Omg my baby Yuzuru,is perfec, have a very talentc...sorry for my english, I am Mexican; jeje sorry and i not speking japanes. Bye😍😍 Posdat: I love Yuzuru.
Dear Yuzu-Mami sama, I couldn’t help myself to translate Yuzuru’s words. They are so precious. ^ - ^ (Upon arrival at the Incheon Airport in Seoul on 4 Feb 2020, about the program change) I was surprised to find (the program details for 4CC) in my biography on the (ISU) site. And yes, I am planning to perform Seimei and Ballad No1. (0:41) The reason (why I changed my programs) is, actually I have so much to tell you and cannot explain at this instant... but I think I chose them because both Seimei and the Ballad No1 are the programs with which I can show what I aim for as my own figure skating. And also I felt from the bottom of my heart that I want to skate ‘with’ these dearest programs. In that sense, they are the programs that let me be myself. (0:46 At Japanese skaters’ Interviews after the open practice) It was the first time I did the full run through of the B1 in front of everyone, so I was very nervous but I felt once again the strong commitment that I am skating this program. The figure skatining I am aiming for is not just to perform difficult elements. It’s not my way of ‘breathing’. I was like a little boy who was following the footsteps of Johnny Weir san and Plushenko san. I could not help but think that I could not perfect those programs as my own. When I felt that way, I thought maybe they are not quite who I am. When I think about my own skating, both Seimei and Ballad have become my dear little kids (^ - ^) that have records which could be talked about as legends into the future, so I wanted to leave them in their comfortable beds, if I could. (^ - ^ Oh dear, Yuzu.) I really felt that I could stay as ‘me’ (when I performed these programs). So I thought maybe it might be ok to borrow the power of these little people a little longer. (1:52 About the quadruple axel...) I think I had a good practice for the last one month. I have not been able to land yet but it is somewhat taking a better shape. I want to show everyone what my figure skating is. It’s not about ‘I want to improve’ or ‘I want to win’, but I want to perform my own figure skating as competitive sport. (2:15 At the car park of the 4CC venue on 5 Feb 2020) What I want most is to skate as I am. I felt suffocated inside myself after the Japan Nationals.....like...I thought hard about what figure skating actually was. It’s true that trying something difficult is fun, and challenging myself is fun, too. But it’s not just ‘having fun’ or ‘I want to succeed in something’. It’s actually that I am able to see/to feel the images of what I want to perform, or (to create) a fusion of music and jumps...those are what I liked about (figure skating). So Seimei and Ballad No1 are the programs that allowed me to do that, and I have not quite found better programs than these two that I can do that. (When did you decide to perform these two?) Hmmm (Ettooo = let me think) I think it was after the New Year. (3:08 After the SP at Fuji TV interview on 7 Feb 2020) Ettoo, so I am truly happy because I think I was finally able to put together my dearest jumps, steps and spins with which I am happy. Nanka ( = ...like..)I felt ‘this is