Eos RP with the OG rode wireless go plugged into a diety D4 so I have an on camera mic and a lav (deity’s lav in the rode transmitter) split left and right in the camera
I have an fx6 with a ninja v, tilta v mount adapter, rode ntg5 and rode wireless gos. I normally carry the signs 24-70 2.8 art as well for the unknown. For the known, My grandfather gave me a vintage Nikkor 50 1.2 that I’ve been obsessed with. Still love my first and second gen Helios tho. 😜 I recently scored a kiron (minolta) 28mm f2 and that thing is amazing and funky flare fresh.
Best advice I've heard so far Mark, " Don't get caught up on your cameras, get caught up in making films" there's so much truth behind this because I can't begin to tell you how many filmmakers think that the Best most expensive cameras will make you the best of the best but they are so wrong!!!! Less is more and more is less!!
Love your content Mark! I was a tv news photojournalist for 8 years, got out of the news world and became a corporate videographer/ editor. I find myself all the time wanting to get into documentary filmmaking. It sounds like the perfect mixture of both. This doc series will especially remind me of all the hurricane coverage days down here in Florida!
Wow some of that behind the scenes footage from the tornado chasers doc looks insane! So stoked to see how that turns out, and I think the verite-only approach is gonna be perfect. Thanks for this gear video. Always great to see what people are shooting with and why. The 4 track audio setup seems pretty slick!
Can you do an in depth break down of the 4 simultaneous audio recording setup? That was a whole other level of audio recording I’d love to get into. Thanks for your content and stay safe through the storms.
My normal documentary setup is (two) C300mk2's with LCD's, a Sigma Art 18-35 F1.8, a Canon 70-200 F2.8, Sanken CS-3e shotgun mic, Sennheiser lav and a Sachtler Ace tripod. I've filmed many docs in the remote Northern Alberta wilderness with that setup and it has never failed me. It's really all you need. The built in ND and great battery life on the MkII is amazing for documentary work. Even though it's getting old, there are _still_ not many other cameras I'd trust in the wild over it.
Totally agree about focusing on films. I have a very similar, but slightly different setup with (insert camera brand here) and it has been working well for me. Would love to see your techniques for mic’ing in the wind! I am shooting on an uninhabited Scottish island next month and I will need it!
Great review - we run almost exactly this set-up, except we use the Sennheiser 8060 (slightly shorter), the Sony URX P30D (as it's dual channel receiver). Also I usually use Sony G Master lenses or cine primes (Angenieux / CZ - depending on the documentary). I swapped out the Sony Fx6 LCD display attachment for the FX6 bracket, but also use a Ninja V. We've shot with it in -25 degrees celcius & +40degrees, it runs fine!
Welcome to Sioux Falls, SD Mark. That’s my hometown. I’m currently living overseas, doing full-on language learning, and hopefully this summer doing some doc work as a big part of my ethnography research. Your teaching is super helpful, the first AOD course really helped up my game.
@@markbone I'm using the dual channel Sony setup on the MI hotshoe for mic'ing up two subjects. Is there a reason for having two systems or did you already have them in your kit?
Awesome... years ago I used a PD150... had it shown on TV and one movie theatre... this fall looking into a different camera... going to make it after my book- A Second Man. ...great job, Mark.
Always appreciate all your work and insight. 🙏 I do have one question…Why use an ND filter on the lens when you have internal ND on the FX6? Thanks Mark!
The Sennheiser AVX wireless system is one of the greatest documentary purchases I've ever made. When I see that signature shock of light blue on fellow filmmaker's camera, I know they have their wireless act together. It's such a beautiful piece of gear. Mine have been delivering reliable audio since 2014 (though I did have to replace one of the lav mics recently). The storm footage you have in this video looks awesome. Not sure I would stand atop an SUV in a lighting storm though ....
For Video on the go; Sony A7sIII, Tilta cage, wood side handle left, ninja V monitor, Rode NTG + Rode Wireless Go 2, CameTV V mount + CameTV Vmount Bat, Smallrig manfrotto QR plate w/ P-tap extender on side, on top compact mount for rails, ontop Kessler Kwik stand going to Kessler Kwik release when on tripod. Usually running Tamron 28-75mm with tilta mini matte box.
