Very nice! I’m thinking it would also be cool to make this a custom action. Select any track and run it, it would duplicate the track put a first preset on it with just attack, then move to duplicate and put the second preset on it :)
or, if someone could make Transient Splitter JS plugin which would send Attack on one stereo channel and Sustain on another stereo channel, then just do two sends to whatever new tracks - and make this a template ;)
Using an agressive comp on room and even saturation is my favorite trick for drums. You can circumvent 1175 minimum attack and release settings by typing in values directly to input boxes. Low values provide a nice saturation. Then blend it with dry signal. Be mindful of the low end.
There have been very modern Transient Splitting VST released this year, like Eventide Split EQ and Physion 2, WaveFactory Quantum. Not native, not cheap, but extremly powerful !
Love your videos Kenny!! May I be so bold as to suggest a video with some tips on using the ReaInsert...... I would love to see how you would incorporate outboard rack gear and/or perhaps a Mixing Console, with Reaper Thanks a bunch, fella :)
Amazing as always. Kenny Gioia Would you please give us drum mixing serious like this, vocal processing series...etc.. Reaper is a mature DAW, not any more about reaper. we would like to see Professional projects being mixed, being deconstructed in reaper. and we Know Kenny Gioia is a Grammy Nominated Producer and song writer. Bring us the projects in reaper like any other Major DAWs. Big Respect
Josh Schroeder is one of the biggest producers/engineers in metal and has been using Reaper for well over a decade doing some of the biggest bands in those genres. There are some videos of him going through his sessions and mixing etc...
@@MediaBoy13 Thank You. I will follow him. Yes, I wonder why most Reaper power users are rock/metal affiliated. Do you know any one else in Pop music using reaper as a main DAW? I really Apricate your kind responses.
@@ethio-gugs I think Reaper appeals to metal and rock musicians for a couple of reasons. It's free 60 day trial period (which is still able to be used for an indefinite period) is more appealing that a pricier, "industry standard" such as Pro-Tools or Cubase. Most musicians these days can get an interface for a cheap price and plug their guitar or bass in to record straight to Reaper and program drums or bass, which is incredibly ideal for bands to record demos or artists to make music in their bedroom. Reaper is a lot more "instrument friendly" compared to something like FL Studio or Ableton which are geared towards making beats and more rap/electronic/pop music due to the plugins, tools and synths that come readily available with them. With that being said, be the change you want to see and be that person who produces pop music with Reaper, good luck.
@@MediaBoy13 That is right. REAPER is both simple, cpu light weight and ofcourse complex. It depends on how you want it to be. It helps thanks a lot. I got to subscribe to you. We are reaper friends afterwards. Edit: subscribed
Isn't it simpler to just control transient/attack on the transient shaper itself instead of creating one track for each? I suppose there's merit on the idea of controlling it directly on the mixer, not sure if that's what Kenny's going for.
Yes. It's simpler. And unfortunately I didn't have the time in this video to show you all of the flexibility that my method can provide. For example, you can now EQ the attack and release completely different. Maybe the attack could be bright while the release is darker. Or vice versa. You can also add different amounts of reverb to each. Or different reverbs altogether. But the biggest thing for me is like you mentioned. When mixing, you don't want to have to keep opening your FX if you can help it. So with this method, you can do it all with the faders while you're mixing.
Love all that you do for Reaper users, Kenny. However, I'm curious about that ring in the sustain. Do people actually like that sound? It's very irritating to my ears.
That video unveils the whole new approach to mixing drums and treating transients/sustains of almost every sound. Mindblown! Thanks!
Only three minutes in and this is another game changing tutorial for me, thank you Kenny
Thanks Kenny! Another great tutorial from the Master of Reaper!
Very nice! I’m thinking it would also be cool to make this a custom action. Select any track and run it, it would duplicate the track put a first preset on it with just attack, then move to duplicate and put the second preset on it :)
or, if someone could make Transient Splitter JS plugin which would send Attack on one stereo channel and Sustain on another stereo channel, then just do two sends to whatever new tracks - and make this a template ;)
@@TazzSmk I thought of that too! The issue would be that you still have to run the plugin and make two receive tracks to get them as faders :)
@@IDDQDSound it could work within a track in basically same way you can use JS 3-band Splitter (then whatever plugins) and JS 3-band Joiner ;)
Using an agressive comp on room and even saturation is my favorite trick for drums. You can circumvent 1175 minimum attack and release settings by typing in values directly to input boxes. Low values provide a nice saturation. Then blend it with dry signal. Be mindful of the low end.
