ฝัง
- เผยแพร่เมื่อ 7 ก.พ. 2025
- Voici la 6ème interview du Clou du Spectacle avec en guest le comédien du spectacle Une vie sur mesure : Axel Auriant ! Cette pièce est prolongée jusqu'au 30 Juin au Théâtre du Tristan Bernard.
N'hésitez pas à me faire un retour sur cette vidéo en commentaire ! Toutes les critiques sont bonnes à prendre. Et si vous avez des coups de coeur théâtre à partager, dites le moi !
La page facebook d'Une vie sur mesure : / spectacle-une-vie-sur-...
Ma vidéo de présentation de ce spectacle : • Le Clou du Spectacle #...
Si l'envie vous prend de me suivre sur les réseaux sociaux, c'est par ici :
Facebook : / leclouduspec. .
Twitter : / val_och
Instagram : / val_och
Des bises, venez au théâtre ! On est bien. - บันเทิง
when you don't understand everything but you just watch cause its axel
Axel est talentueux c'est vraiment incroyable. Et puis il est super posé, il s'exprime tellement bien bref merci skam France Pour cette découverte. Et puis la journaliste pose des questions vraiment pertinente j'aime beaucoup!
Merci et bienvenue sur la chaine alors !!
Je redécouvre Axel à chaque interview que je vois. Il est ouvert d'esprit et a une façon de s'exprimer qui est passionnante ! Merci pour cet interview
Axel a l'air aussi attachant que le personnage qu'il campe sur scène. Merci pour cette interview tu poses des questions intéressante et tu met à l'aise l'"interviewé" autant que le "spectateur", on se croirait presque assis avec vous deux :)
Si c'est l'effet que ça te fait, alors mon objectif de vulga et de proximité avec le public est atteint. MERCI !
Je viens de tomber sur cet Interview, et c'est vraiment super bien fait. Autant je connaissant Axel en tant qu'acteur avec la série skam (comme beaucoup ici) mais le côté d'acteur et de musicien ensemble, je le trouve sincère et touchant.
Et cette vidéo est super, car je sens beaucoup de bienveillance des deux côtés, de la sincérité, et c'est vraiment touchant.
Je ne connaissais pas la personne qui Interview, et j'ai aussi un coup de cœur, enfin dans le sens où je la sens honnête et je vais regarder ses autres vidéos du coup.
Voilà merci, plein d'amour et vive les arts !
am here because of Lucas
Part 4:
J: Speaking of the relationship with the public, of which between the theatre and the public to prevent a little bit of the principle of the emission. Like, my goal with this show is to prove to the people who in my age, the people who are between 15 and 30 years old, that the theatre is something other than what they have learned in school. It’s something else than root and moliere, and French theatre scenes is really a whole range of shows. It allows to where they can go and with which they can feel at ease. I think that Une vie sur mesure is exactly like that. I think, it’s hyper accessible and I wanted to know exactly how you, for example, you talk to your friends, how you encourage them to come to the theatre either to come to see you or be able to see in general.
A: It’s true. What you said is very true. The theatre has an image a little old. We have a really old-fashioned image of the thing. It’s not the reality at all. But my friends, in general, I would say that what is great with the theatre is we really share something, I talk a lot of sharing but it’s really that, we talk about all the worries of the life, of the world, we laugh together about the things that touch us, and then we go through a range of emotions, so strong, so intense, that is Une vie sur mesure. As well as in other shows, we can laugh at the theatre, we can cry at the theatre, we can be amazed at the theatre, we can go from the magnificent shows of many magic things even to the French theatre at this moment which opens to many different things, and the theatre is great for the youth under 26 years old. They can buy ticket with just 10 euros in the public theatre, and it’s super alive, it’s a live show. I encourage everyone to go to the theatre.
J: Feel at ease.
A: Exactly.
J: Thank you so much for taking time with us and speaking about the theatre. Does it still continue?
A: Yes. It still continues.
J: Today is 28th April, and it still continues until 30th June. So all of you still have time until 30th June to watch it on Thursday or Sunday at 19h at Théâtre du Tristan Bernard.
A: Welcome all of you. And thank you so much for inviting me.
J: With pleasure.
A: See you soon.
J: See you soon and have a nice day. Have a nice day to all of you.
