The inimitable Neil Peart (R.I.P.) once said it's about "M.U.S.I.C. - Make Up Something Interesting & Complimentary". That appears to sum it up pretty well.
He's like a boy that before he went to bed wished he'd wake up as an amazing guitarist and have loads of great gear. And when he woke up it came true 😂
Same, I left a similar comment on a recent video. He's doing that thng again where he'll play something then his little face lights up with joy as if he never expected it...little Pikachu face, it's amazing.
This is great. "Leave space" @ 22.00. Well, check out how Tim tackled this in the mid 80s with Idle Cure. That sololike thing in "Hungry Heart"@ 2.11, leaving space, cueing up for that saxophone solo, with his masterful use of the beloved volume pedal. Doesn´t get very much musical than this. And hey, this was 35 years ago. Thx!
Love hearing you sweat throught your basic thoughts and mileage ideas. Living the dream In LA is so cool. I left (another story). I learned all my modes using Minor Aeolian in its first position. The penta blues thing. Then learned all the boxes so i could play min blues and natural min all over. Then learned F#m is the same as A major and wha-La lol... instantly knew all maj modes and maj blues. Lol... then I noticed starting each box in same root say 5th fret A, was A ionion, A Dorian, A phyrigian, A lydian, A mixolydian, A Aeolian, A locrian. Then I noticed lol... you can just take Min 1 position could be moved 1 whole position to start a new mode also! The I had all modes anywhere I wanted to punch into a maj or min mode. Learned about what whole half, half whole, aug, (symetericals etc) Mainly learned all that from just learning Min Pentatonic to natural minor 1st position. Lol since then I just love to play... and then went to become a doc of nursing yea. You know when we hear you play, we ser your smile... love the show never end !!! Thanks
Bon Jovi's Runaway was one of my favorite solos as a kid. It was only about a year or so ago that I found out that it was Tim who played it. It contains many aspects of what he's talking about here.
I got so much out of this. I read once that "contrast is the law of all art." Aside from being able to observe the master playing, what made the biggest impression on me was the concept of mixing the different contrasting elements (simple melody, intense blues/rock licks, and arpeggios) to paint a beautiful picture. And, of course the contrast between playing and leaving space. The great B.B. King, although he did not have Tim's versatility, understood that very well, and like Tim said, it captivates people. Thank you, Tim!
Elegant simplicity, Tim. Ran 15 minutes over on 2.5 hour rehearsal this Saturday morning, with professional (scale by the minute) musicians: Helping out our sound engineer with setup, commiserating, since we have three vocalists at stage front, backed by a choir of five, and instruments ahead of the singers (flute, oboe, violins, cello, trumpet, timpanist with crash cymbal and I'm probably forgetting some). Balancing gain (8 headset lav mics on singers, for example) between vocals and the variety of instruments is a challenge, but we enjoy it. Resetting the stage before Sunday morning's service, so as usual "Sound guys are always FILO," First In, Last Out... Thanks always, Charlie at 1st Pres downtown, Coeur d'Alene, tropical Idaho.
Such a great session guitarist and nice guy that generously shares his wealth of guitar knowledge , I learn something new every time I watch Tim's videos and I've been playin' for many years.
Did you ever play through an ADA MP1 pre amp when they were All the rage? I love mine. It’s my favorite thing in the world. Pawn shop Quadraverb and MP1=80’s tone for days!
Man, I can't express how much I appreciate this videos and videos like these. I had to create a new playlist and save it so I can revisit it...often. I'm so grateful that you take the time to create these videos and share your knowledge for free! Words can't express....cheers 🍻
At my age (62 if you must know ;)) I don't have any one favorite song or one favorite artist, because I have heard so much great music through the years; but, I have favorites, and Tim Pierce is certainly in that group.
I’m a few years older and am here too even so there are millions of other videos to chose from. I’m a subscriber and look forward to seeing a notification from his channel.
Of the handful of people that I consider true masters of the guitar, @Tim Pierce Guitar is probably the best of them in my opinion. Based just on the first 2 minutes of this video, I have to say, this is probably the best I've heard him sound too. There's just something so smooth, deliberate and magical about his touch. Thank you for taking the time to pass on some of your wisdom to us mere mortals. Blessings to you Tim!