Mark, I love your videos, always very informative and straight to the point. Please do a video about micing in the wind and overall micing i think would be good, I tend to get a lot of bleed in my interviews when i have two people with lavs sitting close to eachother. Maybe you have some useful tips regarding that as well you could throw into that video? Great video always a good day when you drop a video!
@@markbone I've shot in several restaurants and they won't shut off the HVAC or the refrigerators and freezers for anything. Multiple sources. I guess I can't blame them but it's brutal. I'd listen to anyone's solutions w products or w persuasion.
Just got the Sony XLR adaptor and mic a mounth back and loving it !!!! So my small lightweight setup is Sony A7Siii, 24-105 mm, Shinobi and the Sony XLR.
AOD member here, and Sioux Falls is my hometown too. I know the Sennheiser wireless is better than a Rode or DJI wireless, but the benefit of those systems is the on-board recording of all the audio, all of the time, even if the camera is not recording. Plus, it's a backup track. I use a Rode Wireless Go II with a Sanken COS 11D lav and it works for me. If the camera isn't recording and you get a golden comment, just cover with b-roll. Thoughts?
curious why you'd use a front element VND as opposed to the fx6 internal. In my experience with the non mist 2-5 VND with that exact same sigma 24-70, it produced some extreme blueing and vignetting at 24mm and 5 stops of ND. Created a big head ache when editing the first doc piece I shot with the set up. Love the thought and intentionality so I'm sure there is a reason behind this! Cheers, Nic
Hey man! I might be stupid here, but how do you get by without the small sony screen, can’t see it in the video.. like with menus and stuff? Would love to ditch mine and just use the cine 7
Great Video! Been loving our FX6 rigs for all sorts of work from doc to commercial. Used them through this winter and they held up so well in all conditions! Curious why you used the mist ND filter rather than just slapping a 1/8 mist and then using internal ND filters? Keep up the great work, stoked to see more storm chasing content!
AWESOME! I'm gonna make the exact same thing with the 24-105 G. I'll use my sigma 40 art for f/1.8 shots. I can't find the shoe adapter anywhere! Thanks for sharing your set up :)
Mark, I'm just wondering why you're using an ND filter on your lens when the FX6 has them built in. Is it just the mist aspect, and couldn't you get that from just pro mist filter?
I use the K3M unit on my A7Siii to have 3 talents laved and a shotgun mic. Having 4 channels makes it easy to have TC and still have extra channels for audio.
Hey Mark, thanks for the great breakdown. Been watching your stuff for a while now. Can you link the monitor arm/bracket you used and the power cable for the SmallHD monitor? Thanks!
YES!! Good sound in the wind is the bane of my existence. I film in the desert where it's always windy. I have used some AI wind removal software that has rescued some unusable audio, but it was still pretty terrible. I would much prefer capturing good audio right from the start.
Hi, Mark Bmpcc 6k with tilta + rode ntg3 + wireless go2 + h5. Mark I just bought rode ntg3, almost bought mke 600, why did you choose senhaizer instead?
Hey Mark, I noticed you said you use a mix of autofocus and manual on shoots like this. I'm curious, for the fx6 what autofocus settings do you use most of the time for the run and gun verite stuff? Thanks!
uwp-d27 includes two transmitters- why didnt you choose that instead of the sennheiser? Where do you mount a headlight when needed? Does the AF become less reliable with the extra nd on your lens? Dont you use the touch screen of the display at all? Thanx
Hi Mark, great video! Thanks for sharing. I see that you got rid of the small screen that comes with the FX6, so does this mean that you control the camera and acces the camera menu via the Cine 7? If so, can you clarify the exact model that you are using and how this actually is connected? The link in the description leads to the SmallHD homepage. If I look up the Cine 7 there it says it only has the ability to control the Sony VENICE, but the FX6 us not listed. Looking for a monitor to replace the little Sony screen is high on my list, so I hope you can help. Thanks and love your work!
I have a similar rig and I love it so much. Looking for a solid arm to hold my monitor, which one do you use? Is it steady? Tired of arm spinning around.. Thanks!
Hey buddy, I was just wondering about the type of headphones or earbuds you use with your camera. I couldn’t find any details listed on your equipment list.