Superbe! C'est très intéressant j'aime bien ce format, les entrevues... merci! Je connais Axel Auriant que par la comédie et j'ai toujours trouvé qu'il avais beaucoup de talents, bonne continuation à lui pour la batterie aussi!😄
Merci beaucoup Alia !
I'm kinda confused about how he's so composed here when we all know he's a very funny, chaotic, living meme on IG 😂😂😂😂
Seems like he instantly liked the interviewer 😂
Super interview ! C'était très intéressant et les questions pertinantes.
J'ai découvert Axel avec Skam France et je l'adore vraiment. Il est super à l'aise et s'exprime super bien. Merci pour ce moment, cette pièce à l'air super bien !!
J'adore ton sourire en coin avec le sourcil qui remonte !! Je suis troop fan d'Axel !
Merci beaucoup pour tes gentils mots !!
Merci pour cette interview.
Bon courage pour la suite de tes vidéos
Merci beaucoup !!
Je connais Axel par skam !! Mais cette pièce à l air génial ! Est ce qu' il la joue encore ?
Il la joue en tournée oui mais je crois que c'est bientôt sur la fin !
my mec
English translation for anyone wants it. It's really really long =)). You're welcome :)
Part 1:
J: Hello everyone and welcome to the 6th interview. I welcome today with great pleasure Axel Auriant. Hello Axel.
A: Hello.
J: Since the beginning of the month, we spoke on the channel about the scene that you are playing at this moment named Une vie sur mesure . Before talking about the show itself, we will talk a little bit about you. I would like you to present about you, especially your career as a amateur comédien which is a little bit particular. Tell me.
A: Well, I started learning drum at 6 years old until I was 16 years old. I wanted to be a professional drummer. I was doing that and I really thought that. I drew drums on my notebooks. I even drummed in weddings and weekend to earn money. When I was 12, 13 years old, I had an opportunity to go into a company called La compagnie les sales gosses which was a professional company particular in children’s composing. So I compose a piece with this company and then I moved a little away from the theatre, and at 16 years old, I met my first love. I was dumped, first heart attacked, and at that time I had a really lightning encounter with the theatre. In high school, I studied plays, I had the opportunity to play scenes, and I found that it was great to be able to put the emotions in the bunch of text and under the cover of the words of someone else, to be able to free oneself of many things. I think it was a great experience, and from there I wanted to go to the theatre. So I kept the drum as passion, but I really wanted to be an actor in theatre first and foremost. So, with Une vie sur mesure, I am very happy because it gives me the opportunity to do both. The script really makes it possible to both have the impression of being an actor in theatre, and at the same time, have the impression of being a drummer and putting all of this to tell the story. So, I am very happy.
Salut Val! J'ai vu que beaucoup des gens sont venus ici à cause de la nouvelle série d'Axel, donc j'ai fait des sous titres anglais pour votre interview genial, si vous voulez les ouvrir. Vous êtes un interviewer magnifique, j'aimais bien les questions et tout ça! Bonne journée :)
Merci beaucoup c'est top !! Je suis entrain de vérifier les sous-titres, et je les publie dès que c'est fait :)
Part 2:
J: Can you tell us your own summary of that piece for those who haven’t seen that episode or who haven’t known it at all?
A: So, Une vie sur mesure is the story of Adrien Lepage, a young boy 17 years old who is passionate about drums, and who is autistic, who gets to open to the world with the drums. He feels alive again and shares all these moments when he grew up through the drums, be in his first encounter with his band, how it costs his first girlfriend with the drums. But it is a character who always staggered since everything is done through the rhythms, and really the only things which percussion in his head, in dance, in this autistic traits. That everything is done by sounds and rhythms. For example, he was slapping himself in class since he was disappointed because it was not in rhythm. So, it gives an overview of the character, and it’s very touching, it’s very funny, and we go through a palette of very strong emotions from laughter to tears, and this play, it’s great, because all the time we’re in the discovery, and I really like this character and his scenes.
J: So, this is a role you recently took for the festival of Avignon 2017. It must have been a sacred challenge for you to resume a role played by Cedric Chapuis for ten years. It’s still a certain notoriety. So I guess it could have been a pressure for you to take over the role. How did you play with all pressure, how did you play that role, how?