Great tip.
Excellent as always. Thanks Kenny
Kick A and kick S. Kick ass
Great stuff Kenny thanks so much for the post...
You never fail Kenny!!!!!!!! Awesome as always!!!!!!
There have been very modern Transient Splitting VST released this year, like Eventide Split EQ and Physion 2, WaveFactory Quantum. Not native, not cheap, but extremly powerful !
Thank you! I have not considered this before
Might want to rename this "Hot Chicks and Free Beer by Using Reaper", because my eyes rolled back on this one lol have to watch it I guess
Very useful! Thanks a whole lot Kenny 🙂
The only channel where I like the video and then I watch it ❤️
helpful as always , thanks kenny
Love your videos Kenny!!
May I be so bold as to suggest a video with some tips on using the ReaInsert......
I would love to see how you would incorporate outboard rack gear and/or perhaps a Mixing Console, with Reaper
Thanks a bunch, fella :)
"When the levee breaks, I'll have no place to stay..." ;)
5:43 kick a and kick ass.
Boom
Man, I did not picture that face on that voice! 😯
Kenny, as always very, very helpful! But, if it's not a secret, which VST drums are used in this project. Thanks! 👍
The free Steven Slate ones.
@@REAPERMania Oh, yes! This is the best sampler for me too. Thanks!
Thank you kindly
I like it!
What is overheads and room with MIDI programmed drums?
Drum software has those separated.
Amazing!
Really good. Thx.
Amazing as always. Kenny Gioia Would you please give us drum mixing serious like this, vocal processing series...etc.. Reaper is a mature DAW, not any more about reaper. we would like to see Professional projects being mixed, being deconstructed in reaper. and we Know Kenny Gioia is a Grammy Nominated Producer and song writer. Bring us the projects in reaper like any other Major DAWs. Big Respect
Josh Schroeder is one of the biggest producers/engineers in metal and has been using Reaper for well over a decade doing some of the biggest bands in those genres. There are some videos of him going through his sessions and mixing etc...
@@MediaBoy13 Thank You. I will follow him. Yes, I wonder why most Reaper power users are rock/metal affiliated. Do you know any one else in Pop music using reaper as a main DAW? I really Apricate your kind responses.
@@ethio-gugs I think Reaper appeals to metal and rock musicians for a couple of reasons.
It's free 60 day trial period (which is still able to be used for an indefinite period) is more appealing that a pricier, "industry standard" such as Pro-Tools or Cubase.
Most musicians these days can get an interface for a cheap price and plug their guitar or bass in to record straight to Reaper and program drums or bass, which is incredibly ideal for bands to record demos or artists to make music in their bedroom. Reaper is a lot more "instrument friendly" compared to something like FL Studio or Ableton which are geared towards making beats and more rap/electronic/pop music due to the plugins, tools and synths that come readily available with them.
With that being said, be the change you want to see and be that person who produces pop music with Reaper, good luck.
@@MediaBoy13 That is right. REAPER is both simple, cpu light weight and ofcourse complex. It depends on how you want it to be. It helps thanks a lot. I got to subscribe to you. We are reaper friends afterwards.
Edit: subscribed
Metal guys like Reaper because.... I mean.... it's named Reaper LOL
damn! that was a good one!
Isn't it simpler to just control transient/attack on the transient shaper itself instead of creating one track for each?
I suppose there's merit on the idea of controlling it directly on the mixer, not sure if that's what Kenny's going for.
Yes. It's simpler. And unfortunately I didn't have the time in this video to show you all of the flexibility that my method can provide. For example, you can now EQ the attack and release completely different. Maybe the attack could be bright while the release is darker. Or vice versa. You can also add different amounts of reverb to each. Or different reverbs altogether. But the biggest thing for me is like you mentioned. When mixing, you don't want to have to keep opening your FX if you can help it. So with this method, you can do it all with the faders while you're mixing.
Waves: good-bye ... 😅
Love all that you do for Reaper users, Kenny. However, I'm curious about that ring in the sustain. Do people actually like that sound? It's very irritating to my ears.
What DRUM vsti is this??
The free Steven Slate one.
@@REAPERMania which preset is it? sounds really awesome!
I don't even know what the title of this post means lol.
Early and glad
dude...
why do you slap yorself