Hey Mark! Love the breakdown! I especially appreciate the Sony UWP tip as I have been wondering how to get 2 lavs and a shotgun into my FX6. One question: Why the Polar Pro VND when the FX6 has built in VND? Is it for extra exposure adjustment between clear and 1/4?
Are you actually using the PolarPro VND together with the internal FX6 ND, or just either one alone? I'm asking because i've had some crazy color flares when using both together. I asked PolarPro about it, they said it's because all VND's use polarizers, and stacking polarizers can lead to these color issues. Did you ever experience any problems like that?
So that particular monitor lets you add in Luts? Also what recording media are you uding? Another TH-camr said they got 27 mins on a 128GB card with the FX 6 shooting XAVC-L 4k mode?
Do you ever have issues with the AVX loosing connection? I was feeding a mix from my sound bag to our cam op and we were running around NYC. Constantly loosing connection. It was a pain. I'd much rather use timecode sync boxes and a UHF camera hop.
I love your channel Mark! Question on the AVX. A couple of years ago on my FS7 I was using the Sony hotshoe for 2x lapels, plus a top mic, and an AVX just like your setup. I had issues with audio though because the AVX has a slight delay because of the digital processing. That caused me headaches in post because it's was fractionally out of sync and you could hear it when talent were standing closer together and there was some bleed between mics. Like an awful slap delay. Because it wasn't a entire frame out of sync I had to manually micro adjust the AVX audio tracks in premiere. It was an absolute punish. How do you navigate using mics that don't have latency, with the AVX system that does?
The AVX system has 19ms which can be a pain in the ass if you are recording with other mics that doesn't have latency. The way I do it now I use a mixing console like the Sound Device MixPre and you can set a delay of 19ms on any tracks, so your other mics can be in sync with the AVX.
Any chance you could go more in depth with your mic best practices? I saw that fashion tape and I’m wondering why that would be better than gaff or a stickie or something. Any tips like that would amazing. Thanks for putting so much info out there!
I don’t know if I understood that correctly, but do you power your camera and monitor from the same v mount batterie? I often heard that you shouldn’t do this as there could be electrical surges frying your camera ports. I don’t know if you connect the v mount directly to the cam (not that familiar with the fx6) and the monitor with a cable and if that changes anything. I’m talking about a scenario when each of them is connected via dtap.
Do you find that the Wooden Camera V-Mount accessory secures well to the camera? I've read that the screw holes on the body can easily be stripped. Any insight?
Hey Mark. I assume you can’t use the fx6 touch focus tracking on your small HD monitor. Are you shooting mostly manual focus for this project? When would you use the autofocus?
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What’s your camera setup? GO:
Eos RP with the OG rode wireless go plugged into a diety D4 so I have an on camera mic and a lav (deity’s lav in the rode transmitter) split left and right in the camera
I have an fx6 with a ninja v, tilta v mount adapter, rode ntg5 and rode wireless gos. I normally carry the signs 24-70 2.8 art as well for the unknown.
For the known, My grandfather gave me a vintage Nikkor 50 1.2 that I’ve been obsessed with. Still love my first and second gen Helios tho. 😜 I recently scored a kiron (minolta) 28mm f2 and that thing is amazing and funky flare fresh.
My FX6 has become my best friend for shooting branded fitness content this entire year 💯🔥 are you going to use this over the FX9 from now on ?
sony a7iii sigma 24-70 art deity d4 mini a hot shue top handle and an old nickon 85 mm f2
Low Budget setup
Sony a6400
Lenses- 18-105 f4,50mm 1.8
Lights 💡 Godox 260c(Day Fill) , Tungsten bulbs 💡100w (for Night exterior) Normal LED Bulbs 60w 40w 30w etc
Diffusion - Two umbrellas☂️1 Godox softbox
Audio - Comica wireless mic
Gimbal - Weebil s
Tripod - Vanguard cheapest model
Please do a video on micing in the wind! Also love my fx6! I’ve been telling everyone it’s the perfect doc camera.
It truly is!!
Micing in the wind +1
Micing in the wind please!
Yes please do the mic in the wind video!
Mic in wind- I run into this. Tips please!
