Hearing just the end of the Atom Heart Mother Suite reminds me how much I really like it. I tend to forget about it, but it's really got its moments. I love how when the main theme comes back for the end, it's got kind of a new melody.
[continued:] The members of Pink Floyd met each other during their time as students at London Polytechnic [=University of Westminster, nowadays]. Playing with technical possibilities characterized their style from the beginning. With their concerts at UFO-Club, with their soundscapes and lightshows they gave life to the trend of psychedelia in pop-music, five years ago.
[continued:] --- [I hope you can figure out yourself what Waters is telling the interviewer even though it's barely audible] --- "Ummagumma" - reorded in 1969 when Pink Floyd's influence on the music scene began to unfold. They experimented with any type of sound effects, exploited any technical possibility, from collage to electronic distortion, they worked with all imaginable technical means and with the greatest efforts and thus [...]
[continued:] They always used to play around with any type of sonic element, musical quotes an references throughout the whole spectrum of music, mostly from an ironic an distant point of view but with "Atom Heart Mother" they seem to have exaggerated.
The only two things that make Pink Floyd and Tool similar is that one they are both Prog. Another is that they both don't rely on appearances of band instead they rely on the musical and visual aspect of their performances such as lighting, lasers and etc. I've had the chance to see Tool (great show) the whole time they are like playing in the dark, you can't really tell what they're face features are. Same thing with Floyd in the old days they played in the dark you couldn't tell who they were.
Alan Parsons only engineered DSotM: he had no composition credits and many of the ideas, like the samples in money are Waters. Bob Ezrin didnt do any composition in The Wall either, only musical arrangement.
Karl Heinz Stockhausen is a german composer. A pioneer in electronic and other music. His Kontakte is an awesome piece. Listen to that and you can see his influence MAYBE, on stuff like A Saucerful Of Secrets and other Floyd trip outs like the heavy experimental stuff like Sysphus for example.Good stuff if you give it a chance. There's more to experimentally minded music than the Floyd.
I tried to translate it for you, hope my english is not THAT poor. I did it in a hurry: Pomp instead of pop. Pink Floyd on tour in Germany: With a huge crew, a choir a Brass-Ensemble and a conductor, Pink Floyd got caught in their own mesh [uhmmm - that's the literal translation. Couldn't figure out a better translation. I means that they sort of reached a point of exaggeration in their own style]
[continued:] ...reached the point of perfection in artificiality, without losing the spontaneity and emotionality which gave its vitality to popular music. With time their music got more modern, more abstract and more complex - their worship for Karl Heinz Stockhausen [Who the HELL is that?] got palpable.
WTF was that amazing footage in the beginning! I want it!
I dont get why people think Roger's ugly, he's not. He has a unique beauty to him
Hes cute ❤
Atom Heart Mother is a masterpiece!
Hearing just the end of the Atom Heart Mother Suite reminds me how much I really like it. I tend to forget about it, but it's really got its moments. I love how when the main theme comes back for the end, it's got kind of a new melody.
This Is Gold !!!
[continued:]
The members of Pink Floyd met each other during their time as students at London Polytechnic [=University of
Westminster, nowadays].
Playing with technical possibilities characterized their style from the beginning. With their concerts at UFO-Club, with their soundscapes and lightshows they gave life to the trend of psychedelia in pop-music, five years ago.
Thanks for reminding me.
Are you saying I have a weird sense of beauty? Psh..I can see real beauty...
Roger looks like willy wonka
[continued:]
---
[I hope you can figure out yourself what Waters is telling the interviewer even though it's barely audible]
---
"Ummagumma" - reorded in 1969 when Pink Floyd's influence on the music scene began to unfold.
They experimented with any type of sound effects, exploited any technical possibility, from collage to electronic distortion, they worked with all imaginable technical means and with the greatest efforts and thus [...]
Nick=dead steady backing Rick=amazing organ skills!!
1:21 Are you crazy Roger?
at times, this beginning song sounds like Muse's "Knights of Cydonia"
[continued:]
They always used to play around with any type of sonic element, musical quotes an references throughout the whole spectrum of music, mostly from an ironic an distant point of view but with "Atom Heart Mother" they seem to have exaggerated.
Ha ha ha ha ha h thats what my Granny called Waters when she saw the "In the flesh" concert!!!
he had nice teeth ahahahahahah
yes... please do
if you look at some up to date photos of Bill Medley of the righteous brothers they look alot alike
what happen whit the people this video is amazing and there are only 47719 reproductions???
I usually hate the little thumbs up rants.
But thumbs up if Pink Floyd is your favorite band!
I wonder if the ladies in the chorus would have listened PF regurlarly.
I wish I was more fluent in german.
The only two things that make Pink Floyd and Tool similar is that one they are both Prog. Another is that they both don't rely on appearances of band instead they rely on the musical and visual aspect of their performances such as lighting, lasers and etc. I've had the chance to see Tool (great show) the whole time they are like playing in the dark, you can't really tell what they're face features are. Same thing with Floyd in the old days they played in the dark you couldn't tell who they were.
Alan Parsons only engineered DSotM: he had no composition credits and many of the ideas, like the samples in money are Waters. Bob Ezrin didnt do any composition in The Wall either, only musical arrangement.
Karl Heinz Stockhausen is a german composer. A pioneer in electronic and other music. His Kontakte is an awesome piece. Listen to that and you can see his influence MAYBE, on stuff like A Saucerful Of Secrets and other Floyd trip outs like the heavy experimental stuff like Sysphus for example.Good stuff if you give it a chance. There's more to experimentally minded music than the Floyd.
Hell yeah! Atom Heart Mother!
Daje Roger!
I tried to translate it for you, hope my english is not THAT poor. I did it in a hurry:
Pomp instead of pop. Pink Floyd on tour in Germany:
With a huge crew, a choir a Brass-Ensemble and a conductor, Pink Floyd got caught in their own mesh [uhmmm - that's the literal translation. Couldn't figure out a better translation. I means that they sort of reached a point of exaggeration in their own style]
It's ME!
[continued:]
...reached the point of perfection in artificiality, without losing the spontaneity and emotionality which gave its vitality to popular music. With time their music got more modern, more abstract and more complex - their worship for Karl Heinz Stockhausen [Who the HELL is that?] got palpable.
I know what the song is called, i've heard all PF albums. I just wanted to know what that footage was from? Is there more of it?
I actually think Roger is very hot, and I'm 15..
hahaha, im never sure with things lol :).. Well thanks for agreeing :D
Pink Floyd wrote "Dogs"
Pink Floyd wrote "Dogs".
@MrWittlez true that!!!
Hey! You stoped writing it! Yeay!
Luck you.
What's Apsies mean?
@TheBeatlefloyd But we can still look at Roger's prettyness!
Ugly? Hes beautiful
who the hell is karlheinz stockhauser?
Is there a version without the German over it?
can someone translate german to english?
Did you just write that on every video that has Roger Waters in it?
He's not ugly. He just looks like a really goofy cartoon charecter.
ENGLISH PLEASE :S
thats blasphemy
But I'm apart of the current generation and the music is really bad.