This is my favourite noise album. I can't usually listen to noise but I really like this. I think on the vinyl version the loops just run forever until you pick up the needle and move it to another locked groove.
@@k_anth so says the nerd with a DIJ profile pic. Why don't you go listen to Kendrick Lamar rap about hating white ppl since you love subsaharans so much
It's turning my mind off and making me want to read a book. It's funny, I remember working a gas station and sometimes I'd just listen to the static and hear a rhythm to it not unlike some djent or Schoenberg. This reminds me of that.
As a musician I can hear the rhythm of each pattern--it's easy to treat these as the noise version of drum loops. Non appears to like odd meters such as 5/8 and 7/8--a good example is the 7/8 meter of the second track.
People for the last couple of decades have dismissed Boyd Rice as a nazi. Especially now with how sensitive people are they won't even look past that accusation. He's not a nazi. The whole getup is a form of artistic expression and I get that. That's fine. But that's not important. What I want to say is that when the day comes that Boyd Rice kicks the bucket. When he dies, none of that will matter. He will be looked at as the most important avant grade artist of the 20th century.
I'm an outright Marxist and I don't really care of Boyd is a fascist or not. I really dig some of his work and I really like how he's a bit of a troll on some level. I don't get people who have to agree with every aspect of a musician or artist they want to like. Doug of DiJ gets the same shit, and I know for sure he isn't a fascist. Some people can't get past the aesthetics. And even then it always seemed to me more esoteric than political.
He's practically begging to get mistaken for a nazi, with the nazi fashion and social darwinist attitudes expressed and interviews on nazi stations where he never speak up against them and [...]. At best he's edgelord who just really gets some mental boner off of nazis. But yeah I like his music and all. Though he didn't exactly innovate any new sound, he was among the very earliest practitioners of a variety of dark musical styles. I think he must've been particularly influential on industrial musics nazi flirting and using noise as part of a cold, alienating, mechanical esthetic(consider a single version of this was released in 78). I think the early industrial bands were the ultimate opposites to the 60s/70s hippie pop culture before them: Nothing indicating dreams of a better or even more exciting world, but rather the sound of living in the de-industrialization and depression and the time. This may very well be the strongest statement from the emerging scene, precisely because it's all dark, anonymous atmosphere pieces and no melodical pleasantries.
I agree with you Simon. I've met Boyd and grew up listening to TG, SPK, NON, Test Dept., etc. etc. but like what the fuck are you doing going on white nationalist platforms with people like Tom Metzger sporting an American Front uniform? More esoteric than political, M. Gilley? C'mon man. Genesis P-Orridge and David Tibet, etc. have incorporated nazi imagery in their art but no one mistakes them for nazis. Why? Because they don't ACTIVELY POLITICALLY ENGAGE IN NAZI SHIT. I also consider myself a Marxist (anarcho-communist). I get that Douglas P. was in the leftist punk band Crisis. Some people move further right and engage more in reactionary politics as they grow older. I'd certainly say that's the case with him. Peter Christopherson said in The Wire magazine that they needed to cut ties with Boyd for that very reason. I don't blame them. That said, I still appreciate this album.
oh yeah. check the 'hirsute pursuit' cover of bowie's 'boys keep swinging' with boyd's slithery monotone vocals on top of a banging thumping club beat. uncle boyd makes me want him to fuck me when i'm listening to that track! the man is a gorgeous monster!
@@vivianamorrovi7837 yes. this fucking noise. absolutely brilliant sonic display. generally designed only for those people who aren't dumb fuckers who need their jingly jangly pop tunes fed to them with a spoon. not to say that is you. but such noise as this is the soundtrack to birth and death and fuck and art throw in oxygen salt and water and death some more and you'll be getting close. and yeah you really did miss all of that in this fantastic and ferocious MUSIC. because it's real. and it exists to be real. not to be pop. especially not pop. thus muzak. beautiful beautiful non musick. more for your entire inner head than just for your ears and crotch. although it's for them too if it works i'm sure. do try to enjoy. it is for you.