Best advice I've heard so far Mark, " Don't get caught up on your cameras, get caught up in making films" there's so much truth behind this because I can't begin to tell you how many filmmakers think that the Best most expensive cameras will make you the best of the best but they are so wrong!!!! Less is more and more is less!!
Love your content Mark! I was a tv news photojournalist for 8 years, got out of the news world and became a corporate videographer/ editor. I find myself all the time wanting to get into documentary filmmaking. It sounds like the perfect mixture of both. This doc series will especially remind me of all the hurricane coverage days down here in Florida!
Wow some of that behind the scenes footage from the tornado chasers doc looks insane! So stoked to see how that turns out, and I think the verite-only approach is gonna be perfect. Thanks for this gear video. Always great to see what people are shooting with and why. The 4 track audio setup seems pretty slick!
Thanks BJ!! Appreciate this feedback 🙏🏻
@@markbone Hey Mark, any word on what the clamp/attachment is that's holding your monitor on???
Dude what was the lighting with the truck looked siiiiick!!!
Can you do an in depth break down of the 4 simultaneous audio recording setup? That was a whole other level of audio recording I’d love to get into. Thanks for your content and stay safe through the storms.
yes i agree
I agree too. Where are they recorded on?
Very nice rig, Mark. Thank you for posting!
I'm so happy I came across your channel! So much to learn!
I'm rocking an A6400 with a kit lens and doing my best right now! Excited for the future!
I’m very encouraged when read that. I‘ll do the same with all my limitations…!
I saw mammatus clouds..Can't wait to see the full documentary !! Thank you again Mark.
Thanks David!!
Mics in the wind - Yes please 👍
Thanks for all the goodness you're sharing!
I’ll do that video soon!
My normal documentary setup is (two) C300mk2's with LCD's, a Sigma Art 18-35 F1.8, a Canon 70-200 F2.8, Sanken CS-3e shotgun mic, Sennheiser lav and a Sachtler Ace tripod. I've filmed many docs in the remote Northern Alberta wilderness with that setup and it has never failed me. It's really all you need.
The built in ND and great battery life on the MkII is amazing for documentary work. Even though it's getting old, there are _still_ not many other cameras I'd trust in the wild over it.
This project sounds and looks great! Can't wait to se the final piece! Also love to see all the stories you post on social media. Take care mate!
🙏🏻🙏🏻
The shot of the dude standing on the car and the lightning looks ridiculously awesome great fantastic!
I've never been this early but this is so useful, Mark! Thank you
Thanks for stopping by early!!
Totally agree about focusing on films. I have a very similar, but slightly different setup with (insert camera brand here) and it has been working well for me. Would love to see your techniques for mic’ing in the wind! I am shooting on an uninhabited Scottish island next month and I will need it!
Great review - we run almost exactly this set-up, except we use the Sennheiser 8060 (slightly shorter), the Sony URX P30D (as it's dual channel receiver). Also I usually use Sony G Master lenses or cine primes (Angenieux / CZ - depending on the documentary). I swapped out the Sony Fx6 LCD display attachment for the FX6 bracket, but also use a Ninja V. We've shot with it in -25 degrees celcius & +40degrees, it runs fine!
What a great setup!
Thank you for your content! I’m in AOD learning a ton and I’m grateful for you sharing your talent with this community.
Love hearing about benefits of the AOD! Hope to see you on a call!
@@markbone most definitely!!!
Welcome to Sioux Falls, SD Mark. That’s my hometown. I’m currently living overseas, doing full-on language learning, and hopefully this summer doing some doc work as a big part of my ethnography research. Your teaching is super helpful, the first AOD course really helped up my game.
Love to hear it Scott! Love your neck of the woods. Maybe I should move here
Yessss, show us your wind set up please! Awesome clip as always - thank you!
💯💯
Oh cool you were in Sioux Falls! I live just an hour south from there in Iowa 🙂
Bringing Zach? Such a solid creator, I really enjoy his story telling and vids.
Me too! It’s why I brought him!
How do you keep the shotgun mic from intruding in the frame with your 24mm lens?
Hey Mark. Love this video. Super validating as I happen to be building a very similar setup. Can’t wait to watch your next film.
Love it! Simple setups win
@@markbone I'm using the dual channel Sony setup on the MI hotshoe for mic'ing up two subjects. Is there a reason for having two systems or did you already have them in your kit?
