Could you show what the final subbass waveform looks like on ableton stock eq 8? I'm super curious what harmonics and what your chose to keep in the sub region. Cool song and perfect choice of dark souls monster.
thanks! im pretty sure the last eq on the chain is a classic low pass, I might have kept some high end frequencies a bit, if you want i can show you the whole chain in details on discord!
does the sub in the drop have to follow the notes/root notes of the chords in the intro? (c# d# c etc... in your example) and what about the growls in the drop?
so the whole track is in C# harmonic minor, but the chords from the intro are independent from the drop (they only share the same scale: C# harmonic minor). In you drop, the sub should follow the bass notes, in my example it's the gun bass, which is on C# all the time. Same goes for the growls, they're playing a C# so the sub does too. On the last part of my drop, I used a sustain bass with a pitch bend, the sub follows the same pitch bend. Hope that makes sense!
@@DRIZK0 the sub should follow the bass notes (the lower most notes of the drop chords) so they sound cohesive & stable. When you say chords from the intro are independent than the drop do you mean they can be different chords, as long as they are all in the same scale/combination of notes) example intro: c# E g# drop: f# A c#?
@@ziad.elassy that's correct. If there are chords in your drop, the sub follows the root note of each chords. If you're making dubstep tho, there usually aren't any chords in your drop, that's why we usually put all the basses and the sub on the root of the scale (in my case C#). If you decide to use chords in your drop (which is fine but uncommon in dubstep), yes, you can make them different from the intro as long as you keep the same scale, like you said in your example. In my track from this video, the chords in the intro are C# minor, D# diminished, and C diminished, and the drop is all on C# except for the last part with the pitch bend on the sustain.
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I did. Super helpful, thank you!
@ thank you so much brother! glad that helps!
🐐🐐🐐🐐 best strings part
thanks bro!
nice work :)
thanks! glad you like it
the drop is insaneeeee
thanks boss! glad you like!
😤😤😤🤘🤘🤘🔥🔥🔥That drop goes hard.!!
🤘🏼🤘🏼🤘🏼 thanks!! glad you like!
intro is fire
thanks bro 🔥🔥 it was fun making it, glad someone liked it
Fking Insane - SO GOOD 🔥🙌
thanks bro! 🔥🔥
Amigo me has salvado la vida🤩
glad i could help;) !
@@DRIZK0 tank You! Crack🙌💙
sick drop! 🔥🔥🔥🔥
thanks bro! 🔥🔥
DRIZKO on fire 🔥💀Insane
🔥🔥🔥
Could you show what the final subbass waveform looks like on ableton stock eq 8? I'm super curious what harmonics and what your chose to keep in the sub region. Cool song and perfect choice of dark souls monster.
thanks! im pretty sure the last eq on the chain is a classic low pass, I might have kept some high end frequencies a bit, if you want i can show you the whole chain in details on discord!
@@DRIZK0 Would love to ask you a couple quick questions about it. Where can I find your discord link?
@ discord.gg/AcRQktTEh7 let me know if that doesnt work
@@DRIZK0 I'm in. Thank you.
does the sub in the drop have to follow the notes/root notes of the chords in the intro? (c# d# c etc... in your example)
and what about the growls in the drop?
so the whole track is in C# harmonic minor, but the chords from the intro are independent from the drop (they only share the same scale: C# harmonic minor). In you drop, the sub should follow the bass notes, in my example it's the gun bass, which is on C# all the time. Same goes for the growls, they're playing a C# so the sub does too. On the last part of my drop, I used a sustain bass with a pitch bend, the sub follows the same pitch bend. Hope that makes sense!
@@DRIZK0 the sub should follow the bass notes (the lower most notes of the drop chords) so they sound cohesive & stable.
When you say chords from the intro are independent than the drop do you mean they can be different chords, as long as they are all in the same scale/combination of notes) example intro: c# E g# drop: f# A c#?
@@ziad.elassy that's correct. If there are chords in your drop, the sub follows the root note of each chords. If you're making dubstep tho, there usually aren't any chords in your drop, that's why we usually put all the basses and the sub on the root of the scale (in my case C#).
If you decide to use chords in your drop (which is fine but uncommon in dubstep), yes, you can make them different from the intro as long as you keep the same scale, like you said in your example.
In my track from this video, the chords in the intro are C# minor, D# diminished, and C diminished, and the drop is all on C# except for the last part with the pitch bend on the sustain.
@@DRIZK0 thx for explaining!!
🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
🔥🔥🔥
how long is the intro, the buildup, drops, and outro should be
intro is usually 8 or 16 bars, buildup 8 bars, and in dubstep the drop is usually 32 bars but you can do however you like
@@DRIZK0 thx
Just one de-esser on your voice plz.
true true, i'll try next time
Discord?
my discord doesnt work anymore, not sure why! i'll have to update it i guess
чел топи и визуализируй дальше! ВСё будет! но не сразу!