I have the original first pressing. I remember that I once had made two cassette recordings from this disc, one with 33 and one with 45 rpm speed, and all "songs" recorded at the same duration so that the whole album would fit on one cassette, which I then used for casual listening. When I listened to the actual disc there were some loops that I could listen to for hours, others (usually the ones with the more shrill, siren like sounds) I could only tolerate for a few minutes maximum. Haven't listened to the record for quite a while now. And I barely ever used the extra hole for off-center playback.
The album is endless because of its loops. The listener decides its end and how he wants the record to listen to. I think that was Boyd idea when he made it. To give you a chance to be a bit creative with the format vinyl and play around with it and have fun instead of/or just listen to it. The record here is played at the center hole first with 33 than with 45 rpm
Bottom line for me too is, I like his music and do share his hatred of organized religion as a social evil. As for his take on women, I've seen Boyd in person and think there are plenty of women out there who could kick the shit out of him. So whether he's kidding or not, he might want to ease up on his violence toward women riffing. Like it or not, the smug bastard is only human which puts him down here with the herd he claims to disdain so much.
@@Voidsfinalstance-gl2tu Maybe so. I just like this and his noise albums best. His philosophy can get a little Joe Rogan-y for me from time to time. But when it comes to ezy listening for iron youth, no one is better.
~ This is wonderful. ~ Check out Gag-bit Vinyl in Bushwick NYC for late 70/80’s post punk/new wave. ~ :-D but only 240p? that's too lo-fi for my taste. can't hear the vocals clearly.
His ultimate non-playable/playable masterpiece that is impossible to go through to the very end (whatever "the end" means here). For many reasons this is a remarkable achievement, by sound and form, years ahead of its time but also a sad show of NON's inability to evolve any further from "pure noise" cheap thrills. Singlehandedly, Rice made this his entire discography - 17 lock grooves he still hangs on to. Any other album of his just cannot compare - nor compete.
antunivanovic you just described a pretentious hack which is what Boyd is/was and he would probably agree and disagree because he’s a pretentious fuck.
'god/beast' is pretty fucking good as well as 'children of the black sun' and lots of the shit he's done with douglas p/di6 kicks ass. boyd rice and friends/boyd rice and fiends? both excellent records. hatesville? come on cuz. you're a fucking joker. or you don't know boyd so well eh? the man is remarkable and worthy of your respect at least. the internet critiques lounge is always open i guess....
Someone could explain what the difference using the side hole makes? I have very little experience listening to vinyls and this seems a important aspect of this oeuvre side by side the locked grooves.
the swirling movement turns from circular to elliptic, because of the off-centre hole, and that affects the sound. To try it on 78 implies that the arm on your turntable is steady and sturdy ....
needs to be heard on wax, not this trivial medium.. but hey ho.. I can still sense the frustration trying to start his car.. and if you don't like it ? then don't listen to industrial mvzak.. eazy az that
I am mixing an actual new-age pagan song as muzak - as a joke for a friend, with a video of an elevator -- so of course I figured I better google "pagan muzak"....
someone explain to me how this is the full album? shouldn't there be 17 different videos to this? 3:00 reminds me of old TRS-80 computer program tapes. and is that the opening note to Laurie Anderson's Sweater song?
The album of course is endless because of its loops. The listener decides its end. The record here is played at the center hole first with 33 than with 45 rpm
This is actually my least favorite album by him. It's just like a collection of sound effects rather than noise music. Kind of boring really, unlike The Black Album.
If you knew anything about vibrations, frequency, and the occult you would not listen to this garbage. Listen to this over and over and you might develop depression or be less happy than you would be. This is like a fucking headache ripping your energy flow apart
This is pure crap. Maybe one of the top 10 worst albums ever made. It sounds like a vacuum cleaner. You would think they could atleast make the sound not repetetive and carry rhythms .so thinking could be involved. In fact a vacuum cleaner has alot more of a progressive environment than this. 😀
This is my favourite noise album. I can't usually listen to noise but I really like this. I think on the vinyl version the loops just run forever until you pick up the needle and move it to another locked groove.
This album is freaking good.