Always practical advice. Thanks, Mark. Keep them coming
❤️💯❤️
Awesome... years ago I used a PD150... had it shown on TV and one movie theatre... this fall looking into a different camera... going to make it after my book- A Second Man. ...great job, Mark.
Always appreciate all your work and insight. 🙏 I do have one question…Why use an ND filter on the lens when you have internal ND on the FX6? Thanks Mark!
Lol. You’re literally the 31st person who has asked. 1/128 isn’t enough in full sunlight when wide open. Need extra ND
@@markbone LOL. Thanks as always!
The Sennheiser AVX wireless system is one of the greatest documentary purchases I've ever made. When I see that signature shock of light blue on fellow filmmaker's camera, I know they have their wireless act together. It's such a beautiful piece of gear. Mine have been delivering reliable audio since 2014 (though I did have to replace one of the lav mics recently). The storm footage you have in this video looks awesome. Not sure I would stand atop an SUV in a lighting storm though ....
Always love your videos MB!
Just the information I needed! Thank you! Especially considering I was concerned which one lens to use. The 24-70 may be just IT!!
AVX small module that you plug into the XLR port on the camea, with the blue component, is not a transmitter, it's a receiver.
For Video on the go; Sony A7sIII, Tilta cage, wood side handle left, ninja V monitor, Rode NTG + Rode Wireless Go 2, CameTV V mount + CameTV Vmount Bat, Smallrig manfrotto QR plate w/ P-tap extender on side, on top compact mount for rails, ontop Kessler Kwik stand going to Kessler Kwik release when on tripod. Usually running Tamron 28-75mm with tilta mini matte box.
Great review man!
Mark, I love your videos, always very informative and straight to the point. Please do a video about micing in the wind and overall micing i think would be good, I tend to get a lot of bleed in my interviews when i have two people with lavs sitting close to eachother. Maybe you have some useful tips regarding that as well you could throw into that video? Great video always a good day when you drop a video!
Great ideas!
@@markbone I've shot in several restaurants and they won't shut off the HVAC or the refrigerators and freezers for anything. Multiple sources. I guess I can't blame them but it's brutal. I'd listen to anyone's solutions w products or w persuasion.
Looking forward to that documentary.
🙏🏻
Just got the Sony XLR adaptor and mic a mounth back and loving it !!!!
So my small lightweight setup is Sony A7Siii, 24-105 mm, Shinobi and the Sony XLR.
AOD member here, and Sioux Falls is my hometown too.
I know the Sennheiser wireless is better than a Rode or DJI wireless, but the benefit of those systems is the on-board recording of all the audio, all of the time, even if the camera is not recording. Plus, it's a backup track. I use a Rode Wireless Go II with a Sanken COS 11D lav and it works for me. If the camera isn't recording and you get a golden comment, just cover with b-roll.
Thoughts?
Yeah they are great setups! You are correct it’s great to have the audio when not rolling
The 49 to 77 step up ring is a real thing ahahah! Great setup Mark, loved the video!
How often do you find yourself using the autofocus with this lens? I noticed you aren't using the stock monitor for touch auto focus
More videos about camera setups and especially audio would be great. I have that MKE 600 mic and it's done right by me so far.
💯
curious why you'd use a front element VND as opposed to the fx6 internal. In my experience with the non mist 2-5 VND with that exact same sigma 24-70, it produced some extreme blueing and vignetting at 24mm and 5 stops of ND. Created a big head ache when editing the first doc piece I shot with the set up. Love the thought and intentionality so I'm sure there is a reason behind this! Cheers, Nic
yessss please, give us the video of micing in the wind
Looks GoodNice!
Hey man!
I might be stupid here, but how do you get by without the small sony screen, can’t see it in the video.. like with menus and stuff? Would love to ditch mine and just use the cine 7
YES! Mic placement in the wind. PLEASE!
💯💯💯
Great Video! Been loving our FX6 rigs for all sorts of work from doc to commercial. Used them through this winter and they held up so well in all conditions!
Curious why you used the mist ND filter rather than just slapping a 1/8 mist and then using internal ND filters?
Keep up the great work, stoked to see more storm chasing content!