I had a session yesterday and I kept your advise in the front of my mind( play sing song melodies, own the parts, vary pick attack and more ), happy clients and a couple pretty good solos that served the song, thanks Tim, you are an inspiration
Mr Tim, Hoping the week is treating you well and has started all good... Just wanted to check in from U.K. side as ever and just put forward my appreciation on this latest video; I really enjoyed the relaxed and hang vibe, and have found myself coming back numerous times already over this weekend just past to grab some more inspiration and joy! So many thanks indeed and I look forward as always to your next instalment 👊✌️ - Cheers, Sam
Thanks for a very informative session. Tim if you think about it to play the blues you need an under lying disguised anger. So bud respect and stay healthy all
My sax-playing friend does this thing where he gets up close to the mic and does this awesome breathy tone behind vocals. Not so much a back-and-forth as a “with”. It’s a treat to listen to.
Glad to hear it takes you a few hours to acclimate to a different guitar. They all become my favorites after playing them a day or so. If not, they probably need to be sold, specialty guitars being the exception. Tim, I love your playing and teaching about real-world issues!
Thanks again, Tim, for this vicarious window into my profession as I await the resumption of my own pro career. Thanks too for the knowledge you impart. I learn something new every video. And ultimately, thanks for the inspiration. I can't wait to get back in the woodshed every day after spending a few minutes on your channel. You are greatly appreciated over here in PA.
The man always looks so incredibly surprised, as if he's being held hostage and someone else's hands are playing and he's just totally amazed that it's all making glorious music!!! I love it!!!
You're a fantastic teacher. I'll join your masterclass as soon as I learn the fretboard. Been playing for almost 50 years and NOW... lol - it becomes important. What's the most effective way of learning the fretboard? I know the obvious ones... after that I do my little modal dance.. all by ear.
Lol talk about the mode, a few target spots... i can see you vacillate maj min positions... i have to go find your and Josh Smith's video... fun time! Ty
Another thing about playing a solo on one string is the sound quality matches from note to note. If you think of each string as a flute, the consistancy of the notes' sound are comforting. But when a melodic line is diced up on multiple flutes/strings, the line is a bit jarirng if you play the two versions next to each other. It probably only makes a dif for melodic hook that is the identifier for the tune.Also, the top three strings sound closer in sound quality, as does the bottom three.
Can you please talk about your creative process when putting together the backing track? PS I’m a big fan of your philosophy, tone and overall playing!
just to emphasize - how do you put together the backing tracks? what are you using to record and who are you recording (all you?, Apple Loops?, friends who are in isolation ?)
Best advise I've heard to avoid stressing over the theoretical technicalities of modes and to concentrate on playing along! to songs you like. Learning to fit in with the instruments in a commercially produced recording is what has drawn me to continued to play. I avoid strict covers but steal all the licks I can.
Tim, your playing is incredible and smooth. Would love to hear you and Rick Beato just jam. I've watched quite a few videos with the two of you (and or a 3rd person) sitting around talking about guitars and gear with your guitars on your laps. I'm here going... shut up and play! (not really, because I love the discussion, too, but play more!).
For anyone struggling with the names of the modes or their order... I = Ionian Don’t = Dorian Play = Phrygian Like = Locrian My = Mixolydian Aunt = Aeolian Lynda = Lydian Except Lynda is my mom and that causes issues, but that’s just my world.
TIM: Please do a video on TOY MATINEE. I know you cant play the songs, but we really want to hear the whole story. You always say what an important part of your career it was. TELL US! PLEASE?
Another great Video Tim. I have learned so much from you over the years as a benchmark - more specifically - how to play cleanly on recordings. REALLY great tips on this video. Keep up the excellent videos.
I love the you use delay. It's inaudible while you are playing then we hear the trails faintly fading into the background within a few repeats when you stop playing. When I first started using effects, my delay was too up front, but over time, as I matured as a guitarist and figured out how to use it tastefully, I started to do the same thing. Occasionally, I use delay thats a bit more prominent, but usually thats a really short slapback to create a doubling effect or if I'm doing a part where I am trying to harmonize with the repeats.