Greatest album ever made.
This is like the "Donuts" of industrial music.
Then, what are the bagels?
Can't enjoy a nice pleasant little album without you backpack rap nerds bringing up nubian music
@@thelastaesthete calling someone a nerd while talking like this is rich lol, no self awareness
@@k_anth so says the nerd with a DIJ profile pic. Why don't you go listen to Kendrick Lamar rap about hating white ppl since you love subsaharans so much
@@justfuntimedoingnothing8477 the bagels are Etat Brut's whole discography! 😋
i have this on vinyl the cover is in a 12" sleeve but the vinyl is a 7" with 17 locked grooves and it has 2 center holes a great piece of vinyl
very soothing and calming.
It's turning my mind off and making me want to read a book. It's funny, I remember working a gas station and sometimes I'd just listen to the static and hear a rhythm to it not unlike some djent or Schoenberg. This reminds me of that.
That’s so weird, it makes me want to read a book too! (For this matter, I look at Stirner waiting at my table.)
As a musician I can hear the rhythm of each pattern--it's easy to treat these as the noise version of drum loops. Non appears to like odd meters such as 5/8 and 7/8--a good example is the 7/8 meter of the second track.
Bull shit.
I respect that bullshit.
@@TheBigMclargehuge No dude. Track 2 is 100% in 7/8.
@@TheBigMclargehuge bullshit artist
He was a very cutting edge guy in his time. Much moreso then any Punk Bands were tbqh. Same with Throbbing Gristle,Cabaret Voltiare,etc,etc.
Almost as amazing as Celine Dion's My Heart Will Go On...
😆
I think it's a rip off of Sussudio by Phil Collins.
@@IStandAlone1 No - Its a rip off of My Sharona by the Knack!
Nearly as classical as Beatles' Yeasterday.
haha funy
FINEST RECORDING IN THE HISTORY OF THE WORLD
Almost as good as Despacito
People for the last couple of decades have dismissed Boyd Rice as a nazi. Especially now with how sensitive people are they won't even look past that accusation. He's not a nazi. The whole getup is a form of artistic expression and I get that. That's fine. But that's not important. What I want to say is that when the day comes that Boyd Rice kicks the bucket. When he dies, none of that will matter. He will be looked at as the most important avant grade artist of the 20th century.
I'm an outright Marxist and I don't really care of Boyd is a fascist or not. I really dig some of his work and I really like how he's a bit of a troll on some level. I don't get people who have to agree with every aspect of a musician or artist they want to like. Doug of DiJ gets the same shit, and I know for sure he isn't a fascist. Some people can't get past the aesthetics. And even then it always seemed to me more esoteric than political.
He's practically begging to get mistaken for a nazi, with the nazi fashion and social darwinist attitudes expressed and interviews on nazi stations where he never speak up against them and [...]. At best he's edgelord who just really gets some mental boner off of nazis.
But yeah I like his music and all. Though he didn't exactly innovate any new sound, he was among the very earliest practitioners of a variety of dark musical styles. I think he must've been particularly influential on industrial musics nazi flirting and using noise as part of a cold, alienating, mechanical esthetic(consider a single version of this was released in 78). I think the early industrial bands were the ultimate opposites to the 60s/70s hippie pop culture before them: Nothing indicating dreams of a better or even more exciting world, but rather the sound of living in the de-industrialization and depression and the time. This may very well be the strongest statement from the emerging scene, precisely because it's all dark, anonymous atmosphere pieces and no melodical pleasantries.
I agree with you Simon. I've met Boyd and grew up listening to TG, SPK, NON, Test Dept., etc. etc. but like what the fuck are you doing going on white nationalist platforms with people like Tom Metzger sporting an American Front uniform? More esoteric than political, M. Gilley? C'mon man. Genesis P-Orridge and David Tibet, etc. have incorporated nazi imagery in their art but no one mistakes them for nazis. Why? Because they don't ACTIVELY POLITICALLY ENGAGE IN NAZI SHIT. I also consider myself a Marxist (anarcho-communist). I get that Douglas P. was in the leftist punk band Crisis. Some people move further right and engage more in reactionary politics as they grow older. I'd certainly say that's the case with him. Peter Christopherson said in The Wire magazine that they needed to cut ties with Boyd for that very reason. I don't blame them. That said, I still appreciate this album.