Sometimes you need more ND than the 1/128 max offers
@@markbone Good point! thanks for the response
Go through that audio bag! Also maybe show how you lav everyone up. Do you monitor? I’d be so worried about the lavs getting blasted by wind!!!😅
This is my dream setup for sure
Make it happen!
@@markbone oh yea I will for sure!
AWESOME! I'm gonna make the exact same thing with the 24-105 G. I'll use my sigma 40 art for f/1.8 shots. I can't find the shoe adapter anywhere! Thanks for sharing your set up :)
Mark, I'm just wondering why you're using an ND filter on your lens when the FX6 has them built in. Is it just the mist aspect, and couldn't you get that from just pro mist filter?
Love your work man! Do you have a recommendation for a wet weather cover for your doc rig please?
I use the K3M unit on my A7Siii to have 3 talents laved and a shotgun mic. Having 4 channels makes it easy to have TC and still have extra channels for audio.
It’s amazing. Saves your butt when you don’t have a sound person
Hey Mark, thanks for the great breakdown. Been watching your stuff for a while now. Can you link the monitor arm/bracket you used and the power cable for the SmallHD monitor? Thanks!
Jeah! Micing in the wind, FTW!
YES!! Good sound in the wind is the bane of my existence. I film in the desert where it's always windy. I have used some AI wind removal software that has rescued some unusable audio, but it was still pretty terrible. I would much prefer capturing good audio right from the start.
great vid as always !!!
Very good. Thank you.
Hi, Mark Bmpcc 6k with tilta + rode ntg3 + wireless go2 + h5. Mark I just bought rode ntg3, almost bought mke 600, why did you choose senhaizer instead?
Hey what was the brand of the stuff you called fashion tape? That seems like it could be a helpful idea. Mics never stay in place. Thanks!
Hey Mar, great video, any chance you could list the gear you own please? Thank you
Great cam bro 👍🏻 I have the FX6 now about one year and I love it 😍 I use it quite naked 😂 best cinematic greetings from germany
👌🏻👌🏻👌🏻
Hey Mark, I noticed you said you use a mix of autofocus and manual on shoots like this. I'm curious, for the fx6 what autofocus settings do you use most of the time for the run and gun verite stuff? Thanks!
uwp-d27 includes two transmitters- why didnt you choose that instead of the sennheiser? Where do you mount a headlight when needed? Does the AF become less reliable with the extra nd on your lens? Dont you use the touch screen of the display at all? Thanx
That doc looks sick!! Cant wait for it. Just curious why the sigma 24-70 and not sony gm?
Affordable
Hi Mark, great video! Thanks for sharing. I see that you got rid of the small screen that comes with the FX6, so does this mean that you control the camera and acces the camera menu via the Cine 7? If so, can you clarify the exact model that you are using and how this actually is connected? The link in the description leads to the SmallHD homepage. If I look up the Cine 7 there it says it only has the ability to control the Sony VENICE, but the FX6 us not listed. Looking for a monitor to replace the little Sony screen is high on my list, so I hope you can help. Thanks and love your work!
are you happy with Tilta v-mount?
any disadvantages?
I'm considering that one or Anton Bauer for FX6..
Could you do a video on how to get great onsite audio for interviews?
Can you explain the choice of using Polar ND vs Fx6's internal ND system? Sorry if this has already been answered :)
I have a similar rig and I love it so much. Looking for a solid arm to hold my monitor, which one do you use? Is it steady? Tired of arm spinning around.. Thanks!
What I was thinking is to use about the same, FX6 or FX9, but with a really good prime lens. I think it will upgrade the image, right?
hi Mark, nice content! Just wondering if your monitor is touch screen, thinking about the AF of the FX6- is it communicating with the Fx6?
Mark, can you tell me what ARM bracket did you use to. attach your monitor? thanks in advance!
man, I need this camera!
Hey buddy, I was just wondering about the type of headphones or earbuds you use with your camera. I couldn’t find any details listed on your equipment list.
would love for a micing in the wind video!
God I love your videos, the insights and the tips..! So good brother.
Excellent 👍 What is your lighting setup for this documentary?
God is lighting this film
On those shots you got with the flash of lighting were you exposing for skin, just wondering because the lighting is perfectly exposed
It was so dark I was just hoping to get any exposure! Also my LUTS help compensate
Microphone in the wind tutorial would be great!