I like to start a solo with a brief reminder of the the most memorable part of the melody and then maybe a variation or a re-harmony. That mental activity then stimulates my response t what I hear myself play. After that 'I'm lost in playing along with that "new guy" who wasn't much noticed when the other instruments were carrying the song. I prefer not to have to carry the song unless I'm the singer and my own primary accompanist.
One of the best guitar player id seen… im self taught but cant get any further hahah… Tim did you got guitar lessons? Or just self taught along the way?
Awhile ago I bought your signature pedal. Really nice sounds and flexible, but I don’t see you playing it. Have you found something that you like better or grown tired of it?
Love your show! I always wonder, since I have tinnitus, how loud is it in your studio when you're playing? I see you have in ear monitors. I just hope your ears aren't ringing yet. Peace and love, brother!
Tim, do you have a video about setting up the perfect delays? If not can you? People like Larry Mitchell, Andy Timmons, and yourself can really dial it in sweet. Sort of rounds and softens it rather than specific echo. Oh wait you just mentioned it! @ 34:00. LOL?
Tell us about working with Amanda Marshall. Now that I know it was you playing guitar on either just Dark Horse or the full album......she is often overlooked.
Leave spaces... Frampton does this. He plays like a vocalist or a horn player. Singers and horn players HAVE to breathe, and so it’s natural for them to play that way. Guitarists and keyboardists don’t have that natural restriction, and that’s why they tend to just “keep playing”. So, just breathe... stop to take a breath and smell the roses. Let it build, bit by bit, and THEN you climax to a killer solo riff... then you breathe again. 😉😎🎸🎼🎶🎵
The inimitable Neil Peart (R.I.P.) once said it's about "M.U.S.I.C. - Make Up Something Interesting & Complimentary". That appears to sum it up pretty well.
The sheer joy Tim displays when he plays is awesome!
He's like a boy that before he went to bed wished he'd wake up as an amazing guitarist and have loads of great gear. And when he woke up it came true 😂
I think someone comments this on every one of Tim's videos, and I never get tired of seeing it (the comment or the joy)
It makes me happy to watch a listen.. You can tell he really enjoys doing these live streams.
Super inspiring.
Same, I left a similar comment on a recent video. He's doing that thng again where he'll play something then his little face lights up with joy as if he never expected it...little Pikachu face, it's amazing.
This is great. "Leave space" @ 22.00. Well, check out how Tim tackled this in the mid 80s with Idle Cure. That sololike thing in "Hungry Heart"@ 2.11, leaving space, cueing up for that saxophone solo, with his masterful use of the beloved volume pedal. Doesn´t get very much musical than this. And hey, this was 35 years ago. Thx!
Love hearing you sweat throught your basic thoughts and mileage ideas. Living the dream In LA is so cool. I left (another story). I learned all my modes using Minor Aeolian in its first position. The penta blues thing. Then learned all the boxes so i could play min blues and natural min all over. Then learned F#m is the same as A major and wha-La lol... instantly knew all maj modes and maj blues.
Lol... then I noticed starting each box in same root say 5th fret A, was A ionion, A Dorian, A phyrigian, A lydian, A mixolydian, A Aeolian, A locrian.
Then I noticed lol... you can just take Min 1 position could be moved 1 whole position to start a new mode also!
The I had all modes anywhere I wanted to punch into a maj or min mode. Learned about what whole half, half whole, aug, (symetericals etc)
Mainly learned all that from just learning Min Pentatonic to natural minor 1st position. Lol since then I just love to play... and then went to become a doc of nursing yea.
You know when we hear you play, we ser your smile... love the show never end !!! Thanks
Bon Jovi's Runaway was one of my favorite solos as a kid. It was only about a year or so ago that I found out that it was Tim who played it. It contains many aspects of what he's talking about here.