A: It is true that there were two phases. There is the first phase I was super happy. I said to my parents, we party, I took the only role on stage. I will play at Avignon. It’s true, I was very candid on the subject. I had heard about the festival of Avignon but I don’t really know what it was, and so, I was very happy. And then, the second phase, that I was always very happy but when I became aware of that, it was already playing alone on stage, and in addition to that of taking over a single stage, which has been going on for ten years with Cedric, who had notably been appointed. I was very scared to know how it was going to be perceived as less, literally, the reaction of people, and then, how was it going to happen in the collaboration with Cedric, the author, and Stephane Bach, the director. And I was immediately very reassured since the first rehearsals, we had a big discussion and they explained to me what interested them, it was especially not to make a copy paste, but on the contrary, it had to be my passion with the drums, that it had to be my story with the drums, and that all transpired in the script. So they gave me a real freedom, we had a big task and repeated each part of the script, and they made sure that each part of the text touched me and that I knew what I wanted to tell the story. So, in the choir, the collaboration was really great, the director is great, Stephane Bach, I grew up so much with him. I learned so much, it really was a wonderful meeting, since he really talks about the principle that you do not have to pretend, that you have to listen to each other every night, and finally, be in a position to listen to his condition, do not go against it, and really play with it, and have fun every night, discover it, and especially live it.
Is this T-shirt a set with the Romance hoodie 😂
Toujours aussi intéressant
Merci !!
Pourquoi j'aime toujours autant cette chaîne ?
Justement, j'aimerais que tu répondes à ta propre question ;)
Val Och je dirais parcequ'elle est bien
Mais je dois encore y réfléchir
+1
Our talented boy 💚💚💚
superbe interview
J'essaierai d'aller le voir quand l'occasion se présentera !
Ouiiiii !!
I'm here because of his smile ❤
He is so cute OMG:)
I tried to put English translation here for all of you but it just disappeared and I dont know why. Maybe because it's too long. But they opened the contribution for the subtitle so I've already put the English subtitle for the video. Hope that it could be displayed soon.
Isak Even still not visible :/
When I don't speak French but still turn up the volume and pretend to understand everything, oui oui trop cool
Same here, just acting cool (°U°)
Seemed like he was crushing the interviewer 😂
Super intéressant! Merci à toi pour cette nouvelle vidéo très sympa, et bonne continuation à ce batteur/ comédien!
Merci à toi, Patate des ténèbres
Si piensan que voy a perder 12 minutos de mi vida viendo este video sin entender una sola palabra
Estan en todo lo correcto !
Top top top!!!
His voice is like a music in my ears
what a sweetheart ohmygod im in lovvveee
I came searching real life of axel and ended in here tough😅😘
his name is Avec ? wow awe 😍😍
Sooooo handome axel💖💖
the romance top...
Il est trop beau ❤❤ (ces une fille qui dit sa)
plz add English subtitles
Omg Adrian Lepage, on a le même nom de famille 💁🏻♀️
Part 3:
J: Okay. You spoke of that freedom. Specifically, for example, did you succeed in changing the text, did you have a freedom in the interpretation of the music on the drums. Are there anything which has changed, what did they actually change, basically, between the show that was played by Chapuis and yours?
A: Already at the time of the show, Cedric is a little older. So, we arranged the dates so that it sticks to my age, and I’m right in it. The character is 17, and I was 17 in 3 years ago, so it goes back when we have the impression that in any case, that’s what I lived on the moment while Cedric was a little more on the past. And then, we took over all the songs were already present, but what is funny is those were the songs of my first group, we played Metallica, which we played drum on the mass and the parker, so, those songs with which I grew up too, but in other cases, all the pieces were already basic dance show. Where I had great freedom also on the drum solos. I know the beginning, I know the end, because it is necessary to yield to the level of tops for the lights, but what I do between I really have a huge freedom, and that’s also great to come back every night, and say to each other, what I am going to be able to play tonight. I will try this? No, it will not work, I will try something else. Every night like this what contributes to the fact that I enjoy myself so much every night. It’s because I never felt like doing the same thing. In addition to this, the script gives me a real freedom of sharing with the public musical moments, too. Since every night I rediscover the drums, I rediscover rhythms, and I’m happy to give me back with the drums alone and I can do everything with the drums.
J: Ok. And just a question to come back exactly on the fact that you were playing alone on the stage. I guess that it’s your first solo stage?
A: Yes.