it’...nanka... I am performing my own programs. (That is what )I felt once again... I did feel the pressure to not destroy the memory (of the Pyeongchang Olympics) but I sort of feel that I was able to perform in a way that creates a new memory?...to myself, that is. A sense of satisfaction?...mmm...how to say this...nanka...I really felt good... Now having performed Ballad No1 and being able to match all of my jumps with the music at exact moments, I feel that all the pain and efforts I have put in until now have finally come to fruition. Ah, nanka...For the first time in a long while, I felt so glad that I have kept skating. (4:41 After the competition during the Fuji TV interview on 9 Feb 2020) I really felt glad that I am skating...well, I did make mistakes but as far as the short program goes, I truly enjoyed performing, and (when I feel ) that sense of achievement, that special sensation, or that feeling of being able show who I am, I have nothing else but figure skating. I am so glad that I have been skating. (About the World Championships 2020 next month...) ...Ballad No1 is more like depicting the music but Seimei is...nanka...I want to show something more abstract, a kind of story?...so I will ganbarimasu (work hard) to be able to do that. (4:56 So...for regaining the World No 1 title?) Well, that... eventually maybe...but first I will make sure I do what I have to do. ( 5:07 After the FS at 4CC) To be honest, it took me a while to recover (since the Japan Nationals). (During that time) I have skated my old programs and felt the power that supports me and my feelings (passion?) were coming back without realising it. (5:23 About 4A) It’s nearly there. I am not sure how much physical damage I may still have after this ( I think he means ‘how quickly I can recover my physical strength after the competition’?), as soon as I recover I will start practising (4A). (5:26 Will you attempt 4A at the WC?) Yes, I intend to, at this moment...I cannot say with certainty because the hurdle (Yuzu calls it ‘the wall’) is quite high. (5:46) Seimei was the first program which I took part in choosing, editing the music and gradually shaping the image of what I wanted to do. And those kids ( ^ - ^ programs ) I have been performing after that, I have special feelings...They possess elements of what I myself want to show. (6:08) I think the emotion I convey (when skating Seimei ) is ‘smoother’ (than that of two years ago). (When performed Seimei at Pyeongchang) I imagined this Kekkai ( a devine zone ) and fighting against the unknowns...like driving them off. But this time, It was not that sharp...I had this ‘elevated view’ in a lot of sense while performing and ...It was because of the time I had not performed, it (Seimei) sort of matured? Maybe I was getting closer to the character of Abeno Seimei himself in the movie, Onmyoji. (6:38 Becoming a Super Slam titleholder) Well...let’s just forget about the FS for now...hehe...the SP was good (with the new world record)...and the Super Slam title comes on top of what the SP was...so well...alll and all, it probably means good...yes. And also, this sense of relief is what I feel most. (6:57 About the 4A) I don’t think the direction is wrong...this is the direction that I want to skate. I like this