE REST OF THIS INTERVIEW GO BUY ISSUE BLA BLA BLA" cunts
When you say it includes the tutorial files, do you mean it has the operator patches and racks he’s using for the drums and bass?
@@ComputerMusicMag hey, what about older issues that dont have a short link? i bought some online versions of older mags from 2017 or before, and there isnt a link inside the mag to the full youtube video.. newer ones have it but i cant find those old ones. Can I get the full youtube link if I email computer music with proof of my purchase?
which skin is that for Ableton ?
disco
what is on his second display?
It's total mix by rme. He has a babyface sound card and this is the mixer section that controls all outboard hardware and everything running through it. It has various fx like reverb, eq and a really good spectrum analyser.
+1 to this.. That's totalMix, which is a software you use when using RME soundcards to control/route your converter inputs/outputs
what software is he employing ?
The DAW is Ableton Live.
Wow there is so much technically "wrong" about this guys production approach, but it really just goes to show you... do whatever the fuck you want as long as it sounds good in the end.
BIG PASTA whats wrong, w/ timestamps please
there is nothing wrong here.
What is this track in the beginning?
+Никита Семерняк its track that CV produced in this video ;p
Where is part 2???
A W Newgent the link is on page 64 in issue 225 of Computer Music Mag.
Nice skin of ableton. Which is that?
"disco" i guess
pureav.deviantart.com/art/Ableton-Live-9-Skin-589338351
I CAN'T USE MY DRUM HITS SEPARATELY IN ONE SINGLE MIDI. HOW YOU DO THAT? MY 1 MIDI HIT IS ALL THE DRUM HITS FROM THE RACK TOGETHER. WHY?
In my opinion, these videos are too hyper-focused on specific parameter Personally, I get bored to death listening to the producers recite numerical values and routing options. Just tell us what the driving idea was, and why things were done that shaped the sound.
***** Hey, that's a novel idea. I hadn't thought of that. Thank you for your enlightening feedback, genius!
+Mark GP Atherton It's a video to help producers get better at making tracks, so yes it's probably going to be pretty technically orientated
+Mark GP Atherton Some masterclasses are motivational (like Avicci's). These one is more technical (I suppose, because I still havent pushed play button within temptation of what i'm going to see)
Todd Harris Thank you Captain Obvious.
at 20:50 could be something interesting for you
Velocity rangeee!?You are a fucking genius Current Value!
And err
current value = search engine nightmare...might as well call yourself 'the'
lol, lot of that in DnB. TC, Audio, TI, etc.
Try jungle producers Tom and Jerry lol
Ngine!!!!
so i am current value..........................hello
zzzzZZZZZZ
Goddamn, the intro music is SO loud, but I was barely able to hear the voice, come on
eng;ish? guess not. fuck thiiis.
Omfg. CV is way too technical about his explanation. Fantastic producer though
i like that.
now we know why it sounds like crap thx
PositionChrome rules.