J: How do you manage this play when you’re just 20 years old? I think that you were used to playing with troops, with being in perpetual interaction with other people. How do you manage this for your first sequence?
A: It’s quite a real challenge indeed to be only one on stage. It included also a lot of work with Stephane on perception. That’s mean, how to interact with people who do not exist, and that also I think it’s great on stage alone. It is that every night I have fun to rediscover the people who interact with me. The moment for my first love arrives, I imagine the girl of my dreams, so, sometimes it’s a known actress, sometimes it’s a girl that I find very pretty. Every night I’m having fun anyway rediscovering all this and recreating an imaginary world in which I evolve. And I had a discussion again with Stephane or he said that. Actually, every night I had to rediscover the room, the wallpaper, or the hallway. And that’s the way I act alone on the stage, it’s great, it’s in the end, we evolve in a world that we devoted ourselves to, imagine. So, it’s a bit weird delirium, but it’s great. And then, honestly, especially, in this show, and be the only on scene, in general, I think we should not see it as a single in scene, we should see that as if the audiences were characters in its own, right? Because we really have to be all on this, you have to open in addition to the character and autistic. So, what I was saying is that all the outside noises intervene in his perception of the world. So, when I hear a squeak of chairs in a long time, and I play with a phone rings, I play with when a person sneeze, the same, we can play with, and so, it’s also great to be only one on scene. We choose with whom or what we want to interact, and all the things in any case it is given for ourselves. And then, in addition to the hall and the drums, and the character, too, I find myself completely, because, I don’t express myself through the text, I express myself through the drums, with the drums. And I think it’s a language, too. Finally, all that to say that the drums almost one physics in the show. It has a name called Ticket to me, and so I don’t have the impression of being alone on stage anyway.
Oui c'est le cas. On nous donne une image vieillotte du théâtre alors que si j'avais eu l'occasion j'aurais tenté.
2022
I dnt understand but i love axel hehehheehe
His eyes speak
盧卡斯-------你好爱你喔祝福你工作順心😍😍😍😍😍😍😍
In need of translations
No entendí nada, pero lo ví por Axel 🙃
no English translation?
Très intéressant, cependant peut être que l’échange manquait un peu de naturel mais honnêtement je chippote, bonne continuation à toi et à cet ami batteur bien plus doué que moi
Hola ! C'est intéressant ce que tu dis. Est-ce que tu veux bien préciser ta pensée sur ce côté "manque de naturel" ? De mon point de vue, elle l'était totalement (naturelle) puisque seules les questions (ou plutôt les axes de questions) étaient préparées à l'avance. Les réponses sont improvisées, et certaines de mes questions le sont également. Ton point de vue m'intéresse donc beaucoup !
Merci de ta réponse! C'est pas tant sur le contenu mais plus sur le squelette de ton interview que se fonde ma critique (qui est est, je le répète un détail devant la qualité de l'ensemble)! En fait je trouve que c'est dommage que tu t'effaces autant durant l'échange sachant que ton émission s'appelle l'entrevue! J'espère avoir été un tout petit peu plus clair ahah!
Mais en tout cas très bonne vidéo, encore une fois je pinaille !
Je vois ! Tu t'attendais donc plutôt à une conversation qu'à une discussion ? Je comprends. En réalité, ce format relève plutôt de l"interview où effectivement je m'efface pour laisser l'autre parler, puisque j'ai déjà pu m'exprimer dans une précédente vidéo concernant le spectacle en question.
Merci d'avoir répondu !
English subtitle, please?
I posted the English translation. It's very very long =)). You're welcome :)
@@isakeven9551 where is it ? i cant find any
@@v_v9195 sorry but I believe that because it's too long so my comments (4 parts) become spam, maybe I think so. I still can see my comments but the others cannot. that's about youtube and I don't know why.
@@isakeven9551 thank u so much for your help God bless u 🌺🌸🌹 would u plz add in seperated messages so that would not be long for one message anymore ? i really love to know what they r saying
@@v_v9195 I tried to put it into 4 comments but it still disappeared, so I just dont know why.
Plz... Eng Sub...ㅠㅠㅠ
This gives me flo Progressive vibes
Je me met à la place de son ex
Not as cute as Isak.
Siii quand même 😂
Isak is cute but axel have persona
Axel is very MANLY🔥😍.
@@Bluerthanblue126 yes... He is.. I love his manly.. 😍😍😍