💯
how has the wooden camera v mount plate held up over time? Mine lasted about 1.5 years then got all stripped. Any workaround solutions?
Mark. I noticed you use photography lens rather than cinema lens. Is there a reason why?
Thanks
Nice setup! The Sennheiser AVX lav setup has way too much delay/latency though. Better off with another Sony pack or old Sennheiser G3/G4 packs.
Hey Mark!
Love the breakdown! I especially appreciate the Sony UWP tip as I have been wondering how to get 2 lavs and a shotgun into my FX6.
One question: Why the Polar Pro VND when the FX6 has built in VND? Is it for extra exposure adjustment between clear and 1/4?
When shooting wide open you still need a little extra ND to expose properly
Plus the Mist adds a different look…
@@markbone Yeah if it’s a fast enough lens, the extra ND is crucial.
yes
Are you actually using the PolarPro VND together with the internal FX6 ND, or just either one alone? I'm asking because i've had some crazy color flares when using both together. I asked PolarPro about it, they said it's because all VND's use polarizers, and stacking polarizers can lead to these color issues. Did you ever experience any problems like that?
So that particular monitor lets you add in Luts? Also what recording media are you uding? Another TH-camr said they got 27 mins on a 128GB card with the FX 6 shooting XAVC-L 4k mode?
Do you ever have issues with the AVX loosing connection? I was feeding a mix from my sound bag to our cam op and we were running around NYC. Constantly loosing connection. It was a pain. I'd much rather use timecode sync boxes and a UHF camera hop.
Sometimes. It but for the most part it’s been decent
I love your channel Mark! Question on the AVX. A couple of years ago on my FS7 I was using the Sony hotshoe for 2x lapels, plus a top mic, and an AVX just like your setup. I had issues with audio though because the AVX has a slight delay because of the digital processing. That caused me headaches in post because it's was fractionally out of sync and you could hear it when talent were standing closer together and there was some bleed between mics. Like an awful slap delay. Because it wasn't a entire frame out of sync I had to manually micro adjust the AVX audio tracks in premiere. It was an absolute punish. How do you navigate using mics that don't have latency, with the AVX system that does?
The AVX system has 19ms which can be a pain in the ass if you are recording with other mics that doesn't have latency. The way I do it now I use a mixing console like the Sound Device MixPre and you can set a delay of 19ms on any tracks, so your other mics can be in sync with the AVX.
Any chance you could go more in depth with your mic best practices? I saw that fashion tape and I’m wondering why that would be better than gaff or a stickie or something. Any tips like that would amazing. Thanks for putting so much info out there!
I will be
Mark! Please, I missed the screening for OKAY! ASD Band. Is there a chance to watch it again? I’ve been watching the trailer on repeat.
Not at this time. It’s on the festival tour. Hopefully screens again in Canada
Mark! Please! How tall is the XLR cable you use in this setup? Thank you for your content!
6inch I think
@@markbone Thank you so much!! 💪🏼💪🏼
Killer rig
Why ND filter when the camera has electronic variable ND that works like magic?
When shooting wide open you need still need more ND even when you’re at 1/128
I don’t know if I understood that correctly, but do you power your camera and monitor from the same v mount batterie? I often heard that you shouldn’t do this as there could be electrical surges frying your camera ports. I don’t know if you connect the v mount directly to the cam (not that familiar with the fx6) and the monitor with a cable and if that changes anything. I’m talking about a scenario when each of them is connected via dtap.
I’ve never seen a issue with it on 15 years of doing it
Do you find that the Wooden Camera V-Mount accessory secures well to the camera? I've read that the screw holes on the body can easily be stripped. Any insight?
Haven’t experienced this
Can you link the magic arm for the monitor please?
When I see your monitor I don’t see the slog3 option on there. What profile do you shoot?
Hey Mark. I assume you can’t use the fx6 touch focus tracking on your small HD monitor. Are you shooting mostly manual focus for this project? When would you use the autofocus?
No lots of auto. Just manage flick it to manual when needed
Nice!! Can you tell how exactly you expose for sLog? Are you watching the sLog or the final grad, when you shoot?
Check out my video about exposure! I released it around September of last year
great run and gun pack ! Mic set up please!