Jeff Beck concurs with the burst of speed importance for small areas, not stretched out over the neck
I got so much out of this. I read once that "contrast is the law of all art." Aside from being able to observe the master playing, what made the biggest impression on me was the concept of mixing the different contrasting elements (simple melody, intense blues/rock licks, and arpeggios) to paint a beautiful picture. And, of course the contrast between playing and leaving space. The great B.B. King, although he did not have Tim's versatility, understood that very well, and like Tim said, it captivates people. Thank you, Tim!
Honored for the invite and happy to hear the tones you emit...thank you Mr. Pierce
Elegant simplicity, Tim. Ran 15 minutes over on 2.5 hour rehearsal this Saturday morning, with professional (scale by the minute) musicians: Helping out our sound engineer with setup, commiserating, since we have three vocalists at stage front, backed by a choir of five, and instruments ahead of the singers (flute, oboe, violins, cello, trumpet, timpanist with crash cymbal and I'm probably forgetting some). Balancing gain (8 headset lav mics on singers, for example) between vocals and the variety of instruments is a challenge, but we enjoy it. Resetting the stage before Sunday morning's service, so as usual "Sound guys are always FILO," First In, Last Out... Thanks always, Charlie at 1st Pres downtown, Coeur d'Alene, tropical Idaho.
Experience and wisdom are king and Tim is giving both... how kind !!!! How cool !!!
Such a great session guitarist and nice guy that generously shares his wealth of guitar knowledge , I learn something new every time I watch Tim's videos and I've been playin' for many years.
Did you ever play through an ADA MP1 pre amp when they were All the rage?
I love mine. It’s my favorite thing in the world. Pawn shop Quadraverb and MP1=80’s tone for days!
Excellent point about playing over a song. Avoids boring solos.
Man, I can't express how much I appreciate this videos and videos like these. I had to create a new playlist and save it so I can revisit it...often. I'm so grateful that you take the time to create these videos and share your knowledge for free! Words can't express....cheers 🍻
Wonderful playing, Tim , like always!
At my age (62 if you must know ;)) I don't have any one favorite song or one favorite artist, because I have heard so much great music through the years; but, I have favorites, and Tim Pierce is certainly in that group.
I’m a few years older and am here too even so there are millions of other videos to chose from. I’m a subscriber and look forward to seeing a notification from his channel.
Of the handful of people that I consider true masters of the guitar, @Tim Pierce Guitar is probably the best of them in my opinion. Based just on the first 2 minutes of this video, I have to say, this is probably the best I've heard him sound too. There's just something so smooth, deliberate and magical about his touch. Thank you for taking the time to pass on some of your wisdom to us mere mortals. Blessings to you Tim!
I had a session yesterday and I kept your advise in the front of my mind( play sing song melodies, own the parts, vary pick attack and more ), happy clients and a couple pretty good solos that served the song, thanks Tim, you are an inspiration
Thank you! Watched all your videos over and over again. I have learn so much from you. I would say my playing/recording improved over 10x. Thanks
This was one of the best episodes I’ve seen from you. THANK YOU SO MUCH !
Great video as usual as I work out this morning.Now off to church service and use some of your tips.
I always learn so much from you Tim! Thank you and love the hat, great skateboard company.
Mr Tim, Hoping the week is treating you well and has started all good...
Just wanted to check in from U.K. side as ever and just put forward my appreciation on this latest video; I really enjoyed the relaxed and hang vibe, and have found myself coming back numerous times already over this weekend just past to grab some more inspiration and joy!
So many thanks indeed and I look forward as always to your next instalment 👊✌️ - Cheers, Sam
You are so inspiring Tim. Love your style of playing and phrasing. Regards T. Oz.
Thanks for a very informative session. Tim if you think about it to play the blues you need an under lying disguised anger. So bud respect and stay healthy all
Great job as always Tim. Thanks for doing these.
My sax-playing friend does this thing where he gets up close to the mic and does this awesome breathy tone behind vocals. Not so much a back-and-forth as a “with”. It’s a treat to listen to.
Excellent tips and advice. Tim you are such a tastefull player. Great tone aswell.
The spaces give energy lifts and falls emotionally, super good point Tim....git down .....not bad for a ol lobo😉..hehe..❤
The curtains! I love the motel room ambiance. Holiday Inn Décor Rocks Man!