direction. The 4A is not about the level of difficulty, but more like my pride. I would be trying to aim for the highest difficulty levels that I can possibly try, while producing a seamless (flawless) program like the Ballad No 1. this time. I am sure everyone holds an image of the Seimei at the Pyeongchang Olympics, and I don’t want to destroy it too much...I want it to light everything up...not just powerful, but somewhat brighter, and with a sense of elegance? It’s really scary to perform the same program...because it is me that I am compared to...like the best ‘me’. I do feel fear. But I am always thinking to get higher...
Yuzuru decided to go back to Seimei and Chopin was a perfect move and with his new program Let me entertain you / Heaven and Earth are those masterpiece for generations to come.
纏めてくださりありがとうございます。今観ると蒼い炎Ⅲ究竟編と合致して羽生くんの想いが解り苦しくなります。そしてGift…幸せになって欲しいです。
インタビュー見せて頂きありがとうございます。見たことない物が多かったので凄く楽しめました。羽生くんは新たな未来に歩を進めましたが、これからも色々あげていただけると嬉しいです。
本番で結果を出せるのは、日頃の練習の賜物だと思います。
メンタルも相当追い込まれてるだろうに、何かいつもサラッと言ってのける羽生選手って素晴らしいですね！
色んな物を犠牲にしてるんだろうなと思います。
コメントを聞きながら、羽生選手続けてくれてありがとうって思いました。その素晴らしい作品を享受
途中で送ってしまいました。
享受出来ることに感謝しています。羽生選手の笑顔が見られて嬉しい😊健康に気をつけて❣️応援しています
ホントに改めてインタビューを未公開部分を合わせて…
全日本まで、ホントに辛かったんだのと、ゆづだって人間なんですよね！だけど…数々の出来ごとに弱いことを見せないんだよねぇ…
でも、試合中は色々言ってしまうと試合に影響するので…試合後は…辛かったこととかをスッって話してくれている…少し肩の荷が取れて来ているのかな？って思いました…
北京までは？だけど…代表枠を取るには、ゆづの力がまた必要だと思うと…あるのかな？
私達ファンは現役のゆづも大好きですけど…インタビューの中にあるように好きなスケートをただ続けて現役でも、プロになったとしても短いスケーター人生を楽しんでいて欲しい！そして、ケガと病気だけは…気をつけて欲しいですよね！🤗❤️
インタビューのまとめ、ありがとうございました！🤗❤️
羽生選手だからこそできる極め方。やはり他にはない発想と感性の持ち主だと思います。非常に楽しみ。
観ていただきありがとうございます。
結弦くんの真っ直ぐな志とスケート愛で、まだまだ美しい世界を見せてもらえそうですね。ワールドも楽しみですね！
ありがとうこざいます😊まとめて頂いて助かります。
健康で怪我なく滑れるように祈っています。羽生選手が報われるように願っています。
観ていただきありがとうございます。
ワールドまであと少し、結弦くんの信じる道で、思い描く演技ができますように…
大好きな結弦くんのイケボを堪能しました🤭コロナで不安な気持ちが、少し落ち着きました。結弦くんは、唯一の癒しです。ありがとうございます🤗
観ていただきありがとうございます。
不安なニュースが多いですが、結弦くんの演技を見たり、声を聴いたりしている時間は幸せですよね！
インタビューをまとめて下さってありがとうございます！💝
まとめてだと羽生くんの想いがより強く伝わってきて、胸に染み入りました。✨
羽生くんの言うSEIMEIの完成形を、どこかの機会で拝見できることを願います。
羽生くんがどうか元気で怪我なく、満足のいくスケートライフを過ごせますように🌟
観ていただきありがとうございます。
彼の言葉はどこを切り取っても素晴らしいですが、できることならノーカットで見たいですよね。
SEIMEIの完成形、またいつかどこかで見せてもらえるといいですね！
ゆづマミ さま
そうですね、カット無しで見たいですね☺️
試合後のプレスカンファレンスの動画なんかはカット無しだから見るの好きです💕英語の勉強にもなるし😆
ジャンプ、スピン、ステップ、たちを上手く使いこなし天使が踊っている様に綺麗てしたね.本当に羽生選手お疲れさまでした。
四大陸選手権は結弦くんの思い描くバラードが滑れて幸せそうでしたね。
フリーはまだ滑り込みが足りない感じでしたが、ワールドでは思い描く演技ができるといいですね！
ゆづマミ様四大陸現地応援お疲れさまでした。羽生選手のインタビューの表情が、柔らかく安心しました。世界選手権も、自分らしい演技が出来るように願っています。
至福の時間ですた・・・ありがとうございます。
はにゅうさんの気持ちに思いを馳せながら、何回もじっくり聞きたいと思います。
観ていただきありがとうございます。
彼の声で聴く言葉こそが「真実」なんですよね。
何度も彼の思いを噛み締めて下さいね。
有り難うございます。あっちこっち探して見ていました、助かる〜！
やっと取れた４月のチケット！今では半分諦めて、『コロナ』が羽生君に付きまとわない様に！我慢！
ワールドが心配です。見たい、けど止めて！という葛藤！
観ていただきありがとうございます。
私自身が彼の言葉を余すことなく聴きたいと思っているので、自分用に集めてみましたが、シェアしてよかったです！
ワールドまであと少し、まずは無事開催されることを祈り、そして結弦くんが思い描く演技で今シーズン締めくくれるようにと願ってます。
何かわかる😌素晴らしい有り難う❤
MADがあがるのを待ってました🙆有り難うございます 羽生くんのやりたいスケートを全力で応援します✨最高のプログラムです❤️これこそが、フィギュアスケートって思える。健康で練習ができてますように🍀
観ていただきありがとうございます。
今回はMADではなく結弦くんの言葉だけを繋いだ動画にしてみましたが、この方がダイレクトに彼の思いが伝わるかなと思いました。
ワールドまであと少しですね。また彼の思い描く演技が出来て、最高の幸せな瞬間を迎えてほしいと思います。
スーパースラム男子初って凄いな～本当におめでとうございます。これからも頑張るなんて嬉しいです。
まだまだ現役で戦い続ける彼を全力で応援したいですね。
@@ゆづマミ さん
うんうんそうだよね❗
Omg my baby Yuzuru,is perfec, have a very talentc...sorry for my english, I am Mexican; jeje sorry and i not speking japanes.
Bye😍😍
Posdat: I love Yuzuru.
