1. 0:00 "Lo, where with floury head" 2. 1:44 "Damon and Phyllis squared" 3. 3:12 "O griefe, even on the bud" 4. 4:55 "Those dainty daffodillies" 5. 7:46 "Sweet nymphe, come to thy lover" 6. 9:40 "I love, alas, I love thee" 7. 11:18 "Sayd I that Amarillis" 8. 12:54 "Leave, alas, this tormenting" 9. 16:18 "Leave now mine eyes lamenting" 10. 19:13 "O sleep, fond fancy" 11. 21:11 "Deep lamenting, grief bewraying" 12. 25:27 "Miraculous love's wounding" 13. 28:45 "April is in my mistris face" 14. 30:15 "Spring time mantleth every bough" 15. 31:56 "Flora, wilt thou torment mee?" 16. 33:40 "Now is the month of maying"
Despite the age of the recording THIS is how Morley would have been heard in his lifetime. Shakespeare, a friend from a similar provincial background, often used Morley madrigals where appropriate in his plays, sometimes between scene changes when his actor group performed in country houses during plague outbreaks in London.
THOMAS MORLEY { NORWICH 1557/58~1602 LONDRES } " VARIOUS MADRIGALS AND CANZONETS " Une merveille de la polyphonie voix magnifique, ensemble Amaryllis grandiose bravo. Grand compositeur organiste anglais, THOMAS MORLEY est le fils d'un brasseur. Il reçoit rapidement une première éducation musicale à la cathédrale de NORWICH. En 1553, MORLEY devient l'organiste de la cathédrale ou il s'était formé. En 1589, il accepte le poste d'organiste a Saint-Paul à LONDRES. A partir de 1592, il est gentleman de La Chapelle Royale. Diplômé de musique de OXFORD, MORLEY est l'élève de WILLIAM BYRD. Il a diffusé en Angleterre le MADRIGALS italien et à publié un traité sur la musique anglaise de la Renaissance "A PLAINE AND EASIE introduction to PRACTICAL MUSICKE " publié en 1597, dédié a WILLIAM BYRD. Il est le compositeur le plus important de l'école anglaise du MADRIGALS et du règne d ´ELISABETH 1ère. Merci pour ce chef-d'œuvre de la Renaissance de THOMAS MORLEY qui est éternel sublime.
yes, they are sung in English. Nicholas Yonge published his transalpine Music, a collection of Italian madrigals fitted with English texts, which led to the explosive and colorful vogue for madrigal composition in England. Morley evidently found his way as a composer at this time, and shortly afterwards began publishing his own collections of madrigals, eleven in total.Then appear many composer composing madrigal and secular musc in English like Thomas Weelkes with his famous "I heard a voice"......
This IS in English. Recorded sound is notoriously weak on words that would be clear enough in live performance but it is always useful if TH-cam uploaders provide texts. I do not really understand the carping comments below. Shades of Beckmesser?
+Nancy Nalica My dear friend. Songs from the Renaissance period (Madrigals) were composed in the Italian language; if you translate them into English, they would lose their originality, and with it, they would also lose their social value and general appeal. Salute.
+IlPrincipe Ignoto yes you are partialy right but the but Thomas Morley was an English composer .Nicholas Yonge published his transalpine Music, a collection of Italian madrigals fitted with English texts, which led to the explosive and colorful vogue for madrigal composition in England. Morley evidently found his way as a composer at this time, and shortly afterwards began publishing his own collections of madrigals, eleven in total.
this predates the great vowel change; you just have to learn Shakespearean English. It's not as challenging as songs from Chaucer's time which you really have to listen to carefully
+William S. There are people in choir education who are strictly against rehearsal without piano/accompanying instrument. They argue that what we can hear in this performance is exactly the outcome of constant "a capella" exercise: an acquired inherent impure intonation. A pity!
@@rp1703 This makes no sense to me. A piano is *not* tuned to "pure" intervals, but (deliberately) to slightly impure ones so that all keys can be played with equal ease. (That's what JS Bach's "Well-Tempered Clavier" was all about.) Ask any string player about the difference.
MODULE BROUGHT US HERE
Bet. You're in 9th grade
chonky mandu Absolutely we are in 9th grade🤣
Present
Yeah
How many is the harmony?
1. 0:00 "Lo, where with floury head"
2. 1:44 "Damon and Phyllis squared"
3. 3:12 "O griefe, even on the bud"
4. 4:55 "Those dainty daffodillies"
5. 7:46 "Sweet nymphe, come to thy lover"
6. 9:40 "I love, alas, I love thee"
7. 11:18 "Sayd I that Amarillis"
8. 12:54 "Leave, alas, this tormenting"
9. 16:18 "Leave now mine eyes lamenting"
10. 19:13 "O sleep, fond fancy"
11. 21:11 "Deep lamenting, grief bewraying"
12. 25:27 "Miraculous love's wounding"
13. 28:45 "April is in my mistris face"
14. 30:15 "Spring time mantleth every bough"
15. 31:56 "Flora, wilt thou torment mee?"
16. 33:40 "Now is the month of maying"
Nathan Henke
Thanks a lot for sharing the titles of each song!