Glad to hear it takes you a few hours to acclimate to a different guitar. They all become my favorites after playing them a day or so. If not, they probably need to be sold, specialty guitars being the exception. Tim, I love your playing and teaching about real-world issues!
Excellent Tim. You’re a master influence on me my friend, thank you
the Master at work ..great info and advise !
I have been watching for quite some time now and have finally come to a conclusion... you are way better than me!
Lol. I figured that out pretty soon after listening to him the first time.
Thanks Tim , I agree with you - love the Livestream thing !
Tim, your tone is always perfect, no matter which guitar you're playing. That's the simplest way to put it.
Thanks again, Tim, for this vicarious window into my profession as I await the resumption of my own pro career. Thanks too for the knowledge you impart. I learn something new every video. And ultimately, thanks for the inspiration. I can't wait to get back in the woodshed every day after spending a few minutes on your channel. You are greatly appreciated over here in PA.
The man always looks so incredibly surprised, as if he's being held hostage and someone else's hands are playing and he's just totally amazed that it's all making glorious music!!! I love it!!!
I really appreciate the comment!. Thank you.
Love The Sound of the PRS Guitar We Don't have them in South Georgia Just Fender and Gibson !
You're a fantastic teacher.
I'll join your masterclass as soon as I learn the fretboard.
Been playing for almost 50 years and NOW... lol - it becomes important.
What's the most effective way of learning the fretboard?
I know the obvious ones... after that I do my little modal dance.. all by ear.
Lol talk about the mode, a few target spots... i can see you vacillate maj min positions... i have to go find your and Josh Smith's video... fun time! Ty
Another thing about playing a solo on one string is the sound quality matches from note to note. If you think of each string as a flute, the consistancy of the notes' sound are comforting. But when a melodic line is diced up on multiple flutes/strings, the line is a bit jarirng if you play the two versions next to each other. It probably only makes a dif for melodic hook that is the identifier for the tune.Also, the top three strings sound closer in sound quality, as does the bottom three.
We love u! You rock, Tim!!
Intro track Sounds like a Carlton tune(sunrise)sped up
Feels like old Allman Bros to me. Thanks for making my day bluer.
I am a relative beginner and at a MUCH lower level but all the tips he gives I was doing naturally, so it's a great reinforcement.
Great Tim. Love your work man.
I came for the wisdom and stayed for the face grimaces. Love Tim's insights.
Can you please talk about your creative process when putting together the backing track?
PS I’m a big fan of your philosophy, tone and overall playing!
just to emphasize - how do you put together the backing tracks? what are you using to record and who are you recording (all you?, Apple Loops?, friends who are in isolation ?)
Thx Tim. Good stuff!😊👍🎸
Always exceptional content. Thanks.
Best advise I've heard to avoid stressing over the theoretical technicalities of modes and to concentrate on playing along! to songs you like. Learning to fit in with the instruments in a commercially produced recording is what has drawn me to continued to play. I avoid strict covers but steal all the licks I can.
Tim, your playing is incredible and smooth. Would love to hear you and Rick Beato just jam. I've watched quite a few videos with the two of you (and or a 3rd person) sitting around talking about guitars and gear with your guitars on your laps. I'm here going... shut up and play! (not really, because I love the discussion, too, but play more!).
For anyone struggling with the names of the modes or their order...
I = Ionian
Don’t = Dorian
Play = Phrygian
Like = Locrian
My = Mixolydian
Aunt = Aeolian
Lynda = Lydian
Except Lynda is my mom and that causes issues, but that’s just my world.
Haha
Lydian and locrian should be switched.
TIM: Please do a video on TOY MATINEE. I know you cant play the songs, but we really want to hear the whole story. You always say what an important part of your career it was. TELL US! PLEASE?
Another great Video Tim. I have learned so much from you over the years as a benchmark - more specifically - how to play cleanly on recordings. REALLY great tips on this video. Keep up the excellent videos.
Tim, I love your set-up. The "cockpit."
My favorite of yours so far. Thank you for the tips. PS. I think Carlos Santana would approve of the faces you make while soloing!
Love everything you do man! One of your best yet!