@@tokyohalogen you commies call everything right of stalin fashisist. Keep licking boots and get back to twitter.
oh yeah. check the 'hirsute pursuit' cover of bowie's 'boys keep swinging' with boyd's slithery monotone vocals on top of a banging thumping club beat. uncle boyd makes me want him to fuck me when i'm listening to that track! the man is a gorgeous monster!
This is a work of genius.
genius? you mean this fucking noise?
Viviana Morrovi pretentious people resonate with pretentious things.
ฺ vodka
this is a sterile noise shit from a racist moron
@@vivianamorrovi7837 yes. this fucking noise. absolutely brilliant sonic display. generally designed only for those people who aren't dumb fuckers who need their jingly jangly pop tunes fed to them with a spoon. not to say that is you. but such noise as this is the soundtrack to birth and death and fuck and art throw in oxygen salt and water and death some more and you'll be getting close. and yeah you really did miss all of that in this fantastic and ferocious MUSIC. because it's real. and it exists to be real. not to be pop. especially not pop. thus muzak. beautiful beautiful non musick. more for your entire inner head than just for your ears and crotch. although it's for them too if it works i'm sure. do try to enjoy. it is for you.
Thanks for uploading this.
i love the lyrics
7:39 He predicted electronic music
Ambient!!!
Out! OUT! OUT!
This is very Iconic!!
I have the original first pressing. I remember that I once had made two cassette recordings from this disc, one with 33 and one with 45 rpm speed, and all "songs" recorded at the same duration so that the whole album would fit on one cassette, which I then used for casual listening. When I listened to the actual disc there were some loops that I could listen to for hours, others (usually the ones with the more shrill, siren like sounds) I could only tolerate for a few minutes maximum. Haven't listened to the record for quite a while now. And I barely ever used the extra hole for off-center playback.
Thank You, man.
I used to hate this kind of music, but now I understand it and love it.
this is easy listening on an island of despair and hate,, good stuff,,, but beware there are dreams less sweet.
Благодаря замедленному "Владимирскому централу"??????????????
Modern talking is industrial too???
Кроули вырос в среде Плимутских братьев.
The album is endless because of its loops. The listener decides its end and how he wants the record to listen to. I think that was Boyd idea when he made it. To give you a chance to be a bit creative with the format vinyl and play around with it and have fun instead of/or just listen to it. The record here is played at the center hole first with 33 than with 45 rpm
carbonid solo
You can also Play it at 78rpm
this makes metal machine music sound like pop
because, it is pop?
no it doesn't. both good. and sounding like pop isn't bad either
@@xabieszamudio3481have you actually heard "Metal Machine Music"?
It sounds like compilation of ambiebt sounds from some old games like Half Life
Aggressive ambient
Good stuff
#scrt_brln loves #purenoise #fkknnoize #noize
best thx
sick thoughts
we tend to call things we don't understand a genius' work.
That is incorrect in so many ways.
IM NOT SO SURE
Bottom line for me too is, I like his music and do share his hatred of organized religion as a social evil. As for his take on women, I've seen Boyd in person and think there are plenty of women out there who could kick the shit out of him. So whether he's kidding or not, he might want to ease up on his violence toward women riffing. Like it or not, the smug bastard is only human which puts him down here with the herd he claims to disdain so much.
His affront to women was completely justified, especially in these times.
@@Voidsfinalstance-gl2tu Maybe so. I just like this and his noise albums best. His philosophy can get a little Joe Rogan-y for me from time to time. But when it comes to ezy listening for iron youth, no one is better.
Not bullshit.
This reminds me of The Shaggs.
~ This is wonderful. ~ Check out Gag-bit Vinyl in Bushwick NYC for late 70/80’s post punk/new wave. ~ :-D
but only 240p? that's too lo-fi for my taste. can't hear the vocals clearly.
someone please, I need a download link. I can't find one anywhere and I need this albu..