インターまとめ有難うございます。羽生選手のこの子たちという表現が好きです。実は私も４月のチケットやっとの思いで取れたけど、コロナの影響でほぼほぼ諦めてます。
ゆづ君が健康であればそれで良いかと…
世界選手権スケートやってて良かったと思える演技が出来ます様に…
観ていただきありがとうございます。
結弦くんがこ「この子たち」と呼んで愛するプログラムをまた観ることができて幸せですね！
ワールドではどんな美しいスケートを見せてもえるか楽しみですね！
コロナの影響が心配ですが、早く落ち着いてアイスショーシーズンも無事迎えられたらいいですね。
キラ✨💍✨キラ
ユヅくん超格好いい～❤️❤️❤️
「バラ１」と「SElMEl」大好きなプログラムなので最高に嬉しかったです😍😍😍
ユヅくんの演技は一番美しく魅了されます🎵
怪我なくユヅくんが思う演技が出来ますよう祈っています✨✨✨
ゆづマミ様
素敵なユヅくん
ありがとうございました☺️
観ていただきありがとうございます。
結弦くんが「この子たち」と呼ぶ愛しいプログラムに戻して素晴らしいスケートを見せてくれたのが嬉しかったですね。
ワールドまであと少し、良い練習ができて思い描く演技ができるといいですね。
@@ゆづマミ 様
返信ありがとうございます🤗
特に「SElMEl」は姉が大好きなプログラムだったので本当に嬉しい🎵😍🎵です
姉に見せたかったです✨✨✨
ユヅくんが思う演技が出来ますよう願っています😊😊😊😊🤗
@@ゆづマミ さ
ゆづマミ様✨
囲み取材まとめありがとうございます✨💕韓国入りから時間を追っての流れになっていてとても嬉しいです✨（録画撮れたものと、撮れなかったものとありますので😅）
もうすぐ世界選手権✨無理なく思う練習が出来ておられますように✨✨✨進化されたバラ1、SEIMEI様に会えますように✨💕
観ていただきありがとうございます。
囲みインタは各局細切れで流れるので、なかなか全容がつかみにくいですよね。
テレビで流れた部分は全部集めてみたつもりですので、結弦くんの思いを噛み締めて下さいね。
世界選手権まであと少し、結弦くんの思い描く理想の演技ができるよう祈りましょうね！
ゆづマミ様✨
返信頂きありがとうございます✨💕一つ一つの言葉を聞きながら、思い悩んで目指すスケートを追い求めている姿がこちらも苦しくなるくらいですが、昨年の世界選手権後の“ご一緒に闘ってください”のお言葉を胸に置いて、この先も全力で応援いたしてまいりたいと思います✨💕
思うスケートの実現を祈ってまいります✨
でも、やっぱりFSが30秒削られたのは悲しい😢
『SEIMEI』が好きだからこそ、曲が短くなるのは寂しいです…
FSが30分短くなったのはルールの改悪だと私も思っています。
でも彼はそれでもSEIMEIをやりたかったのですね。この時間のない中で編曲をして、美しい部分を残したまま30秒短縮する作業と練習はどれほどの苦労だったかと思います。
彼がそこまでしてやりたかったSEIMEIが、ワールドでは最高の演技で締めくくれるように祈るばかりです。
Stay safe everyone,,corona virus everywhere..stay careful.
Dear Yuzu-Mami sama, I couldn’t help myself to translate Yuzuru’s words. They are so precious. ^ - ^
(Upon arrival at the Incheon Airport in Seoul on 4 Feb 2020, about the program change)
I was surprised to find (the program details for 4CC) in my biography on the (ISU) site. And yes, I am planning to perform Seimei and Ballad No1.
(0:41)
The reason (why I changed my programs) is, actually I have so much to tell you and cannot explain at this instant... but I think I chose them because both Seimei and the Ballad No1 are the programs with which I can show what I aim for as my own figure skating. And also I felt from the bottom of my heart that I want to skate ‘with’ these dearest programs. In that sense, they are the programs that let me be myself.
(0:46 At Japanese skaters’ Interviews after the open practice)
It was the first time I did the full run through of the B1 in front of everyone, so I was very nervous but I felt once again the strong commitment that I am skating this program.
The figure skatining I am aiming for is not just to perform difficult elements. It’s not my way of ‘breathing’. I was like a little boy who was following the footsteps of Johnny Weir san and Plushenko san. I could not help but think that I could not perfect those programs as my own. When I felt that way, I thought maybe they are not quite who I am.
When I think about my own skating, both Seimei and Ballad have become my dear little kids (^ - ^) that have records which could be talked about as legends into the future, so I wanted to leave them in their comfortable beds, if I could. (^ - ^ Oh dear, Yuzu.) I really felt that I could stay as ‘me’ (when I performed these programs). So I thought maybe it might be ok to borrow the power of these little people a little longer.
(1:52 About the quadruple axel...)
I think I had a good practice for the last one month.
I have not been able to land yet but it is somewhat taking a better shape.
I want to show everyone what my figure skating is. It’s not about ‘I want to improve’ or ‘I want to win’, but I want to perform my own figure skating as competitive sport.
(2:15 At the car park of the 4CC venue on 5 Feb 2020)
What I want most is to skate as I am. I felt suffocated inside myself after the Japan Nationals.....like...I thought hard about what figure skating actually was.
It’s true that trying something difficult is fun, and challenging myself is fun, too. But it’s not just ‘having fun’ or ‘I want to succeed in something’. It’s actually that I am able to see/to feel the images of what I want to perform, or (to create) a fusion of music and jumps...those are what I liked about (figure skating). So Seimei and Ballad No1 are the programs that allowed me to do that, and I have not quite found better programs than these two that I can do that.