Awesome riffs, really love to listen to this music. :)
Always enjoy your streams Tim , thanks for inspiring all of us !🙏and ahh, you probably will be there for another 4 hours lol 😆
Tim Pierce, you Rock, thank you!
This is beautiful, top level stuff man.
I love the you use delay. It's inaudible while you are playing then we hear the trails faintly fading into the background within a few repeats when you stop playing.
When I first started using effects, my delay was too up front, but over time, as I matured as a guitarist and figured out how to use it tastefully, I started to do the same thing.
Occasionally, I use delay thats a bit more prominent, but usually thats a really short slapback to create a doubling effect or if I'm doing a part where I am trying to harmonize with the repeats.
Thank you for your generosity Tim. Always open with immaculate advice
Excellent Tim!
I like to start a solo with a brief reminder of the the most memorable part of the melody and then maybe a variation or a re-harmony. That mental activity then stimulates my response t what I hear myself play. After that 'I'm lost in playing along with that "new guy" who wasn't much noticed when the other instruments were carrying the song. I prefer not to have to carry the song unless I'm the singer and my own primary accompanist.
Great way to present your talents!!
I come for the music, I stay for the gurning!
Thanks Tim
in 1976 Ronnie Van Zant said the singer is the song.
Always have the best intro video
Such great feel
Vintech is still in business. I love my X81.
Omg I finally feel like I understand modes! You are so right, learning the major/minor scale up and down the neck first really helped me.
Great info! Thank you!
"When I got my Diezel...that's the Tool."
(pun intended)
So hard not to do what you called "wall to wall". I must get me one Leave Space! - sign.
One of the best guitar player id seen… im self taught but cant get any further hahah… Tim did you got guitar lessons? Or just self taught along the way?
Hey Tim ! Id love to hear your take on How your delay focus compares to early Eddie delay Use …
I just got me the Nobels ODR-1 ... WOW!! Rockin pedal this one is.
Thank you Tim
Awhile ago I bought your signature pedal. Really nice sounds and flexible, but I don’t see you playing it. Have you found something that you like better or grown tired of it?
Love your show! I always wonder, since I have tinnitus, how loud is it in your studio when you're playing? I see you have in ear monitors. I just hope your ears aren't ringing yet. Peace and love, brother!
This is great content. Thank you.
Thanx Tim... that wuz great...
cheers
Could use some more cowbell ...
everything is better with cowbell
You are too generous with your insight
Lydian!!! You're gonna use lydian if you're cool!!! 😎 nothing cooler than the #4
Yep I forgot Lydian that is one of my most fun modes and I won't forget again
Tim, do you have a video about setting up the perfect delays? If not can you? People like Larry Mitchell, Andy Timmons, and yourself can really dial it in sweet. Sort of rounds and softens it rather than specific echo. Oh wait you just mentioned it! @ 34:00. LOL?
Tell us about working with Amanda Marshall. Now that I know it was you playing guitar on either just Dark Horse or the full album......she is often overlooked.
Great lead work as always, but I'm really digging those pulsing (staccato?) chords in the backing track. Finger-picked each time or a delay pattern?
Michael Schenker is the king of 3 finger playing!
Noticed you mention loving a white es335 from norm’s, did u mean the 345? Remember seeing u jamming on one in a video on his channel.
chiaroscuro the #1 rule I learned from Jeff Beck!
Love you musicality man, how can i get hold of your music?
If Dora Plays Like Me All’s Lost.
I always keep that in mind. First letter of each word is a mode.
I Don’t Play Loud Music After Lunch
@@rowdy3837 ooooh! That’s a good one!
thanks for the inspiration. it,s great
Can I ask what amp do you use here?
Leave spaces... Frampton does this. He plays like a vocalist or a horn player. Singers and horn players HAVE to breathe, and so it’s natural for them to play that way. Guitarists and keyboardists don’t have that natural restriction, and that’s why they tend to just “keep playing”. So, just breathe... stop to take a breath and smell the roses. Let it build, bit by bit, and THEN you climax to a killer solo riff... then you breathe again. 😉😎🎸🎼🎶🎵