Merci !
Another great recommendation by my music teacher! 10/10
Immediately engaging...
Despite the age of the recording THIS is how Morley would have been heard in his lifetime. Shakespeare, a friend from a similar provincial background, often used Morley madrigals where appropriate in his plays, sometimes between scene changes when his actor group performed in country houses during plague outbreaks in London.
Splendid stuff by the late Renaissance composer, Thomas Morley.
Fantastic
THOMAS MORLEY { NORWICH 1557/58~1602 LONDRES }
" VARIOUS MADRIGALS AND CANZONETS "
Une merveille de la polyphonie voix magnifique, ensemble Amaryllis grandiose bravo. Grand compositeur organiste anglais, THOMAS MORLEY est le fils d'un brasseur. Il reçoit rapidement une première éducation musicale à la cathédrale de NORWICH. En 1553, MORLEY devient l'organiste de la cathédrale ou il s'était formé. En 1589, il accepte le poste d'organiste a Saint-Paul à LONDRES. A partir de 1592, il est gentleman de La Chapelle Royale. Diplômé de musique de OXFORD, MORLEY est l'élève de WILLIAM BYRD. Il a diffusé en Angleterre le MADRIGALS italien et à publié un traité sur la musique anglaise de la Renaissance "A PLAINE AND EASIE introduction to PRACTICAL MUSICKE " publié en 1597, dédié a WILLIAM BYRD. Il est le compositeur le plus important de l'école anglaise du MADRIGALS et du règne d ´ELISABETH 1ère. Merci pour ce chef-d'œuvre de la Renaissance de THOMAS MORLEY qui est éternel sublime.
yes, they are sung in English.
Nicholas Yonge published his transalpine Music, a collection of Italian madrigals fitted with English texts, which led to the explosive and colorful vogue for madrigal composition in England. Morley evidently found his way as a composer at this time, and shortly afterwards began publishing his own collections of madrigals, eleven in total.Then appear many composer composing madrigal and secular musc in English like Thomas Weelkes with his famous "I heard a voice"......
Beautiful
there is a site called cduniverse. just search Ensemble Amaryllis and you can find info there.
Heavenly...
thank you MODULE
can you list the songs being played in order please?
Hi, sorry for the late answer, hadn't seen your comment. The name is "spring tyme mantleth every bough"
Hi classmates alam ko pupunta rin kayo dito hahaha😂
Amp HAHAHA
Sinagot ko lang don na si thomas ang nag composed nito then nilagay ko lahat ng title ng madrigal jan sa vid
May delete delete pang nalalaman boAng
LOL HAHAAHAHAHAHA
MAPEH PANGA HAHAHAHAHAHAHAHAHHAAHAHAHAHAHHAHAAHAHAHAHHAHAHA
This IS in English. Recorded sound is notoriously weak on words that would be clear enough in live performance but it is always useful if TH-cam uploaders provide texts. I do not really understand the carping comments below. Shades of Beckmesser?
💛🌾🌿🌱🥀
You could put the name of the songs? Please. Thank you.
I couldn't understand,,,is there an English version?
+Nancy Nalica My dear friend. Songs from the Renaissance period (Madrigals) were composed in the Italian language; if you translate them into English, they would lose their originality, and with it, they would also lose their social value and general appeal. Salute.
+IlPrincipe Ignoto yes you are partialy right but the but Thomas Morley was an English composer .Nicholas Yonge published his transalpine Music, a collection of Italian madrigals fitted with English texts, which led to the explosive and colorful vogue for madrigal composition in England. Morley evidently found his way as a composer at this time, and shortly afterwards began publishing his own collections of madrigals, eleven in total.
Nancy Nalica
Yes it is sung in English
this predates the great vowel change; you just have to learn Shakespearean English. It's not as challenging as songs from Chaucer's time which you really have to listen to carefully
what's the 1st song played?
is it just me or is the volume a tad quiet? great upload, though. :)
It's you.
Dont mind me just here for a module
yo, I need some help wit mah choir project. I need some facts about my boi tommy. Dont wanna look that shit up. Help a nigga out.
Late 1500's (Renaissance), master of counterpoint. Known for his secular music. Greatest secular composer during the Elizabethan period.
HIII CLASSSMETTTT SA MAKAKITA ANII HEHEHEHE MAPEHHH HEHEHE HERMONY HEHEHEHEHE SEND ANSWER
Lol wa man gane ko kabalo HAHAHA
@@elvieann711 hii babor HAHAHAAHHAHAHAHA
Sorry, the Deller consort recorded most of these madrigals and did them better.
+William S. There are people in choir education who are strictly against rehearsal without piano/accompanying instrument. They argue that what we can hear in this performance is exactly the outcome of constant "a capella" exercise: an acquired inherent impure intonation. A pity!
Rehearsing unaccompanied should not mean that octaves between Sopranos and Basses (for example) are not in tune!
It isn't a competition.
@@rp1703 This makes no sense to me. A piano is *not* tuned to "pure" intervals, but (deliberately) to slightly impure ones so that all keys can be played with equal ease. (That's what JS Bach's "Well-Tempered Clavier" was all about.) Ask any string player about the difference.