(When did you decide to perform these two?)
Hmmm (Ettooo = let me think) I think it was after the New Year.
(3:08 After the SP at Fuji TV interview on 7 Feb 2020)
Ettoo, so I am truly happy because I think I was finally able to put together my dearest jumps, steps and spins with which I am happy. Nanka ( = ...like..)I felt ‘this is it’...nanka... I am performing my own programs. (That is what )I felt once again...
I did feel the pressure to not destroy the memory (of the Pyeongchang Olympics) but I sort of feel that I was able to perform in a way that creates a new memory?...to myself, that is.
A sense of satisfaction?...mmm...how to say this...nanka...I really felt good... Now having performed Ballad No1 and being able to match all of my jumps with the music at exact moments, I feel that all the pain and efforts I have put in until now have finally come to fruition.
Ah, nanka...For the first time in a long while, I felt so glad that I have kept skating.
(4:41 After the competition during the Fuji TV interview on 9 Feb 2020)
I really felt glad that I am skating...well, I did make mistakes but as far as the short program goes, I truly enjoyed performing, and (when I feel ) that sense of achievement, that special sensation, or that feeling of being able show who I am, I have nothing else but figure skating. I am so glad that I have been skating.
(About the World Championships 2020 next month...)
...Ballad No1 is more like depicting the music but Seimei is...nanka...I want to show something more abstract, a kind of story?...so I will ganbarimasu (work hard) to be able to do that.
(4:56 So...for regaining the World No 1 title?)
Well, that... eventually maybe...but first I will make sure I do what I have to do.
( 5:07 After the FS at 4CC)
To be honest, it took me a while to recover (since the Japan Nationals). (During that time) I have skated my old programs and felt the power that supports me and my feelings (passion?) were coming back without realising it.
(5:23 About 4A)
It’s nearly there. I am not sure how much physical damage I may still have after this ( I think he means ‘how quickly I can recover my physical strength after the competition’?), as soon as I recover I will start practising (4A).
(5:26 Will you attempt 4A at the WC?)
Yes, I intend to, at this moment...I cannot say with certainty because the hurdle (Yuzu calls it ‘the wall’) is quite high.
(5:46)
Seimei was the first program which I took part in choosing, editing the music and gradually shaping the image of what I wanted to do. And those kids ( ^ - ^ programs ) I have been performing after that, I have special feelings...They possess elements of what I myself want to show.
(6:08)
I think the emotion I convey (when skating Seimei ) is ‘smoother’ (than that of two years ago). (When performed Seimei at Pyeongchang) I imagined this Kekkai ( a devine zone ) and fighting against the unknowns...like driving them off. But this time, It was not that sharp...I had this ‘elevated view’ in a lot of sense while performing and ...It was because of the time I had not performed, it (Seimei) sort of matured?
Maybe I was getting closer to the character of Abeno Seimei himself in the movie, Onmyoji.
(6:38 Becoming a Super Slam titleholder)
Well...let’s just forget about the FS for now...hehe...the SP was good (with the new world record)...and the Super Slam title comes on top of what the SP was...so well...alll and all, it probably means good...yes. And also, this sense of relief is what I feel most.
(6:57 About the 4A)
I don’t think the direction is wrong...this is the direction that I want to skate. I like this direction. The 4A is not about the level of difficulty, but more like my pride.
I would be trying to aim for the highest difficulty levels that I can possibly try, while producing a seamless (flawless) program like the Ballad No 1. this time.
I am sure everyone holds an image of the Seimei at the Pyeongchang Olympics, and I don’t want to destroy it too much...I want it to light everything up...not just powerful, but somewhat brighter, and with a sense of elegance?
It’s really scary to perform the same program...because it is me that I am compared to...like the best ‘me’. I do feel fear. But I am always thinking to get higher...
Thanks for the effort of having to translate all his thoughts..Appreciate that.
Thank you for translating! I am very grateful to you!
ゆづマミ Thank YOU for uploading!!! ありがとうございます😊 余計なお世話をしたかと少し心配していました。
Thank you so much. It's really helpful.
Yuzuru decided to go back to Seimei and Chopin was a perfect move and with his new program Let me entertain you / Heaven and Earth are those masterpiece for generations to come.
❤️❤️🌹🌹🌹🌹🌹
Thank you for watching 💕
観ていただきありがとうございます！
Please stay 10 ft away from Yuzuru to keep him safe from the Covid 19
Yes pls. Keep him safe...