His ultimate non-playable/playable masterpiece that is impossible to go through to the very end (whatever "the end" means here). For many reasons this is a remarkable achievement, by sound and form, years ahead of its time but also a sad show of NON's inability to evolve any further from "pure noise" cheap thrills. Singlehandedly, Rice made this his entire discography - 17 lock grooves he still hangs on to. Any other album of his just cannot compare - nor compete.
Impossible to listen to? I really really enjoyed this. I cant stop listening
antunivanovic you just described a pretentious hack which is what Boyd is/was and he would probably agree and disagree because he’s a pretentious fuck.
'god/beast' is pretty fucking good as well as 'children of the black sun' and lots of the shit he's done with douglas p/di6 kicks ass. boyd rice and friends/boyd rice and fiends? both excellent records. hatesville? come on cuz. you're a fucking joker. or you don't know boyd so well eh? the man is remarkable and worthy of your respect at least. the internet critiques lounge is always open i guess....
What about martinis and misanthropy
Anyone who thinks Ministry or NIN are industrial, listen in.
catchy
Hail the Order of the New Dawn
☠️🎼
I would like to see the expressions on extraterrestrials faces the moment they happen to catch this Terrestrial signal...
Hail the Order of the New Dawn *
Someone could explain what the difference using the side hole makes? I have very little experience listening to vinyls and this seems a important aspect of this oeuvre side by side the locked grooves.
the swirling movement turns from circular to elliptic, because of the off-centre hole, and that affects the sound. To try it on 78 implies that the arm on your turntable is steady and sturdy ....
which center hole was this recorded with
needs to be heard on wax, not this trivial medium.. but hey ho.. I can still sense the frustration trying to start his car.. and if you don't like it ? then don't listen to industrial mvzak.. eazy az that
Boyd Rice is God.
20:05 appears to be the end of the first playthrough, then it switches on to the second hole
nope, same hole but at 45rpm,
FUCK YEAH!!
anyone remember ND magazine
14:11
I am mixing an actual new-age pagan song as muzak - as a joke for a friend, with a video of an elevator -- so of course I figured I better google "pagan muzak"....
Agree with comments - this is quite amazing, very trancey at times -- and then not.... 10:20ff
someone explain to me how this is the full album?
shouldn't there be 17 different videos to this?
3:00 reminds me of old TRS-80 computer program tapes.
and is that the opening note to Laurie Anderson's Sweater song?
I think it's all 17 tracks played in succession. But it would be more useful if it listed the speed and which hole itls playing on.
The album of course is endless because of its loops. The listener decides its end. The record here is played at the center hole first with 33 than with 45 rpm
I no longer love your eyes...
The most basic noise album ever conceived in noise history lol wow, such profound dynamic sound right here! 😆
Is this album a prank? Or are there really people who enjoy such noices?
We really do enjoy it
We enjoy it
@@terminal0012 Really? I can´t understand that. But tastes are different.
W. Burroughs done it better and before
wtfuckingfuq
This is actually my least favorite album by him. It's just like a collection of sound effects rather than noise music. Kind of boring really, unlike The Black Album.
i didnt like the sound
metal machine music was better
Worst cd ever!
CD? Lol
ma che mierda.
If you knew anything about vibrations, frequency, and the occult you would not listen to this garbage. Listen to this over and over and you might develop depression or be less happy than you would be. This is like a fucking headache ripping your energy flow apart
This is pure crap. Maybe one of the top 10 worst albums ever made. It sounds like a vacuum cleaner. You would think they could atleast make the sound not repetetive and carry rhythms .so thinking could be involved. In fact a vacuum cleaner has alot more of a progressive environment than this. 😀
Have you ever turned on the radio?
@@IGyannisb yeah i agree the radio is top tier garbage
the album has a meanin: god is dead. end of discussion.
it's repetitive noise ad nauseum into infinity. just like the worth of your life.
thank you for the proofs that people who feel that they are thinking deeply while listening to complicated music are actually failing at doing both.